Wilhelmina Barns-Graham
Encyclopedia
CBE
CBE and C.B.E. are abbreviations for "Commander of the Order of the British Empire", a grade in the Order of the British Empire.Other uses include:* Chemical and Biochemical Engineering...
(8 June 1912, St Andrews
St Andrews
St Andrews is a university town and former royal burgh on the east coast of Fife in Scotland. The town is named after Saint Andrew the Apostle.St Andrews has a population of 16,680, making this the fifth largest settlement in Fife....
, Fife
Fife
Fife is a council area and former county of Scotland. It is situated between the Firth of Tay and the Firth of Forth, with inland boundaries to Perth and Kinross and Clackmannanshire...
– 26 January 2004) was one of the foremost British abstract
Abstract art
Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an...
artists, a member of the influential Penwith Society of Arts.
Life
Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. As a child she showed very early signs of creative ability. Determining while at school that she wanted to be an artist, she set her sights on Edinburgh College of ArtEdinburgh College of Art
Edinburgh College of Art is an art school in Edinburgh, Scotland, providing tertiary education in art and design disciplines for over two thousand students....
where, after some dispute with her father, she enrolled in 1931, and after periods of illness, from which she graduated with her diploma in 1937.
At the suggestion of the College's Principal Hubert Wellington, she moved to St Ives
St Ives, Cornwall
St Ives is a seaside town, civil parish and port in Cornwall, England, United Kingdom. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial...
, Cornwall, in 1940, near to where a group of Hampstead
Hampstead
Hampstead is an area of London, England, north-west of Charing Cross. Part of the London Borough of Camden in Inner London, it is known for its intellectual, liberal, artistic, musical and literary associations and for Hampstead Heath, a large, hilly expanse of parkland...
-based modernist
Modernism
Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society...
s had settled, at Carbis Bay
Carbis Bay
Carbis Bay is a village and seaside resort in Cornwall, United Kingdom. It lies one mile SE of St Ives on the west side of St Ives Bay on the Atlantic coast....
, to escape the war.This was a pivotal moment in her life. Early on she met Borlase Smart, Alfred Wallis
Alfred Wallis
Alfred Wallis was a Cornish fisherman and artist.Wallis's parents, Charles and Jane Wallis were from Penzance in Cornwall and moved to Devonport, Devon to find work in 1850 where Alfred and his brother Charles were born. Shortly after this the children's mother died and this prompted the family to...
and Bernard Leach
Bernard Leach
Bernard Howell Leach, CBE, CH , was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery"-Biography:...
, as well as the painter Ben Nicholson
Ben Nicholson
Benjamin Lauder "Ben" Nicholson, OM was a British painter of abstract compositions , landscape and still-life.-Background and Training:...
and the sculptors Barbara Hepworth
Barbara Hepworth
Dame Barbara Hepworth DBE was an English sculptor. Her work exemplifies Modernism, and with such contemporaries as Ivon Hitchens, Henry Moore, Ben Nicholson, Naum Gabo she helped to develop modern art in Britain.-Life and work:Jocelyn Barbara Hepworth was born on 10 January 1903 in Wakefield,...
and Naum Gabo
Naum Gabo
Naum Gabo KBE, born Naum Neemia Pevsner was a prominent Russian sculptor in the Constructivism movement and a pioneer of Kinetic Art.-Early life:...
. Barns-Graham became a member of the Newlyn Society of Artists and the St Ives Society of Artists but was to leave the latter when, in 1949, the St Ives art community suffered an acrimonious split, and she became a founder member of a breakaway group of abstract artists, the Penwith Society of Arts. She was also one of the initial exhibitors of the significant Crypt Group. In the same year she married the art critic David Lewis (they divorced in 1960).
She travelled regularly over the next 20 years to Switzerland, Italy, Paris, and Spain. With the exception of a short teaching term at Leeds School of Art (1956–1957) and three years in London (1960–1963), she lived and worked in St Ives. From 1960, on inheriting a house outside St Andrews from her aunt Mary Niesh (who had been a support to her throughout her art college years), she split her time between summers in Cornwall and winters in Scotland.
Post-war, when St Ives had ceased to be a pivotal centre of modernism, her work and importance as an artist was sidelined, in part by an art-historical consensus that she had been only as a minor member of the St Ives school
St Ives School
The St Ives School refers to a group of artists living and working in the Cornish town of St Ives.-History:The town became a magnet for artists following the extension to West Cornwall of the Great Western Railway in 1877...
. In old age, however, she received belated recognition, receiving honorary doctorates from the University of St Andrews
University of St Andrews
The University of St Andrews, informally referred to as "St Andrews", is the oldest university in Scotland and the third oldest in the English-speaking world after Oxford and Cambridge. The university is situated in the town of St Andrews, Fife, on the east coast of Scotland. It was founded between...
in 1992 and later from the universities of Plymouth
University of Plymouth
Plymouth University is the largest university in the South West of England, with over 30,000 students and is 9th largest in the United Kingdom by total number of students . It has almost 3,000 staff...
, Exeter
University of Exeter
The University of Exeter is a public university in South West England. It belongs to the 1994 Group, an association of 19 of the United Kingdom's smaller research-intensive universities....
and Falmouth
University College Falmouth
University College Falmouth is a British university college in Falmouth, Cornwall. Founded in 1902, it had previously been the Falmouth School of Art and then Falmouth College of Arts until it received taught degree-awarding powers in March 2005...
. In 1999 she was elected an honorary member of the Royal Scottish Academy
Royal Scottish Academy
The Royal Scottish Academy is a Scottish organisation that promotes contemporary Scottish art. Founded in 1826, as the Royal Institution for the Encouragement of the Fine Arts, the RSA maintains a unique position in Scotland as an independently funded institution led by eminent artists and...
and the Royal Scottish Watercolourists
The Royal Scottish Society of Painters in Watercolour
The Royal Scottish Society of Painters in Watercolours is a Scottish organisation of painters.It was founded in 1876, with the support of the Royal Scottish Academy, by artists to "promote, through exhibition, the medium of watercolour and encourage the bold, free and colourful qualities of...
. She was awarded a CBE
Order of the British Empire
The Most Excellent Order of the British Empire is an order of chivalry established on 4 June 1917 by George V of the United Kingdom. The Order comprises five classes in civil and military divisions...
in 2001, the same year that saw the publishing of the first major monograph on life and work, written by Lynne Green — 'W.Barns-Graham : A Studio Life' (Lund Humphries). This publication was followed in 2007 by 'The Prints of WILHELMINA BARN-GRAHAM : a complete catalogue' by Ann Gunn (also a Lund Humphries publication). Her work is found in all major public collections within the UK.
Wilhelmina Barns-Graham died in St Andrews on 26 January 2004. She bequeathed her entire estate to The Barns-Graham Charitable Trust, which she had established in 1987. The aims of the trust are to foster and protect her reputation, to advance the knowledge of her life and work, to create an archive of key works of art and papers, and, in a cause close to her heart, to support and inspire art and art history students through offering grants and bursaries to those in selected art college and universities. Information about the trust and its activities is to be found at http://www.barns-grahamtrust.org.uk
Art
Through the course of her life Wilhelmina Barns-Graham's work generally lay on the divide between abstract and representational, typically drawing on inspirations from landscape. From 1940, when she arrived in Cornwall, her pictures are exploratory and even tentative as she began to develop her own method and visual language. The influence of St Ives then starts to arise, to take hold as local shapes and colours appear in the images - the Cornish rocks, landscape and buildings. Perhaps the most significant innovation at this time derived from the ideas of Naum GaboNaum Gabo
Naum Gabo KBE, born Naum Neemia Pevsner was a prominent Russian sculptor in the Constructivism movement and a pioneer of Kinetic Art.-Early life:...
, who was interested in the principle of stereometry - defining forms in terms of space rather than mass. Barns-Graham's series of glacier pictures that started in 1949, inspired by her walks on the Grindelwald
Grindelwald
Grindelwald is a municipality in the Interlaken-Oberhasli administrative district in the canton of Bern in Switzerland. The village is located at above sea level in the Bernese Alps.-Winter sports:...
Glacier in Switzerland, reflect the idea of looking at things in a total view, not only from the outside but from all points, including inside. In 1952 her studies of local forms became more planar and two dimensional, but from the mid 1950s she had developed a more expressionist and free form attitude following journeys to Spain.
In the early 1960s, reflecting the turmoil in her personal life, Barns-Graham adopted a severe geometrical form of abstraction as a way of taking a fresh approach to her painting. Combined with a very intuitive sense of colour and design, the work often has more vitality than is immediately apparent. Squares tumble and circles flow across voids. Colour and movement come together and it is at this point in her work that St Ives perhaps exerts the least influence; rather, this approach more likely reflects an interest in the work of Josef Albers
Josef Albers
Josef Albers was a German-born American artist and educator whose work, both in Europe and in the United States, formed the basis of some of the most influential and far-reaching art education programs of the 20th century....
who was exciting UK artists at this time, in embracing new possibilities offered by the optical effects of a more formulaic abstraction.
Nonetheless there is evidence to suggest that many images did stem from observations of the world around her. This is seen in a series of ice paintings in the late 1970s and then in a body of work that explores the hidden energies of sea and wind, composed of multiple wave-like lines drawn in the manner of Paul Klee
Paul Klee
Paul Klee was born in Münchenbuchsee, Switzerland, and is considered both a German and a Swiss painter. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. He was, as well, a student of orientalism...
. The Expanding Form paintings of 1980 are the culmination of many ideas from the previous fifteen years - the poetic movement in these works revealing a more relaxed view.
From the late 1980s and right up until her death, Barns-Graham's paintings became more and more free; an expression of life and free flowing brushwork not seen since the late 1950s. Working mainly on paper (there are relatively few canvases from this period) the images evolved to become, initially, highly complex, rich in colour and energy, and then, simultaneously, bolder and simpler, reflecting her enjoyment of life and living. "in my paintings I want to express the joy and importance of colour, texture, energy and vibrancy, with an awareness of space and construction. A celebration of life — taking risks so creating the unexpected." (Barns-Graham, October 2001) This outlook is perfectly expressed in the extraordinary collection of screen prints that she made with Graal Press, Edinburgh, between 1999 and 2003.