Willem Maris
Encyclopedia
Willem Maris was a Dutch
landscape painter of the Hague School
.
Willem was the third in a family of five children. His two brothers Jacob
and Matthijs Maris
preceded him as painters. In literature he is often characterized as a self-taught man, and Maris described his early study years as follows: "From the time I was young I worked outdoors. Even before I was twelve I would sit in the meadow and watch the cows before and after school. As my brothers were older than me, naturally I got part of my training from them, and in the winters I went to the Academy of Art, where I often drew from plaster models and also often practiced drawing in perspective. In the summer I always studied outdoors, and in the winter in the stable." Maris also received advice from the cattle painter Pieter Stortenbeker, who gave him work to copy.
In 1862, Maris made his debut with Cows on the Heath, which may have been painted in Oosterbeek, which he visited for the first time that year. It was in Oosterbeek that he met Gerard Bilders
and Anton Mauve
. Maris would write about his legendary meeting with Mauve: "a couple of days afterwards I was sitting somewhere and painting-when one of these braggarts came up behind me. Well, hey, when you're young, you don't think that's very nice. And suddenly the guy throws his arms around me and roars: 'I sit here all day long plodding away with a pencil -scratching and scratching-and you get it right away!' It was ... Mauve.'They would remain good friends for the rest of their lives.
In 1863, the Mauve family moved and set a studio where all the three brothers could work. As his brothers had done before him, Willem also took a trip along the Rhine. Later he shared a studio with Bernard Blommers
, and Matthijs Maris and Anton Mauve could often be found there. In the Mauritshuis
, Willem copied the works of Paulus Potter
, a seventeenth century cattle painter who also inspired Gerard Bilders
, Johan Hendrik Weissenbruch
and the Barbizon painters.
Willem's painting career progressed regularly and he maintained a steady production. For his entire life he remained true to the subjects he had chosen in his youth: meadow landscapes with willows and ditches, cows or calves in a meadow, by a river or pond, and later ducks and chickens. His paintings and watercolors are best known for his emphasis on light. Maris' often cited motto was: "I don't paint cows, but rather effects of light." His early work in particular often contained a cool, cloudy atmosphere. Someone wrote: " In those days, the young painter had a pronounced preference for shrouds of mist, which is quite peculiar. On several occasions he angrily broke off his study trips as soon as the sun and wind had chased away the early morning mist."
Three major phases can be distinguished in his work. The first works were characterized by an exact reproduction of the surroundings. Maris was still finding his way in the anatomical portrayal of cattle. In the second phase he had completely mastered this and his use of color became more definite. The meadows and trees are painted in gradations of saturated shades of green. Around 1880, he began to use broader strokes, combining this with impasto
. Yet these works have an intimate atmosphere. His lively use of color distinguished Maris from the 'gray mood' of his contemporaries, and he was often called the 'impressionist' of the Hague School.
Maris wrote that he never had any students, but about 1880, George Hendrik Breitner
must have studied with him. He also taught his son, Simon Willem and certainly influenced others.
When Maris was in his sixties, he often seemed tired of life. He went to Karlsbad a few times to take the waters, as his brother Jacob had done. On 10 October he died in The Hague.
Netherlands
The Netherlands is a constituent country of the Kingdom of the Netherlands, located mainly in North-West Europe and with several islands in the Caribbean. Mainland Netherlands borders the North Sea to the north and west, Belgium to the south, and Germany to the east, and shares maritime borders...
landscape painter of the Hague School
Hague School
The Hague School is the name given to a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively sombre colours, which is why...
.
Willem was the third in a family of five children. His two brothers Jacob
Jacob Maris
Jacob Maris was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters....
and Matthijs Maris
Matthijs Maris
Matthias Marris was a Dutch painter, etcher and lithographer. He was also known as Matthijs Maris or Thijs...
preceded him as painters. In literature he is often characterized as a self-taught man, and Maris described his early study years as follows: "From the time I was young I worked outdoors. Even before I was twelve I would sit in the meadow and watch the cows before and after school. As my brothers were older than me, naturally I got part of my training from them, and in the winters I went to the Academy of Art, where I often drew from plaster models and also often practiced drawing in perspective. In the summer I always studied outdoors, and in the winter in the stable." Maris also received advice from the cattle painter Pieter Stortenbeker, who gave him work to copy.
In 1862, Maris made his debut with Cows on the Heath, which may have been painted in Oosterbeek, which he visited for the first time that year. It was in Oosterbeek that he met Gerard Bilders
Gerard Bilders
Albertus Gerardus Bilders was a Dutch painter and collector who associated with some members of the Hague School....
and Anton Mauve
Anton Mauve
Anthonij Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. He was a very significant early influence on his cousin-in-law Vincent van Gogh.Most of Mauve's work depicts people and animals in...
. Maris would write about his legendary meeting with Mauve: "a couple of days afterwards I was sitting somewhere and painting-when one of these braggarts came up behind me. Well, hey, when you're young, you don't think that's very nice. And suddenly the guy throws his arms around me and roars: 'I sit here all day long plodding away with a pencil -scratching and scratching-and you get it right away!' It was ... Mauve.'They would remain good friends for the rest of their lives.
In 1863, the Mauve family moved and set a studio where all the three brothers could work. As his brothers had done before him, Willem also took a trip along the Rhine. Later he shared a studio with Bernard Blommers
Bernard Blommers
Bernardus Johannes Blommers was a Dutch etcher and painter of the Hague School....
, and Matthijs Maris and Anton Mauve could often be found there. In the Mauritshuis
Mauritshuis
The Royal Picture Gallery Mauritshuis is an art museum in The Hague, the Netherlands. Previously the residence of count John Maurice of Nassau, it now has a large art collection, including paintings by Dutch painters such as Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter and Frans...
, Willem copied the works of Paulus Potter
Paulus Potter
Paulus Potter was a Dutch painter, specialized in animals in landscapes, usually with a low point of view. Before Potter died of tuberculosis, 28-years old, he succeeded in producing about a hundred paintings, working continuously.-Life:Few details are known of Potter's life...
, a seventeenth century cattle painter who also inspired Gerard Bilders
Gerard Bilders
Albertus Gerardus Bilders was a Dutch painter and collector who associated with some members of the Hague School....
, Johan Hendrik Weissenbruch
Johan Hendrik Weissenbruch
Hendrik Johannes Weissenbruch was a Dutch painter of the Hague School....
and the Barbizon painters.
Willem's painting career progressed regularly and he maintained a steady production. For his entire life he remained true to the subjects he had chosen in his youth: meadow landscapes with willows and ditches, cows or calves in a meadow, by a river or pond, and later ducks and chickens. His paintings and watercolors are best known for his emphasis on light. Maris' often cited motto was: "I don't paint cows, but rather effects of light." His early work in particular often contained a cool, cloudy atmosphere. Someone wrote: " In those days, the young painter had a pronounced preference for shrouds of mist, which is quite peculiar. On several occasions he angrily broke off his study trips as soon as the sun and wind had chased away the early morning mist."
Three major phases can be distinguished in his work. The first works were characterized by an exact reproduction of the surroundings. Maris was still finding his way in the anatomical portrayal of cattle. In the second phase he had completely mastered this and his use of color became more definite. The meadows and trees are painted in gradations of saturated shades of green. Around 1880, he began to use broader strokes, combining this with impasto
Impasto
In English, the borrowed Italian word impasto most commonly refers to a technique used in painting, where paint is laid on an area of the surface very thickly, usually thickly enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas...
. Yet these works have an intimate atmosphere. His lively use of color distinguished Maris from the 'gray mood' of his contemporaries, and he was often called the 'impressionist' of the Hague School.
Maris wrote that he never had any students, but about 1880, George Hendrik Breitner
George Hendrik Breitner
George Hendrik Breitner wasa Dutch painter and photographer.-Biography:George Hendrik Breitner was born in Rotterdam, Netherlands. From 1876–1880 he attended the Academy in the Hague where his extraordinary talent was rewarded on various occasions...
must have studied with him. He also taught his son, Simon Willem and certainly influenced others.
When Maris was in his sixties, he often seemed tired of life. He went to Karlsbad a few times to take the waters, as his brother Jacob had done. On 10 October he died in The Hague.
Source
- Sillevis, John and Tabak, Anne, The Hague School Book, Waanders Uitgegevers, Zwolle, 2004 (pp 311-320)