William Baziotes
Overview
 
William Baziotes was an American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

 painter influenced by Surrealism
Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members....

 and was a contributor to Abstract Expressionism
Abstract expressionism
Abstract expressionism was an American post–World War II art movement. It was the first specifically American movement to achieve worldwide influence and put New York City at the center of the western art world, a role formerly filled by Paris...

.
Born and raised in Pittsburgh
Pittsburgh, Pennsylvania
Pittsburgh is the second-largest city in the US Commonwealth of Pennsylvania and the county seat of Allegheny County. Regionally, it anchors the largest urban area of Appalachia and the Ohio River Valley, and nationally, it is the 22nd-largest urban area in the United States...

, Pennsylvania
Pennsylvania
The Commonwealth of Pennsylvania is a U.S. state that is located in the Northeastern and Mid-Atlantic regions of the United States. The state borders Delaware and Maryland to the south, West Virginia to the southwest, Ohio to the west, New York and Ontario, Canada, to the north, and New Jersey to...

 to Greek parents Angelos and Stella, Baziotes began his formal art training in 1933 at the National Academy of Design
National Academy of Design
The National Academy Museum and School of Fine Arts, founded in New York City as the National Academy of Design – known simply as the "National Academy" – is an honorary association of American artists founded in 1825 by Samuel F. B. Morse, Asher B. Durand, Thomas Cole, Martin E...

 in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...

 where he graduated in 1936. He studied with Charles Curran
Charles Courtney Curran
Charles Courtney Curran was an American painter. He is best known for his canvases depicting beautiful women in pleasant settings.-Career:Curran was born in Hartford, Kentucky in 1861 and moved to Sandusky, Ohio in 1881...

, Ivan Olinsky, Gifford Beal
Gifford Beal
Gifford Beal was an American artist noted for his work as a painter, watercolorist, printmaker and muralist.-Early life:Born in New York City, Gifford Beal was the youngest son in a family of six surviving children...

, and Leon Kroll
Leon Kroll
-External links:* *...

. He was worked and taught through the Federal Art Project
Federal Art Project
The Federal Art Project was the visual arts arm of the Great Depression-era New Deal Works Progress Administration Federal One program in the United States. It operated from August 29, 1935, until June 30, 1943. Reputed to have created more than 200,000 separate works, FAP artists created...

 in from 1936-1938 and worked on their WPA Easel Project from 1938-1940.

In the 1940s he became friends with many artists in the emerging Abstract Expressionist group.
Quotations

I consider my painting finished when my eyes goes to a particular spot on the canvas. But if I put the picture away about thirty feet on the wall and the movements keep returning to me and the eye seems to be responding to something living, then it is finished.

Artists’ Session at Studio 35, 1950, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 213

I think the reason we (he himself and Lippold, fh) begin in a different way, is that this particular time has gotten to a point where the artist feels like a gambler. He does something on the canvas and takes a chance in the hope that something important will be revealed.

Artists’ Session at Studio 35, 1950, as quoted Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 219

The eye seems to be responding to something living.

'‘Modern Artists in America, R. Motherwell, A. Reinhardt and B. Karpel, eds., First series, New York 1952, p. 100

As for the subject matter in my painting.. ..it is very often an incidental thing in the background, elusive and unclear, that really stirred me.

Fifteen Americans, exhibition catalogue, Museum of Modern Art, 1952 p. 12

One hundred artists introduce us to one hundred worlds.

Artists Club, January 8, 1952, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts 1983, p. 136

I can not evolve any concrete theory about painting.

Willem de Kooning, Moma Bulletin pp. 6,7, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts 1983, p. 135

One can begin a picture and carry it throughand stop it and do nothing about the title at all.

as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts 1983, p. 147

 
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