William Charles Ross
Encyclopedia
Sir William Charles Ross (3 June 1794 – 20 Jan 1860) was an English portrait
and portrait miniature
painter of Scottish descent; early in his career, he was known for historical paintings. He became a member of the Royal Academy
in 1842.
and descended from a Scottish family who had settled at Tain
in Rosshire. He was the son of William Ross, a miniature-painter and teacher of drawing, who exhibited at the Royal Academy
from 1809 to 1825. His mother, Maria Smith, a sister of Anker Smith, the line-engraver, was a portrait-painter, who exhibited at the Royal Academy between 1791 and 1814, and died in London on 20 March 1836, aged 70.
At an early age young Ross showed great ability in art, and in 1807 received the "lesser silver palette" from the Society of Arts for a copy in chalk of Anker Smith's engraving of James Northcote
's "Death of Wat Tyler". In 1808 he was admitted into the schools of the Royal Academy, where he received from Benjamin West
much kind advice, and in 1810 gained a silver medal for a drawing from life. The Society of Arts also, in 1808, awarded him a silver medal for an original drawing of the "Judgment of Solomon", and in 1809 the larger silver palette for an original miniature of "Venus and Cupid", which he exhibited with two other works, "Mordecai Rewarded" and "The Judgment of Solomon", at the Royal Academy in the same year.
For some years afterwards his exhibited works were mainly of a classical character, and in 1825 he sent to the Royal Academy a large picture representing "Christ casting out Devils". In 1810, he again received a silver medal, and 20 guineas, from the Society of Arts, for an original drawing of "Caractacus brought before Claudius Cæsar"; in 1811, the silver medal and twenty guineas for an original drawing of "Samuel presented to Eli"; in 1816, the gold Isis medal for an original portrait of the Duke of Norfolk, president of the society; and in 1817, the gold medal for an original historical painting, "The Judgment of Brutus".
At the age of twenty he became an assistant to Andrew Robertson (1777–1845), the eminent Scottish miniature-painter, and, although his first ambition was to excel in historical painting, he thought it advisable to concentrate on the more lucrative speciality of miniature-painting. He soon acquired a sizeable and elite clientele. In 1837 Queen Victoria and the Duchess of Kent
sat for him, and in succeeding years Queen Adelaide
, the Prince Consort, the royal children, and various members of the royal families of France, Belgium, Portugal, and Saxe-Coburg
.
He was elected an associate of the Royal Academy in 1838, and in 1843 a royal academician, and was knighted on 1 June 1842. The Westminster Hall competition of 1843 led him to turn his hand once more to historical composition, and he sent a cartoon of "The Angel Raphael discoursing with Adam", which was awarded an extra premium of £100.
He continued, to hold a preeminent position amongst miniature-painters until 1857, when he was struck down by paralysis while engaged on portraits of the Duke and Duchess of Aumale, with their two sons. He never entirely recovered, and died unmarried at his home at 38 Fitzroy Square
, London, on 20 January 1860. He was buried in Highgate cemetery
.
, and engraved on wood for The Art Journal
of 1849; a miniature was also painted by his brother, Hugh Ross. An exhibition of miniatures by him was held at the Society of Arts early in 1860, and in June his remaining works were sold by the auctioneers Christie, Manson & Woods
.
Ross held the same position with respect to miniature-painters that Thomas Lawrence
did among portrait-painters. Others have surpassed him in power of expression, but in refinement, in purity of colour, and in truth, he had no rival. His portraits of men are marked by a strong individuality, while his women charm by their grace and delicacy. His miniatures numbered over 2,200, of which about 300 were exhibited at the Royal Academy. Those of Queen Victoria and of the Prince Consort were engraved by Henry Thomas Ryall
; that of the Duchess of Nemours by Charles Heath
, for the "Keepsake" of 1843 (a short-lived art annual); that of Prince Louis Napoleon Bonaparte, by F. J. Joubert; and those of Charlotte, Duchess of Marlborough
, and of James, 3rd Marquis of Ormonde, by W. J. Edwards.
Portrait painting
Portrait painting is a genre in painting, where the intent is to depict the visual appearance of the subject. Beside human beings, animals, pets and even inanimate objects can be chosen as the subject for a portrait...
and portrait miniature
Portrait miniature
A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolour, or enamel.Portrait miniatures began to flourish in 16th century Europe and the art was practiced during the 17th century and 18th century...
painter of Scottish descent; early in his career, he was known for historical paintings. He became a member of the Royal Academy
Royal Academy
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London. The Royal Academy of Arts has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to promote the creation, enjoyment and...
in 1842.
Life and work
Ross was born in LondonLondon
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
and descended from a Scottish family who had settled at Tain
Tain
Tain is a royal burgh and post town in the committee area of Ross and Cromarty, in the Highland area of Scotland.-Etymology:...
in Rosshire. He was the son of William Ross, a miniature-painter and teacher of drawing, who exhibited at the Royal Academy
Royal Academy
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London. The Royal Academy of Arts has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to promote the creation, enjoyment and...
from 1809 to 1825. His mother, Maria Smith, a sister of Anker Smith, the line-engraver, was a portrait-painter, who exhibited at the Royal Academy between 1791 and 1814, and died in London on 20 March 1836, aged 70.
At an early age young Ross showed great ability in art, and in 1807 received the "lesser silver palette" from the Society of Arts for a copy in chalk of Anker Smith's engraving of James Northcote
James Northcote
James Northcote RA , was an English painter.-Biography:He was born at Plymouth, and was apprenticed to his father, a poor watchmaker. In his spare time, he drew and painted. In 1769 he left his father and set up as a portrait painter. Four years later he went to London and was admitted as a pupil...
's "Death of Wat Tyler". In 1808 he was admitted into the schools of the Royal Academy, where he received from Benjamin West
Benjamin West
Benjamin West, RA was an Anglo-American painter of historical scenes around and after the time of the American War of Independence...
much kind advice, and in 1810 gained a silver medal for a drawing from life. The Society of Arts also, in 1808, awarded him a silver medal for an original drawing of the "Judgment of Solomon", and in 1809 the larger silver palette for an original miniature of "Venus and Cupid", which he exhibited with two other works, "Mordecai Rewarded" and "The Judgment of Solomon", at the Royal Academy in the same year.
For some years afterwards his exhibited works were mainly of a classical character, and in 1825 he sent to the Royal Academy a large picture representing "Christ casting out Devils". In 1810, he again received a silver medal, and 20 guineas, from the Society of Arts, for an original drawing of "Caractacus brought before Claudius Cæsar"; in 1811, the silver medal and twenty guineas for an original drawing of "Samuel presented to Eli"; in 1816, the gold Isis medal for an original portrait of the Duke of Norfolk, president of the society; and in 1817, the gold medal for an original historical painting, "The Judgment of Brutus".
At the age of twenty he became an assistant to Andrew Robertson (1777–1845), the eminent Scottish miniature-painter, and, although his first ambition was to excel in historical painting, he thought it advisable to concentrate on the more lucrative speciality of miniature-painting. He soon acquired a sizeable and elite clientele. In 1837 Queen Victoria and the Duchess of Kent
Princess Victoria of Saxe-Coburg-Saalfeld
Princess Victoria of Saxe-Coburg-Saalfeld was the mother of Queen Victoria of the United Kingdom.-Early life:...
sat for him, and in succeeding years Queen Adelaide
Adelaide of Saxe-Meiningen
Princess Adelaide of Saxe-Meiningen was the queen consort of the United Kingdom and of Hanover as spouse of William IV of the United Kingdom. Adelaide, the capital city of South Australia, is named after her.-Early life:Adelaide was born on 13 August 1792 at Meiningen, Thuringia, Germany...
, the Prince Consort, the royal children, and various members of the royal families of France, Belgium, Portugal, and Saxe-Coburg
Saxe-Coburg
Saxe-Coburg was a duchy held by the Ernestine branch of the Wettin dynasty in today's Bavaria, Germany.After the Division of Erfurt in 1572, Coburg was part of the Duchy of Saxe-Coburg-Eisenach, ruled by the Ernestine duke John Casimir jointly with his brother John Ernest. In 1596...
.
He was elected an associate of the Royal Academy in 1838, and in 1843 a royal academician, and was knighted on 1 June 1842. The Westminster Hall competition of 1843 led him to turn his hand once more to historical composition, and he sent a cartoon of "The Angel Raphael discoursing with Adam", which was awarded an extra premium of £100.
He continued, to hold a preeminent position amongst miniature-painters until 1857, when he was struck down by paralysis while engaged on portraits of the Duke and Duchess of Aumale, with their two sons. He never entirely recovered, and died unmarried at his home at 38 Fitzroy Square
Fitzroy Square
Fitzroy Square is one of the Georgian squares in London and is the only one found in the central London area known as in Fitzrovia.The square, nearby Fitzroy Street and the Fitzroy Tavern in Charlotte Street have the family name of Charles FitzRoy, 2nd Duke of Grafton, into whose ownership the land...
, London, on 20 January 1860. He was buried in Highgate cemetery
Highgate Cemetery
Highgate Cemetery is a cemetery located in north London, England. It is designated Grade I on the English Heritage Register of Parks and Gardens of Special Historic Interest in England. It is divided into two parts, named the East and West cemetery....
.
Family
Hugh Ross (1800–1873), younger brother of Sir William Charles Ross, was also a miniature-painter, and exhibited at the Royal Academy from 1814 to 1845. Magdalene Ross (1801–1874), a sister, who likewise practised the same branch of art, exhibited at the Royal Academy between 1820 and 1856; she married Edwin Dalton, a portrait-painter.Legacy
Ross's portrait was painted by Thomas Henry IllidgeThomas Henry Illidge
-Life and work:Illidge was born in Birmingham on 26 September 1799, belonging to a family resident near Nantwich, Cheshire. Illidge's father moved to Manchester, and, dying young, left a young family ill-provided for. Illidge was educated in Manchester, and taught drawing. He was subsequently the...
, and engraved on wood for The Art Journal
The Art Journal
The Art Journal, published in London, was the most important Victorian magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title the Art Union Monthly Journal, the first issue of 750 copies appearing 15 February 1839.Hodgson & Graves hired Samuel...
of 1849; a miniature was also painted by his brother, Hugh Ross. An exhibition of miniatures by him was held at the Society of Arts early in 1860, and in June his remaining works were sold by the auctioneers Christie, Manson & Woods
Christie's
Christie's is an art business and a fine arts auction house.- History :The official company literature states that founder James Christie conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766...
.
Ross held the same position with respect to miniature-painters that Thomas Lawrence
Thomas Lawrence
Thomas Lawrence may refer to:*Sir Thomas Lawrence, British artist, President of Royal Academy*Thomas Lawrence , mayor of colonial Philadelphia*T. E. Lawrence, "Lawrence of Arabia"*Thomas Lawrence , U.S. politician...
did among portrait-painters. Others have surpassed him in power of expression, but in refinement, in purity of colour, and in truth, he had no rival. His portraits of men are marked by a strong individuality, while his women charm by their grace and delicacy. His miniatures numbered over 2,200, of which about 300 were exhibited at the Royal Academy. Those of Queen Victoria and of the Prince Consort were engraved by Henry Thomas Ryall
Henry Thomas Ryall
Henry Thomas Ryall was an English line, stipple and mixed-method engraver and later used mixed mezzotint.Ryall was appointed the royal engraver by Queen Victoria. Forty of his works appear in the National Portrait Gallery in London.-Life:...
; that of the Duchess of Nemours by Charles Heath
Charles Heath
Charles Theodosius Heath was an English engraver, currency and stamp printer, book publisher and illustrator.-Life and work:...
, for the "Keepsake" of 1843 (a short-lived art annual); that of Prince Louis Napoleon Bonaparte, by F. J. Joubert; and those of Charlotte, Duchess of Marlborough
Duchess of Marlborough
Duchess of Marlborough may refer to:* Sarah Churchill, Duchess of Marlborough , wife of John Churchill, 1st Duke of Marlborough* Henrietta Godolphin, 2nd Duchess of Marlborough , daughter and heiress of the 1st Duke of Marlborough...
, and of James, 3rd Marquis of Ormonde, by W. J. Edwards.
External links
- W C Ross online (Artcyclopedia)
- W C Ross - biography (London atelier of representational art)