William Scrots
Encyclopedia
William Scrots (or Scrotes or Stretes) (active 1537–1553) was a painter of the Tudor court
and an exponent of the Mannerist style of painting in the Netherlands. He is first heard of when appointed a court painter
to Mary of Habsburg, Regent of the Netherlands, in 1537. In England, he followed Hans Holbein
as King's Painter to Henry VIII
in 1546, with a substantial annual salary of £62 10s, over twice as much as Holbein's thirty pounds a year. He continued in this role during the reign of the boy king Edward VI
. His salary was stopped on Edward's death in 1553, after which it is not known what became of him, though it is presumed he left England.
Little more is known of Scrots than that his paintings showed an interest in ingenious techniques and detailed accessories. Scrots was paid 50 marks in 1551 for three "great tables", two of which were portraits of Edward delivered to the ambassadors Thomas Hoby
and John Mason as gifts for foreign monarchs, and the third a "picture of the late earle of Surrey attainted." Two full-length portraits of Edward VI in a pose similar to that of Holbein's portrait of his father, one now in the Royal Collection
(left) and another now in the Louvre (below), are attributed to Scrots and are likely to be these two paintings. Scrots also painted an anamorphic profile of Edward VI, distorted so that it is impossible to view it normally except from a special angle to the side. This optical trick is similar to that used by Holbein in his painting The Ambassadors
and in contemporary portraits of Francis I
and Ferdinand I
. Later, when the painting was exhibited at Whitehall Palace in the winter of 1591–92, it created a sensation, and important visitors were all taken to see it.
In the words of art historian Ellis Waterhouse
, "although Scrots was not a painter of high creative or imaginative gifts, he knew all the latest fashions, and a series of paintings appeared at the English court during the next few years which could vie in modernity with those produced anywhere in northern Europe". In particular, Scrots seems to have helped popularise the full-length portrait at the same time as it became fashionable on the continent.
Scrots's portrait of Henry Howard, Earl of Surrey
, takes a strikingly different approach to portraiture from that previously adopted by Holbein and other painters in England. This, especially in the enframing architectural statuary, is in the Mannerist style that had originated in Florence and then spread to the France of Francis I and to the Netherlands. It exhibits the elongation of the figure typical of the style. The artist depicts the earl dressed in fantastically ornamented clothing and surrounds him with architectural details and emblems from classical sculpture. These may relate to the only large-scale Mannerist project in England, then nearing completion, Nonsuch Palace
in Surrey. The painting set a new fashion for English portraiture. The earl was executed in 1547 on suspicion of treason; some (indeed most) of the evidence brought against him was that he had made inappropriate use of the Royal Arms of England, as indeed he does here. He was of royal descent, but these were not his personal arms. A heraldic drawing was produced in evidence, but this painting does not seem to have been mentioned at his trial.
A three-quarter length painting of Edward as Prince of Wales
with Hunsdon House
, Hertfordshire, in the background and the famous portrait of Elizabeth I
as princess (illustration), both dated to 1546, have been long suggested as undocumented works by Scrots, but art historians have recently questioned that attribution.
Artists of the Tudor court
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I....
and an exponent of the Mannerist style of painting in the Netherlands. He is first heard of when appointed a court painter
Court painter
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were often given the office of valet de chambre...
to Mary of Habsburg, Regent of the Netherlands, in 1537. In England, he followed Hans Holbein
Hans Holbein the Younger
Hans Holbein the Younger was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history...
as King's Painter to Henry VIII
Henry VIII of England
Henry VIII was King of England from 21 April 1509 until his death. He was Lord, and later King, of Ireland, as well as continuing the nominal claim by the English monarchs to the Kingdom of France...
in 1546, with a substantial annual salary of £62 10s, over twice as much as Holbein's thirty pounds a year. He continued in this role during the reign of the boy king Edward VI
Edward VI of England
Edward VI was the King of England and Ireland from 28 January 1547 until his death. He was crowned on 20 February at the age of nine. The son of Henry VIII and Jane Seymour, Edward was the third monarch of the Tudor dynasty and England's first monarch who was raised as a Protestant...
. His salary was stopped on Edward's death in 1553, after which it is not known what became of him, though it is presumed he left England.
Little more is known of Scrots than that his paintings showed an interest in ingenious techniques and detailed accessories. Scrots was paid 50 marks in 1551 for three "great tables", two of which were portraits of Edward delivered to the ambassadors Thomas Hoby
Thomas Hoby
Sir Thomas Hoby was an English diplomat and translator. He was born in 1530, the second son of William Hoby of Leominster, Herefordshire, by his second wife, Katherine, daughter of John Forden. He matriculated at St. John's College, Cambridge in 1546...
and John Mason as gifts for foreign monarchs, and the third a "picture of the late earle of Surrey attainted." Two full-length portraits of Edward VI in a pose similar to that of Holbein's portrait of his father, one now in the Royal Collection
Royal Collection
The Royal Collection is the art collection of the British Royal Family. It is property of the monarch as sovereign, but is held in trust for her successors and the nation. It contains over 7,000 paintings, 40,000 watercolours and drawings, and about 150,000 old master prints, as well as historical...
(left) and another now in the Louvre (below), are attributed to Scrots and are likely to be these two paintings. Scrots also painted an anamorphic profile of Edward VI, distorted so that it is impossible to view it normally except from a special angle to the side. This optical trick is similar to that used by Holbein in his painting The Ambassadors
The Ambassadors (Holbein)
The Ambassadors is a painting by Hans Holbein the Younger in the National Gallery, London. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate...
and in contemporary portraits of Francis I
Francis I of France
Francis I was King of France from 1515 until his death. During his reign, huge cultural changes took place in France and he has been called France's original Renaissance monarch...
and Ferdinand I
Ferdinand I, Holy Roman Emperor
Ferdinand I was Holy Roman Emperor from 1558 and king of Bohemia and Hungary from 1526 until his death. Before his accession, he ruled the Austrian hereditary lands of the Habsburgs in the name of his elder brother, Charles V, Holy Roman Emperor.The key events during his reign were the contest...
. Later, when the painting was exhibited at Whitehall Palace in the winter of 1591–92, it created a sensation, and important visitors were all taken to see it.
In the words of art historian Ellis Waterhouse
Ellis Waterhouse
Sir Ellis Kirkham Waterhouse was an English art historian specialized in Roman baroque and English painting...
, "although Scrots was not a painter of high creative or imaginative gifts, he knew all the latest fashions, and a series of paintings appeared at the English court during the next few years which could vie in modernity with those produced anywhere in northern Europe". In particular, Scrots seems to have helped popularise the full-length portrait at the same time as it became fashionable on the continent.
Scrots's portrait of Henry Howard, Earl of Surrey
Henry Howard, Earl of Surrey
Henry Howard, KG, , known as The Earl of Surrey although he never was a peer, was an English aristocrat, and one of the founders of English Renaissance poetry.-Life:...
, takes a strikingly different approach to portraiture from that previously adopted by Holbein and other painters in England. This, especially in the enframing architectural statuary, is in the Mannerist style that had originated in Florence and then spread to the France of Francis I and to the Netherlands. It exhibits the elongation of the figure typical of the style. The artist depicts the earl dressed in fantastically ornamented clothing and surrounds him with architectural details and emblems from classical sculpture. These may relate to the only large-scale Mannerist project in England, then nearing completion, Nonsuch Palace
Nonsuch Palace
Nonsuch Palace was a Tudor royal palace, built by Henry VIII in Surrey, England; it stood from 1538 to 1682–3. Its ruins are in Nonsuch Park.- Background :Nonsuch Palace in Surrey was perhaps the grandest of Henry VIII's building projects...
in Surrey. The painting set a new fashion for English portraiture. The earl was executed in 1547 on suspicion of treason; some (indeed most) of the evidence brought against him was that he had made inappropriate use of the Royal Arms of England, as indeed he does here. He was of royal descent, but these were not his personal arms. A heraldic drawing was produced in evidence, but this painting does not seem to have been mentioned at his trial.
A three-quarter length painting of Edward as Prince of Wales
Prince of Wales
Prince of Wales is a title traditionally granted to the heir apparent to the reigning monarch of the United Kingdom of Great Britain and Northern Ireland and the 15 other independent Commonwealth realms...
with Hunsdon House
Hunsdon House
Hunsdon House is a historic house in Hunsdon, Hertfordshire, England, northwest of Harlow.It was originally constructed of brick in 1447 by Sir William Oldhall in the shape of a tower...
, Hertfordshire, in the background and the famous portrait of Elizabeth I
Elizabeth I of England
Elizabeth I was queen regnant of England and Ireland from 17 November 1558 until her death. Sometimes called The Virgin Queen, Gloriana, or Good Queen Bess, Elizabeth was the fifth and last monarch of the Tudor dynasty...
as princess (illustration), both dated to 1546, have been long suggested as undocumented works by Scrots, but art historians have recently questioned that attribution.