Yair Dalal
Encyclopedia
Yair Dalal is an Israel
i musician of Iraqi-Jewish descent.
His main instruments are the oud
and the violin
, and he also sings as accompaniment. He composes his own music and draws on Arab and Jewish traditions, as well as European classical music and Indian music
. He is also a peace activist, and works to enhance understanding and communication between Arabs and Jews
.
. In his thirties, he lived on Kibbutz Samar, on the southern tip of the Arava Desert, and started playing music with the Bedouin tribe Azazme
. His experience playing music with Bedouin tribes helped him find the identity he has today, and inspired him to write music that bridges the gap between Israelis and Arabs. His musical style now draws influence from European classical, jazz, blues and Arab music. He describes it as, “It is Arabic, it is Iraqi, it is Jewish, and Israeli.” Nowadays, when he performs, he often wears a loose white robe or long jacket, with a cloth draped ober his shoulder like a prayer shawl. He says this shows his heritage and spirituality without being orthodox or overly religious. He also believes in the emotional and transformative power of music.
During the first Gulf War, he composed a piece with his then band, called Midian. The piece has a violin part which imitated the sound of Scud missiles falling from Iraq to Israel. After that, he began touring and recording both as a solo artist and with his band, Al Ol. Between 1995 and 2002, he recorded seven solo albums. In 1994, he wrote and performed the song “Zaman el Salaam” during the Nobel Peace Prize ceremony for Rabin, Peres, and Arafat.
. He curated the 2001 Oud Festival in Jerusalem, and says, “Oud music is a bonding factor… this is the music which Jews and Arabs grew up on together.” Because of his involvement with the Middle East and Arabs, Dalal was refused entry into the US after 9/11.
Dalal has also made may efforts to preserve the cultural heritage of Arab-Israeli music. He has been involved with the publication of archival recordings from Middle Eastern Jewish musicians who were popular in the 1950s, in an effort to preserve the genre. He also teaches workshops and advocates for education to bring various types of music to wider audiences. He feels a strong connection to the Bedouins and the desert itself, and attempts to promote the connection between the ancient desert people and modern Israelis and Palestinians.
As for his influences in music, he says, “When I play or when I compose, many things are in my head and in my spirit: the Jewish prayer from the Synagogue, the Iraqi maqam which was played in the Baghdad coffee shops by the Jews, and the folk songs that we have in Arabic. And also the desert, which is my favorite place.”
Israel
The State of Israel is a parliamentary republic located in the Middle East, along the eastern shore of the Mediterranean Sea...
i musician of Iraqi-Jewish descent.
His main instruments are the oud
Oud
The oud is a pear-shaped stringed instrument commonly used in North African and Middle Eastern music. The modern oud and the European lute both descend from a common ancestor via diverging paths...
and the violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
, and he also sings as accompaniment. He composes his own music and draws on Arab and Jewish traditions, as well as European classical music and Indian music
Music of India
The music of India includes multiple varieties of folk, popular, pop, classical music and R&B. India's classical music tradition, including Carnatic and Hindustani music, has a history spanning millennia and developed over several eras. It remains fundamental to the lives of Indians today as...
. He is also a peace activist, and works to enhance understanding and communication between Arabs and Jews
Jews
The Jews , also known as the Jewish people, are a nation and ethnoreligious group originating in the Israelites or Hebrews of the Ancient Near East. The Jewish ethnicity, nationality, and religion are strongly interrelated, as Judaism is the traditional faith of the Jewish nation...
.
Biography and Musical Style
Yair Dalal was born in Israel in 1955, though his parents were Iraqis who had immigrated to Israel the year before. Growing up, he was exposed to many different kinds of music, and studied violin at Givatayim Conservatory, just east of Tel Aviv. Though he was influenced by Iraqi folk music, he was also interested in Western rock. In his early twenties, he started played the oudOud
The oud is a pear-shaped stringed instrument commonly used in North African and Middle Eastern music. The modern oud and the European lute both descend from a common ancestor via diverging paths...
. In his thirties, he lived on Kibbutz Samar, on the southern tip of the Arava Desert, and started playing music with the Bedouin tribe Azazme
'Azazme
A Bedouin tribe whose grazing territory used to be the desert around the wells at El Auja and Bir Ain on the border between Israel and Egypt.In 1948 the 'Azazme numbered around 3,500. During 1950 the entire tribe was driven from the area around El Auja. In a series of raids the IDF burnt tents and...
. His experience playing music with Bedouin tribes helped him find the identity he has today, and inspired him to write music that bridges the gap between Israelis and Arabs. His musical style now draws influence from European classical, jazz, blues and Arab music. He describes it as, “It is Arabic, it is Iraqi, it is Jewish, and Israeli.” Nowadays, when he performs, he often wears a loose white robe or long jacket, with a cloth draped ober his shoulder like a prayer shawl. He says this shows his heritage and spirituality without being orthodox or overly religious. He also believes in the emotional and transformative power of music.
During the first Gulf War, he composed a piece with his then band, called Midian. The piece has a violin part which imitated the sound of Scud missiles falling from Iraq to Israel. After that, he began touring and recording both as a solo artist and with his band, Al Ol. Between 1995 and 2002, he recorded seven solo albums. In 1994, he wrote and performed the song “Zaman el Salaam” during the Nobel Peace Prize ceremony for Rabin, Peres, and Arafat.
Activism and Cultural Heritage
Among his many efforts to promote peace between Arabs and Israelis, Dalal has created a “Concert for Peace,” and written an album entitled “Inshallah Shalom,” which loosely translates to “God willing there shall be peace.” He has toured with a band of Palestinian musicians, but when the second intifada started, they were forbidden to travel together. The album they recorded features a cover of The Beatles “We Can Work it Out.” He also believes strongly in his passion for playing the oudOud
The oud is a pear-shaped stringed instrument commonly used in North African and Middle Eastern music. The modern oud and the European lute both descend from a common ancestor via diverging paths...
. He curated the 2001 Oud Festival in Jerusalem, and says, “Oud music is a bonding factor… this is the music which Jews and Arabs grew up on together.” Because of his involvement with the Middle East and Arabs, Dalal was refused entry into the US after 9/11.
Dalal has also made may efforts to preserve the cultural heritage of Arab-Israeli music. He has been involved with the publication of archival recordings from Middle Eastern Jewish musicians who were popular in the 1950s, in an effort to preserve the genre. He also teaches workshops and advocates for education to bring various types of music to wider audiences. He feels a strong connection to the Bedouins and the desert itself, and attempts to promote the connection between the ancient desert people and modern Israelis and Palestinians.
As for his influences in music, he says, “When I play or when I compose, many things are in my head and in my spirit: the Jewish prayer from the Synagogue, the Iraqi maqam which was played in the Baghdad coffee shops by the Jews, and the folk songs that we have in Arabic. And also the desert, which is my favorite place.”
Additional Bibliography
- Cooper, A. (2006). The 'Forgotten Refugees' remembered in film. Judaism: A Quarterly Journal of Jewish Life and Thought. 55.(1-2), 121-123.
- Danielson, V., Marcus, S., Reynolds, D. (2002). Garland Encyclopedia of World Music: The Middle East (1011-1077). New York: Routledge.
- Nickson, C. (2004). The NPR Curious Listener’s Guide to World Music. New York: Berkeley Publishing Group.
- Stanley, S. (2001). The New Grove Dictionary of Music and Musicians. New York: Grove’s Dictionaries.