Yuncken Freeman
Encyclopedia
Yuncken Freeman is an Australian architecture firm. Yuncken Freeman has grown steadily over the years particularly from the economic boom from the 1950s to 1980s to be a sizeable firm in Australia. Yuncken Freeman has branch offices in Hong Kong as well as other parts of south-east Asia.
By the 1940s the operations of the firm was disrupted by World War II, which unavoidably grew to be a much serious threat than before. Rob Yuncken and Roy Simpson eventually enlisted into service, providing planning and design services to the U.S. Army Engineers Corps, for territory reclaimed by General MacArthur’s campaign. When the dust settled in 1946, Yuncken and Simpson returned to Melbourne. Only to find the members of the original group scattered. They did however reunite to continue their practice.
In 1947, Yuncken Freeman was appointed by the Victorian Government to initiate an emergency housing project in London. Simpson, who had experience during his days in the U.S. Army, headed the project where he provided designs for pre-built housing that could be assembled by unskilled labour. Fifty years later, these homes are stilled occupied. He was awarded the Gold Medal by the Royal Australia Institute of Architects (RAIA) for his significant contribution.
Roy Simpson being the youngest of the original group and the sole survivor of the five original partners subsequently added Barry Patten and John Gates, John Yuncken, Robert Peck and Jamie Learmonth and others.
'The Bowl' as it may be known to locals is most definitely one of Melbourne's most cherished icons. Constructed in honour of Philanthropist Sidney Myer, The Bowl aspires to LA's Hollywood Bowl in the United States. With a capacity of 2150 fixed seats and an additional 7500 on the grass slopes, the complex is Australia’s most renowned outdoor music venue. The breathtaking canopy covers not only the stage area, but also the entire fixed seating, covering an entire acre of land.
The Sidney Myer Music bowl is one of three heritage listed buildings designed by Barry Patten during his time at Yuncken Freeman. After gaining employment with the company, Patten presented a flimsy model to the Myer family in order to win the commission of the project for his firm. At the young age of 31, Patten became lead designer of the project with his inspiration for the design drawn from the "cable structures like the Brooklyn Bridge and the section through Statchmo's trumpet."
Upon its opening in 1959, Sidney Myer Music Bowl posed itself as an amazing feat of structural engineering from its tensile structure. A system of cross-cables is used to support over 600 panels that make up the skin of the building. The panels were fabricated from a material known as 'Alumply', basically a piece of compressed plywood sandwiched between sheets of aluminium. With all cables working in tension, the Bowl is basically a giant tent. One main cable is stretched over a distance between two 20 meter vertical poles from which secondary cables pull back to the behind of the structure and are anchored into the ground. Additional cables are anchored to the ground at either side of the structure to stop the building from swaying from side to side. This unique structural system has been said to be like a giant spider web.
In 1958, The Herald proclaimed it "the most startling architectural piece ever seen in Melbourne."
Architecture critic Robin Boyd called it one of the "climatic buildings of the period" and praised it for its cultural significance.
Despite the uniqueness and marvel of the Sidney Myer Music Bowl Project, Yuncken Freeman did not seem to be contracted for many other projects of cultural significance on such a scale. Seemingly, the firm tended to specialize in prominent office buildings around Melbourne's CBD.
Typical of the Yuncken Freeman works led by Patten, Flagstaff house is very characteristic of the Chicago Modern. The building uses a simple ribbed steel cage structural system and sits low in Melbournes skyline. Designed to serve as offices, this building became home to the Yuncken Freeman firm in 1970.
Another heritage listed building; BHP House, received the RVIA Victorian Architects award in 1975. Barry Patten took his team to Chicago to work closely with Fazlur Khan and Hal Iyengar in order to develop the first concepts for the project. This took place in the offices of Skidmore Owings & Merrill. A belt truss system was used for the framing of BHP house, but what made it unique was it's external expression of structure. Whilst many buildings in America had previously expressed this idea it had only ever served as a means of decoration. BHP House's exterior expression was in fact structural.
Built as headquarters for the local branch of London's Eagle Star Insurance Company, Eagle House won the RAIA Award of Merit in 1972 and the Alcoa Australia Award for its use of alumium in 1973. The building was regarded as one of Australias most 'elegant and attractive' office buildings. The significane of the building however goes beyond its aesthetic qualities. Eagle House is one of the finest examples of the curtain wall in Australian Architecture thanks to its highly sophisticated skin. Green tinted glass and flush aluminium create a taught wrapping of the facade. The building also depicts one of the first examples of floor to ceiling glazing, unique of its time. Eagle Houses' refined level of detail has earnt it a place of the Victorian Heritage Register.
Typical of Yuncken Freeman's buildings of this period, Eagle Star Insurance Building pocesses a very modest display. But more important is perhaps the buildings implementation of the curtain wall. ESI Building has been recognized as "a highly refined use of curtain-wall construction" in its "minimalist design".
History
Yuncken Freeman began as a practice when Rob Yuncken and John Freeman left their positions as senior associates in A & K Henderson. They were accompanied in their departure by Tom Freeman and Balcombe Griffiths, also employees at A & K Henderson. Roy Simpson was later recruited into Yuncken Freeman on the recommendation of a fellow student during his time at the School of Design in Melbourne University. Yuncken Freeman is an abbreviation of an earlier longer name. Their office was located in the same Henderson Building, near the Mitre Tavern and its area was a social hub for a community of architectural firms, fellow students and friends from the Architectural Students' Society including Leslie M Perrott, Marcus Barlow, Bates Smart & McCutcheon and others.By the 1940s the operations of the firm was disrupted by World War II, which unavoidably grew to be a much serious threat than before. Rob Yuncken and Roy Simpson eventually enlisted into service, providing planning and design services to the U.S. Army Engineers Corps, for territory reclaimed by General MacArthur’s campaign. When the dust settled in 1946, Yuncken and Simpson returned to Melbourne. Only to find the members of the original group scattered. They did however reunite to continue their practice.
In 1947, Yuncken Freeman was appointed by the Victorian Government to initiate an emergency housing project in London. Simpson, who had experience during his days in the U.S. Army, headed the project where he provided designs for pre-built housing that could be assembled by unskilled labour. Fifty years later, these homes are stilled occupied. He was awarded the Gold Medal by the Royal Australia Institute of Architects (RAIA) for his significant contribution.
Roy Simpson being the youngest of the original group and the sole survivor of the five original partners subsequently added Barry Patten and John Gates, John Yuncken, Robert Peck and Jamie Learmonth and others.
Notable buildings of Yuncken Freeman
- Canton Union Insurance Company, 43 - 51 Queen Street, Melbourne, Australia, 1958
- Fedsda House (Norwich Union Insurance Societies) 53 - 57 Queen Street, Melbourne, Australia, 1958
- Sidney Myer Music BowlSidney Myer Music BowlThe Sidney Myer Music Bowl is an outdoor performance venue in Melbourne, Victoria, Australia. It is located in the lawns and gardens of Kings Domain, close to the Arts Centre and the Southbank entertainment precinct...
, Kings Domain, Melbourne, Australia 1958
'The Bowl' as it may be known to locals is most definitely one of Melbourne's most cherished icons. Constructed in honour of Philanthropist Sidney Myer, The Bowl aspires to LA's Hollywood Bowl in the United States. With a capacity of 2150 fixed seats and an additional 7500 on the grass slopes, the complex is Australia’s most renowned outdoor music venue. The breathtaking canopy covers not only the stage area, but also the entire fixed seating, covering an entire acre of land.
The Sidney Myer Music bowl is one of three heritage listed buildings designed by Barry Patten during his time at Yuncken Freeman. After gaining employment with the company, Patten presented a flimsy model to the Myer family in order to win the commission of the project for his firm. At the young age of 31, Patten became lead designer of the project with his inspiration for the design drawn from the "cable structures like the Brooklyn Bridge and the section through Statchmo's trumpet."
Upon its opening in 1959, Sidney Myer Music Bowl posed itself as an amazing feat of structural engineering from its tensile structure. A system of cross-cables is used to support over 600 panels that make up the skin of the building. The panels were fabricated from a material known as 'Alumply', basically a piece of compressed plywood sandwiched between sheets of aluminium. With all cables working in tension, the Bowl is basically a giant tent. One main cable is stretched over a distance between two 20 meter vertical poles from which secondary cables pull back to the behind of the structure and are anchored into the ground. Additional cables are anchored to the ground at either side of the structure to stop the building from swaying from side to side. This unique structural system has been said to be like a giant spider web.
In 1958, The Herald proclaimed it "the most startling architectural piece ever seen in Melbourne."
Architecture critic Robin Boyd called it one of the "climatic buildings of the period" and praised it for its cultural significance.
Despite the uniqueness and marvel of the Sidney Myer Music Bowl Project, Yuncken Freeman did not seem to be contracted for many other projects of cultural significance on such a scale. Seemingly, the firm tended to specialize in prominent office buildings around Melbourne's CBD.
- AON Centre (Royal Insurance Group Building) 430 - 444 Collins Street, Melbourne, Australia, 1964
- Scottish Amicable Building 128 - 146 Queen Street, Melbourne, Australia 1966
- Flagstaff House 411 - 415 King Street, Melbourne, Australia 1968
Typical of the Yuncken Freeman works led by Patten, Flagstaff house is very characteristic of the Chicago Modern. The building uses a simple ribbed steel cage structural system and sits low in Melbournes skyline. Designed to serve as offices, this building became home to the Yuncken Freeman firm in 1970.
- Cardinal Knox Centre (Catholic Archdiocese of Melbourne) 383 Albert Street, East Melbourne, Australia 1969 - 1971
- BHP House 140 William Street, Melbourne, Australia 1967 - 1972
Another heritage listed building; BHP House, received the RVIA Victorian Architects award in 1975. Barry Patten took his team to Chicago to work closely with Fazlur Khan and Hal Iyengar in order to develop the first concepts for the project. This took place in the offices of Skidmore Owings & Merrill. A belt truss system was used for the framing of BHP house, but what made it unique was it's external expression of structure. Whilst many buildings in America had previously expressed this idea it had only ever served as a means of decoration. BHP House's exterior expression was in fact structural.
- Eagle House 473 - 481 Bourke Street, Melbourne, Australia 1971 - 1972
Built as headquarters for the local branch of London's Eagle Star Insurance Company, Eagle House won the RAIA Award of Merit in 1972 and the Alcoa Australia Award for its use of alumium in 1973. The building was regarded as one of Australias most 'elegant and attractive' office buildings. The significane of the building however goes beyond its aesthetic qualities. Eagle House is one of the finest examples of the curtain wall in Australian Architecture thanks to its highly sophisticated skin. Green tinted glass and flush aluminium create a taught wrapping of the facade. The building also depicts one of the first examples of floor to ceiling glazing, unique of its time. Eagle Houses' refined level of detail has earnt it a place of the Victorian Heritage Register.
- Estates House 114 - 128 William Street, Melbourne, Australia 1974 - 1976
- State Government Offices 1 Treasury Place, Melbourne, Australia
- Eagle Star Insurance Building 28 Grenfell Street, Adelaide, Australia
Typical of Yuncken Freeman's buildings of this period, Eagle Star Insurance Building pocesses a very modest display. But more important is perhaps the buildings implementation of the curtain wall. ESI Building has been recognized as "a highly refined use of curtain-wall construction" in its "minimalist design".