Zoom lens
Encyclopedia
A zoom lens is a mechanical assembly of lens elements
for which the focal length
(and thus angle of view
) can be varied, as opposed to a fixed focal length (FFL) lens (see prime lens
). They are commonly used with still
, video
, motion picture camera
s, projectors
, some binoculars
, microscope
s, telescope
s, telescopic sight
s, and other optical instrument
s.
A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. A lens that loses focus during zooming is more properly called a varifocal lens
.
or hyperzoom is used to describe photographic zoom lenses with very large focal length factors, typically more than 4× and ranging up to 15× in SLR camera lenses and 36× in amateur digital camera
s. This ratio can be as high as 100× in professional television cameras. As of 2009, photographic zoom lenses beyond about 3× cannot generally produce imaging quality on par with prime lens
es. Constant fast aperture zooms (usually 2.8 or 2.0) are typically restricted to this zoom range. Quality degradation is less perceptible when recording moving images at low resolution, which is why professional video and TV lenses are able to feature high zoom ratios. Digital photography can also accommodate algorithms that compensate for optical flaws, both within in-camera processors and post-production software.
Some photographic zoom lenses are long-focus lens
es, with focal lengths longer than a normal lens
, some are wide-angle lens
es (wider than normal), and others cover a range from wide-angle to long-focus. Lenses in the latter group of zoom lenses, sometimes referred to as "normal" zooms, have displaced the fixed focal length lens as the popular one-lens selection on many contemporary cameras. The markings on these lenses usually say W and T for "Wide" and "Telephoto". Telephoto is designated because the longer focal length supplied by the negative diverging lens is longer than the overall lens assembly (the negative diverging lens acting as the "telephoto group").
Some digital cameras allow cropping and enlarging of a captured image, in order to emulate the effect of a longer focal length zoom lens (narrower angle of view). This is commonly known as digital zoom
and produces an image of lower optical resolution
than optical zoom. Exactly the same effect can be obtained by using digital image processing
software on a computer to crop the digital image and enlarge the cropped area. Many digital cameras have both, combining them by first using the optical, then the digital zoom.
In addition to its photographic use, the afocal
part of a zoom lens can be used as a telescope
of variable magnification
to make an adjustable beam expander
. This can be used, for example, to change the size of a laser
beam so that the irradiance
of the beam can be varied.
s to provide continuous variation of the magnification
of the image, and this was first reported in the proceedings of the Royal Society
in 1834. Early patent
s for telephoto lenses also included movable lens elements which could be adjusted to change the overall focal length of the lens. Lenses of this kind are now called varifocal lenses, since when the focal length is changed, the position of the focal plane also moves, requiring refocusing of the lens after each change.
The first true zoom lens, which retained near-sharp focus while the effective focal length of the lens assembly was changed, was patented in 1902 by Clile C. Allen . The first industrial production was the Bell and Howell Cooke
"Varo" 40–120 mm lens for 35mm movie cameras introduced in 1932. The most impressive early TV Zoom lens was the VAROTAL III from Rank Taylor Hobson from UK built in 1953. The Kilfitt 36–82 mm/2.8 Zoomar introduced in 1959 was the first varifocal lens in regular production for still 35mm photography. The first modern film zoom lens was designed around 1950 by Roger Cuvillier, a French engineer working for SOM-Berthiot. It had an optical compensation zoom system. In 1956, Pierre Angenieux introduced the mechanical compensation system, enabling precise focus while zooming, in his 10x lens released in 1958. Angenieux received a 1964 technical award from the academy of motion pictures for the design of that 12-120 zoom lens.
Since then advances in optical design, particularly the use of computer
s for optical ray tracing
, has made the design and construction of zoom lenses much easier, and they are now used widely in professional and amateur photography.
A simple scheme for a zoom lens divides the assembly into two parts: a focussing lens similar to a standard, fixed-focal-length photographic lens, preceded by an afocal
zoom system, an arrangement of fixed and movable lens elements that does not focus the light, but alters the size of a beam of light travelling through it, and thus the overall magnification of the lens system.
In this simple optically compensated zoom lens, the afocal system consists of two positive (converging) lenses of equal focal length (lenses L1 and L3) with a negative (diverging) lens (L2) between them, with an absolute focal length less than half that of the positive lenses. Lens L3 is fixed, but lenses L1 and L2 can be moved axially, and do so in a fixed, non-linear relationship. This movement is usually performed by a complex arrangement of gears and cams in the lens housing, although some modern zoom lenses use computer-controlled servo
s to perform this positioning.
While the negative lens L2 moves from the front to the back of the lens, the lens L1 moves forward and then backward in a parabolic arc. In doing so, the overall angular magnification of the system varies, changing the effective focal length of the complete zoom lens. At each of the three points shown, the three-lens system is afocal (neither diverging or converging the light), and so does not alter the position of the focal plane of the lens. Between these points, the system is not exactly afocal, but the variation in focal plane position can be small enough (~±0.01 mm in a well-designed lens) not to make a significant change to the sharpness of the image.
An important issue in zoom lens design is the correction of optical aberrations (such as chromatic aberration
, and in particular field curvature) across the whole operating range of the lens; this is considerably harder in a zoom lens than a fixed lens, which needs only to correct the aberrations for one focal length. This problem was a major reason for the slow uptake of zoom lenses, with early designs being considerably inferior to contemporary fixed lenses, and usable only with a narrow range of f-number
s. Modern optical design techniques have enabled the construction of zoom lenses with good aberration correction over widely variable focal lengths and apertures.
Whereas lenses used in cinematography and video applications are required to maintain focus while the focal length is changed, there is no such requirement for still photography, or if a zoom lens is used as a projection lens. Since it is harder to construct a lens that does not change focus with the same image quality as one that does, the latter applications often have lenses that require refocusing once the focal length has changed (and thus strictly speaking are varifocal lens
es, not zoom lenses). As most modern still cameras are autofocus
, this is not a problem.
Designers of zoom lenses with large zoom ratios often trade one or more aberrations for higher image sharpness. For example, a greater degree of barrel and pincushion distortion is tolerated in lenses that span the focal length range from wide angle to telephoto with a focal ratio of 10x or more than would be acceptable in a fixed focal length lens or a zoom lens with a lower ratio. Although modern design methods have been continually reducing this problem, barrel distortion of greater than one percent is common in these large-ratio lenses. Another price paid is that at the extreme telephoto setting of the lens the effective focal length changes significantly while the lens is focused on closer objects. The apparent focal length can more than halve while the lens is focused from infinity to medium close-up. To a lesser degree, this effect is also seen in fixed focal length lenses that move internal lens elements, rather than the entire lens, to effect changes in magnification.
es, which gives lens designers more flexibility in optical design trade-offs (focal length range, maximum aperture, size, weight, cost) than true parfocal zoom, and which is practical because of auto-focus, and because the camera processor can move the lens to compensate for the change in the position of the focal plane while changing magnification ("zooming"), making operation essentially the same as a true parfocal zoom.
By focal length:
Focus attributes:
By system:
Lens (optics)
A lens is an optical device with perfect or approximate axial symmetry which transmits and refracts light, converging or diverging the beam. A simple lens consists of a single optical element...
for which the focal length
Focal length
The focal length of an optical system is a measure of how strongly the system converges or diverges light. For an optical system in air, it is the distance over which initially collimated rays are brought to a focus...
(and thus angle of view
Angle of view
In photography, angle of view describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view....
) can be varied, as opposed to a fixed focal length (FFL) lens (see prime lens
Prime lens
In film and photography, a prime lens is either a photographic lens whose focal length is fixed, as opposed to a zoom lens, or it is the primary lens in a combination lens system....
). They are commonly used with still
Still camera
A still camera is a type of camera used to take photographs. Traditional cameras capture light onto photographic film. Digital cameras use electronics, usually a charge coupled device to store digital images in computer memory inside the camera...
, video
Video camera
A video camera is a camera used for electronic motion picture acquisition, initially developed by the television industry but now common in other applications as well. The earliest video cameras were those of John Logie Baird, based on the electromechanical Nipkow disk and used by the BBC in...
, motion picture camera
Camera
A camera is a device that records and stores images. These images may be still photographs or moving images such as videos or movies. The term camera comes from the camera obscura , an early mechanism for projecting images...
s, projectors
Image projector
An image projector is an optical device that projects an image onto a surface, commonly a projection screen.Most projectors creates an image by shining a light through a small transparent image, but some newer types of projectors can project the image directly, by using lasers...
, some binoculars
Binoculars
Binoculars, field glasses or binocular telescopes are a pair of identical or mirror-symmetrical telescopes mounted side-by-side and aligned to point accurately in the same direction, allowing the viewer to use both eyes when viewing distant objects...
, microscope
Microscope
A microscope is an instrument used to see objects that are too small for the naked eye. The science of investigating small objects using such an instrument is called microscopy...
s, telescope
Telescope
A telescope is an instrument that aids in the observation of remote objects by collecting electromagnetic radiation . The first known practical telescopes were invented in the Netherlands at the beginning of the 1600s , using glass lenses...
s, telescopic sight
Telescopic sight
A telescopic sight, commonly called a scope, is a sighting device that is based on an optical refracting telescope. They are equipped with some form of graphic image pattern mounted in an optically appropriate position in their optical system to give an accurate aiming point...
s, and other optical instrument
Optical instrument
An optical instrument either processes light waves to enhance an image for viewing, or analyzes light waves to determine one of a number of characteristic properties.-Image enhancement:...
s.
A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. A lens that loses focus during zooming is more properly called a varifocal lens
Varifocal lens
A varifocal lens is a camera lens with variable focal length in which focus changes as focal length changes, as compared to parfocal zoom lens, which remains in focus as the lens zooms . Many so-called "zoom" lenses, particularly in the case of fixed lens cameras, are actually varifocal lenses....
.
Applications
Zoom lenses are often described by the ratio of their longest to shortest focal lengths. For example, a zoom lens with focal lengths ranging from 100 mm to 400 mm may be described as a 4:1 or "4×" zoom. The term superzoomSuperzoom
The term hyperzoom or superzoom is used to advertise photographic zoom lenses with unconventionally large focal length factors, typically more than 5× and ranging up to 15×, e.g., 35 mm to 350 mm. The largest ratio for digital SLR cameras is held by the Tamron 18–270 mm, giving 15×....
or hyperzoom is used to describe photographic zoom lenses with very large focal length factors, typically more than 4× and ranging up to 15× in SLR camera lenses and 36× in amateur digital camera
Digital camera
A digital camera is a camera that takes video or still photographs, or both, digitally by recording images via an electronic image sensor. It is the main device used in the field of digital photography...
s. This ratio can be as high as 100× in professional television cameras. As of 2009, photographic zoom lenses beyond about 3× cannot generally produce imaging quality on par with prime lens
Prime lens
In film and photography, a prime lens is either a photographic lens whose focal length is fixed, as opposed to a zoom lens, or it is the primary lens in a combination lens system....
es. Constant fast aperture zooms (usually 2.8 or 2.0) are typically restricted to this zoom range. Quality degradation is less perceptible when recording moving images at low resolution, which is why professional video and TV lenses are able to feature high zoom ratios. Digital photography can also accommodate algorithms that compensate for optical flaws, both within in-camera processors and post-production software.
Some photographic zoom lenses are long-focus lens
Long-focus lens
In photography, a long-focus lens is a camera lens which has a focal length that is longer than the diagonal measure of the film or sensor that receives its image....
es, with focal lengths longer than a normal lens
Normal lens
In photography and cinematography a normal lens, also called a standard lens, is a lens that reproduces perspective that generally looks "natural" to a human observer under normal viewing conditions, as compared with lenses with longer or shorter focal lengths which produce an expanded or...
, some are wide-angle lens
Wide-angle lens
From a design perspective, a wide angle lens is one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length; this enables either large tilt & shift movements with a view camera, or lenses with wide fields of view.More informally,...
es (wider than normal), and others cover a range from wide-angle to long-focus. Lenses in the latter group of zoom lenses, sometimes referred to as "normal" zooms, have displaced the fixed focal length lens as the popular one-lens selection on many contemporary cameras. The markings on these lenses usually say W and T for "Wide" and "Telephoto". Telephoto is designated because the longer focal length supplied by the negative diverging lens is longer than the overall lens assembly (the negative diverging lens acting as the "telephoto group").
Some digital cameras allow cropping and enlarging of a captured image, in order to emulate the effect of a longer focal length zoom lens (narrower angle of view). This is commonly known as digital zoom
Digital zoom
Digital zoom is a method of decreasing the apparent angle of view of a digital photographic or video image. Digital zoom is accomplished by cropping an image down to a centered area with the same aspect ratio as the original, and usually also interpolating the result back up to the pixel...
and produces an image of lower optical resolution
Optical resolution
Optical resolution describes the ability of an imaging system to resolve detail in the object that is being imaged.An imaging system may have many individual components including a lens and recording and display components...
than optical zoom. Exactly the same effect can be obtained by using digital image processing
Digital image processing
Digital image processing is the use of computer algorithms to perform image processing on digital images. As a subcategory or field of digital signal processing, digital image processing has many advantages over analog image processing...
software on a computer to crop the digital image and enlarge the cropped area. Many digital cameras have both, combining them by first using the optical, then the digital zoom.
In addition to its photographic use, the afocal
Afocal system
In optics an afocal system is an optical system that produces no net convergence or divergence of the beam, i.e. has an infinite effective focal length. This type of system can be created with a pair of optical elements where the distance between the elements is equal to the sum of each element's...
part of a zoom lens can be used as a telescope
Optical telescope
An optical telescope is a telescope which is used to gather and focus light mainly from the visible part of the electromagnetic spectrum for directly viewing a magnified image for making a photograph, or collecting data through electronic image sensors....
of variable magnification
Magnification
Magnification is the process of enlarging something only in appearance, not in physical size. This enlargement is quantified by a calculated number also called "magnification"...
to make an adjustable beam expander
Beam expander
Beam expanders are used in laser physics either as intracavity or extracavity elements. They can be telescopic in nature or prismatic. Generally prismatic beam expanders use several prisms and are known as multiple-prism beam expanders....
. This can be used, for example, to change the size of a laser
Laser
A laser is a device that emits light through a process of optical amplification based on the stimulated emission of photons. The term "laser" originated as an acronym for Light Amplification by Stimulated Emission of Radiation...
beam so that the irradiance
Irradiance
Irradiance is the power of electromagnetic radiation per unit area incident on a surface. Radiant emittance or radiant exitance is the power per unit area radiated by a surface. The SI units for all of these quantities are watts per square meter , while the cgs units are ergs per square centimeter...
of the beam can be varied.
History
Early forms of zoom lenses were used in optical telescopeOptical telescope
An optical telescope is a telescope which is used to gather and focus light mainly from the visible part of the electromagnetic spectrum for directly viewing a magnified image for making a photograph, or collecting data through electronic image sensors....
s to provide continuous variation of the magnification
Magnification
Magnification is the process of enlarging something only in appearance, not in physical size. This enlargement is quantified by a calculated number also called "magnification"...
of the image, and this was first reported in the proceedings of the Royal Society
Royal Society
The Royal Society of London for Improving Natural Knowledge, known simply as the Royal Society, is a learned society for science, and is possibly the oldest such society in existence. Founded in November 1660, it was granted a Royal Charter by King Charles II as the "Royal Society of London"...
in 1834. Early patent
Patent
A patent is a form of intellectual property. It consists of a set of exclusive rights granted by a sovereign state to an inventor or their assignee for a limited period of time in exchange for the public disclosure of an invention....
s for telephoto lenses also included movable lens elements which could be adjusted to change the overall focal length of the lens. Lenses of this kind are now called varifocal lenses, since when the focal length is changed, the position of the focal plane also moves, requiring refocusing of the lens after each change.
The first true zoom lens, which retained near-sharp focus while the effective focal length of the lens assembly was changed, was patented in 1902 by Clile C. Allen . The first industrial production was the Bell and Howell Cooke
Cooke Optics
Cooke Optics Ltd. is a camera lens manufacturing company based in Leicester, known earlier as Taylor, Taylor and Hobson and then Taylor Hobson. T. S. Taylor, an optician, his brother W. Taylor, an engineer, and a Mr Hobson, a businessman, formed the company in 1886.The name Cooke originally came...
"Varo" 40–120 mm lens for 35mm movie cameras introduced in 1932. The most impressive early TV Zoom lens was the VAROTAL III from Rank Taylor Hobson from UK built in 1953. The Kilfitt 36–82 mm/2.8 Zoomar introduced in 1959 was the first varifocal lens in regular production for still 35mm photography. The first modern film zoom lens was designed around 1950 by Roger Cuvillier, a French engineer working for SOM-Berthiot. It had an optical compensation zoom system. In 1956, Pierre Angenieux introduced the mechanical compensation system, enabling precise focus while zooming, in his 10x lens released in 1958. Angenieux received a 1964 technical award from the academy of motion pictures for the design of that 12-120 zoom lens.
Since then advances in optical design, particularly the use of computer
Computer
A computer is a programmable machine designed to sequentially and automatically carry out a sequence of arithmetic or logical operations. The particular sequence of operations can be changed readily, allowing the computer to solve more than one kind of problem...
s for optical ray tracing
Ray tracing (physics)
In physics, ray tracing is a method for calculating the path of waves or particles through a system with regions of varying propagation velocity, absorption characteristics, and reflecting surfaces. Under these circumstances, wavefronts may bend, change direction, or reflect off surfaces,...
, has made the design and construction of zoom lenses much easier, and they are now used widely in professional and amateur photography.
Design
There are many possible designs for zoom lenses, the most complex ones having upwards of thirty individual lens elements and multiple moving parts. Most, however, follow the same basic design. Generally they consist of a number of individual lenses that may be either fixed, or slide axially along the body of the lens. While the magnification of a zoom lens changes, it is necessary to compensate for any movement of the focal plane to keep the focused image sharp. This compensation may be done by mechanical means (moving the complete lens assembly while the magnification of the lens changes), or optically (arranging the position of the focal plane to vary as little as possible while the lens is zoomed).A simple scheme for a zoom lens divides the assembly into two parts: a focussing lens similar to a standard, fixed-focal-length photographic lens, preceded by an afocal
Afocal system
In optics an afocal system is an optical system that produces no net convergence or divergence of the beam, i.e. has an infinite effective focal length. This type of system can be created with a pair of optical elements where the distance between the elements is equal to the sum of each element's...
zoom system, an arrangement of fixed and movable lens elements that does not focus the light, but alters the size of a beam of light travelling through it, and thus the overall magnification of the lens system.
In this simple optically compensated zoom lens, the afocal system consists of two positive (converging) lenses of equal focal length (lenses L1 and L3) with a negative (diverging) lens (L2) between them, with an absolute focal length less than half that of the positive lenses. Lens L3 is fixed, but lenses L1 and L2 can be moved axially, and do so in a fixed, non-linear relationship. This movement is usually performed by a complex arrangement of gears and cams in the lens housing, although some modern zoom lenses use computer-controlled servo
Servomechanism
thumb|right|200px|Industrial servomotorThe grey/green cylinder is the [[Brush |brush-type]] [[DC motor]]. The black section at the bottom contains the [[Epicyclic gearing|planetary]] [[Reduction drive|reduction gear]], and the black object on top of the motor is the optical [[rotary encoder]] for...
s to perform this positioning.
While the negative lens L2 moves from the front to the back of the lens, the lens L1 moves forward and then backward in a parabolic arc. In doing so, the overall angular magnification of the system varies, changing the effective focal length of the complete zoom lens. At each of the three points shown, the three-lens system is afocal (neither diverging or converging the light), and so does not alter the position of the focal plane of the lens. Between these points, the system is not exactly afocal, but the variation in focal plane position can be small enough (~±0.01 mm in a well-designed lens) not to make a significant change to the sharpness of the image.
An important issue in zoom lens design is the correction of optical aberrations (such as chromatic aberration
Chromatic aberration
In optics, chromatic aberration is a type of distortion in which there is a failure of a lens to focus all colors to the same convergence point. It occurs because lenses have a different refractive index for different wavelengths of light...
, and in particular field curvature) across the whole operating range of the lens; this is considerably harder in a zoom lens than a fixed lens, which needs only to correct the aberrations for one focal length. This problem was a major reason for the slow uptake of zoom lenses, with early designs being considerably inferior to contemporary fixed lenses, and usable only with a narrow range of f-number
F-number
In optics, the f-number of an optical system expresses the diameter of the entrance pupil in terms of the focal length of the lens; in simpler terms, the f-number is the focal length divided by the "effective" aperture diameter...
s. Modern optical design techniques have enabled the construction of zoom lenses with good aberration correction over widely variable focal lengths and apertures.
Whereas lenses used in cinematography and video applications are required to maintain focus while the focal length is changed, there is no such requirement for still photography, or if a zoom lens is used as a projection lens. Since it is harder to construct a lens that does not change focus with the same image quality as one that does, the latter applications often have lenses that require refocusing once the focal length has changed (and thus strictly speaking are varifocal lens
Varifocal lens
A varifocal lens is a camera lens with variable focal length in which focus changes as focal length changes, as compared to parfocal zoom lens, which remains in focus as the lens zooms . Many so-called "zoom" lenses, particularly in the case of fixed lens cameras, are actually varifocal lenses....
es, not zoom lenses). As most modern still cameras are autofocus
Autofocus
An autofocus optical system uses a sensor, a control system and a motor to focus fully automatic or on a manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication...
, this is not a problem.
Designers of zoom lenses with large zoom ratios often trade one or more aberrations for higher image sharpness. For example, a greater degree of barrel and pincushion distortion is tolerated in lenses that span the focal length range from wide angle to telephoto with a focal ratio of 10x or more than would be acceptable in a fixed focal length lens or a zoom lens with a lower ratio. Although modern design methods have been continually reducing this problem, barrel distortion of greater than one percent is common in these large-ratio lenses. Another price paid is that at the extreme telephoto setting of the lens the effective focal length changes significantly while the lens is focused on closer objects. The apparent focal length can more than halve while the lens is focused from infinity to medium close-up. To a lesser degree, this effect is also seen in fixed focal length lenses that move internal lens elements, rather than the entire lens, to effect changes in magnification.
Varifocal lens
Many so-called "zoom" lenses, particularly in the case of fixed lens cameras, are actually varifocal lensVarifocal lens
A varifocal lens is a camera lens with variable focal length in which focus changes as focal length changes, as compared to parfocal zoom lens, which remains in focus as the lens zooms . Many so-called "zoom" lenses, particularly in the case of fixed lens cameras, are actually varifocal lenses....
es, which gives lens designers more flexibility in optical design trade-offs (focal length range, maximum aperture, size, weight, cost) than true parfocal zoom, and which is practical because of auto-focus, and because the camera processor can move the lens to compensate for the change in the position of the focal plane while changing magnification ("zooming"), making operation essentially the same as a true parfocal zoom.
See also
- Pan tilt zoom camera (PTZ)
- Professional video cameraProfessional video cameraA professional video camera is a high-end device for creating electronic moving images...
- Tripod (photography)Tripod (photography)In photography, a tripod is used to stabilize and elevate a camera, or to support flashes or other photographic equipment. All photographic tripods have three legs and a mounting head to couple with a camera...
- View cameraView cameraThe view camera is a type of camera first developed in the era of the Daguerreotype and still in use today, though with many refinements. It comprises a flexible bellows which forms a light-tight seal between two adjustable standards, one of which holds a lens, and the other a viewfinder or a...
By focal length:
- Prime lensPrime lensIn film and photography, a prime lens is either a photographic lens whose focal length is fixed, as opposed to a zoom lens, or it is the primary lens in a combination lens system....
- SuperzoomSuperzoomThe term hyperzoom or superzoom is used to advertise photographic zoom lenses with unconventionally large focal length factors, typically more than 5× and ranging up to 15×, e.g., 35 mm to 350 mm. The largest ratio for digital SLR cameras is held by the Tamron 18–270 mm, giving 15×....
- Telephoto lensTelephoto lensIn photography and cinematography, a telephoto lens is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus...
- Wide-angle lensWide-angle lensFrom a design perspective, a wide angle lens is one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length; this enables either large tilt & shift movements with a view camera, or lenses with wide fields of view.More informally,...
Focus attributes:
- Parfocal lens
- Varifocal lensVarifocal lensA varifocal lens is a camera lens with variable focal length in which focus changes as focal length changes, as compared to parfocal zoom lens, which remains in focus as the lens zooms . Many so-called "zoom" lenses, particularly in the case of fixed lens cameras, are actually varifocal lenses....
By system:
- List of Canon EF lenses
- Nikon F-mount
- Minolta AF
External links
- Principe de fonctionnement du variateur de champ afocal(fr)http://www.pierretoscani.com/echo_telezooms.html