Alzira (opera)
Encyclopedia
Alzira is an opera
in a prologue and two acts by Giuseppe Verdi
to an Italian libretto
by Salvadore Cammarano, based on the play Alzire, ou les Américains by Voltaire
.
The first performance was at the Teatro San Carlo, Naples
, on August 12, 1845. The contemporary reviews were mixed, and the first run of the opera received only 4 further performances.
in London in July 1996 and it was included in 2000 in the Sarasota Opera
's "Verdi Cycle" of all of the composer's operas to be performed by 2013. From January 2010, it was presented by the Theater St Gallen in Switzerland
Zamoro tells the Indians that he had been captured and tortured by Gusmano, the leader of the Spaniards (Un Inca, eccesso orribile / "An Inca..dreadful outrage!") to the point where everyone believed him to be dead. Otumbo tells Zamoro that Alzira, his beloved, along with her father Ataliba, are being held captive by the Spaniards, and he urges the Indian tribes to revolt: Risorto fra le tenebre / "I emerged into the darkness...").
Alvaro announces that, due to his age and infirmity, he is relinquishing the governorship and handing it over to his son, Gusmano who states that his first act will be to secure peace with the Incas. Ataliba gives him his support, but advises him that his daughter Alzira is not yet ready to marry Gusmano. He, while understanding (Eterna la memoria / "The eternal memory of a desperate love is weighing her down..."), urges the older man to try to persuade her (Quanto un mortal può chiedere / "Whatever a mortal man can ask for..")
Scene 2: Ataliba's apartments in the governor's palace
As her father enters, Alzira wakes but is still half dreaming of Zamoro. She recounts a more disturbing dream she has had of Gusmano (Da Gusman sul fragil barca / "I was fleeing from Gusman in a frail boat") but, although he is dead, she still believes that Zamoro loves her: Nell'astro che più fulgido / "On the star that gleams most brightly...there lives Zamoro". Ataliba continues to try to persuade Alzira to marry Gusmano, without success, until suddenly Zamoro enters. Believing that it is his ghost, Alzira is skeptical, but realizes that he is still alive. They pledge their love together: Risorge ne'tuoi lumi l'astro de'giorni miei! / "The star of my existence has risen again in your eyes!".
Gusmano enters, sees the couple together, and orders that Zamoro be arrested and immediately executed. As the Inca invasion of Lima is announced, Alvaro confirms that Zamoro has saved him from certain death; Gusmano orders him to be freed to go out to fight with the invading Incas: "I shall meet you in battle, hated rival".
Zamoro has led a fresh attack against the conquistadores and has been captured. Gusmano condemns him to death, but, over Alzira's protests, forces her to agree to marry Gusmano promising that he will spare Zamoro. Reluctantly, she agrees (Gusmano: Colma di gioia ho l'anima! / "My heart is bursting with joy").
Scene 2: A cave, some distance from Lima
The defeated Incas are downcast, but they hear that Zamoro has escaped, dressed as a Spanish soldier. He soon enters but is in despair: Irne lungi ancor dovrei / " Must I drag out my days as a fugitive, bowed down with shame?". When he hears from his followers that Alzira has agreed to marry Gusmano and that preparations are being made, vows to fight: Non di codarde lagrime / "This is not the time for cowardly tears, but for blood!". He rushes out to the palace
Scene 3: Large hall in the governor's palace
As the wedding of Alzira and Gusmano is about to begin, a Spanish soldier leaps forward and fatally stabs Gusmano. To Alzira's surprise it is Zamoro. Before he dies, Gusmano tells him that Alzira only agreed to the marriage in order to secure his release. He forgives Zamoro, blesses his union with Alzira, and receives a final blessing from his father as he dies.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
in a prologue and two acts by Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
to an Italian libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
by Salvadore Cammarano, based on the play Alzire, ou les Américains by Voltaire
Voltaire
François-Marie Arouet , better known by the pen name Voltaire , was a French Enlightenment writer, historian and philosopher famous for his wit and for his advocacy of civil liberties, including freedom of religion, free trade and separation of church and state...
.
The first performance was at the Teatro San Carlo, Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
, on August 12, 1845. The contemporary reviews were mixed, and the first run of the opera received only 4 further performances.
Performance history
In modern times, the opera is rarely performed. It was not until January 1968 that it was first given in the US and only in a concert version. Its UK premiere took place on 10 February 1970 at the Collegiate Theatre in London. A performance was given at the Royal Opera HouseRoyal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
in London in July 1996 and it was included in 2000 in the Sarasota Opera
Sarasota Opera
Sarasota Opera is a professional opera company in Sarasota, Florida, USA, which owns and performs in the now-renovated 1,119-seat Sarasota Opera House. The 2011-2012 season is currently featuring Puccini’s Madama Butterfly in the fall...
's "Verdi Cycle" of all of the composer's operas to be performed by 2013. From January 2010, it was presented by the Theater St Gallen in Switzerland
Roles
Role | Voice type | Premiere Cast, 12 August 1845 (Conductor: - ) |
---|---|---|
Alvaro, father of Gusmano, initially Governor of Peru | bass | Marco Arati Marco Arati Marco Arati was an Italian operatic bass active during the 1840s through the 1880s. Although he occasionally appeared at other opera houses in Italy, he was primarily committed to the Teatro di San Carlo where he sang roles for more than four decades... |
Gusmano, Governor of Peru | baritone Baritone Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or... |
Filippo Coletti |
Ovando, a Spanish Duke | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
Ceci |
Zamoro, leader of a Peruvian tribe | tenor | Gaetano Fraschini Gaetano Fraschini Gaetano Fraschini was an Italian tenor. He created many roles in 19th century operas, including five composed by Giuseppe Verdi. His voice was "heroic ... with a baritonal quality, ..... |
Ataliba, leader of a Peruvian tribe | bass | Michele Benedetti Michele Benedetti Michele Benedetti was an Italian bass particularly associated with Rossini roles.-Career:... |
Alzira, Ataliba's daughter | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Eugenia Tadolini Eugenia Tadolini Eugenia Tadolini was an Italian operatic soprano. Admired for the beauty of her voice and stage presence, she was one of Donizetti's favourite singers. During her career she created over 20 leading roles, including the title roles in Donizetti's Linda di Chamounix and Maria di Rohan and Verdi's... |
Zuma, her maid | mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
Maria Salvetti |
Otumbo, an American warrior | tenor | Francesco Rossi |
Spanish officers and soldiers, Americans of both sexes |
Prologue: The Prisoner
Peruvian Indians drag the Spanish governor, Alvaro, into the square and are about to execute him. Suddenly Zamoro, an Inca, appears and asks them to release the man; they do so.Zamoro tells the Indians that he had been captured and tortured by Gusmano, the leader of the Spaniards (Un Inca, eccesso orribile / "An Inca..dreadful outrage!") to the point where everyone believed him to be dead. Otumbo tells Zamoro that Alzira, his beloved, along with her father Ataliba, are being held captive by the Spaniards, and he urges the Indian tribes to revolt: Risorto fra le tenebre / "I emerged into the darkness...").
Act 1: A Life for a Life
Scene 1: The main square of LimaAlvaro announces that, due to his age and infirmity, he is relinquishing the governorship and handing it over to his son, Gusmano who states that his first act will be to secure peace with the Incas. Ataliba gives him his support, but advises him that his daughter Alzira is not yet ready to marry Gusmano. He, while understanding (Eterna la memoria / "The eternal memory of a desperate love is weighing her down..."), urges the older man to try to persuade her (Quanto un mortal può chiedere / "Whatever a mortal man can ask for..")
Scene 2: Ataliba's apartments in the governor's palace
As her father enters, Alzira wakes but is still half dreaming of Zamoro. She recounts a more disturbing dream she has had of Gusmano (Da Gusman sul fragil barca / "I was fleeing from Gusman in a frail boat") but, although he is dead, she still believes that Zamoro loves her: Nell'astro che più fulgido / "On the star that gleams most brightly...there lives Zamoro". Ataliba continues to try to persuade Alzira to marry Gusmano, without success, until suddenly Zamoro enters. Believing that it is his ghost, Alzira is skeptical, but realizes that he is still alive. They pledge their love together: Risorge ne'tuoi lumi l'astro de'giorni miei! / "The star of my existence has risen again in your eyes!".
Gusmano enters, sees the couple together, and orders that Zamoro be arrested and immediately executed. As the Inca invasion of Lima is announced, Alvaro confirms that Zamoro has saved him from certain death; Gusmano orders him to be freed to go out to fight with the invading Incas: "I shall meet you in battle, hated rival".
Act 2: The Vengeance of a Savage
Scene 1: The fortifications of LimaZamoro has led a fresh attack against the conquistadores and has been captured. Gusmano condemns him to death, but, over Alzira's protests, forces her to agree to marry Gusmano promising that he will spare Zamoro. Reluctantly, she agrees (Gusmano: Colma di gioia ho l'anima! / "My heart is bursting with joy").
Scene 2: A cave, some distance from Lima
The defeated Incas are downcast, but they hear that Zamoro has escaped, dressed as a Spanish soldier. He soon enters but is in despair: Irne lungi ancor dovrei / " Must I drag out my days as a fugitive, bowed down with shame?". When he hears from his followers that Alzira has agreed to marry Gusmano and that preparations are being made, vows to fight: Non di codarde lagrime / "This is not the time for cowardly tears, but for blood!". He rushes out to the palace
Scene 3: Large hall in the governor's palace
As the wedding of Alzira and Gusmano is about to begin, a Spanish soldier leaps forward and fatally stabs Gusmano. To Alzira's surprise it is Zamoro. Before he dies, Gusmano tells him that Alzira only agreed to the marriage in order to secure his release. He forgives Zamoro, blesses his union with Alzira, and receives a final blessing from his father as he dies.
Recordings
Year | Cast (Alzira, Zamoro, Gusmano, Alvaro) |
Conductor, Opera House and Orchestra |
Label |
---|---|---|---|
1989 | Ileana Cotrubas Ileana Cotrubas Ileana Cotrubaş is a Romanian opera soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages.-Biography:... , Francisco Araiza Francisco Araiza Francisco Araiza , is a Mexican operatic tenor. As one of the leading tenors of his generation he was named Kammersänger of the Wiener Staatsoper in 1988 and has been a permanent member of the Opernhaus Zürich since 1977.... , Renato Bruson Renato Bruson Renato Bruson is an Italian operatic baritone. Bruson is widely considered one of the most important Verdi baritones of the late 20th and early 21st century. He was born in Granze near Padua, Italy.-Biography and career:... , Jan-Hendrik Rootering |
Lamberto Gardelli Lamberto Gardelli Lamberto Gardelli was an Italian conductor, particularly associated with the Italian opera repertory, especially the works of Giuseppe Verdi.... , Bavarian Radio Symphony Orchestra Bavarian Radio Symphony Orchestra The Bavarian Radio Symphony Orchestra, in German Symphonieorchester des Bayerischen Rundfunks is the internationally renowned orchestra of the Bayerischer Rundfunk , based in Munich, Germany. It is one of the three principal orchestras in the city of Munich, along with the Munich Philharmonic... and Bavarian Radio Chorus |
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1999 | Marina Mescheriakova, Ramón Vargas Ramón Vargas Ramón Vargas is an award-winning Mexican operatic tenor. Since his debut in the early '90s, he has developed to become one of the most acclaimed tenors of the 21st century. Known for his most expressive and agile lyric tenor voice, he is especially successful in the bel canto... , Paolo Gavanelli, Slobodan Stankovic |
Fabio Luisi Fabio Luisi Fabio Luisi is an Italian conductor. On September 6, 2011, he was named Principal Conductor of the Metropolitan Opera.... , L'Orchestre de la Suisse Romande Orchestre de la Suisse Romande The Orchestre de la Suisse Romande is a Swiss symphony orchestra, based in Geneva at the Victoria Hall... and the chorus of the Grand Théatre de Genève |
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