Atys is a tragédie lyrique in three acts by Niccolò Piccinni

Niccolò Piccinni

Niccolò Piccinni was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure, even to music lovers today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of his day...

 with a French libretto by Jean-François Marmontel

Jean-François Marmontel

Jean-François Marmontel was a French historian and writer, a member of the Encyclopediste movement.-Biography:He was born of poor parents at Bort, Limousin...

. Marmontel's libretto was based upon Philippe Quinault

Philippe Quinault

Philippe Quinault , French dramatist and librettist, was born in Paris.- Biography :Quinault was educated by the liberality of François Tristan l'Hermite, the author of Marianne. Quinault's first play was produced at the Hôtel de Bourgogne in 1653, when he was only eighteen...

's libretto for Jean-Baptiste Lully

Jean-Baptiste Lully

Jean-Baptiste de Lully was an Italian-born French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French Baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in...

's 1676 opera of the same title

Atys (Lully)

Atys is a tragédie en musique in a prelude and five acts by Jean-Baptiste Lully to a French-language libretto by Philippe Quinault based on Ovid's Fasti. It was premiered at the royal court in Saint-Germain-en-Laye, January 10, 1676...

. Quinault based his rendition on Ovid

Ovid

Publius Ovidius Naso , known as Ovid in the English-speaking world, was a Roman poet who is best known as the author of the three major collections of erotic poetry: Heroides, Amores, and Ars Amatoria...

's Fasti

Fasti

In ancient Rome, the fasti were chronological or calendar-based lists, or other diachronic records or plans of official and religiously sanctioned events...

. Marmontel adapted Quinault's libretto and modified it by removing the prologue and divertissements. He also altered the plot; instead of using Ovid's metamorphic ending (which Quinault used), Atys commits suicide. Piccinni's opera premiered at the Paris Opera

Académie Royale de Musique

The Salle Le Peletier was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the former Hôtel de Choiseul...

 on February 22, 1780. Musically the opera is admired for its fugal overture, the dream sequence in Act II, the long quartet at the dramatic climax, and the somber dirge with which it ends.

In 1783 there was a second version of the opera produced by Piccinni and Marmontel. In order to satisfy the current trends in opera, they changed the ending to a lieto fine, or happy ending, by rewriting entire sections of the original opera.

Roles

Cast	Voice type	Premiere, February 22, 1780 (Conductor: - )
Sangaride, a nymph betrothed to Célœnus	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...	Marie-Joséphine Laguerre
Doris, Sangaride's confidant	soprano
Cybèle Cybele Cybele , was a Phrygian form of the Earth Mother or Great Mother. As with Greek Gaia , her Minoan equivalent Rhea and some aspects of Demeter, Cybele embodies the fertile Earth...	soprano	Rosalie Duplant
Mélisse	soprano	Céleste Durancy (?)
Atys (Attis Attis Attis was the consort of Cybele in Phrygian and Greek mythology. His priests were eunuchs, as explained by origin myths pertaining to Attis and castration... )	haute-contre Haute-contre The haute-contre is a rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.-History:...	Joseph Legros Joseph Legros Joseph Legros was a French singer and composer of the 18th century. He is best remembered for his association with the composer Christoph Willibald Gluck...  (Le Gros)
Phantase	tenor	Tirot (?)
Sangar	bass-baritone Bass-baritone A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the Dutchman in Der fliegende...
Célœnus	bass-baritone	Henri Larrivée
Idas, sister of Doris	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...	Étienne Lainez
Hobétor	bass
Ballet ballerinas: Anne Heinel, Marie-Madeleine Guimard, Grenier, Peslin; male dancers: Gaetano Vestris, Pierre Gardel Pierre Gardel Pierre-Gabriel Gardel was a French ballet dancer and ballet master. He was the brother of Maximilien Gardel.... , Auguste Vestris Auguste Vestris Marie-Jean-Augustin Vestris, known as Auguste Vestris was a French dancer.Born in Paris as the illegitimate son of Gaëtan Vestris and of Marie Allard, he was dubbed "le dieu de la danse", , a popular title bestowed on the leading male dancer of each generation... , Jean Dauberval Jean Dauberval Jean Dauberval, a.k.a Jean D’Auberval, , was a French dancer and ballet master...

Act 1

Atys, is secretly in love with the nymph Sangaride who is betrothed to Atys' friend King Célénus. Atys confesses his secret to his close friend Idas. Unbeknownst to Atys, Sangaride is also secretly in love with him, a fact which she confides to Doris who is Idas's sister. When Cybele, the great Phrygian Mother of the Gods, arrives the Phrygians celebrate her presence. Atys and Sangaride initially try to conceal their feelings from one another but eventually they confess their love for each other. The act ends with the goddess Cybèle announcing the surprise decision to make Atys Sangaride's "great Sacrificer" rather than Célénus.

Act 2

The goddess Cybèle confesses to Mélisse, her confidante, that she too is in love with Atys. Meanwhile, Célénus tries to discern Sangaride's true feeling for him by questioning Atys. Atys assures him that Sangaride will be a good wife for him. After Célénus leaves, Atys reflects upon his conflicting feelings regarding his friendship to Célénus and his love for Sangaride. While doing so, Atys falls asleep and is visited in his dreams by Morphée, the God of Sleep. Morphée reveals to Atys that Cybèle is in love with him and that he must give up Sangaride for her or there will be disastrous consequences. Atys awakes and finds Cybèle looking down upon him. Sangaride enters and requests Cybèle to free her from her engagement to Célénus. Atys, however, prevents Sangaride from revealing their love for one another which confuses her. Cybèle agrees to break the engagement off but realises that the whole truth is being kept from her.

Act 3

Sangaride is distressed over Atys's behavior and comes to believe that he is in love with Cybèle. Heartbroken, Sangaride decides to abandon pursuing Atys and renew her engagement to Célénus. Atys enters and a quarrel ensues, eventually ending in the reconciliation of the two lovers. Unbeknownst to them, Cybèle has witnessed this argument and out of jealousy decides to get revenge on the lovers with the help of Célénus. Cybèle casts a spell upon Atys to make him insane. Under this spell, Atys murders Sangaride, mistaking her for a monster. After Célénus informs everyone about this murder, Cybèle restores Atys' sanity. Upon learning of Sangaride's murder by his own hands, Atys despairs and commits suicide.