Caffarelli
Encyclopedia
Gaetano Majorano was an Italian
castrato
and opera
singer, who took his stage name Caffarelli from Domenico Caffaro, his patron. Like Farinelli
, Caffarelli was a student of Nicola Porpora
.
. He was one of the rare documented cases of a child so enamoured of singing that he asked to be castrated. When aged ten, he was given the income from two vineyards owned by his grandmother, so that he could study grammar and, especially, music: "to which he is said to have a great inclination, desiring to have himself castrated and become an eunuch". He became the favourite pupil of his master Porpora
, of whom it is said that, having kept the young Caffarelli working from one sheet of exercises for six years, he eventually declared: "Go, my son: I have no more to teach you. You are the greatest singer in Europe".
being too strong, but at the King's Theatre during the 1737-38 season he created roles in the pasticcio Arsace and Handel
's Faramondo
, in addition to the title role in Handel's Serse
, singing the famous aria "Ombra mai fù
".
In later years he worked at Madrid (1739), Vienna (1749), Versailles (1753), and Lisbon (1755). His career in France, to which he had been invited by Louis XV, was suddenly cut short after he badly wounded a poet during a duel, and left in disgrace after only one year . In 1734 the singer had taken up a post at the royal chapel of Naples, and over the next twenty years he often performed at the Teatro di San Carlo
. At Naples he sang for Pergolesi
, Porpora, Hasse, and Leonardo Vinci
, not to mention starring in Gluck's La Clemenza di Tito. After 1756 he sang little, though in 1770 Charles Burney
heard him and praised his "expression and grace." Always a favourite of royal families and a first-rate castrato who could command vast fees, Caffarelli made a large fortune, and was able to buy himself a dukedom and impressive estates in Naples and Calabria
. On a palazzo he built he added the superscription "Amphion
Thebas, ego domum" ("Amphion built Thebes, I this house"). However, he fell foul of local wit when some wag mockingly added to this "ille cum, tu sine" ("he with, you without").
during a performance of Hasse's Antigono in 1745. On the other hand, with Handel, also a famously fiery character, he seems to have been able to coexist on a peaceable basis, perhaps due to the fantastic sums of money the composer paid him for his work.
Time, furthermore, seemed to soften Caffarelli. In the latter years of his life he donated extensively to charity, and when Burney met the singer then he was impressed by his politeness. He died in Naples
.
, with an extensive range and a high tessitura
. Those who heard him sing ranked him only behind Farinelli among the finest singers of that time. Even at the end of his career, Burney thought that he had been "an amazing fine singer". His teacher, Porpora, who (according to Burney) loathed Caffarelli's overweening arrogance, nonetheless claimed that he was "the greatest singer Italy had ever produced". Friedrich Melchior Grimm summed up his qualities:
Italian people
The Italian people are an ethnic group that share a common Italian culture, ancestry and speak the Italian language as a mother tongue. Within Italy, Italians are defined by citizenship, regardless of ancestry or country of residence , and are distinguished from people...
castrato
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...
and opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
singer, who took his stage name Caffarelli from Domenico Caffaro, his patron. Like Farinelli
Farinelli
Farinelli , was the stage name of Carlo Maria Broschi, celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera.- Early years :...
, Caffarelli was a student of Nicola Porpora
Nicola Porpora
Nicola Porpora was an Italian composer of Baroque operas and teacher of singing, whose most famous singing student was the castrato Farinelli. One of his other students was composer Matteo Capranica.-Biography:Porpora was born in Naples...
.
Early life and training
Caffarelli was born in BitontoBitonto
Bitonto is a city and comune in the province of Bari , Italy. It is nicknamed the "City of Olives" due to the numerous olive groves surrounding the city.-Geography:...
. He was one of the rare documented cases of a child so enamoured of singing that he asked to be castrated. When aged ten, he was given the income from two vineyards owned by his grandmother, so that he could study grammar and, especially, music: "to which he is said to have a great inclination, desiring to have himself castrated and become an eunuch". He became the favourite pupil of his master Porpora
Nicola Porpora
Nicola Porpora was an Italian composer of Baroque operas and teacher of singing, whose most famous singing student was the castrato Farinelli. One of his other students was composer Matteo Capranica.-Biography:Porpora was born in Naples...
, of whom it is said that, having kept the young Caffarelli working from one sheet of exercises for six years, he eventually declared: "Go, my son: I have no more to teach you. You are the greatest singer in Europe".
Career
In 1726 he made his debut at Rome in Domenico Sarro's Valdemaro, singing in a female role (as did many castrati at the start of their careers). His fame spread rapidly throughout Italy during the 1730s, with performances at Venice, Turin, Milan, Florence, before returning to Rome for a great success in Johann Adolf Hasse's Cajo Fabricio. His time in London was not particularly successful, public memory of FarinelliFarinelli
Farinelli , was the stage name of Carlo Maria Broschi, celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera.- Early years :...
being too strong, but at the King's Theatre during the 1737-38 season he created roles in the pasticcio Arsace and Handel
George Frideric Handel
George Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...
's Faramondo
Faramondo
Faramondo is an opera in three acts by George Frideric Handel to an Italian text adapted from Apostolo Zeno's Faramondo.-Performance history:...
, in addition to the title role in Handel's Serse
Serse
Serse is an opera seria in three acts by George Frideric Handel. It was first performed in London on 15 April 1738. The Italian libretto was adapted by an unknown hand from that by Silvio Stampiglia for an earlier opera of the same name by Giovanni Bononcini in 1694...
, singing the famous aria "Ombra mai fù
Ombra mai fu
"Ombra mai fu" is the opening aria from the 1738 opera Serse by George Frideric Handel.-Context:The opera was a commercial failure, lasting only five performances in London after its premiere. In the 19th century, however, the aria was rediscovered and became one of Handel's best-known pieces...
".
In later years he worked at Madrid (1739), Vienna (1749), Versailles (1753), and Lisbon (1755). His career in France, to which he had been invited by Louis XV, was suddenly cut short after he badly wounded a poet during a duel, and left in disgrace after only one year . In 1734 the singer had taken up a post at the royal chapel of Naples, and over the next twenty years he often performed at the Teatro di San Carlo
Teatro di San Carlo
The Real Teatro di San Carlo is an opera house in Naples, Italy. It is the oldest continuously active such venue in Europe.Founded by the Bourbon Charles VII of Naples of the Spanish branch of the dynasty, the theatre was inaugurated on 4 November 1737 — the king's name day — with a performance...
. At Naples he sang for Pergolesi
Giovanni Battista Pergolesi
Giovanni Battista Pergolesi was an Italian composer, violinist and organist.-Biography:Born at Iesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others...
, Porpora, Hasse, and Leonardo Vinci
Leonardo Vinci
Leonardo Vinci was an Italian composer, best known for his operas.He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his opere buffe in Neapolitan dialect in 1719; he also composed many opere serie...
, not to mention starring in Gluck's La Clemenza di Tito. After 1756 he sang little, though in 1770 Charles Burney
Charles Burney
Charles Burney FRS was an English music historian and father of authors Frances Burney and Sarah Burney.-Life and career:...
heard him and praised his "expression and grace." Always a favourite of royal families and a first-rate castrato who could command vast fees, Caffarelli made a large fortune, and was able to buy himself a dukedom and impressive estates in Naples and Calabria
Calabria
Calabria , in antiquity known as Bruttium, is a region in southern Italy, south of Naples, located at the "toe" of the Italian Peninsula. The capital city of Calabria is Catanzaro....
. On a palazzo he built he added the superscription "Amphion
Amphion and Zethus
Amphion and Zethus , in ancient Greek mythology, were the twin sons of Zeus by Antiope. They are important characters in one of the two founding myths of the city of Thebes, because they constructed the city's walls....
Thebas, ego domum" ("Amphion built Thebes, I this house"). However, he fell foul of local wit when some wag mockingly added to this "ille cum, tu sine" ("he with, you without").
Character
Caffarelli was notorious for his unpredictability and displays of temperament, both on and off stage. On stage he is reputed to have sung his own preferred versions irrespective of what his colleagues were doing, mimicking them while they sang their solos and sometimes conversing with members of the public in their boxes during the same. Off stage his pugnacity and fierce demeanour led to his willingness to fight duels under little provocation. Such behaviour led to spells of house arrest and imprisonment for assault and for misconduct during performances. Most infamously he completely humiliated of a prima donnaPrima donna
Originally used in opera or Commedia dell'arte companies, "prima donna" is Italian for "first lady." The term was used to designate the leading female singer in the opera company, the person to whom the prime roles would be given. The prima donna was normally, but not necessarily, a soprano...
during a performance of Hasse's Antigono in 1745. On the other hand, with Handel, also a famously fiery character, he seems to have been able to coexist on a peaceable basis, perhaps due to the fantastic sums of money the composer paid him for his work.
Time, furthermore, seemed to soften Caffarelli. In the latter years of his life he donated extensively to charity, and when Burney met the singer then he was impressed by his politeness. He died in Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
.
Voice and reputation
Caffarelli's voice was that of a mezzo-sopranoMezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
, with an extensive range and a high tessitura
Tessitura
In music, the term tessitura generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding texture or timbre...
. Those who heard him sing ranked him only behind Farinelli among the finest singers of that time. Even at the end of his career, Burney thought that he had been "an amazing fine singer". His teacher, Porpora, who (according to Burney) loathed Caffarelli's overweening arrogance, nonetheless claimed that he was "the greatest singer Italy had ever produced". Friedrich Melchior Grimm summed up his qualities: