Cancionero de Palacio
Encyclopedia
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
manuscript of Renaissance music
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...
. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs
Catholic Monarchs
The Catholic Monarchs is the collective title used in history for Queen Isabella I of Castile and King Ferdinand II of Aragon. They were both from the House of Trastámara and were second cousins, being both descended from John I of Castile; they were given a papal dispensation to deal with...
.
The manuscript
The first ten folios are not numbered; the remaining folios are numbered from 1 to 304. Based on the index of works included in the beginning of the manuscript, it originally had 548 works. Many folios have been lost, reducing the number of works currently in the manuscript to 458.The manuscript was written by 9 different people and in all received 11 successive additions:
- The first addition happened in the first years of the 16th century, most probably after 1505, as a result of the reorganization of the Court's musical chapel ordered by Ferdinand II of AragonFerdinand II of AragonFerdinand the Catholic was King of Aragon , Sicily , Naples , Valencia, Sardinia, and Navarre, Count of Barcelona, jure uxoris King of Castile and then regent of that country also from 1508 to his death, in the name of...
, one year after the death of Queen IsabellaIsabella I of CastileIsabella I was Queen of Castile and León. She and her husband Ferdinand II of Aragon brought stability to both kingdoms that became the basis for the unification of Spain. Later the two laid the foundations for the political unification of Spain under their grandson, Charles V, Holy Roman Emperor...
. This is the most numerous addition and its works are the most representative of the circumspect and expressive style characteristic of the reign of the Catholic Monarchs. - The next four additions were supposedly made between 1505 and 1510.
- The next two were made around 1515.
- The 8th addition was possibly made in 1516, right after the death of Ferdinand II.
- The 9th happened between 1516 and 1517.
- The 10th addition, from folios 293 to 304, consisted of a tiny cancionero written in a different kind of paper which was incorporated to the body of the main manuscript. The works contained in it are not listed in the original opening index, and two of its works were already present in the Cancionero. It possibly originated in the chapel of Joanna of CastileJoanna of CastileJoanna , nicknamed Joanna the Mad , was the first queen regnant to reign over both the Crown of Castile and the Crown of Aragon , a union which evolved into modern Spain...
, in TordesillasTordesillasTordesillas is a town and municipality in the province of Valladolid, Castile and León, central Spain.It is located 25 km southwest of the provincial capital, Valladolid at an elevation of 704 meters. The population was c. 9,000 in 2009....
. - The last addition was made between 1519-1520, when the chapel of the Catholic Monarchs had already moved to other location.
By the end of the 19th century the manuscript was found in the Royal Library of the Royal Palace of Madrid
Royal Palace of Madrid
The Palacio Real de Madrid is the official residence of the King of Spain in the city of Madrid, but it is only used for state ceremonies. King Juan Carlos and the Royal Family do not reside in the palace, choosing instead the more modest Palacio de la Zarzuela on the outskirts of Madrid...
by composer and musicologist Francisco Asenjo Barbieri
Francisco Asenjo Barbieri
Francisco Asenjo Barbieri was a well-known composer of the popular Spanish opera form, zarzuela. His works include: El barberillo de Lavapiés, Jugar con fuego, Pan y toros, Don Quijote, Los diamantes de la corona, and El Diablo en el poder.He was born and died in Madrid, appropriately, since the...
, who transcribed and published it in 1890 with the title "Cancionero musical de los siglos XV y XVI" (Musical songbook of the 15th and 16th centuries).
Works
The manuscript contains 458 works, the bulk of which are in Castilian, although a few works also appear in LatinLatin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
, French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...
, Catalan
Catalan language
Catalan is a Romance language, the national and only official language of Andorra and a co-official language in the Spanish autonomous communities of Catalonia, the Balearic Islands and Valencian Community, where it is known as Valencian , as well as in the city of Alghero, on the Italian island...
and Portuguese
Portuguese language
Portuguese is a Romance language that arose in the medieval Kingdom of Galicia, nowadays Galicia and Northern Portugal. The southern part of the Kingdom of Galicia became independent as the County of Portugal in 1095...
. It constitutes an anthology of the polyphonic music performed during the reign of the Catholic Monarchs.
The themes found in the songs are the most varied: romantic, religious, festive, chivalrous, satirical, pastoral, burlesque, political, historical, etc. accompanied by music of all styles: from popular folk songs to elaborated compositions. The musical form most important is the villancico
Villancico
The villancico was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. With the decline in popularity of the villancicos in the 20th century, the term became reduced to mean merely "Christmas carol"...
, though other genres are also found as the romance
Romance (music)
The term romance has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone. During the 18th and 19th centuries Russian composers developed the French variety of the...
and the canción
Canción
Canción is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz...
. The majority of the works are for one voice with instrumental accompaniment but polyphonic works are also available for 2, 3 or 4 voices.
Below is a list of the composers present in the manuscript, with the number of works in parentheses:
Complete list of works
Three different indexing systems are used in the table below:- Nº = Index of works by title, in alphabetical order
- Bar. = Index used by Barbieri in his 1890 publication
- CMP = Index as found in the Cancionero. Because of the additions it received, there are duplicate works and many works not listed in the original index.
| Nº | Bar. | CMP | Work | Voices | Composer | Genre | Concord. | Recordings | Remarks |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 376 | Adonde tienes las mientes | 3 | (anonymous) | |||||
| 2 | 377 | Adonde tienes las mientes | 4 | (anonymous) | |||||
| 3 | 309 | 444 | Adoramoste, Señor, Dios y ombre verdadero | 4 | Francisco de la Torre | villancico | |||
| 4 | 310 | 420 | Adoramoste, Señor, Dios y ombre Jhesu Christo | 4 | Francisco de la Torre | CMS | |||
| 5 | 325 | Airado va el escudero | 4 | (anonymous) | |||||
| 6 | 95 | 137 | Ayrado va el gentilombre | 4 | Francisco de la Torre Francisco de la Torre Francisco de la Torre was a Spanish composer mainly active in the Kingdom of Naples. His hometown may have been Seville. His music can be found in La música en la corte de los Reyes Católicos, edited by H. Anglès .... |
||||
| 7 | 210 | A la caça, sus, a la caça | 4 | Lucas | |||||
| 8 | 6 | Al alba venid, buen amigo | 3 | (anonymous) | |||||
| 9 | 337 | A la mia gran pena forte | 4 | (anonymous) | |||||
| 10 | 321 | 106 | Alburquerque, Alburquerque | 3 | (anonymous) | ||||
| 11 | 453 | 371 | Al çedaz, çedaz | 4 | Alonso de Toro | ||||
| 12 | 30 | 40 | Al dolor de mi cuydado | 3 | Juan Pérez de Gijón Juan Pérez de Gijón Juan Pérez de Gijón was a Spanish composer of the Renaissance.Nothing is known about his life, except for his approximate period of activity. He is one of the composers of secular songs who contributed to the huge Cancionero Musical de Palacio, the largest and most diverse manuscript collection of... |
canción | CMC, CMS | ||
| 13 | 275 | 457 | Al dolor que siento estraño | 3 | Millán | ||||
| 14 | 196 | 307 | Alegraos, males esquivos | 3 | Francisco de Peñalosa Francisco de Peñalosa Francisco de Peñalosa was a Spanish composer of the middle Renaissance.-Life:He was born in Talavera de la Reina in the province of Toledo. He spent most of his career in Seville, serving as the maestro di capilla, though he also spent time in Burgos, and three years in Rome at the papal chapel... |
Text: Comendador Ávila | |||
| 15 | 289 | 227 | Alegria, alegria | 4 | Juan Ponce | ||||
| 16 | 101 | A los baños dell amor | 3 | (anonymous) | |||||
| 17 | 294 | Al Señor crucificado | 3 | (anonymous) | |||||
| 18 | 439 | 321 | Alta | 3 | Francisco de la Torre | Instrumental dance | |||
| 19 | 336 | 152 | Alça la voz, pregonero | 4 | (anonymous) | Text: Lope de Sosa | |||
| 20 | 259 | 431 | Alla se me ponga el sol | 4 | Juan Ponce | ||||
| 21 | 365 | Amigo Mingo Dominguez | 3 | (anonymous) | |||||
| 22 | 79 | 102 | Amor con fortuna | 4 | Juan del Encina | ANT, HES, ATR, DAN, THO, LAN, DIF, CAT, CDM | |||
| 23 | 174 | Amor, fortuna y ventura | 3 | (anonymous) | |||||
| 24 | 71 | Amor por quien yo padezco | 3 | Diego de Fermoselle | |||||
| 25 | 25 | Amor que con gran porfía | 3 | (anonymous) | |||||
| 26 | 169 | Amor quiso cativarme | 3 | Alonso de Mondéjar | |||||
| 27 | 396 | Anagora se m'antoja | 4 | (anonymous) | |||||
| 28 | 356 | Andad acá, Domingo, hao | - | (anonymous) | Without music | ||||
| 29 | 181 | 279 | Andad, pasiones, andad | 3 | Pedro de Lagarto | villancico | CMS, CMC | ||
| 30 | 135 | Andarán siempre mis ojos | 3 | Gabriel Mena | |||||
| 31 | 384 | Antonilla es desposada | 3 | Juan del Encina | ANT, DAN, CHR, CAN, JOU | ||||
| 32 | 209 | Aquel caballero, madre, que de amores | 3 | (anonymous) | |||||
| 33 | 227 | Aquel caballero, madre, si morirá | 3 | (anonymous) | |||||
| 34 | 207 | Aquel gentilhombre, madre | 3 | (anonymous) | |||||
| 35 | 426 | 243 | Aquella buena muger | 3 | Juan de Triana Juan de Triana Juan de Triana was a Spanish composer of the Renaissance period, active in the second half of fifteenth century during the reign of the Catholic Monarchs. Pope Sixtus IV issued a bull on 9 February 1478 that listed De Triana as Prebendary of the Cathedral of Sevilla for at least a year before... |
villancico | CMC | ||
| 36 | 164 | 254 | Aquella mora garrida | 4 | Gabriel Mena | ||||
| 37 | 299 | A quien debo yo llamar | 3 | Juan del Encina Juan del Encina Juan del Enzina – the spelling he used – or Juan del Encina – modern Spanish spelling – was a composer, poet and playwright, often called the founder of Spanish drama... |
ANT | Text: Juan del Encina | |||
| 38 | 405 | Aqui viene la flor señoras | 4 | (anonymous) | |||||
| 39 | 301 | Arcangel San Miguel | 3 | Lope de Baena | |||||
| 40 | 395 | A repastar mi ganado | 3 | Lope de Baena | |||||
| 41 | 410 | 132 | A sombra de mis cabellos | 3 | Gabriel Mena | ||||
| 42 | 411 | 360 | A sombra de mis cabellos | 4 | Jacobus de Milarte | ||||
| 43 | 338 | 324 | A tal pérdida tan triste | 4 | Juan del Encina | ANT, HES | |||
| 44 | 235 | 362 | A tierras agenas | 3 | Francisco de Peñalosa Francisco de Peñalosa Francisco de Peñalosa was a Spanish composer of the middle Renaissance.-Life:He was born in Talavera de la Reina in the province of Toledo. He spent most of his career in Seville, serving as the maestro di capilla, though he also spent time in Burgos, and three years in Rome at the papal chapel... |
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| 45 | 271 | Aunque la pena d'ausente | 3 | (anonymous) | |||||
| 46 | 251 | Aunque mis ojos perdieron | 3 | (anonymous) | |||||
| 47 | 216 | 336 | Aunque no spero gozar | 3 | Millán | ||||
| 48 | 414 | 159 | Ave color vini clari | 4 | Juan Ponce | ||||
| 49 | 296 | Ave virgo gratia plena | 4 | (anonymous) | |||||
| 50 | 429 | Ay de le noble ville de Pris | 4 | (anonymous) | |||||
| 51 | 175 | Ay que non era | 4 | (anonymous) | |||||
| 52 | 27 | 37 | Ay, que non se rremediarme | 3 | Juan de León | CMC, Q16, BBU | |||
| 53 | 304 | Ay Santa maria | 3 | (anonymous) | CMC | ||||
| 54 | 378 | Ay triste, que vengo | 3 | Juan del Encina | Text: Juan del Encina | ||||
| 55 | 139 | 207 | Bien perdí mi coraçon | 3 | Juan Ponce | ||||
| 56 | 178 | Bien podrá mi desventura | 3 | (anonymous) | |||||
| 57 | 424 | Buen amor, no me deis guerra | 3 | (anonymous) | |||||
| 58 | 318 | 100 | Cavalleros de Alcalá | 3 | Lope Martinez | ||||
| 59 | 433 | Calabaza, no sé, buen amor | 3 | (anonymous) | |||||
| 60 | 432 | 249 | Caldero y llave, madona | 4 | Juan del Encina | MA7 | ANT | ||
| 61 | 150 | Calleis, mi señora | 3 | (anonymous) | |||||
| 62 | 422 | 226 | Callen todas las galanas | 3 | Pedro de Lagarto | villancico | |||
| 63 | 193 | Cansados tengo los ojos | 3 | (anonymous) | |||||
| 64 | 358 | Carillo, muy mal me va | 3 | (anonymous) | |||||
| 65 | 185 | Cativo por libertarme | 3 | (anonymous) | |||||
| 66 | 394 | Comer y beber hasta rebentar | - | (anonymous) | Text: Juan del Encina? Without music | ||||
| 67 | 208 | 328 | Como esta sola mi vida | 4 | Juan Ponce | ||||
| 68 | 168 | Como puedo ser contento | 3 | (anonymous) | |||||
| 69 | 215 | 335 | Con amores, la mi madre | 4 | Juan de Anchieta Juan de Anchieta Juan de Anchieta was a leading Spanish Basque composer of the Renaissance, at the Royal Court Chaplaincy in Granada of Queen Isabel I of Castile.-History:... |
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| 70 | 152 | Congoja mas que cruél | 3 | Juan del Encina | ANT | ||||
| 71 | 138 | Con sí se tornó mi vida | 3 | (anonymous) | |||||
| 72 | 355 | Contarte quiero mis males | 3 | (anonymous) | |||||
| 73 | 244 | 375 | Coraçon triste, sofrid | 3 | Pedro de Escobar Pedro de Escobar Pedro de Escobar , a.k.a. Pedro do Porto, was a Portuguese composer of the Renaissance, mostly active in Spain. He was one of the earliest and most skilled composers of polyphony in the Iberian Peninsula, whose music has survived.-Life:He was born at Oporto, Portugal, but nothing is known of his... |
villancico | |||
| 74 | 148 | Creció tanto mi cuidado | 3 | (anonymous) | |||||
| 75 | 406 | 94 | Cucú, cucú, cucucú, guarda no lo seas tú | 4 | Juan del Encina | ANT, HES, RES, CAN, THO, FAG, NOT | |||
| 76 | 407 | 101 | Cucú, cucú, cucucú, guarda no lo seas tú | 4 | (anonymous) | ||||
| 77 | 373 | Daca, bailemos, Carillo | 3 | Juan del Encina | ANT, CAM, FIC, PAN, CDM | Text: Juan del Encina | |||
| 78 | 412 | Dale si le das | 3 | (anonymous) | |||||
| 79 | 7 | 8 | Dama, mi grand querer | 3 | Móxica | canción | CMC | Text: Gran Cardenal? | |
| 80 | 281 | 32 | Damos gracias a ti, Dios | 3 | Francisco de la Torre | CMS | |||
| 81 | 274 | Dandome tal ocasion | 3 | (anonymous) | |||||
| 82 | 435 | 255 | D'aquel fraire flaco y cetrino | 4 | Pedro de Lagarto | villancico | |||
| 83 | 197 | 308 | Desidme, pues sospirastes | 3 | Juan del Encina | ANT, MAG | Text: Juan del Encina | ||
| 84 | 78 | Deh fosse la qui mecho | 4 | (anonymous) | |||||
| 85 | 362 | Deja d'estar modorrido | 4 | Jacobus de Milarte | |||||
| 86 | 147 | 217 | De la dulce mi enemiga | 4 | Gabriel Mena | ||||
| 87 | 361 | De las sierras donde vengo | 4 | (anonymous) | |||||
| 88 | 87 | De la vida d'este mundo | 3 | (anonymous) | |||||
| 89 | 200 | 315 | De mi dicha no se spera | 3 | Francisco de Peñalosa | Text: Garci Sanchez de Badajoz | |||
| 90 | 88 | De mi vida descontento | 3 | (anonymous) | |||||
| 91 | 403 | De Monzón venia el mozo | 3 | (anonymous) | |||||
| 92 | 237 | Dentro en el vergel | 4 | (anonymous) | |||||
| 93 | 155 | De os servir toda mi vida | 3 | (anonymous) | |||||
| 94 | 268 | De pensar cuan triste peno | 3 | (anonymous) | |||||
| 95 | 172 | Descansa, triste pastor | 3 | Jacobus de Milarte | |||||
| 96 | 416 | Desciende al valle, niña | 3 | (anonymous) | |||||
| 97 | 246 | 377 | Descuidad d'ese cuidado | 3 | Juan de Sanabria | Text: Juan de Tapia | |||
| 98 | 132 | 197 | De ser mal casada | 4 | Diego Fernández | ||||
| 99 | 277 | D'estar sin poder miraros | 3 | (anonymous) | |||||
| 100 | 54 | 66 | De vevir vida segura | 3 | Juan Fernández de Madrid | ||||
| 101 | 11 | 17 | De vos i de mí quexoso | 3 | Juan de Urrede Juan de Urrede Juan de Urrede or Juan de Urreda was a Flemish singer and composer active in Spain in the service of the Duke of Alba and King Ferdinand and Queen Isabella. He was born Johannes de Wreede in Bruges.... |
canción | CMC, Q16 | ||
| 102 | 136 | De vosotros he mancilla | 4 | Juan de Espinosa | |||||
| 103 | 83 | Digas tú, el amor d'engaño | 3 | (anonymous) | |||||
| 104 | 445 | 359 | Dindirindin | 4 | (anonymous) | CMM(3) | In Catalan Catalan language Catalan is a Romance language, the national and only official language of Andorra and a co-official language in the Spanish autonomous communities of Catalonia, the Balearic Islands and Valencian Community, where it is known as Valencian , as well as in the city of Alghero, on the Italian island... |
||
| 105 | 313 | Dios te salve, Cruz preciosa | 4 | (anonymous) | |||||
| 106 | 283 | Dios te salve, Pan de vida | 3 | (anonymous) | |||||
| 107 | 306 | 417 | Di por qué mueres en cruz | 3 | Lucas Fernández | Text: Lucas Fernández | |||
| 108 | 307 | Dixit Dominus Domino meo | 4 | (anonymous) | |||||
| 109 | 63 | Dolce amoroso focho | 4 | (anonymous) | |||||
| 110 | 345 | 69 | Domingo, fuese tu amiga | 3 | Bernaldino de Brihuega | ||||
| 111 | 388 | Domingo, ¿qué nuevas hay | 3 | Gabriel Mena | |||||
| 112 | 291 | Do mueren sin fenescer | 3 | (anonymous) | |||||
| 113 | 298 | 404 | Doncella madre de dios | 3 | Juan de Anchieta | ||||
| 114 | 29 | Doncella, no pregunteis | 3 | (anonymous) | |||||
| 115 | 8 | 370 | Donzella, por cuyo amor | 2 | J. Rodríguez Torote | CMC(3v) | Incomplete (one folio missing) | ||
| 116 | 359 | ¿Donde está tu gallardía | 3 | (anonymous) | |||||
| 117 | 326 | Dormiendo está el caballero | 4 | (anonymous) | |||||
| 118 | 115 | 177 | Dos ánades, madre | 3 | Juan de Anchieta | ||||
| 119 | 343 | 445 | Durandarte, Durandarte | 4 | Millán | ||||
| 120 | 56 | 68 | El bien qu'stuve esperando | 3 | Sant Juan | ||||
| 121 | 436 | El cervel mi fa | 4 | (anonymous) | |||||
| 122 | 250 | 383 | El dia que vy a Pascuala | 3 | Pedro de Escobar | villancico | |||
| 123 | 454 | Ell Abad que á tal hora anda | 4 | (anonymous) | |||||
| 124 | 98 | 144 | Ell amor que me bien quiere | 3 | Juan Ponce | ||||
| 125 | 179 | El que rige y el regido | 3 | Juan del Encina | ANT, HESENC, MAG, CAP | Text: Juan del Encina | |||
| 126 | 254 | 395 | El que tal señora tiene | 3 | Juan del Encina | ANT | Text: Juan del Encina | ||
| 127 | 89 | 125 | El triste que nunca os vió | 3 | Francisco de Peñalosa | ||||
| 128 | 272 | 454 | El bevir triste me haze | 3 | (anonymous) | ||||
| 129 | 252 | El vivo fuego de amor | 4 | (anonymous) | |||||
| 130 | 76 | Enamorado de vos | 3 | (anonymous) | |||||
| 131 | 143 | En Avila, mis ojos | 3 | (anonymous) | |||||
| 132 | 255 | En el mi corazon vos tengo | 4 | Gabriel Mena | |||||
| 133 | 26 | En el servicio de vos | 3 | (anonymous) | |||||
| 134 | 4 | Enemiga le soy, madre | 3 | (anonymous) | Text: Juan del Encina | ||||
| 135 | 5 | Enemiga le soy, madre | 3 | Juan de Espinosa | Text: Juan del Encina | ||||
| 136 | 141 | En fuego de amor me quemo | 3 | (anonymous) | |||||
| 137 | 366 | 252- 297 | En las sierras donde vengo | 3 | Pedro Juan Aldomar | villancico | |||
| 138 | 328 | 130 | En memoria d'Alixandre | 4 | Juan de Anchieta | ||||
| 139 | 137 | En no me querer la vida | 4 | (anonymous) | |||||
| 140 | 61 | Entra mayo y sale Abril | 4 | (anonymous) | |||||
| 141 | 308 | Entre todos los nacidos | 3 | (anonymous) | |||||
| 142 | 214 | Es de tal metal mi mal | 3 | Millán | |||||
| 143 | 36 | Es la causa bien amar | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 144 | 49 | Es la vida que tenemos | 3 | (anonymous) | |||||
| 145 | 57 | 70 | Es por vos si tengo vida | 3 | Fernand Pérez de Medina | ||||
| 146 | 287 | Está la Reina del cielo | 3 | (anonymous) | |||||
| 147 | 70 | Es tan alta la ocasion | 3 | (anonymous) | |||||
| 148 | 419 | Esta queda loca | 3 | (anonymous) | |||||
| 149 | 258 | Estas noches á tan largas | 3 | (anonymous) | |||||
| 150 | 292 | Estrella oriental | 3 | (anonymous) | |||||
| 151 | 455 | 421 | Fata la parte | 4 | Juan del Encina | ANT, HES, CHR, CHA, ACC, MAG, CON, TER, CDM, CIB | |||
| 152 | 97 | Fonte frida, fonte frida | 3 | (anonymous) | |||||
| 153 | 341 | 424 | Françeses, por qué rrazon | 4 | Tordesillas | ||||
| 154 | 342 | 443 | Françia, cuenta tu ganançia | 4 | Juan Ponce | ||||
| 155 | 340 | 423 | Gaeta nos es subjeta | 4 | Juan Alvárez de Almorox | ||||
| 156 | 368 | Gasajado vienes, Mingo | 3 | Jacobus de Milarte | |||||
| 157 | 353 | 165 | Gasajemonos de hucia | 4 | Juan del Encina | ANT | Text: Juan del Encina | ||
| 158 | 28 | 38 | Gentil dama, non se gana | 4 | Juan Cornago Juan Cornago Juan Cornago was a Spanish composer in the transition from Ars nova to the Renaissance.- Life :Almost nothing is known of Cornago's origins. He may be the Juan Carnago of Calahorra, La Rioja, Spain, who solicited Pope Martin V for prebends in various parishses between 1420 y 1429... |
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| 159 | 220 | Gentilhombre enamorado | 3 | (anonymous) | |||||
| 160 | 297 | Gloria sea al glorioso | 3 | (anonymous) | |||||
| 161 | 392 | 385 | Gran plaçer siento yo ya | 4 | Pedro de Escobar | villancico | |||
| 162 | 401 | 15 | Gritos davan en aquella sierra | 3 | Alonso | ||||
| 163 | 124 | Guarda, donna il mio tormento | 4 | (anonymous) | |||||
| 164 | 452 | 393 | Guardaos d'estas pitofleras | 3 | Alonso | ||||
| 165 | 348 | 89 | Ha, Pelayo, que desmayo | 3 | Pedro Juan Aldomar | villancico | UPS(4v) | ||
| 166 | 19 | 26 | Harto de tanta porfia | 4 | (anonymous) | CMS(3v) | Text: Marqués de Santillana | ||
| 167 | 198 | Hermitaño quiero ser | 4 | Juan del Encina | ANT, CHR | Text: Juan del Encina | |||
| 168 | 166 | Hermosura con ufana | 3 | (anonymous) | |||||
| 169 | 357 | 174 | Hoy comamos y bebamos | 4 | Juan del Encina | ANT, HES, PAR, KIN, GEN, DAN, WAV, ROM, REN, ACC, VIR, SAV, UMB, ORL, DUF, CDM, ROS | Text: Juan del Encina | ||
| 170 | 77 | I arded, corazón, arded | 4 | (anonymous) | |||||
| 171 | 188 | I haz jura, menga | 3 | (anonymous) | |||||
| 172 | 68 | 84 | In te, Domine, speravi | 4 | Josquin des Prez Josquin Des Prez Josquin des Prez [Josquin Lebloitte dit Desprez] , often referred to simply as Josquin, was a Franco-Flemish composer of the Renaissance... |
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| 173 | 261 | 435 | Io mi voglio lamentare | 4 | Giovanni Brocco | frottola | |||
| 174 | 431 | Jançu Janto dego de garcigorreta | 3 | (anonymous) | |||||
| 175 | 243 | 374 | Juisio fuerte será dado | 3 | Alonso de Córdoba Alonso de Córdoba Alonso de Córdoba Gómez was a Spanish nobleman's son who sought his fortune in the New World. He was born in Valdepeñas, Ciudad Real Province, Spain, and married Olalla of Merlo, also of Valdepeñas.... |
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| 176 | 32 | 42 | Justa fue mi perdiçion | 3 | Francisco de la Torre | CMS | Text: Jorge Manrique | ||
| 177 | 158 | 234 | La bella mal maridada | 4 | Gabriel Mena | ||||
| 178 | 75 | La congoja que partió | 3 | (anonymous) | |||||
| 179 | 350 | La más graciosa serrana | 4 | (anonymous) | |||||
| 180 | 223 | 343 | La mi sola Laureola | 4 | Juan Ponce | ||||
| 181 | 73 | 91 | L'amor, donna, ch'io ti porto | 4 | Giacomo Fogliano Giacomo Fogliano Giacomo Fogliano was an Italian composer, organist, harpsichordist, and music teacher of the Renaissance, active mainly in Modena in northern Italy. He was a composer of frottole, the popular vocal form ancestral to the madrigal, and later in his career he also wrote madrigals themselves... |
frottola | PBN, FRO | ||
| 182 | 38 | 48 | La que tengo no es prision | 3 | Francisco de la Torre | Text: Conde de Cifuentes | |||
| 183 | 48 | 59 | Las mis penas, madre | 4 | Pedro de Escobar | villancico | |||
| 184 | 44 | Las tristezas no me espantan | 3 | (anonymous) | |||||
| 185 | 430 | 247 | La tricotea San martin la vea | 3 | Alonso | ||||
| 186 | 153 | La vida y la gloria | 3 | (anonymous) | |||||
| 187 | 442 | La zorrilla con el gallo | 3 | (anonymous) | |||||
| 188 | 316 | 184 | Levanta, Pascual, Levanta | 3 | Juan del Encina | ANT, HES, NEF, ACC, RES, MIN, FIC, CAP, REI | Text: Juan del Encina | ||
| 189 | 236 | Lo que demanda el romero | 4 | (anonymous) | |||||
| 190 | 249 | 382 | Lo que mucho se desea | 2 | Francisco de Peñalosa | ||||
| 191 | 145 | 216 | Lo que queda es lo seguro | 3 | Pedro de Escobar | villancico | CME, MA7, PAR | Text: Garci Sánchez de Badajoz | |
| 192 | 146 | 99 | Lo que queda es lo seguro | 3 | (anonymous) | Text: Garci Sánchez de Badajoz | |||
| 193 | 344 | 446 | Los braços trayo cansados | 3 | Millán | ||||
| 194 | 163 | Los que amor y fe se tienen | 3 | (anonymous) | |||||
| 195 | 108 | Los sospiros no sosiegan | 4 | Juan del Encina | MA7 | ANT, GOT, BEG, CDM | |||
| 196 | 456 | Llueve menudico | 3 | (anonymous) | |||||
| 197 | 46 | 57 | Malos adalides fueron | 3 | Badajoz Badajoz Badajoz is the capital of the Province of Badajoz in the autonomous community of Extremadura, Spain, situated close to the Portuguese border, on the left bank of the river Guadiana, and the Madrid–Lisbon railway. The population in 2007 was 145,257.... |
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| 198 | 53 | Mano á mano los dos amores | 3 | (anonymous) | |||||
| 199 | 239 | Maravilla es cómo bivo | 3 | Millán | |||||
| 200 | 67 | Mas quiero morir por veros | 4 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 201 | 190 | 298 | Mas vale trocar | 4 | Juan del Encina | ANT, HES, KIN, GEN, CHR, ROM, BIN, VIR, MAG | Text: Juan del Encina | ||
| 202 | 349 | 118 | Mayoral del hato, ahau | 3 | Juan de Sanabria | ||||
| 203 | 380 | Menga la del bustar | 3 | (anonymous) | |||||
| 204 | 437 | Meu naranjedo non te fruta | 4 | (anonymous) | |||||
| 205 | 458 | Meus olhos van per lo mare | 4 | (anonymous) | |||||
| 206 | 441 | 346 | Miedo m'e del Chiromiro | 3 | Alonso de Córdoba Alonso de Córdoba Alonso de Córdoba Gómez was a Spanish nobleman's son who sought his fortune in the New World. He was born in Valdepeñas, Ciudad Real Province, Spain, and married Olalla of Merlo, also of Valdepeñas.... |
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| 207 | 295 | Mi esperanza | 3 | (anonymous) | |||||
| 208 | 64 | Mi libertad en sosiego | 4 | Juan del Encina | ANT, GOT, CAN, BIN, MIN, MAG, DUF | Text: Juan del Encina | |||
| 209 | 142 | Mill cosas tiene ell amor | 3 | (anonymous) | |||||
| 210 | 41 | Mi mal por bien es tenido | 4 | Badajoz | |||||
| 211 | 176 | Mi muerte contra la vida | 3 | (anonymous) | |||||
| 212 | 50 | Minno amor dexistes ay | 3 | (anonymous) | |||||
| 213 | 119 | 185 | Mios fueron, mi coraçon | 3 | Millán | ||||
| 214 | 120 | 294 | Mios fueron, mi coraçon | 3 | Alonso de Mondéjar | ||||
| 215 | 243 | Mi querer nunca mudado | 3 | Alonso de Córdoba | |||||
| 216 | 21 | 29 | Mi querer tanto vos quiere | 4 | Enrique | canción | CMC | ||
| 217 | 103 | 153 | Mi ventura, el caballero | 3 | Gabriel Mena | ||||
| 218 | 195 | Mi vida nunca reposa | 3 | (anonymous) | |||||
| 219 | 322 | Morirse quiere Alixandre | 3 | (anonymous) | |||||
| 220 | 34 | 44 | Mortal tristura me dieron | 4 | Juan del Encina | ANT, HES | |||
| 221 | 74 | Muchos van de amor heridos | 4 | (anonymous) | |||||
| 222 | 459 | (Música de una composición a la que falta la letra) | 3 | (anonymous) | |||||
| 223 | 319 | 103 | Muy crueles voces dan | 3 | (anonymous) | CMC | |||
| 224 | 16 | 23 | Muy triste será mi vida | 4 | Juan de Urrede | canción | CMC(3v) | Text: Rodriguez del Padrón | |
| 225 | 354 | 167 | Ninguno çierre las puertas | 3 | Juan del Encina | ANT | Text: Juan del Encina | ||
| 226 | 58 | 72 | Niña, erguídeme los ojos | 3 | Francisco de Peñalosa | ||||
| 227 | 59 | 108 | Niña, erguídeme los ojos | 3 | (anonymous) | ||||
| 228 | 60 | 403 | Niña, erguídeme los ojos | 3 | Alonso | ||||
| 229 | 374 | Niño amigo, ¿donde bueno? | 3 | (anonymous) | Text: Jorge de Mercado | ||||
| 230 | 105 | No debe seguir amores | 3 | (anonymous) | |||||
| 231 | 149 | 220 | No devo dar culpa a vos | 3 | Pedro de Escobar | villancico | |||
| 232 | 191 | No desmayes, coraçon | 3 | Alonso de Mondéjar | |||||
| 233 | 170 | 262 | No fie nadie en amor | 3 | Francisco de la Torre | ||||
| 234 | 45 | 56 | No ay plazer en esta vida | 4 | Fernand Pérez de Medina | ||||
| 235 | 159 | No he ventura, mezquino yo | 3 | (anonymous) | |||||
| 236 | 379 | No husies de buen tempero | 3 | Millán | |||||
| 237 | 451 | 391 | No me le digais mal, madre | 3 | Alonso Pérez de Alba | ||||
| 238 | 24 | Non me place nin consiento | 3 | (anonymous) | |||||
| 239 | 182 | No penseis vos, pensamiento | 3 | Alonso de Mondéjar | |||||
| 240 | 123 | No podrá maravillarse | 3 | (anonymous) | |||||
| 241 | 160 | No podran ser acavadas | 3 | Alonso de Mondéjar | |||||
| 242 | 118 | No puede el que os ha mirado | 4 | Gabriel Mena | |||||
| 243 | 408 | 114 | No pueden dormir mis ojos | 4 | Pedro de Escobar | villancico | |||
| 244 | 234 | No puedo apartarme | 4 | (anonymous) | |||||
| 245 | 162 | No querades, fija | 3 | (anonymous) | |||||
| 246 | 15 | 22 | No queriendo soys querida | 3 | Móxica | canción | MA6, RIC | ||
| 247 | 205 | No quiero que nadie sienta | 3 | (anonymous) | |||||
| 248 | 398 | No quiero ser monja, no | 3 | (anonymous) | |||||
| 249 | 247 | No quiero tener querer | 3 | (anonymous) | ANT | Text: Juan del Encina | |||
| 250 | 369 | Norabuena vengas, Menga | 3 | (anonymous) | |||||
| 251 | 370 | Norabuena vengas, Menga | 3 | (anonymous) | |||||
| 252 | 35 | No se puede llamar fe | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 253 | 229 | No soy yo quien la descubre | 3 | Gabriel Mena | |||||
| 254 | 226 | No teneis la culpa vos | 3 | Alonso de Mondéjar | |||||
| 255 | 107 | 162 | No tienen vado mis males | 4 | Juan del Encina | CME, UPS | ANT, GUI | ||
| 256 | 364 | 229 | Nuestr'ama, Minguillo | 3 | Pedro de Escobar | villancico | |||
| 257 | 278 | Nuestro bien e gran consuelo | 3 | (anonymous) | |||||
| 258 | 372 | 281 | Nuevas te traigo, Carillo | 4 | Juan del Encina | CMC | ANT | Text: Juan del Encina | |
| 259 | 1 | 1 | Nunca fue pena mayor | 3 | Juan de Urrede | canción | CMC, CMS, PIX, GAL, OXF, Q16, Q17, Q18, MA6, MA8, RIC, PER, CGC, VER, CHI, HAR, SPI | Text: Duque de Alba | |
| 260 | 126 | 192 | Nunca yo, señora, os viera | 3 | Antonio de Ribera | villancico | |||
| 261 | 440 | Ñar ñarete, giron giron bete | 3 | (anonymous) | |||||
| 262 | 286 | 124 | O alto bien sin reves | 3 | Pedro de Escobar?? | ||||
| 263 | 303 | 413 | O ascondida verdad | 3 | Alfonso de Troya | ||||
| 264 | 86 | O bendita sea la hora | 3 | Gabriel Mena | |||||
| 265 | 339 | O castillo de Montanges | 3 | (anonymous) | ANT, CHR | Music: attrib. to Enzina | |||
| 266 | 51 | 62 | O quan dulçe serias, muerte | 3 | Francisco de la Torre | ||||
| 267 | 276 | O cuan triste y cuan penado | 3 | (anonymous) | |||||
| 268 | 130 | O cuidado mensajero | 3 | Gabriel Mena | |||||
| 269 | 39 | 49 | O desdichado de mi | 3 | Badajoz | ||||
| 270 | 134 | 200- 211? | O dichoso y desdichado | 4 | Juan Alvárez de Almorox | ||||
| 271 | 270 | 452 | O dulce y triste memoria | 3 | Millán | ||||
| 272 | 390 | O que ama tan garrida | 3 | Alonso de Toro | |||||
| 273 | 302 | O Reyes magos benditos | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 274 | 257 | 405 | O triste, qu'estoy penado | 3 | Juan Ponce | ||||
| 275 | 37 | O triunfante dona | 3 | (anonymous) | |||||
| 276 | 311 | O Virgen muy gloriosa | 3 | (anonymous) | |||||
| 277 | 144 | Ojos mis ojos, tan garridos ojos | 3 | (anonymous) | |||||
| 278 | 171 | 263 | Ojos morenicos | 3 | Pedro de Escobar | villancico | |||
| 279 | 425 | Olhademe, gentil dona | 4 | (anonymous) | |||||
| 280 | 386 | Ora baila tú, mas baila tutú | 3 | (anonymous) | |||||
| 281 | 347 | 73 | Ora sus, pues qu'ansí es | 4 | Pedro de Escobar | villancico | |||
| 282 | 282 | 55 | O sancta clemens, o pia | 3 | Alfonso de Troya | ||||
| 283 | 253 | Otro bien si á vos no tengo | 3 | (anonymous) | |||||
| 284 | 447 | Otro tal misacantano | 3 | (anonymous) | |||||
| 285 | 156 | O vos omnes qui transitis | 3 | Millán | |||||
| 286 | 444 | 358 | O voy | Roma | 4 | ||||
| 287 | 241 | 373 | Oyan todos mi tormento | 4 | Alonso de Mondéjar | ||||
| 288 | 242 | Oyan todos mi tormento | 4 | Gabriel Mena | |||||
| 289 | 280 | 28 | Oya tu merçed y crea | 3 | (anonymous) | CMC, CMS | Text: Juan de Mena Juan de Mena Juan de Mena was one of the most significant Spanish poets of the fifteenth century. He was highly regarded at the court of Juan II de Castilla, who appointed him veinticuatro of Córdoba, secretario de cartas latinas and cronista real... |
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| 290 | 180 | Paguen mis ojos, pues vieron | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 291 | 399 | 11 | Pánpano verde | 4 | Francisco de la Torre | ||||
| 292 | 129 | Para que mi pensamiento | 3 | Millán | |||||
| 293 | 230 | Para verme con ventura | 3 | Juan del Encina | CMS, UPS | ANT, GUI | Text: Juan del Encina | ||
| 294 | 231 | Para verme con ventura | 3 | (anonymous) | Text: Juan del Encina | ||||
| 295 | 232 | 175 | Para verme con ventura | 3 | Juan Ponce | Text: Juan del Encina | |||
| 296 | 55 | Partir, corazón, partir | 3 | Juan del Encina | ANT | ||||
| 297 | 121 | Partístesos, mis amores | 3 | Juan del Encina | ANT | ||||
| 298 | 217 | 337 | Pasame, por Dios, varquero | 3 | Pedro de Escobar | villancico | CME, LIS | ||
| 299 | 331 | 136 | Pascua de'Espíritu Santo | 3 | Francisco de la Torre | ||||
| 300 | 446 | Pase el agua, ma Julieta | 4 | (anonymous) | |||||
| 301 | 427 | 244 | Paseisme aor'alla, serrana | 3 | Pedro de Escobar | villancico | |||
| 302 | 428 | 245 | Paseisme ahora allá, serrana | 4 | Pedro de Escobar | ||||
| 303 | 363 | Pastorcico, non te aduermas | 3 | (anonymous) | |||||
| 304 | 371 | Pedro, y bien te quiero | 3 | Juan del Encina | ANT, DAN, ACC, CON, CDM | Text: Juan del Encina | |||
| 305 | 387 | 428 | Pelayo, tan buen esfuerço | 3 | Juan del Encina | CMB | ANT | ||
| 306 | 33 | 43 | Peligroso pensamiento | 3 | Francisco de la Torre | CMS | |||
| 307 | 102 | Pensad ora'n al | 3 | (anonymous) | |||||
| 308 | 99 | Pensamiento, ve do vas | 4 | (anonymous) | CMC | ||||
| 309 | 266 | Perche me fuge amore | 3 | (anonymous) | |||||
| 310 | 434 | Perdi la mi rueca | 3 | (anonymous) | |||||
| 311 | 449 | 387 | Pero Gonçalez | 3 | Alonso | ||||
| 312 | 329 | Pésame de vos, el Conde | 4 | Juan del Encina | ANT | ||||
| 313 | 389 | 364 | Plaçer y gasajo | 4 | Alonso | ||||
| 314 | 47 | 58 | Plega a Dios que alguno quieras | 3 | (anonymous) | ||||
| 315 | 43 | 53 | Poco a poco me rodean | 3 | Badajoz | 3 | |||
| 316 | 423 | 235 | Por beber, comadre | 3 | Juan de Triana Juan de Triana Juan de Triana was a Spanish composer of the Renaissance period, active in the second half of fifteenth century during the reign of the Catholic Monarchs. Pope Sixtus IV issued a bull on 9 February 1478 that listed De Triana as Prebendary of the Cathedral of Sevilla for at least a year before... |
villancico | CMC | ||
| 317 | 23 | 31 | Por las gracias que teneis | 3 | Juan Fernández de Madrid | ||||
| 318 | 438 | 311 | Por las sierras de Madrid | 6 | Francisco de Peñalosa | ||||
| 319 | 335 | 150 | Por los campos de los moros | 3 | Francisco de la Torre | ||||
| 320 | 69 | Por Mayo era, por Mayo | 4 | (anonymous) | Text: Don Alonso de Cardona?? | ||||
| 321 | 203 | 319 | Porque de ageno cuidado | 3 | Millán | ||||
| 322 | 140 | 200- 211? | Porque vos ví | 4 | Juan Alvárez de Almorox | ||||
| 323 | 233 | 355 | Por serviros, triste yo | 3 | Ajofrín Ajofrín Ajofrín is a municipality located in the province of Toledo, Castile-La Mancha, Spain. As of 2008, it was home to 2328 inhabitants . Its name derives from the arabic Al-Ya'rar, or "the place of the Yafar or Jafar".-History:... |
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| 324 | 81 | 107 | Por unos puertos arriva | 4 | Antonio de Ribera | romance | ANT | Text: Juan del Encina | |
| 325 | 245 | Por vos mal me viene | 3 | (anonymous) | |||||
| 326 | 248 | Pues amas, triste amador | 3 | (anonymous) | ANT | Text: Juan del Encina Music: attrib. to Encina |
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| 327 | 450 | 389 | Pues bien para esta | 4 | Garcimuñoz | ||||
| 328 | 10 | 16 | Pues con sobra de tristura | 3 | Enrique | canción | CMC(4v) | ||
| 329 | 285 | Pues es muerto el Rey del cielo | 3 | (anonymous) | |||||
| 330 | 213 | 333 | Pues la vida en mal tan fuerte | 3 | Millán | Music: same as in Si ell esperança es dudosa | |||
| 331 | 194 | Pues no te duele mi muerte | 4 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 332 | 2 | 2 | Pues que Dios te fizo tal | 3 | Juan Cornago | CMC | |||
| 333 | 3 | 5 | Pues que Dios te fizo tal | 3 | Juan Fernández de Madrid | canción | Work by Juan Cornago; triple added by Juan Fernández de Madrid | ||
| 334 | 22 | Pues que jamás olvidaros | 4 | Juan del Encina | CMS, MA7, DEF | ANT, PAL, ACC, CAP | |||
| 335 | 125 | Pues que mi triste penar | 3 | Juan del Encina | ANT, JOU | Text: Juan del Encina | |||
| 336 | 112 | Pues que no os doleis del mal | 3 | (anonymous) | |||||
| 337 | 211 | 331 | Pues que todo os descontenta | 3 | Francisco de la Torre | ||||
| 338 | 314 | Pues que tú, Reina del cielo | 3 | (anonymous) | ANT, CAN | Text: Juan del Encina | |||
| 339 | 224 | Pues que vuestro desamor | 3 | (anonymous) | |||||
| 340 | 177 | 271 | Pues que ya nunca nos veis | 4 | Juan del Encina | ANT, LAN | |||
| 341 | 20 | 27 | Pues serviçio vos desplase | 4 | Enrique | canción | PER | Text: Monsalve? Music: attrib. to Robert Morton Robert Morton Robert Morton was an English composer of the early Renaissance, mostly active at the Burgundian court. He was highly regarded at the time. Only secular vocal music, all Rondeaux for three voices, survive.-Life:... in PER. |
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| 342 | 90 | 127 | Pues vivo en perder la vida | 3 | Francisco de Peñalosa | ||||
| 343 | 116 | Puse mis amores | 3 | Badajoz | |||||
| 344 | 92 | 129 | Que bien me lo veo | 3 | Salcedo | ||||
| 345 | 93 | 139 | Que bien me lo veo | 4 | (anonymous) | ||||
| 346 | 106 | 158 | Quedaos, adios.- ¿A donde vais? | 4 | Pedro de Escobar | villancico | |||
| 347 | 382 | 304 | Quedate, Carillo, adios | 4 | Juan del Encina | ANT, HES | |||
| 348 | 352 | Que desgraciada zagala | 3 | Lope de Baena | |||||
| 349 | 187 | 290 | Que dolor mas me doliera | 3 | Francisco de Peñalosa | ||||
| 350 | 72 | 90 | Quexome de ti, ventura | 3 | Pedro de Lagarto | romance | |||
| 351 | 100 | Que mas bien aventuransa | 3 | Millán | |||||
| 352 | 212 | 332 | Qué mayor desaventura | 3 | Antonio de Contreras | Text: Vizconde de Altamira | |||
| 353 | 131 | 198 | Qué me quereis, caballero | 3 | (anonymous) | ||||
| 354 | 173 | Qué puedo perder que pierda | 3 | Millán | |||||
| 355 | 114 | Queredme bien, caballero | 3 | Gabriel Mena | |||||
| 356 | 315 | 74 | Qu'es de ti desconsolado | 3 | Juan del Encina | ANT, HES, SPA, DAN, ROM, ARA, ACC, OLA, PAN, CDM, REI | Text: Juan del Encina | ||
| 357 | 151 | 222 | Qué vida terná sin vos | 3 | Bernaldino de Brihuega | Text: Diego de Quirós | |||
| 358 | 167 | Quien pone su aficion | 3 | Badajoz | |||||
| 359 | 122 | 187 | Quien tal arbol pone | 3 | Alfonso de Troya | ||||
| 360 | 360 | Quien te hizo, Juan pastor | 3 | Badajoz | |||||
| 361 | 82 | 283 | Quien te traxo, cavallero | 3 | Juan del Encina | CME | ANT, MAP, CIB | Text: Juan del Encina | |
| 362 | 52 | Quien vevir libre desea | 3 | (anonymous) | |||||
| 363 | 85 | Quien vos habia de llevar | 4 | (anonymous) | |||||
| 364 | 199 | Razon, que fuerça no quiere | 4 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 365 | 391 | Recuerda, Carillo Juan | - | (anonymous) | Without music | ||||
| 366 | 279 | 19 | Reyna y Madre de Dios | 1 | (anonymous) | ||||
| 367 | 201 | Remediad, señora mia | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 368 | 202 | Remediad, señora mia | 3 | (anonymous) | Text: Juan del Encina | ||||
| 369 | 165 | Remedio para bevir | 3 | Alonso de Mondéjar | |||||
| 370 | 262 | 436 | Revelose mi cuidado | 3 | Juan del Encina | ANT | |||
| 371 | 400 | Rodrigo Martinez | 2 | (anonymous) | villancico | Music incomplete | |||
| 372 | 288 | Rogad vos, Virgen, rogad | 3 | Lope de Baena | |||||
| 373 | 240 | 369 | Romerico, tú que vienes | 3 | Juan del Encina | CME, CMS | ANT, VAL, BER, COM, ALT, SPI, DAE, UFF | Text: Juan del Encina | |
| 374 | 320 | Rómpase la sepoltura | 3 | (anonymous) | |||||
| 375 | 31 | 41 | Ruego a Dios que amando mueras | 3 | Juan Pérez de Gijón | canción | |||
| 376 | 133 | 199 | Sacaronme los pesares | 3 | Pedro de Escobar | villancico | CME, LIS, PAR | Text: Garci Sánchez de Badajoz | |
| 377 | 42 | 52 | Señora, cual soy venido | 3 | (anonymous) | villancico | CMC | Text: Marqués de Santillana Music: In CMC the triple is attrib. to Juan Cornago and the bass to Juan de Triana. |
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| 378 | 66 | Señora de hermosura | 4 | Juan del Encina | ANT, BIN, CDM | ||||
| 379 | 219 | 339 | Señora, despues que os vi | 3 | Millán | Text: Diego de Quirós | |||
| 380 | 273 | Señora, vuestro valor | 3 | (anonymous) | |||||
| 381 | 346 | 71 | Serrana del bel mirar | 3 | Millán | ||||
| 382 | 218 | Serviros y bien amaros | 3 | Juan del Encina | ANT | ||||
| 383 | 263 | Serviros ya y no oso | 1 | (anonymous) | Only a fragment of the triple available | ||||
| 384 | 332 | Setenil, ay Setenil | - | (anonymous) | Without music | ||||
| 385 | 65 | 178 | Sy amor pone las escalas | 4 | Juan del Encina | ANT, CDM | Text: Juan del Encina | ||
| 386 | 323 | Si d'amor pena sentis | 4 | (anonymous) | |||||
| 387 | 238 | 367 | Si dolor sufro secreto | 3 | Millán | ||||
| 388 | 228 | 351 | Si ell esperança es dudosa | 3 | Millán | Music: same as in Pues la vida en mal tan fuerte | |||
| 389 | 9 | Siempre creçe mi serviros | 3 | Juan Fernández de Madrid | CMC | ||||
| 390 | 448 | Si habéis dicho, marido | 3 | (anonymous) | |||||
| 391 | 415 | 179 | Si abrá en este baldrés | 4 | Juan del Encina | ANT, HES, KIN, ROM, ACC, PIF, VIR, CDM | |||
| 392 | 192 | Si la noche es temerosa | 3 | (anonymous) | |||||
| 393 | 127 | Si lo dicen, digan | 4 | (anonymous) | |||||
| 394 | 189 | 252- 297 | Si mi señora m'olvida | 3 | Pedro Juan Aldomar | villancico | |||
| 395 | 128 | Sy no piensas remediar | 3 | Millán | |||||
| 396 | 330 | 135 | Sobre baza estaba el Rey | 3 | (anonymous) | ||||
| 397 | 402 | So ell encina encina | 4 | (anonymous) | |||||
| 398 | 420 | Sola me dejastes | 3 | (anonymous) | |||||
| 399 | 421 | Sola me dejastes | 4 | Gabriel Mena | |||||
| 400 | 404 | Sol sol gi gi a b c | 3 | Alonso | |||||
| 401 | 225 | Sospiros, no me dejeis | 3 | Badajoz | |||||
| 402 | 154 | Sospiros, pues que descansa | 3 | Alonso de Mondéjar | |||||
| 403 | 40 | Soy contento y vos servida | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 404 | 91 | Soy doncella enamorada | 3 | (anonymous) | |||||
| 405 | 204 | 323 | Sufriendo con fe tan fuerte | 3 | Millán | ||||
| 406 | 109 | Tales son mis pensamientos | 3 | Alonso de Mondéjar | |||||
| 407 | 269 | Tal es su valor presente | 3 | (anonymous) | |||||
| 408 | 393 | 426 | Tan buen ganadico | 4 | Juan del Encina | ANT, CAN, OAK, TER, MAP | Text: Juan del Encina | ||
| 409 | 267 | 448 | Temeroso de sufrir | 3 | Millán | ||||
| 410 | 333 | Tiempo es, ell escudero | 3 | (anonymous) | |||||
| 411 | 284 | Tierra y cielo se quejaban | 3 | (anonymous) | |||||
| 412 | 397 | 6 | Tir'alla, que non quiero | 3 | Alonso | ||||
| 413 | 184 | 287 | Todo quanto yo serví | 3 | Lope de Baena | ||||
| 414 | 104 | 156 | Todo mi bien e perdido | 4 | Juan Ponce | ||||
| 415 | 113 | Todos duermen, corazon | 3 | Lope de Baena | |||||
| 416 | 265 | Todos los bienes del mundo | 4 | Juan del Encina | MA7 | ANT, JOC, RIC, ACC, MAG, CAT, CON, WIM, REI, DAE | |||
| 417 | 256 | Todos van de amor heridos | 4 | Jacobus de Milarte | |||||
| 418 | 221 | 341 | Torre de la niña, y date | 2 | Juan Ponce | ||||
| 419 | 222 | Torre de la niña, y date | 4 | (anonymous) | |||||
| 420 | 17 | 24 | Tres morillas m'enamoran | 3 | (anonymous) | ||||
| 421 | 18 | 25 | Tres moricas m'enamoran | 3 | Diego Fernández | ||||
| 422 | 317 | 83 | Triste España sin ventura | 4 | Juan del Encina | ANT, HES, RES, MUN, MAD, NEF, CAN, LAN, OLA, CAP, NOT | |||
| 423 | 334 | Triste está la reyna, triste | 4 | Antonio de Contreras | |||||
| 424 | 96 | 140 | Triste, que será de mí | 4 | Francisco de la Torre | ||||
| 425 | 12 | 18 | Tristesa, quien a mi vos dio | 3 | Alonso | ||||
| 426 | 13 | 112 | Tristeza, quien a mi os dio | 4 | (anonymous) | ||||
| 427 | 457 | 447 | Tu que vienes de camino | 2 | Francisco de Peñalosa | ||||
| 428 | 375 | 285 | Una amiga tengo, hermano | 3 | Juan del Encina | CME | ANT, CON | Text: Juan del Encina | |
| 429 | 351 | 154 | Una montaña pasando | 4 | Garcimuñoz | ||||
| 430 | 327 | 126 | Una sañosa porfía | 4 | Juan del Encina | ANT, HES, COH, CHR, WAV, CAM, MIN, FIC, OLA | |||
| 431 | 206 | Unos ojos morenicos | 3 | (anonymous) | |||||
| 432 | 417 | Un, señora, muerto habías | 4 | (anonymous) | |||||
| 433 | 94 | Un solo fin de mis males | 3 | Alonso de Mondéjar | |||||
| 434 | 367 | Vamos, vamos á cenar | 3 | Jacobus de Milarte | |||||
| 435 | 409 | 122 | Ved, comadres, que dolençia | 4 | Millán | ||||
| 436 | 183 | 286 | Vençedores son tus ojos | 3 | Pedro de Escobar | villancico | |||
| 437 | 111 | Vida y alma el que os mirare | 3 | Gabriel Mena | |||||
| 438 | 460 | 455 | Viejo malo en la mi cama | 4 | Sedano | ||||
| 439 | 305 | 416 | Virgen bendita sin par | 4 | Pedro de Escobar | villancico | |||
| 440 | 312 | 430 | Virgen dina y muy fermosa | 3 | Alonso | ||||
| 441 | 293 | Vos mayor, vos meor | 3 | Lope de Baena | |||||
| 442 | 80 | 105 | Vox clamantis in deserto | 3 | Bartolomeo Trombocino | fottola | FR3 | Text: Serafino dall' Aquila | |
| 443 | 117 | Vuestros amores he, señora | 4 | Juan del Encina | ANT, CHR, DUF | ||||
| 444 | 157 | Vuestros ojos morenillos | 3 | (anonymous) | |||||
| 445 | 413 | 155 | Ya cantan los gallos | 4 | Vilches | CME | |||
| 446 | 186 | Ya cerradas son las puertas | 3 | Juan del Encina | ANT | Text: Juan del Encina | |||
| 447 | 110 | 166 | Ya murieron los placeres | 3 | Garcimuñóz | ||||
| 448 | 264 | 439 | Ya no quiero aver plaser | 3 | Juan de Valera | ||||
| 449 | 381 | Ya no quiero ser vaquero | 3 | Juan del Encina | CMS | ANT | Text: Juan del Encina | ||
| 450 | 300 | Ya no quiero tener fe | 3 | Juan del Encina | CMS | ANT, MAY, DAE, BOR | |||
| 451 | 385 | Ya no spero qu'en mi vida | 3 | Juan del Encina | ANT | ||||
| 452 | 260 | Ya no teneis mal que darme | 3 | (anonymous) | |||||
| 453 | 290 | Ya somos del todo libres | 4 | (anonymous) | |||||
| 454 | 383 | Ya soy desposado | 3 | Juan del Encina | ANT, CAM, VIR | Text: Juan del Encina | |||
| 455 | 14 | 21 | Yo con vos, señora | 3 | (anonymous) | ||||
| 456 | 84 | Yo creo que no os dio Dios | 3 | Gabriel Mena | |||||
| 457 | 324 | Yo me soy la Reina viuda | 4 | (anonymous) | |||||
| 458 | 62 | Yo me staba reposando | 4 | Juan del Encina | ANT, SEP | Text: Juan del Encina | |||
| 459 | 161 | Yo pensé que mi ventura | 4 | Gabriel Mena | |||||
| 460 | 418 | Zagalega del Casar | 4 | (anonymous) | |||||
| 461 | 443 | 357 | Çutegon e singuel deriquegon | 3 | (anonymous) | ||||
Manuscripts
- CMB - BarcelonaBarcelonaBarcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
, Biblioteca de Catalunya, Ms 454 (Cancionero de Barcelona) (E-Bbc 454) - BBU - Bologne, Biblioteca Universitaria, Ms. 596.HH.2/4 (I-Bu 596.HH.2/4) (Tablature for keyboard)
- Q16 - Bologne, Civico Museo Bibliografico Musicale, MS Q16 (I-Bc Q 16)
- Q17 - Bologne, Civico Museo Bibliografico Musicale, MS Q17 (I-Bc Q 17)
- Q18 - Bologne, Civico Museo Bibliografico Musicale, MS Q18 (I-Bc Q 18)
- CHI - ChicagoChicagoChicago is the largest city in the US state of Illinois. With nearly 2.7 million residents, it is the most populous city in the Midwestern United States and the third most populous in the US, after New York City and Los Angeles...
, The Newberry LibraryNewberry LibraryThe Newberry Library is a privately endowed, independent research library for the humanities and social sciences in Chicago, Illinois. Although it is private, non-circulating library, the Newberry Library is free and open to the public...
, Case MS VM C. 25 (US-Cn Case ms. VM 140 C.25) (Lute book by Vincenzo Capirola) - COI - CoimbraCoimbraCoimbra is a city in the municipality of Coimbra in Portugal. Although it served as the nation's capital during the High Middle Ages, it is better-known for its university, the University of Coimbra, which is one of the oldest in Europe and the oldest academic institution in the...
, Biblioteca Geral da Universidade, MS M.12 (P-Cug M.12) - CME - ElvasElvasElvas is a Portuguese municipality, an episcopal city and frontier fortress of Portugal, located in the district of Portalegre in Alentejo. It is situated about 230 km east of Lisbon, and about 15 km west of the Spanish fortress of Badajoz, by the Madrid-Badajoz-Lisbon railway...
, Biblioteca Municipal Públia Hortênsia, Ms 11793 (Cancioneiro de ElvasCancioneiro de ElvasThe Cancioneiro de Elvas is one of the four Renaissance songbooks of Portuguese music from the 16th century - along with the Lisbon Songbook, the Belém Songbook, and the Paris songbook...
) (P-Em 11793) - MA7 - FlorenceFlorenceFlorence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, Biblioteca Nazionale Centrale, Ms. Magl. XIX. 107 bis (I-Fn Magl.XIX 107 bis) - MA6 - Florence, Biblioteca Nazionale Centrale, Ms. Magl. XIX. 176 (I-Fn Magl.XIX 176)
- MA8 - Florence, Biblioteca Nazionale Centrale, Ms. Magl. XIX. 178 (I-Fn Magl.XIX 178)
- RIC - Florence, Biblioteca Riccardiana, MS. 2356 (I-Fr 2356)
- LIS - LisbonLisbonLisbon is the capital city and largest city of Portugal with a population of 545,245 within its administrative limits on a land area of . The urban area of Lisbon extends beyond the administrative city limits with a population of 3 million on an area of , making it the 9th most populous urban...
, Biblioteca Nacional Colecção Dr. Ivo Cruz, MS 60 (Cancioneiro de Lisboa) (P-Ln Res C.I.C. 60) - CMM - MadridMadridMadrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...
, Biblioteca de la Casa del Duque de Medinaceli, Ms 13230 (Cancionero de MedinaceliCancionero de MedinaceliThe Cancionero de Medinaceli or Cancionero Musical de Medinaceli is a manuscript containing Spanish music of the Renaissance. It was copied during the second half of the 16th century and kept at the library of the Duke of Medinaceli's house, hence its name...
) - OXF - OxfordOxfordThe city of Oxford is the county town of Oxfordshire, England. The city, made prominent by its medieval university, has a population of just under 165,000, with 153,900 living within the district boundary. It lies about 50 miles north-west of London. The rivers Cherwell and Thames run through...
, Bodleian LibraryBodleian LibraryThe Bodleian Library , the main research library of the University of Oxford, is one of the oldest libraries in Europe, and in Britain is second in size only to the British Library...
, MS. Ashmole 831 (GB-Ob Ashmole 831) - PAR - ParisParisParis is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
, Bibliothèque École Nationale Supérieure des Beaux-ArtsÉcole Nationale Supérieure des Beaux-ArtsThe École Nationale Supérieure des Beaux-arts is the distinguished National School of Fine Arts in Paris, France.The École des Beaux-arts is made up of a vast complex of buildings located at 14 rue Bonaparte, between the quai Malaquais and the rue Bonaparte, in the heart of Saint-Germain-des-Près,...
, Masson 56) (Cancioneiro de ParisCancioneiro de ParisThe Cancioneiro de Paris is one of the four Renaissance songbooks of Portuguese music from the 16th century. It is one important source of secular music of the Iberian Renaissance and the largest one of Portuguese secular Renaissance music.It contains 130 profane villancicos and cantigas...
) (F-Pba 56: Masson) - PIX - Paris, Bibliothèque NationaleBibliothèque nationale de FranceThe is the National Library of France, located in Paris. It is intended to be the repository of all that is published in France. The current president of the library is Bruno Racine.-History:...
, fonds française 15123 (Chansonnier Pixérécourt) (F-Pn 15123) - PBN - Paris, Bibliothèque Nationale, Ms Rés. Vm 676
- PER - PerugiaPerugiaPerugia is the capital city of the region of Umbria in central Italy, near the River Tiber, and the capital of the province of Perugia. The city is located about north of Rome. It covers a high hilltop and part of the valleys around the area....
, Biblioteca Comunale Augusta, Ms. 431 (olim G20) (I-PEc 431) - CGC - RomeRomeRome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, Biblioteca Apostolica Vaticana, C. G.XIII. 2 7 (Cappella Giulia Chansonnier) (I-Rvat CG XIII.27 ). - GAL - Saint GallSaint GallSaint Gall, Gallen, or Gallus was an Irish disciple and one of the traditionally twelve companions of Saint Columbanus on his mission from Ireland to the continent. Saint Deicolus is called an older brother of Gall.-Biography:...
, Stiftsbibliothek, MS 463 (CH-SGs 463) (Tschudi Liederbuch) - CMS - SegoviaSegoviaSegovia is a city in Spain, the capital of Segovia Province in the autonomous community of Castile and León. It is situated north of Madrid, 30 minutes by high speed train. The municipality counts some 55,500 inhabitants.-Etymology:...
, Catedral, Archivo Capitular, s.s. (Cancionero de Segovia) (E-SE s.s) - CMC - Sevilla, Catedral Metropolitana, Biblioteca Capitular y Colombina, Ms. 7-I-28 (Cancionero de la Colombina) (E-S 7-I-28)
- VER - VeronaVeronaVerona ; German Bern, Dietrichsbern or Welschbern) is a city in the Veneto, northern Italy, with approx. 265,000 inhabitants and one of the seven chef-lieus of the region. It is the second largest city municipality in the region and the third of North-Eastern Italy. The metropolitan area of Verona...
, Biblioteca Capitolare. MS 752 (I-VEcap 757) - TAR - Tarazona, Archivo Capitular de la Catedral, ms. 2/3 (E-TZ 2/3)
Printed books
- HAR - Harmonice Musices OdhecatonHarmonice Musices OdhecatonThe Harmonice Musices Odhecaton was an anthology of secular songs published by Ottaviano Petrucci in 1501 in Venice...
, A. O. PetrucciOttaviano PetrucciOttaviano Petrucci was an Italian printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book of sheet music printed from movable type. Actually that distinction belongs to the Roman printer Ulrich Han's Missale Romanum of 1476...
, VeniceVeniceVenice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
, 1501 - FRO - Frottole Libro septimo. Petrucci
- FR3 - Frottole Libro tertio. Petrucci
- SPI - Intabulatura de lauto, libro primo. F. SpinacinoFrancesco SpinacinoFrancesco Spinacino was an Italian lutenist and composer. His surviving output comprises the first two volumes of Ottaviano Petrucci's influential series of lute music publications: Intabolatura de lauto libro primo and Intabolatura de lauto libro secondo...
, 1507 - UPS - Cancionero de Uppsala
- DEF - João IV de Portugal, "Defensa de la música moderna" (Lisbon, 1649)