Don César de Bazan
Encyclopedia
Don César de Bazan is an opéra comique
Opéra comique
Opéra comique is a genre of French opera that contains spoken dialogue and arias. It emerged out of the popular opéra comiques en vaudevilles of the Fair Theatres of St Germain and St Laurent , which combined existing popular tunes with spoken sections...

 in four acts by Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...

 to a French libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Adolphe d'Ennery
Adolphe d'Ennery
Adolphe Philippe d'Ennery or Dennery was a French Jewish dramatist and novelist.Born in Paris, his real surname was Philippe...

, Jean Henri Dumanoir and Jules Chantepie, based on the drama Ruy Blas
Ruy Blas
Ruy Blas is a tragic drama by Victor Hugo. It was the first play presented at the Théâtre de la Renaissance and opened on November 8, 1838. Though considered by many to be Hugo’s best drama, the play initially met with only average success....

by Victor Hugo
Victor Hugo
Victor-Marie Hugo was a Frenchpoet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France....

. It was first performed at the Opéra-Comique
Opéra-Comique
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the...

 in Paris on November 30, 1872.

It was the first full-length opera by Massenet to be professionally produced, the one-act La grand'tante
La grand'tante
La grand'tante is an opera in one act by Jules Massenet to a French libretto by Jules Adenis and Charles Grandvallet. It was first performed at the Opéra-Comique in Paris on April 3, 1867...

having been produced five years earlier by the same company. Don César de Bazan was not a success and it would be another five years, with the premiere of Le roi de Lahore
Le roi de Lahore
Le roi de Lahore is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877....

in 1877, before Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...

 rose to his place among the most prominent composers of his time.

Don César was initially performed 13 times at the Opéra-Comique. After the fire at the Salle Favart when the parts were lost, Massenet constructed a new version from the vocal score, and this was performed in Geneva in 1888, then Antwerp, Brussels, the French provinces and the Gaîté-Lyrique in 1912, and the Hague in 1925. The work contains but one extractable piece that is performed with any frequency, the Sevillana for coloratura soprano
Coloratura soprano
A coloratura soprano is a type of operatic soprano who specializes in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice...

.

Roles

Role Voice type Premiere Cast,
November 30, 1872
(Conductor: Adolphe Deloffre
Adolphe Deloffre
Louis Michel Adolphe Deloffre was a French violinist and conductor active in London and Paris, who conducted several important operatic premieres in the latter city, particularly by Charles Gounod and Georges Bizet....

)
Maritana soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Marguérite-Marie Sophie Pollart "Priola"
Lazarille, a boy mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

Galli-Marié
Charles II of Spain tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

Paul Lhérie
Paul Lhérie
Paul Lhérie , was a French tenor, then baritone, later a vocal teacher, most famous for creating the role of Don José in Bizet's Carmen.-Life and career:...

Don César baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...

Jacques Bouhy
Jacques Bouhy
Jacques-Joseph-André Bouhy a Belgian baritone, most famous for being the first to sing the Toreador Song in the role of Escamillo in Carmen....

Don José de Santarém baritone Neveu
Captain of the guard bass François Bernard

Synopsis

Don César is a poor Spanish grandee who fights a duel to save Lazarille from a cruel captain. Since a royal edict forbids duelling during Holy Week, Don César is arrested and condemned to death by hanging. In his prison cell, he is visited by Don José de Santarém (a minister of the king Charles II) who loves the queen, who in turn refuses his love unless the king is proved to have been unfaithful to her. Charles II is enamoured of Maritana, a street singer, whom he cannot approach because of her low station. Don José therefore plots to have Maritana marry the condemned man before his execution thus making her Countess de Bazan. Without explaining his plan, he promises Maritana riches and status and his friend Don César commutation to death by firing squad and protection for the boy Lazarille. The marriage takes place and then the execution. The widow is escorted to the San Fernando palace to learn courtly manners, being assured that her husband will return from exile soon. But the king comes to visit her, claiming to be Don César - Maritana says she cannot love him. Before Charles II can force his attentions on her, Don César comes in, and it emerges that Lazarille had removed the shot from the muskets. Don César is appointed governor of Granada by the king, and leaves with his beautiful wife.

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