Elektra chord
Encyclopedia
The Elektra chord is a "complexly dissonant signature-chord
" and motivic elaboration used by composer
Richard Strauss
to represent the title character of his opera Elektra
that is a "bitonal
synthesis of E major and C-sharp major" and may be regarded as a polychord related to conventional chords with added thirds, in this case an eleventh chord
.
In Elektra the chord, Elektra's "harmonic
signature" is treated various ways betraying "both tonal
and bitonal leanings...a dominant
4/2 over a nonharmonic
bass
. Like Elektra herself, this chord is both monomaniacal
and polymorphic." It is associated as well with its seven note complement
which may be arranged as a dominant
thirteenth
while other characters are represented by other motives or chords, such as Klytämnestra
's contrasting harmony. The Elektra chord's complement appears at important points and the two chords form a 10-note pitch collection, lacking D and A, which forms one of Elektra's "distinctive 'voices'"
The chord is also found in Claude Debussy
's Feuilles mortes, where it may be analyzed as an appoggiatura to a minor ninth chord
, and Franz Schreker
's Der ferne Klang
, and Alexander Scriabin
's Sixth Piano Sonata
.
Chord (music)
A chord in music is any harmonic set of two–three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may for many practical and theoretical purposes be understood as chords...
" and motivic elaboration used by composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
to represent the title character of his opera Elektra
Elektra (opera)
Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal...
that is a "bitonal
Polytonality
The musical use of more than one key simultaneously is polytonality . Bitonality is the use of only two different keys at the same time...
synthesis of E major and C-sharp major" and may be regarded as a polychord related to conventional chords with added thirds, in this case an eleventh chord
Eleventh chord
In music, an eleventh chord is a chord which contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord will also usually include the seventh and ninth along with elements of the basic triad structure. Variants include the dominant eleventh, minor eleventh, and the...
.
In Elektra the chord, Elektra's "harmonic
Harmony
In music, harmony is the use of simultaneous pitches , or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic...
signature" is treated various ways betraying "both tonal
Tonality
Tonality is a system of music in which specific hierarchical pitch relationships are based on a key "center", or tonic. The term tonalité originated with Alexandre-Étienne Choron and was borrowed by François-Joseph Fétis in 1840...
and bitonal leanings...a dominant
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic,and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale...
4/2 over a nonharmonic
Nonchord tone
A nonchord tone, nonharmonic tone, or non-harmony note is a note in a piece of music which is not a part of the implied harmony that is described by the other notes sounding at the time...
bass
Bass note
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice. While the bass note is often the root or fundamental of the chord, it does not have to be, and sometimes one of the other...
. Like Elektra herself, this chord is both monomaniacal
Monomania
In 19th century psychiatry, monomania is a single pathological preoccupation in an otherwise sound mind. Emotional monomania is that in which the patient is obsessed with only one emotion or several related to it; intellectual monomania is that which is related to only one kind of delirious idea...
and polymorphic." It is associated as well with its seven note complement
Complement (music)
In music the term complement refers to two distinct concepts.In traditional music theory a complement is the interval which, when added to the original interval, spans an octave in total. For example, a major 3rd is the complement of a minor 6th. The complement of any interval is also known as its...
which may be arranged as a dominant
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic,and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale...
thirteenth
Thirteenth
In music or music theory, a thirteenth is the interval between the sixth and first scale degrees when the sixth is transposed up an octave, creating a compound sixth, or thirteenth. The thirteenth is most commonly major or minor ....
while other characters are represented by other motives or chords, such as Klytämnestra
Clytemnestra
Clytemnestra or Clytaemnestra , in ancient Greek legend, was the wife of Agamemnon, king of the Ancient Greek kingdom of Mycenae or Argos. In the Oresteia by Aeschylus, she was a femme fatale who murdered her husband, Agamemnon – said by Euripides to be her second husband – and the Trojan princess...
's contrasting harmony. The Elektra chord's complement appears at important points and the two chords form a 10-note pitch collection, lacking D and A, which forms one of Elektra's "distinctive 'voices'"
The chord is also found in Claude Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
's Feuilles mortes, where it may be analyzed as an appoggiatura to a minor ninth chord
Ninth chord
A ninth chord is a chord that encompasses the interval of a ninth when arranged in close position with the root in the bass.A dominant ninth is a dominant chord with a ninth. A ninth chord, as an extended chord, typically includes the seventh along with the basic triad structure. Thus, a Cmaj9...
, and Franz Schreker
Franz Schreker
Franz Schreker was an Austrian composer, conductor, teacher and administrator. Primarily a composer of operas, his style is characterized by aesthetic plurality , timbral experimentation, strategies of extended tonality and...
's Der ferne Klang
Der ferne Klang
Der ferne Klang is an opera by Franz Schreker, libretto by the composer.-Composition history:Drafted in 1901, Schreker completed the three-act libretto in 1903. However, composing the music would take about ten years. Criticism from his composition teacher Robert Fuchs caused Schreker to abandon...
, and Alexander Scriabin
Alexander Scriabin
Alexander Nikolayevich Scriabin was a Russian composer and pianist who initially developed a lyrical and idiosyncratic tonal language inspired by the music of Frédéric Chopin. Quite independent of the innovations of Arnold Schoenberg, Scriabin developed an increasingly atonal musical system,...
's Sixth Piano Sonata
Sonata No. 6 (Scriabin)
The Piano Sonata No. 6, Op. 62, by Alexander Scriabin, was composed in 1911. Although it was named the sixth sonata, the piece was preceded by the Sonata No. 7. As it is one of the late piano sonatas of Scriabin's career, the music consists of a single movement, and is highly atonal...
.