Tonality
Overview
 
Tonality is a system of music
Music
Music is an art form whose medium is sound and silence. Its common elements are pitch , rhythm , dynamics, and the sonic qualities of timbre and texture...

 in which specific hierarchical
Hierarchy
A hierarchy is an arrangement of items in which the items are represented as being "above," "below," or "at the same level as" one another...

 pitch
Pitch (music)
Pitch is an auditory perceptual property that allows the ordering of sounds on a frequency-related scale.Pitches are compared as "higher" and "lower" in the sense associated with musical melodies,...

 relationships are based on a key
Key (music)
In music theory, the term key is used in many different and sometimes contradictory ways. A common use is to speak of music as being "in" a specific key, such as in the key of C major or in the key of F-sharp. Sometimes the terms "major" or "minor" are appended, as in the key of A minor or in the...

 "center", or tonic
Tonic (music)
In music, the tonic is the first scale degree of the diatonic scale and the tonal center or final resolution tone. The triad formed on the tonic note, the tonic chord, is thus the most significant chord...

. The term tonalité originated with Alexandre-Étienne Choron
Alexandre-Étienne Choron
Alexandre-Étienne Choron for a short time directed the Paris Opera. He played an essential role in France in making a clear distinction between sacred and secular music, and was one of the originators of French interest in musicology.- Biography :Choron studied mathematics at the collège de Juilly...

 (1810) and was borrowed by François-Joseph Fétis
François-Joseph Fétis
François-Joseph Fétis was a Belgian musicologist, composer, critic and teacher. He was one of the most influential music critics of the 19th century, and his enormous compilation of biographical data in the Biographie universelle des musiciens remains an important source of information today...

 in 1840 (Reti, 1958; Simms 1975, 119; Judd, 1998; Dahlhaus 1990). Although Fétis used it as a general term for a system of musical organization and spoke of types de tonalités rather than a single system, today the term is most often used to refer to Major-Minor tonality (also called diatonic tonality, common practice tonality, or functional tonality), the system of musical organization of the common practice period
Common practice period
The common practice period, in the history of Western art music , spanning the Baroque, Classical, and Romantic periods, lasted from c. 1600 to c. 1900.-General characteristics:...

, and of Western-influenced popular music throughout much of the world today.
David Cope
David Cope
David Cope is an American author, composer, scientist, and professor emeritus of music at the University of California, Santa Cruz...

 (1997,) considers key
Key (music)
In music theory, the term key is used in many different and sometimes contradictory ways. A common use is to speak of music as being "in" a specific key, such as in the key of C major or in the key of F-sharp. Sometimes the terms "major" or "minor" are appended, as in the key of A minor or in the...

, consonance
Consonance and dissonance
In music, a consonance is a harmony, chord, or interval considered stable, as opposed to a dissonance , which is considered to be unstable...

 and dissonance
Consonance and dissonance
In music, a consonance is a harmony, chord, or interval considered stable, as opposed to a dissonance , which is considered to be unstable...

 (or relaxation and tension, respectively), and hierarchical relationships to be the three most basic concepts in tonality.
Quotations

[Tonality is] the special meaning [functions] that chords receive through their relationship to a fundamental sonority, the tonic triad.

Hugo Riemann, cited in Gurlitt, W. (1950). "Hugo Riemann (1849-1919)".

[Tonality is the] set of relationships, simultaneous or successive, among the tones of the scale.

Joseph Fétis, (1722). Traité complet de la théorie et de la pratique de l'harmonie contenant la doctrine de la science et de l'art, 2d ed., p.166. Brussels and Paris.

But one will say, 'What is the principal behind these scales, and what, if not acoustic phenomena and the laws of mathematics, has set the order of their tones?' I respond that this principle is purely metaphysical [anthropological]. We conceive this order and the melodic and harmonic phenomena that spring from it out of our conformation and education. (p.249)

Hugo Riemann, cited in Gurlitt, W. (1950). "Hugo Riemann (1849-1919)".

[Tonality is] the art of combining tones in such successions and such harmonies or successions of harmonies, that the relation of all events to a fundamental tone is made possible.

Arnold Schoenberg (1937). Schoenberg, p.280, ed. Armitage, Merle. New York.

Tonality is the organized relationship of musical sounds, as perceived and interpreted with respect to some central point of reference that seems to co-ordinate the separate items and events and to lend them meaning as component parts of a unified whole.

Delbert M. Beswick (1950). The Problem of Tonality in Seventeenth Century Music, p.18, Ph.D. dissertation. University of North Carolina.

[Tonality is] prolonged motion within the framework of a single key-determined progression.

Salzer, Felix (1962). Structural Hearing: Tonal Coherence in Music. New York: Dover, p.227.

[Tonality is] contrapuntal progressions ... can be key defining and capable of assuming structural significance.

Salzer, Felix (1962). Structural Hearing: Tonal Coherence in Music. New York: Dover, p.204.

[Tonality is] directed motion within the framework of a single prolonged sonority.

Salzer, Felix (1967). "Tonality in Medieval Polyphony", The Music Forum 1, p.54.

 
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