Tonic (music)
Encyclopedia
In music
, the tonic is the first scale degree
of the diatonic scale
and the tonal
center or final resolution
tone. The triad
formed on the tonic note, the tonic chord, is thus the most significant chord
. More generally, the tonic is the pitch
upon which all other pitches of a piece are hierarchically
referenced.
The tonic is often confused with the root
, which is the reference note of a chord, rather than that of the scale. It is also represented with the Roman numeral I.
of the 18th and 19th centuries, the tonic center was the most important of all the different tone centers which a composer
used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant
(the fifth above the tonic, or the fourth note down from the tonic) in between.
There can be major scale
s and minor scale
s. The tonic remains the same in these two different "modes
", for a given key
, whereas scale degrees
such as the third degree and the sixth degree are altered in the minor scale.
This can be seen another way. Each minor scale uses exactly the same set of notes (key signature
) as some major scale and vice-versa. The only difference is which of these notes functions as the tonal center — which of them is the tonic. For example, C major and A minor have no sharps or flats. Consequently, the tonic plays an important part in determining why music composed using a minor mode sounds different from music composed using a major mode.
A tonic may be considered a tonal center, while a pitch center functions referentially or contextually in an atonal context, often acting as axis or line of symmetry in an interval cycle
. Pitch centricity was coined by Arthur Berger
in his "Problems of Pitch Organization in Stravinsky".
The tonic diatonic function
includes four separate activities or roles as the principal goal tone, initiating event, generator of other tones, and the stable center neutralizing the tension between dominant and subdominant.
supertonic
— second scale degree (the scale degree immediately "above" the tonic);
mediant
— third scale degree (the "middle" note of the tonic triad);
subdominant
— fourth scale degree (a fifth "below" the tonic);
dominant
— fifth scale degree (the most "pronounced" harmonic
note after the tonic);
submediant
— sixth scale degree (the "middle" note of the subdominant triad);
leading tone (or leading note) — seventh scale degree (the scale degree that "leads" to the tonic, this is also referred to as subtonic);
subtonic
- also seventh scale degree, but applying to the lowered 7th found in the natural minor scale
.
Music
Music is an art form whose medium is sound and silence. Its common elements are pitch , rhythm , dynamics, and the sonic qualities of timbre and texture...
, the tonic is the first scale degree
Degree (music)
In music theory, a scale degree or scale step is the name of a particular note of a scale in relation to the tonic...
of the diatonic scale
Diatonic scale
In music theory, a diatonic scale is a seven note, octave-repeating musical scale comprising five whole steps and two half steps for each octave, in which the two half steps are separated from each other by either two or three whole steps...
and the tonal
Tonality
Tonality is a system of music in which specific hierarchical pitch relationships are based on a key "center", or tonic. The term tonalité originated with Alexandre-Étienne Choron and was borrowed by François-Joseph Fétis in 1840...
center or final resolution
Resolution (music)
Resolution in western tonal music theory is the move of a note or chord from dissonance to a consonance .Dissonance, resolution, and suspense can be used to create musical interest...
tone. The triad
Triad (music)
In music and music theory, a triad is a three-note chord that can be stacked in thirds. Its members, when actually stacked in thirds, from lowest pitched tone to highest, are called:* the Root...
formed on the tonic note, the tonic chord, is thus the most significant chord
Chord (music)
A chord in music is any harmonic set of two–three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may for many practical and theoretical purposes be understood as chords...
. More generally, the tonic is the pitch
Pitch (music)
Pitch is an auditory perceptual property that allows the ordering of sounds on a frequency-related scale.Pitches are compared as "higher" and "lower" in the sense associated with musical melodies,...
upon which all other pitches of a piece are hierarchically
Hierarchy
A hierarchy is an arrangement of items in which the items are represented as being "above," "below," or "at the same level as" one another...
referenced.
The tonic is often confused with the root
Root (chord)
In music theory, the root of a chord is the note or pitch upon which a triadic chord is built. For example, the root of the major triad C-E-G is C....
, which is the reference note of a chord, rather than that of the scale. It is also represented with the Roman numeral I.
Importance and Function
In western European tonal musicMusic
Music is an art form whose medium is sound and silence. Its common elements are pitch , rhythm , dynamics, and the sonic qualities of timbre and texture...
of the 18th and 19th centuries, the tonic center was the most important of all the different tone centers which a composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic,and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale...
(the fifth above the tonic, or the fourth note down from the tonic) in between.
There can be major scale
Major scale
In music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
s and minor scale
Minor scale
A minor scale in Western music theory includes any scale that contains, in its tonic triad, at least three essential scale degrees: 1) the tonic , 2) a minor-third, or an interval of a minor third above the tonic, and 3) a perfect-fifth, or an interval of a perfect fifth above the tonic, altogether...
s. The tonic remains the same in these two different "modes
Musical mode
In the theory of Western music since the ninth century, mode generally refers to a type of scale. This usage, still the most common in recent years, reflects a tradition dating to the middle ages, itself inspired by the theory of ancient Greek music.The word encompasses several additional...
", for a given key
Key (music)
In music theory, the term key is used in many different and sometimes contradictory ways. A common use is to speak of music as being "in" a specific key, such as in the key of C major or in the key of F-sharp. Sometimes the terms "major" or "minor" are appended, as in the key of A minor or in the...
, whereas scale degrees
Degree (music)
In music theory, a scale degree or scale step is the name of a particular note of a scale in relation to the tonic...
such as the third degree and the sixth degree are altered in the minor scale.
This can be seen another way. Each minor scale uses exactly the same set of notes (key signature
Key signature
In musical notation, a key signature is a series of sharp or flat symbols placed on the staff, designating notes that are to be consistently played one semitone higher or lower than the equivalent natural notes unless otherwise altered with an accidental...
) as some major scale and vice-versa. The only difference is which of these notes functions as the tonal center — which of them is the tonic. For example, C major and A minor have no sharps or flats. Consequently, the tonic plays an important part in determining why music composed using a minor mode sounds different from music composed using a major mode.
A tonic may be considered a tonal center, while a pitch center functions referentially or contextually in an atonal context, often acting as axis or line of symmetry in an interval cycle
Interval cycle
In music, an interval cycle is a collection of pitch classes created from a sequence of the same interval class. In other words a collection of pitches by starting with a certain note and going up by a certain interval until the original note is reached In music, an interval cycle is a collection...
. Pitch centricity was coined by Arthur Berger
Arthur Berger
Arthur Victor Berger was an American composer who has been described as a New Mannerist.-Biography:Born in New York City, of Jewish descent, Berger studied as an undergraduate at New York University, during which time he joined the Young Composer's Group, as a graduate student under Walter Piston...
in his "Problems of Pitch Organization in Stravinsky".
The tonic diatonic function
Diatonic function
In tonal music theory, a diatonic function is the specific, recognized role of each of the 7 notes and their chords in relation to the diatonic key...
includes four separate activities or roles as the principal goal tone, initiating event, generator of other tones, and the stable center neutralizing the tension between dominant and subdominant.
Other Scale Degrees
After tonic, the names of the remaining scale degrees (of a diatonic scale) in order are as follows:supertonic
Supertonic
In music or music theory, the supertonic is the second degree or note of a diatonic scale, one step above the tonic. In music theory, the supertonic chord is symbolized by the Roman numeral ii in a major scale, indicating that the chord is a minor chord , or ii in a natural minor scale, indicating...
— second scale degree (the scale degree immediately "above" the tonic);
mediant
Mediant
In music, the mediant is the third scale degree of the diatonic scale, being the note halfway between the tonic and the dominant. Similarly, the submediant is halfway between the tonic and subdominant...
— third scale degree (the "middle" note of the tonic triad);
subdominant
Subdominant
In music, the subdominant is the technical name for the fourth tonal degree of the diatonic scale. It is so called because it is the same distance "below" the tonic as the dominant is above the tonic - in other words, the tonic is the dominant of the subdominant. It is also the note immediately...
— fourth scale degree (a fifth "below" the tonic);
dominant
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic,and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale...
— fifth scale degree (the most "pronounced" harmonic
Harmonic
A harmonic of a wave is a component frequency of the signal that is an integer multiple of the fundamental frequency, i.e. if the fundamental frequency is f, the harmonics have frequencies 2f, 3f, 4f, . . . etc. The harmonics have the property that they are all periodic at the fundamental...
note after the tonic);
submediant
Submediant
In music, the submediant is the sixth scale degree of the diatonic scale, the 'lower mediant' halfway between the tonic and the subdominant or 'lower dominant'...
— sixth scale degree (the "middle" note of the subdominant triad);
leading tone (or leading note) — seventh scale degree (the scale degree that "leads" to the tonic, this is also referred to as subtonic);
subtonic
Subtonic
In music, the subtonic or flattened seventh is the lowered or minor seventh degree of the scale, a whole step below the tonic, as opposed to the leading tone...
- also seventh scale degree, but applying to the lowered 7th found in the natural minor scale
Minor scale
A minor scale in Western music theory includes any scale that contains, in its tonic triad, at least three essential scale degrees: 1) the tonic , 2) a minor-third, or an interval of a minor third above the tonic, and 3) a perfect-fifth, or an interval of a perfect fifth above the tonic, altogether...
.