Giuditta Angiola Maria Costanza Pasta (née Negri; October 26, 1797 – April 1, 1865), born in Saronno

Saronno

Saronno is a comune of Lombardy, Italy, in the province of Varese. It received the honorary title of city with a presidential decree in 1960.The place is well known for its apricot kernel biscuits and is also a manufacturing town....

, Italy, was a soprano

Soprano

A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

 considered among the greatest of opera

Opera

Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 singers, to whom the 20th-century soprano Maria Callas

Maria Callas

Maria Callas was an American-born Greek soprano and one of the most renowned opera singers of the 20th century. She combined an impressive bel canto technique, a wide-ranging voice and great dramatic gifts...

 was compared.

Studies and career

Pasta studied in Milan

Milan

Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...

 with Giuseppe Scappa and Davide Banderali and later with Girolamo Crescentini

Girolamo Crescentini

Girolamo Crescentini was a noted Italian singer castrato , a singing teacher and a composer.-Biography:He studied in Bologna with the noted teacher Lorenzo Gibelli and made his debut in 1783, quite advanced in years as a castrato...

 and Ferdinando Paer

Ferdinando Paer

-Biography:Paer was born at Parma. His father was a trumpeter with the Ducal Bodyguards and also performed at church and court events. His name, Ferdinando, was after Duke Ferdinand of Parma and was given to him by Archduchess Maria Amalia of Austria, Duke Ferdinand's wife...

 among others. In 1816 she made her professional opera début in the world première of Scappa’s Le tre Eleonore at the Teatro degli Accademici Filodrammatici in Milan. Later that year she performed at the Théâtre Italien in Paris as Donna Elvira in Don Giovanni

Don Giovanni

Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...

, Giulietta in Niccolò Antonio Zingarelli

Niccolò Antonio Zingarelli

Niccolò Antonio Zingarelli was an Italian composer, chiefly of opera.-Early career:Zingarelli was born in Naples, where he studied at the Santa Maria di Loreto Conservatory under Fenaroli and Speranza....

’s Giulietta e Romeo

Giulietta e Romeo

Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi da Porto...

, and in two operas by Paer.

Pasta's first appearance in London

London

London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...

 in 1817 was a failure. Further studies with Scappa were followed by a successful debut in Venice

Venice

Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

 in 1819. She caused a sensation in Paris

Paris

Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

 in 1821–22, where the immense range of her voice and her dramatic gifts were matched by poignancy of expression. She sang regularly in London, Paris, Milan and Naples

Naples

Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...

 between 1824 and 1837. She created Donizetti

Gaetano Donizetti

Domenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...

's Anna Bolena

Anna Bolena

Anna Bolena is a tragedia lirica, or opera, in two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena and Alessandro Pepoli's Anna Bolena, both telling of the life of Anne Boleyn...

in Milan (Teatro Carcano) in 1830 and Amina in Bellini

Vincenzo Bellini

Vincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...

's La sonnambula

La sonnambula

La sonnambula is an opera semiseria in two acts, with music in the bel canto tradition by Vincenzo Bellini to an Italian libretto by Felice Romani, based on a scenario for a ballet-pantomime by Eugène Scribe and Jean-Pierre Aumer called La somnambule, ou L'arrivée d'un nouveau seigneur.The first...

and Norma

Norma (opera)

Norma is a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after Norma, ossia L'infanticidio by Alexandre Soumet. First produced at La Scala on December 26, 1831, it is generally regarded as an example of the supreme height of the bel canto tradition...

(both in Milan in 1831).

Pasta also taught singing in Italy. Among her notable pupils were contralto Emma Albertazzi

Emma Albertazzi

Emma Albertazzi was an English stage contralto.Born Emma Howson, she was the daughter of Francis Howson, an English music professor. She was a pupil of Michael Costa with whom she began studying at the age of 14 in London. She debuted in 1829 at Argyle Rooms, London...

 and soprano Marianna Barbieri-Nini

Marianna Barbieri-Nini

Marianna Barbieri-Nini was an Italian operatic soprano who had an active career in Italy's major opera houses from 1840 through 1856. She also made appearances at the Liceu in Barcelona, the Teatro Real in Madrid, Her Majesty's Theatre in London, and at theatres in Paris...

 and the English soprano Adelaide Kemble

Adelaide Kemble

Adelaide Kemble was an English opera singer of the Victorian era, and a member of the Kemble family of actors. She was the younger sister of Fanny Kemble, the famous actress and anti-slavery activist...

 who records this in her memoirs. She also records how when after her career was really over Pasta unwisely came to London for a charity concert. Kemble asked fellow-singer Pauline Viardot what she thought of her voice now and got the reply ‘It is a ruin, but then so is Leonardo’s Last Supper’.

Voice

Giuditta Pasta's voice was what could be called a soprano sfogato

Soprano sfogato

In the art of singing, the term "soprano sfogato" designates a singer capable of by sheer industry or natural talent to extend her upper range and be able to encompass the coloratura soprano tessitura...

:

Madame Pasta's voice has a considerable range. She can achieve perfect resonance on a note as low as bottom A, and can rise as high as C#, or even to a slightly sharpened D; and she possesses the rare ability to be able to sing contralto as easily as she can sing soprano. I would suggest ... that the true designation of her voice is mezzo-soprano

Mezzo-soprano

A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

, and any composer who writes for her should use the mezzo-soprano range for the thematic material of his music, while still exploiting, as it were incidentally and from time to time, notes which lie within the more peripheral areas of this remarkably rich voice. Many notes of this last category are not only extremely fine in themselves, but have the ability to produce a kind of resonant and magnetic vibration, which, through some still unexplained combination of physical phenomena, exercises an instantaneous and hypnotic effect upon the soul of the spectator.

This leads to the consideration of one of the most uncommon features of Madame Pasta's voice: it is not all moulded from the same metallo, as it is said in Italy (which is to say that it possesses more than one timbre); and this fundamental variety of tone produced by a single voice affords one of the richest veins of musical expression which the artistry of a great cantatrice is able to exploit."