Grande Odalisque
Encyclopedia
Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting
of 1814 by Jean Auguste Dominique Ingres
depicting an odalisque
, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism
, indicating a shift toward exotic Romanticism
.
Grande Odalisque attracted wide criticism when it was first shown. It has been especially noted for the elongated proportions and lack of anatomical realism. The work is housed in the Louvre
, Paris.
's sister, Queen Caroline Murat
of Naples
, and finished in 1814. Ingres drew upon works such as Dresden Venus
by Giorgione
, and Titian
's Venus of Urbino
as inspiration for his reclining nude figure, though the actual pose of a reclining figure looking back over her shoulder is directly drawn from the 1809 Portrait of Madame Récamier
by Jacques-Louis David
. He portrays a concubine in languid pose as seen from behind with distorted proportions. The small head, elongated limbs, and cool color scheme all reveal influences from Mannerists
such as Parmigianino
, whose Madonna with the Long Neck
was also famous for anatomical distortion.
This eclectic mix of styles, combining classical form with Romantic themes, prompted harsh criticism when it was first shown in 1814. Critics viewed Ingres as a rebel against the contemporary style of form and content. When the painting was first shown in the Salon of 1819, one critic remarked that the work had "neither bones nor muscle, neither blood, nor life, nor relief, indeed nothing that constitutes imitation". This echoed the general view that Ingres had disregarded anatomical realism. Ingres instead favored long lines to convey curvature and sensuality, as well as abundant, even light to tone down the volume. Ingres continued to be criticized for his work until the mid-1820s.
.
Given how the duty of concubines were merely to satisfy the carnal pleasures of the sultan, this elongation of her pelvic area may have been a symbolic distortion by Ingres. While this may represent sensuous feminine beauty, her gaze, on the other hand, has been said to "[reflect] a complex psychological make-up" or "[betray] no feeling". In addition, the distance between her gaze and her pelvic region may be a physical representation of the depth of thought and complex emotions of a woman's thoughts and feelings.
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...
of 1814 by Jean Auguste Dominique Ingres
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest...
depicting an odalisque
Odalisque
An odalisque was a female slave in an Ottoman seraglio. She was an assistant or apprentice to the concubines and wives, and she might rise in status to become one of them...
, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
, indicating a shift toward exotic Romanticism
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...
.
Grande Odalisque attracted wide criticism when it was first shown. It has been especially noted for the elongated proportions and lack of anatomical realism. The work is housed in the Louvre
Louvre
The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...
, Paris.
History
The painting was commissioned by NapoleonNapoleon I of France
Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...
's sister, Queen Caroline Murat
Caroline Bonaparte
Maria Annunziata Carolina Murat , better known as Caroline Bonaparte, was the seventh surviving child and third surviving daughter of Carlo Buonaparte and Letizia Ramolino and a younger sister of Napoleon I of France...
of Naples
Kingdom of Naples
The Kingdom of Naples, comprising the southern part of the Italian peninsula, was the remainder of the old Kingdom of Sicily after secession of the island of Sicily as a result of the Sicilian Vespers rebellion of 1282. Known to contemporaries as the Kingdom of Sicily, it is dubbed Kingdom of...
, and finished in 1814. Ingres drew upon works such as Dresden Venus
Sleeping Venus (Giorgione)
The Sleeping Venus, also known as the Dresden Venus, is a painting by the Italian Renaissance master Giorgione, with, it is now generally accepted, the landscape and sky, by Titian, completed after Giorgione's death in 1510, as Vasari first noted...
by Giorgione
Giorgione
Giorgione was a Venetian painter of the High Renaissance in Venice, whose career was cut off by his death at a little over thirty. Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are acknowledged for certain to be his work...
, and Titian
Titian
Tiziano Vecelli or Tiziano Vecellio Tiziano Vecelli or Tiziano Vecellio Tiziano Vecelli or Tiziano Vecellio (c. 1488/1490 – 27 August 1576 better known as Titian was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near...
's Venus of Urbino
Venus of Urbino
The Venus of Urbino is a 1538 oil painting by the Italian master Titian. It depicts a nude young woman, identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. It hangs in the Galleria degli Uffizi in Florence. The figure's pose is based...
as inspiration for his reclining nude figure, though the actual pose of a reclining figure looking back over her shoulder is directly drawn from the 1809 Portrait of Madame Récamier
Portrait of Madame Récamier
Portrait of Madame Récamier is an 1800 portrait of Juliette Récamier by Jacques Louis David showing her reclining on an empire style sofa in an empire line dressed as a modern vestal virgin...
by Jacques-Louis David
Jacques-Louis David
Jacques-Louis David was an influential French painter in the Neoclassical style, considered to be the preeminent painter of the era...
. He portrays a concubine in languid pose as seen from behind with distorted proportions. The small head, elongated limbs, and cool color scheme all reveal influences from Mannerists
Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe...
such as Parmigianino
Parmigianino
Girolamo Francesco Maria Mazzola , also known as Francesco Mazzola or more commonly as Parmigianino or sometimes "Parmigiano", was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma...
, whose Madonna with the Long Neck
Madonna with the Long Neck
The Madonna of the Long Neck , also known as Madonna and Child with Angels and St. Jerome, is an Italian Mannerist oil painting by the Italian painter Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. The painting was begun in 1534 for the church of the Servites in...
was also famous for anatomical distortion.
This eclectic mix of styles, combining classical form with Romantic themes, prompted harsh criticism when it was first shown in 1814. Critics viewed Ingres as a rebel against the contemporary style of form and content. When the painting was first shown in the Salon of 1819, one critic remarked that the work had "neither bones nor muscle, neither blood, nor life, nor relief, indeed nothing that constitutes imitation". This echoed the general view that Ingres had disregarded anatomical realism. Ingres instead favored long lines to convey curvature and sensuality, as well as abundant, even light to tone down the volume. Ingres continued to be criticized for his work until the mid-1820s.
Anatomy
Stemming from the initial criticism the painting received, the figure in Grande Odalisque is thought to be drawn with "two or three vertebrae too many." Critics at the time believed the elongations to be errors on the part of Ingres, but recent studies show the elongations to have been deliberate distortions. Measurements taken on the proportions of real women showed that Ingres's figure was drawn with a curvature of the spine and rotation of the pelvis impossible to replicate. It also showed the left arm of the odalisque is shorter than the right. The study concluded that the figure was longer by five instead of two or three vertebrae and that the excess affected the lengths of the pelvis and lower back instead of merely the lumbar regionLumbar vertebrae
The lumbar vertebrae are the largest segments of the movable part of the vertebral column, and are characterized by the absence of the foramen transversarium within the transverse process, and by the absence of facets on the sides of the body...
.
Given how the duty of concubines were merely to satisfy the carnal pleasures of the sultan, this elongation of her pelvic area may have been a symbolic distortion by Ingres. While this may represent sensuous feminine beauty, her gaze, on the other hand, has been said to "[reflect] a complex psychological make-up" or "[betray] no feeling". In addition, the distance between her gaze and her pelvic region may be a physical representation of the depth of thought and complex emotions of a woman's thoughts and feelings.