Griselda (Giovanni Bononcini)
Encyclopedia
Griselda is a dramma per musica
Dramma per musica
Dramma per musica is a term which was used by dramatists in Italy and elsewhere between the late-17th and mid-19th centuries...

 in three acts that was composed by Giovanni Battista Bononcini
Giovanni Battista Bononcini
Giovanni Battista Bononcini was an Italian Baroque composer and cellist, one of a family of string players and composers. His father, Giovanni Maria Bononcini , was a violinist and a composer.-Biography:...

. The opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 uses a revised version of the 1701 Italian libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Apostolo Zeno
Apostolo Zeno
Apostolo Zeno was a Venetian poet, librettist, journalist, and man of letters.-Early life:Apostolo Zeno was born of Cretan Greek descent in Venice in 1669...

 that was based on Giovanni Boccaccio
Giovanni Boccaccio
Giovanni Boccaccio was an Italian author and poet, a friend, student, and correspondent of Petrarch, an important Renaissance humanist and the author of a number of notable works including the Decameron, On Famous Women, and his poetry in the Italian vernacular...

's The Decameron
The Decameron
The Decameron, also called Prince Galehaut is a 14th-century medieval allegory by Giovanni Boccaccio, told as a frame story encompassing 100 tales by ten young people....

(X, 10, "The Patient Griselda"). The Italian poet
Poet
A poet is a person who writes poetry. A poet's work can be literal, meaning that his work is derived from a specific event, or metaphorical, meaning that his work can take on many meanings and forms. Poets have existed since antiquity, in nearly all languages, and have produced works that vary...

 Paolo Antonio Rolli
Paolo Antonio Rolli
Paolo Antonio Rolli was an Italian librettist and poet.He was born in Rome, Italy and like Metastasio was trained by Gian Vincenzo Gravina. He worked in London from 1715 to 1744 where he became Italian tutor to the prince of Wales and the Royal Princesses...

 was hired to revise the text. Bononcini's opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 premiered in London at the King’s Theatre
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre, in Haymarket, City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre...

 on 22 February 1722.

Bononcini's brother, Antonio Maria Bononcini
Antonio Maria Bononcini
Antonio Maria Bononcini was an Italian cellist and composer, the younger brother of the better-known Giovanni Battista Bononcini....

, also composed his own opera
Griselda (Antonio Maria Bononcini)
Griselda is a dramma per musica in three acts that was composed by Antonio Maria Bononcini. The opera uses a slightly revised version of the 1701 Italian libretto by Apostolo Zeno that was based on Giovanni Boccaccio's The Decameron...

 to Zeno's libretto four years earlier.

History

The plot of Zeno’s libretto was for the most part retained in Bononcini's opera but the text was almost entirely rewritten by Paolo Antonio Rolli. The character Corrado was eliminated entirely and three of the main characters were renamed: Ottone became Rambaldo, Costanza became Almirena, and Roberto became Ernesto. The work was received well at its premiere and was successively performed numerous times over the next four months. One of the major reasons for this success was the prodigous acting and singing talent of Anastasia Robinson
Anastasia Robinson
Anastasia Robinson was an English soprano, later contralto, of the Baroque era. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang.-Early life and initial career:...

, who portrayed the title role. The opera was later revived by Handel
George Frideric Handel
George Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...

 and Heidegger’s company on 22 May 1733 under the urging of Francesco Bernardi, called Senesino
Senesino
Senesino was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel.-Early life and career:...

, who portrayed Gualtiero in the original production.

Griselda is one of only two London operas for which Bononcini published the overture and all the arias. Charles Burney
Charles Burney
Charles Burney FRS was an English music historian and father of authors Frances Burney and Sarah Burney.-Life and career:...

 owned a score of Griselda, but neither it nor any other score including recitatives is extant.

Music

Bononcini's music, although well crafted, is at times strangely juxtaposed to the opera's plot and text. The opera is filled with dulcet arias which are reminiscent of a pastoral opera rather than a story about a vindictive tyrant. Regardless, the music is enchanting and is largely responsible for the success of the work. Richard Steele
Richard Steele
Sir Richard Steele was an Irish writer and politician, remembered as co-founder, with his friend Joseph Addison, of the magazine The Spectator....

 wrote in The Conscious Lovers (1722), this about the opera's music, "something in that Rural Cottage of Griselda, her forlorn Condition, her Poverty, her Solitude, her Resignation, her Innocent Slumbers, and that lulling Dolce Sogno that’s sung over her; it had an Effect upon me, that – in short I never was so well deceiv’d at any [other Opera]." Probably the most famous song from the opera is Ernesto's aria, "Per la gloria d’adorarvi", which remains to this day a popular selection for concert and recital performance. Other notable pieces include "Dolce sogno, deh le porta" and "Volgendo, a me lo sguardo" for Gualtiero. These three arias were very popular and were reprinted, for example in Richard Neale’s A Pocket Companion for Gentlemen and Ladies (London, 1724) and in The British Musical Miscellany (London, 1735).

Roles

Role Voice type Premiere Cast,
22 February 1722
Griselda, wife of Gualtiero contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...

Anastasia Robinson
Anastasia Robinson
Anastasia Robinson was an English soprano, later contralto, of the Baroque era. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang.-Early life and initial career:...

Gualtiero, King of Thessaly contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...

 (originally a castrato
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...

)
Senesino
Senesino
Senesino was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel.-Early life and career:...

Ernesto, lover of Almirena soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

 (originally castrato)
Almirena, missing daughter of Griselda and Gualtiero soprano
Rambaldo, a Sicilian nobleman bass

Synopsis

Place: Near Palermo
Palermo
Palermo is a city in Southern Italy, the capital of both the autonomous region of Sicily and the Province of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old...

 in Sicily
Sicily
Sicily is a region of Italy, and is the largest island in the Mediterranean Sea. Along with the surrounding minor islands, it constitutes an autonomous region of Italy, the Regione Autonoma Siciliana Sicily has a rich and unique culture, especially with regard to the arts, music, literature,...

.
King Gualtiero has married Griselda, a peasant woman and his longtime mistress, and fears that she will not be accepted among the nobility. Concerned that a rebellion might arise, the king decides he must prove that Griselda is worthy to be their queen and the mother of their future king. He tests her virtue and steadfastness with a series of cruel ordeals, including telling her a lie that their long-lost daughter was killed on his orders. Gualtiero banishes Griselda from the court and announces that he intends to take another wife, the young woman Almirena, who is, unknown to all, their missing daughter. Almirena is highly upset over the king's proposal as she is in love with Ernesto.

Meanwhile, Griselda has returned to the humble cottage where she once lived. A beautiful woman, she has caught the attention of Rambaldo, a Sicilian nobleman, who attempts to woo her. After refusing him, Rambaldo threatens to kill her infant son, Everardo, unless she agrees to marry him. Griselda refuses and flees to the palcace where she is permitted to stay as a servant to Almirena. Gualtiero, as a final test, orders Griselda to marry Rambaldo, which she refuses to his satisfaction. The king reveals his true motive for tormenting her and accepts her again as his queen to the satisfaction of Almirena and Ernesto who can now be reunited. Rambaldo, who confesses to have stirred up the nobles in the hope of winning Griselda, is forgiven.
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