Harvey Kurtzman
Encyclopedia
Harvey Kurtzman was an American cartoonist
and the editor of several comic book
s and magazine
s. Kurtzman often signed his name H. Kurtz, followed by a stick figure (i.e., H. Kurtz-man).
In 1952, he was the founding editor of the comic book Mad
. Kurtzman was also known for the long-running Little Annie Fanny
stories in Playboy
(1962–88), satirizing the very attitudes that Playboy promoted.
Because Mad had a considerable effect on popular culture, Kurtzman was later described by The New York Times
as having been "one of the most important figures in postwar America." Director and comedian Terry Gilliam
said, “In many ways Harvey was one of the godparents of Monty Python
.” Underground cartoonist Robert Crumb
asserted that one of Kurtzman's cover images for Humbug
"changed my life," and that another Mad cover image “changed the way I saw the world forever!” Writing for Time
, Richard Corliss
touted Kurtzman's influence:
He was inducted into the comic book
industry's Will Eisner Comic Book Hall of Fame in 1989.
, Harry Chester, Al Jaffee
and John Severin
. After graduating from Cooper Union
, he freelanced for such second-tier comic book companies as Ace and Timely
. It was at Timely that he drew his first humorous "Hey Look!" one-pagers, which Timely used whenever an issue was a page short. Kurtzman also produced a comic strip, Silver Linings, which ran in the New York Herald Tribune
from March 7 to June 20, 1948. He was strongly influenced by the English cartoonist H. M. Bateman
.
' EC Comics
, editing the war comics Frontline Combat
and Two-Fisted Tales
. Kurtzman was known for a painstaking attention to detail, typically sketching full layouts and breakdowns for the stories he assigned to artists and insisting they not deviate from his instructions. Despite (or because of) his autocratic approach, Kurtzman's early 1950s work is still considered among the medium's finest. With Mad he satirized genres in the first issue but then introduced specific media parodies in the second issue, spoofing one of Chester Gould's Dick Tracy
villains with "Mole!" This tale of prisoner Melvin Mole's escapes, digging a tunnel with a nostril hair, left readers eager to see where Kurtzman's new comic book was headed. With "Mole!", illustrated by Will Elder
, Kurtzman had created a turning point in American humor, and the circulation increased as more parodies of comic strips, films and television shows appeared in the comic book.
This evolution of Mad paralleled Kurtzman's recognition of his own value and talents. The comic book owed its existence to Kurtzman's complaint to publisher Gaines that EC's two editors — himself and Al Feldstein
— were being paid substantially different salaries. Gaines pointed out that Feldstein produced more titles for EC and did so more swiftly. The men then agreed that if Kurtzman could create a humor publication, Gaines would raise his pay substantially.
Four years later, amid an industry crackdown on the comic books that EC was producing, Kurtzman received an offer to join the staff of Pageant
. When Gaines agreed to expand Mad from a ten-cent comic book to a full-sized 25-cent magazine
, Kurtzman stayed with EC. Although retaining Kurtzman was Gaines' prime motivation, this 1955 revamp completely removed Mad from the Comics Code Authority
's censorious overview, thereby assuring its survival. Kurtzman remained at the helm of the magazine for only a few issues, but it was long enough to introduce the image soon named Alfred E. Neuman
, the publication's famous mascot.
During the early 1950s, Kurtzman became one of the writers for the relaunched Flash Gordon
daily comic strip
. Soon after, the strip would become one of Mads targets, when his 1954 "Flesh Garden!" parody was illustrated by Wally Wood
.
The "art vs. commerce" showdown between Kurtzman and Gaines (in which Kurtzman had the hero's role of David while Gaines played the vulgarian Goliath) has long been a compelling characterization for some. But it's likely that no 1950s publisher other than Gaines would ever have printed Mad in the first place. Even so, when Kurtzman and Feldstein were producing humor comics at the same time (Feldstein edited EC's lesser sister humor publication Panic), it is generally recognized that the difference in quality was vast. Thus, Feldstein got a reputation as the craftsman who replaced the genius.
However, it is inarguable that Mads greatest heights of circulation and influence came under Feldstein, while Kurtzman never again recaptured his share of the public's support or edited another magazine of equal success. Nothing Kurtzman produced after his original Mad run approached it for observational wit. In the end, and for all his substantial achievements, Kurtzman's career was forever colored by a sense of "what might have been."
, published by Hugh Hefner
in 1957. It presented Kurtzman's Mad sensibilities in a glossy, upscale magazine format. Trump only lasted for two issues. They reportedly sold well, but were expensive to produce, and publisher Hugh Hefner
shut down the project during a costcutting crunch. Kurtzman later led an artists' collective of himself, Will Elder
, Jack Davis
, Al Jaffee
and Arnold Roth
in publishing Humbug
. Despite their efforts, and those of business manager Harry Chester, Humbug failed to overcome distribution and financial problems. It folded after 11 issues.
After the demise of Humbug, Kurtzman spent a few years as a freelance contributor to various magazines, including Playboy
, Esquire
, The Saturday Evening Post
, TV Guide
and Pageant
, the magazine that had made a fateful job offer to Kurtzman in 1955.
's Help!
from 1960 to 1965. Relying heavily on photography, Help! gave the first national exposure to certain artists and writers who would dominate underground comix
later on, such as Robert Crumb
, Gilbert Shelton
, Jay Lynch
and Skip Williamson
. The magazine also provided a brief forum for John Cleese
and Terry Gilliam
, who first worked together under Kurtzman's direction, years before Monty Python
. In his 1985 film Brazil
, Gilliam gave Ian Holm
's character, the boss of protagonist Sam Lowry, the name "Kurtzmann". The assistant editor of Help! was Charles Alverson
, who later collaborated with Gilliam on the screenplay for Jabberwocky
(1977).
The most notorious article to appear in Help! was "Goodman Beaver Goes Playboy!", a ribald parody of Archie Comics
that resulted in a lawsuit from Archie's publisher. Despite a talented roster of friends and contributors including Ray Bradbury
, Arthur C. Clarke
, Gloria Steinem
and Gahan Wilson
, along with the above names, the magazine folded after 26 issues.
Kurtzman's career remained eclectic. His Little Annie Fanny
began its 26-year run in Playboy in 1962, though some admirers felt it was "known more for its lavish production values than its humor." He co-scripted the animated film Mad Monster Party, which was released in 1967. In 1973, Kurtzman produced several animated shorts for Sesame Street
, and that same year he appeared in a Scripto TV commercial drawing Little Annie Fanny on the wall of a prison cell. A series of reprint projects and one-shot efforts appeared in the 1970s and 1980s.
. Beginning in 1988, the Harvey Awards, named for Kurtzman, were first given to the year's outstanding comics and creators. In the years before his death, Kurtzman returned to Mad for a brief stint, along with long-time collaborator Will Elder. Their pages were simply signed "WEHK".
Kurtzman died of liver cancer
at the age of 68 on February 21, 1993.
In the end, Kurtzman's critical reputation has outlasted his career valleys and the formulaic or disappointing projects. He is routinely celebrated for his visual verve and artistic successes and is often cited as a key influence by many leading cartoonists. In its much-critiqued 2000 list of the century's Top 100 comics, The Comics Journal
awarded Kurtzman five of the slots:
Comics Journal publisher Gary Groth
noted that Kurtzman's style "...achieves some sort of Platonic ideal of cartooning. Harvey was a master of composition, tone and visual rhythm, both within the panel and among the panels comprising the page. He was also able to convey fragments of genuine humanity through an impressionistic technique that was fluid and supple.”
Along with Will Eisner
, Jack Kirby
, Robert Crumb
, Gary Panter
and Chris Ware
, Kurtzman was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum
in Manhattan from September 2006 to January 2007.
In 2009, The Art of Harvey Kurtzman: The Mad Genius of Comics, a comprehensive 256-page survey of Kurtzman's drawings, paintings, comic strips, graphic stories, comic books, magazines and paperbacks, was published by Abrams. Written by Denis Kitchen
and Paul Buhle, the book includes both preparatory work and finished pieces. Kitchen commented:
Cartoonist
A cartoonist is a person who specializes in drawing cartoons. This work is usually humorous, mainly created for entertainment, political commentary or advertising...
and the editor of several comic book
Comic book
A comic book or comicbook is a magazine made up of comics, narrative artwork in the form of separate panels that represent individual scenes, often accompanied by dialog as well as including...
s and magazine
Magazine
Magazines, periodicals, glossies or serials are publications, generally published on a regular schedule, containing a variety of articles. They are generally financed by advertising, by a purchase price, by pre-paid magazine subscriptions, or all three...
s. Kurtzman often signed his name H. Kurtz, followed by a stick figure (i.e., H. Kurtz-man).
In 1952, he was the founding editor of the comic book Mad
Mad (magazine)
Mad is an American humor magazine founded by editor Harvey Kurtzman and publisher William Gaines in 1952. Launched as a comic book before it became a magazine, it was widely imitated and influential, impacting not only satirical media but the entire cultural landscape of the 20th century.The last...
. Kurtzman was also known for the long-running Little Annie Fanny
Little Annie Fanny
Little Annie Fanny was a comic strip created by Harvey Kurtzman and Will Elder for Playboy in October 1962. The inspiration for the comic strip was Harold Gray's Little Orphan Annie. The comic follows the escapades of Annie Fanny, a tall, blonde, amply breasted, round buttocked, curly-haired young...
stories in Playboy
Playboy
Playboy is an American men's magazine that features photographs of nude women as well as journalism and fiction. It was founded in Chicago in 1953 by Hugh Hefner and his associates, and funded in part by a $1,000 loan from Hefner's mother. The magazine has grown into Playboy Enterprises, Inc., with...
(1962–88), satirizing the very attitudes that Playboy promoted.
Because Mad had a considerable effect on popular culture, Kurtzman was later described by The New York Times
The New York Times
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization...
as having been "one of the most important figures in postwar America." Director and comedian Terry Gilliam
Terry Gilliam
Terrence Vance "Terry" Gilliam is an American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe. Gilliam is also known for directing several films, including Brazil , The Adventures of Baron Munchausen , The Fisher King , and 12 Monkeys...
said, “In many ways Harvey was one of the godparents of Monty Python
Monty Python
Monty Python was a British surreal comedy group who created their influential Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series...
.” Underground cartoonist Robert Crumb
Robert Crumb
Robert Dennis Crumb —known as Robert Crumb and R. Crumb—is an American artist, illustrator, and musician recognized for the distinctive style of his drawings and his critical, satirical, subversive view of the American mainstream.Crumb was a founder of the underground comix movement and is regarded...
asserted that one of Kurtzman's cover images for Humbug
Humbug (magazine)
Humbug was a humor magazine edited 1957–1958 by Harvey Kurtzman with satirical jabs at movies, television, advertising and various artifacts of popular culture, from cereal boxes to fashion photographs...
"changed my life," and that another Mad cover image “changed the way I saw the world forever!” Writing for Time
Time (magazine)
Time is an American news magazine. A European edition is published from London. Time Europe covers the Middle East, Africa and, since 2003, Latin America. An Asian edition is based in Hong Kong...
, Richard Corliss
Richard Corliss
Richard Nelson Corliss is a writer for Time magazine who focuses on movies, with the occasional article on music or sports. Corliss is the former editor-in-chief of Film Comment...
touted Kurtzman's influence:
- Mad was the first comic enterprise that got its effects almost entirely from parodying other kinds of popular entertainment… To say that this became an influential manner in American comedy is to understate the case. Almost all American satire today follows a formula that Harvey Kurtzman thought up.
He was inducted into the comic book
Comic book
A comic book or comicbook is a magazine made up of comics, narrative artwork in the form of separate panels that represent individual scenes, often accompanied by dialog as well as including...
industry's Will Eisner Comic Book Hall of Fame in 1989.
Early life
As a child he drew Ikey and Mikey, a regular comic strip done in chalk on sidewalks. In 1939, Kurtzman entered a cartoon contest in Tip Top Comics, winning a prize of one dollar. Kurtzman attended New York's High School of Music and Art, where he first met future collaborators Will ElderWill Elder
William Elder was an American illustrator and comic book artist who worked in numerous areas of commercial art, but is best known for a zany cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952....
, Harry Chester, Al Jaffee
Al Jaffee
Abraham Jaffee , known as Al Jaffee, is an American cartoonist. He is notable for his work in the satirical magazine Mad, including his trademark feature, the Mad Fold-in. As of 2010, Jaffee remains a regular in the magazine after 55 years and is its longest-running contributor...
and John Severin
John Severin
John Powers Severin is an American comic book artist noted for his distinctive work with EC Comics, primarily on the war comics Two-Fisted Tales and Frontline Combat; for Marvel Comics, primarily on its war and Western comics; and for the satiric magazine Cracked...
. After graduating from Cooper Union
Cooper Union
The Cooper Union for the Advancement of Science and Art, commonly referred to simply as Cooper Union, is a privately funded college in the East Village neighborhood of Manhattan, New York City, United States, located at Cooper Square and Astor Place...
, he freelanced for such second-tier comic book companies as Ace and Timely
Timely Comics
Timely Comics, an imprint of Timely Publications, was the earliest comic book arm of American publisher Martin Goodman, and the entity that would evolve by the 1960s to become Marvel Comics....
. It was at Timely that he drew his first humorous "Hey Look!" one-pagers, which Timely used whenever an issue was a page short. Kurtzman also produced a comic strip, Silver Linings, which ran in the New York Herald Tribune
New York Herald Tribune
The New York Herald Tribune was a daily newspaper created in 1924 when the New York Tribune acquired the New York Herald.Other predecessors, which had earlier merged into the New York Tribune, included the original The New Yorker newsweekly , and the Whig Party's Log Cabin.The paper was home to...
from March 7 to June 20, 1948. He was strongly influenced by the English cartoonist H. M. Bateman
H. M. Bateman
Henry Mayo Bateman was a British humorous artist and cartoonist.H. M. Bateman was noted for his "The Man Who..." series of cartoons, featuring comically exaggerated reactions to minor and usually upper-class social gaffes, such as "The Man Who Lit His Cigar Before the Loyal Toast", "The Man Who...
.
EC and Mad
Kurtzman found his niche at Bill GainesWilliam Gaines
William Maxwell Gaines , better known as Bill Gaines, was an American publisher and co-editor of EC Comics. Following a shift in EC's direction in 1950, Gaines presided over what became an artistically influential and historically important line of mature-audience comics...
' EC Comics
EC Comics
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books specializing in horror fiction, crime fiction, satire, military fiction and science fiction from the 1940s through the mid-1950s, notably the Tales from the Crypt series...
, editing the war comics Frontline Combat
Frontline Combat
Frontline Combat was a bi-monthly, anthology war comic edited by Harvey Kurtzman and published by EC Comics. The first issue was cover dated July/August, 1951. Over a three-year span, the title ran for 15 issues, ending with the January, 1954 issue...
and Two-Fisted Tales
Two-Fisted Tales
Two-Fisted Tales was a bimonthly, anthology war comic published by EC Comics in the early 1950s. The title originated in 1950 when Harvey Kurtzman suggested to William Gaines that they publish an adventure comic. Kurtzman became the editor of Two-Fisted Tales, and with the advent of the Korean War,...
. Kurtzman was known for a painstaking attention to detail, typically sketching full layouts and breakdowns for the stories he assigned to artists and insisting they not deviate from his instructions. Despite (or because of) his autocratic approach, Kurtzman's early 1950s work is still considered among the medium's finest. With Mad he satirized genres in the first issue but then introduced specific media parodies in the second issue, spoofing one of Chester Gould's Dick Tracy
Dick Tracy
Dick Tracy is a comic strip featuring Dick Tracy, a hard-hitting, fast-shooting and intelligent police detective. Created by Chester Gould, the strip made its debut on October 4, 1931, in the Detroit Mirror. It was distributed by the Chicago Tribune New York News Syndicate...
villains with "Mole!" This tale of prisoner Melvin Mole's escapes, digging a tunnel with a nostril hair, left readers eager to see where Kurtzman's new comic book was headed. With "Mole!", illustrated by Will Elder
Will Elder
William Elder was an American illustrator and comic book artist who worked in numerous areas of commercial art, but is best known for a zany cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952....
, Kurtzman had created a turning point in American humor, and the circulation increased as more parodies of comic strips, films and television shows appeared in the comic book.
This evolution of Mad paralleled Kurtzman's recognition of his own value and talents. The comic book owed its existence to Kurtzman's complaint to publisher Gaines that EC's two editors — himself and Al Feldstein
Al Feldstein
Albert B. Feldstein is an American writer, editor, and artist, best known for his work at EC Comics and, from 1956 to 1985, as the editor of the satirical magazine Mad. Since retiring from Mad, Feldstein has concentrated on American paintings of Western wildlife...
— were being paid substantially different salaries. Gaines pointed out that Feldstein produced more titles for EC and did so more swiftly. The men then agreed that if Kurtzman could create a humor publication, Gaines would raise his pay substantially.
Four years later, amid an industry crackdown on the comic books that EC was producing, Kurtzman received an offer to join the staff of Pageant
Pageant (magazine)
Pageant was a 20th-century monthly magazine published in the United States from November 1944 until February 1977. Printed in a digest size format, it became Coronet magazine's leading competition, although it aimed for comparison to Reader's Digest....
. When Gaines agreed to expand Mad from a ten-cent comic book to a full-sized 25-cent magazine
Magazine
Magazines, periodicals, glossies or serials are publications, generally published on a regular schedule, containing a variety of articles. They are generally financed by advertising, by a purchase price, by pre-paid magazine subscriptions, or all three...
, Kurtzman stayed with EC. Although retaining Kurtzman was Gaines' prime motivation, this 1955 revamp completely removed Mad from the Comics Code Authority
Comics Code Authority
The Comics Code Authority was a body created as part of the Comics Magazine Association of America, as a tool for the comics-publishing industry to self-regulate the content of comic books in the United States. Member publishers submitted comic books to the CCA, which screened them for adherence to...
's censorious overview, thereby assuring its survival. Kurtzman remained at the helm of the magazine for only a few issues, but it was long enough to introduce the image soon named Alfred E. Neuman
Alfred E. Neuman
Alfred E. Neuman is the fictional mascot and cover boy of Mad magazine. The face had drifted through American pictography for decades before being claimed and named by Mad editor Harvey Kurtzman...
, the publication's famous mascot.
During the early 1950s, Kurtzman became one of the writers for the relaunched Flash Gordon
Flash Gordon
Flash Gordon is the hero of a science fiction adventure comic strip originally drawn by Alex Raymond. First published January 7, 1934, the strip was inspired by and created to compete with the already established Buck Rogers adventure strip. Also inspired by these series were comics such as Dash...
daily comic strip
Comic strip
A comic strip is a sequence of drawings arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions....
. Soon after, the strip would become one of Mads targets, when his 1954 "Flesh Garden!" parody was illustrated by Wally Wood
Wally Wood
Wallace Allan Wood was an American comic book writer, artist and independent publisher, best known for his work in EC Comics and Mad. He was one of Mads founding cartoonists in 1952. Although much of his early professional artwork is signed Wallace Wood, he became known as Wally Wood, a name he...
.
Departure from
Mad In April 1956, with Mad sales increasing and all of EC's other titles cancelled, Kurtzman demanded a 51% share of Gaines' business. Gaines balked and hired Feldstein to replace Kurtzman as editor. The incident has been a source of controversy ever since. There are some who feel the magazine critically peaked under Kurtzman and never again regained its magic, settling into a predictable formula. There are others who think Kurtzman's own formulaic tendencies would have worn out their welcome more obviously, if not for his early and sudden exit. Kurtzman's departure may have allowed his fans to fantasize about a magazine-format Mad that never was, in which his satiric eye never fogged, as it did outside of Mad.The "art vs. commerce" showdown between Kurtzman and Gaines (in which Kurtzman had the hero's role of David while Gaines played the vulgarian Goliath) has long been a compelling characterization for some. But it's likely that no 1950s publisher other than Gaines would ever have printed Mad in the first place. Even so, when Kurtzman and Feldstein were producing humor comics at the same time (Feldstein edited EC's lesser sister humor publication Panic), it is generally recognized that the difference in quality was vast. Thus, Feldstein got a reputation as the craftsman who replaced the genius.
However, it is inarguable that Mads greatest heights of circulation and influence came under Feldstein, while Kurtzman never again recaptured his share of the public's support or edited another magazine of equal success. Nothing Kurtzman produced after his original Mad run approached it for observational wit. In the end, and for all his substantial achievements, Kurtzman's career was forever colored by a sense of "what might have been."
Trump
Kurtzman was also the editor of TrumpTrump (magazine)
Trump was a glossy magazine of satire and humor, mostly in the forms of comic-strip features and short stories. It was edited by Harvey Kurtzman and published by Hugh Hefner, with only two issues produced in 1957...
, published by Hugh Hefner
Hugh Hefner
Hugh Marston "Hef" Hefner is an American magazine publisher, founder and Chief Creative Officer of Playboy Enterprises.-Early life:...
in 1957. It presented Kurtzman's Mad sensibilities in a glossy, upscale magazine format. Trump only lasted for two issues. They reportedly sold well, but were expensive to produce, and publisher Hugh Hefner
Hugh Hefner
Hugh Marston "Hef" Hefner is an American magazine publisher, founder and Chief Creative Officer of Playboy Enterprises.-Early life:...
shut down the project during a costcutting crunch. Kurtzman later led an artists' collective of himself, Will Elder
Will Elder
William Elder was an American illustrator and comic book artist who worked in numerous areas of commercial art, but is best known for a zany cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952....
, Jack Davis
Jack Davis (cartoonist)
Jack Davis is an American cartoonist and illustrator, known for his advertising art, magazine covers, film posters, record album art and numerous comic book stories...
, Al Jaffee
Al Jaffee
Abraham Jaffee , known as Al Jaffee, is an American cartoonist. He is notable for his work in the satirical magazine Mad, including his trademark feature, the Mad Fold-in. As of 2010, Jaffee remains a regular in the magazine after 55 years and is its longest-running contributor...
and Arnold Roth
Arnold Roth
Arnold Roth is an American freelance cartoonist and illustrator for advertisements, album covers, books, magazines and newspapers.Novelist John Updike wrote, "All cartoonists are geniuses, but Arnold Roth is especially so."...
in publishing Humbug
Humbug (magazine)
Humbug was a humor magazine edited 1957–1958 by Harvey Kurtzman with satirical jabs at movies, television, advertising and various artifacts of popular culture, from cereal boxes to fashion photographs...
. Despite their efforts, and those of business manager Harry Chester, Humbug failed to overcome distribution and financial problems. It folded after 11 issues.
After the demise of Humbug, Kurtzman spent a few years as a freelance contributor to various magazines, including Playboy
Playboy
Playboy is an American men's magazine that features photographs of nude women as well as journalism and fiction. It was founded in Chicago in 1953 by Hugh Hefner and his associates, and funded in part by a $1,000 loan from Hefner's mother. The magazine has grown into Playboy Enterprises, Inc., with...
, Esquire
Esquire (magazine)
Esquire is a men's magazine, published in the U.S. by the Hearst Corporation. Founded in 1932, it flourished during the Great Depression under the guidance of founder and editor Arnold Gingrich.-History:...
, The Saturday Evening Post
The Saturday Evening Post
The Saturday Evening Post is a bimonthly American magazine. It was published weekly under this title from 1897 until 1969, and quarterly and then bimonthly from 1971.-History:...
, TV Guide
TV Guide
TV Guide is a weekly American magazine with listings of TV shows.In addition to TV listings, the publication features television-related news, celebrity interviews, gossip and film reviews and crossword puzzles...
and Pageant
Pageant (magazine)
Pageant was a 20th-century monthly magazine published in the United States from November 1944 until February 1977. Printed in a digest size format, it became Coronet magazine's leading competition, although it aimed for comparison to Reader's Digest....
, the magazine that had made a fateful job offer to Kurtzman in 1955.
Help!
Kurtzman's last regular editorial position of note was at the helm of Warren PublishingWarren Publishing
Warren Publishing was an American magazine company founded by James Warren, who published his first magazines in 1957 and continued in the business for decades...
's Help!
Help! (magazine)
Help! was an American magazine published by James Warren. It wasHarvey Kurtzman's longest-running magazine project after leaving Mad and EC Publications, and during its five years of operation it was always chronically underfunded, yet innovative...
from 1960 to 1965. Relying heavily on photography, Help! gave the first national exposure to certain artists and writers who would dominate underground comix
Underground comix
Underground comix are small press or self-published comic books which are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality and violence...
later on, such as Robert Crumb
Robert Crumb
Robert Dennis Crumb —known as Robert Crumb and R. Crumb—is an American artist, illustrator, and musician recognized for the distinctive style of his drawings and his critical, satirical, subversive view of the American mainstream.Crumb was a founder of the underground comix movement and is regarded...
, Gilbert Shelton
Gilbert Shelton
Gilbert Shelton is an American cartoonist and underground comix artist. He is the creator of The Fabulous Furry Freak Brothers, Fat Freddy's Cat, Wonder Wart-Hog, Philbert Desanex, Not Quite Dead, and the cover art to The Grateful Dead's 1978 album Shakedown Street.He graduated from Lamar High...
, Jay Lynch
Jay Lynch
Jay Lynch is an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. His work is sometimes signed Jayzey Lynch. He has contributed to Mad, and in 2008, he expanded into the children's book field.-Early life and career:Born in Orange,...
and Skip Williamson
Skip Williamson
Skip Williamson is an American underground cartoonist and central figure in the underground comix movement.Williamson is known for being the most political and satirical cartoonist of the underground comix movement.- Childhood :...
. The magazine also provided a brief forum for John Cleese
John Cleese
John Marwood Cleese is an English actor, comedian, writer, and film producer. He achieved success at the Edinburgh Festival Fringe and as a scriptwriter and performer on The Frost Report...
and Terry Gilliam
Terry Gilliam
Terrence Vance "Terry" Gilliam is an American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe. Gilliam is also known for directing several films, including Brazil , The Adventures of Baron Munchausen , The Fisher King , and 12 Monkeys...
, who first worked together under Kurtzman's direction, years before Monty Python
Monty Python
Monty Python was a British surreal comedy group who created their influential Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series...
. In his 1985 film Brazil
Brazil (film)
Brazil is a 1985 British science fiction fantasy/black comedy film directed by Terry Gilliam. It was written by Gilliam, Charles McKeown, and Tom Stoppard and stars Jonathan Pryce. The film also features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm...
, Gilliam gave Ian Holm
Ian Holm
Sir Ian Holm, CBE is an English actor known for his stage work and for many film roles. He received the 1967 Tony Award for Best Featured Actor for his performance as Lenny in The Homecoming and the 1998 Laurence Olivier Award for Best Actor for his performance in the title role of King Lear...
's character, the boss of protagonist Sam Lowry, the name "Kurtzmann". The assistant editor of Help! was Charles Alverson
Charles Alverson
Charles Elgin Alverson is a novelist, editor and screenwriter who has sometimes used the byline Chuck Alverson. He co-scripted the film Jabberwocky ....
, who later collaborated with Gilliam on the screenplay for Jabberwocky
Jabberwocky (film)
Jabberwocky is a 1977 British fantasy black comedy film directed by Terry Gilliam. It stars Michael Palin as a young cooper who is forced through clumsy, often slapstick misfortunes to hunt a terrible dragon after the death of his father...
(1977).
The most notorious article to appear in Help! was "Goodman Beaver Goes Playboy!", a ribald parody of Archie Comics
Archie Comics
Archie Comics is an American comic book publisher headquartered in the Village of Mamaroneck, Town of Mamaroneck, New York, known for its many series featuring the fictional teenagers Archie Andrews, Betty Cooper, Veronica Lodge, Reggie Mantle and Jughead Jones. The characters were created by...
that resulted in a lawsuit from Archie's publisher. Despite a talented roster of friends and contributors including Ray Bradbury
Ray Bradbury
Ray Douglas Bradbury is an American fantasy, horror, science fiction, and mystery writer. Best known for his dystopian novel Fahrenheit 451 and for the science fiction stories gathered together as The Martian Chronicles and The Illustrated Man , Bradbury is one of the most celebrated among 20th...
, Arthur C. Clarke
Arthur C. Clarke
Sir Arthur Charles Clarke, CBE, FRAS was a British science fiction author, inventor, and futurist, famous for his short stories and novels, among them 2001: A Space Odyssey, and as a host and commentator in the British television series Mysterious World. For many years, Robert A. Heinlein,...
, Gloria Steinem
Gloria Steinem
Gloria Marie Steinem is an American feminist, journalist, and social and political activist who became nationally recognized as a leader of, and media spokeswoman for, the women's liberation movement in the late 1960s and 1970s...
and Gahan Wilson
Gahan Wilson
Gahan Wilson is an American author, cartoonist and illustrator known for his cartoons depicting horror-fantasy situations...
, along with the above names, the magazine folded after 26 issues.
Kurtzman's career remained eclectic. His Little Annie Fanny
Little Annie Fanny
Little Annie Fanny was a comic strip created by Harvey Kurtzman and Will Elder for Playboy in October 1962. The inspiration for the comic strip was Harold Gray's Little Orphan Annie. The comic follows the escapades of Annie Fanny, a tall, blonde, amply breasted, round buttocked, curly-haired young...
began its 26-year run in Playboy in 1962, though some admirers felt it was "known more for its lavish production values than its humor." He co-scripted the animated film Mad Monster Party, which was released in 1967. In 1973, Kurtzman produced several animated shorts for Sesame Street
Sesame Street
Sesame Street has undergone significant changes in its history. According to writer Michael Davis, by the mid-1970s the show had become "an American institution". The cast and crew expanded during this time, including the hiring of women in the crew and additional minorities in the cast. The...
, and that same year he appeared in a Scripto TV commercial drawing Little Annie Fanny on the wall of a prison cell. A series of reprint projects and one-shot efforts appeared in the 1970s and 1980s.
Later years and legacy
In his later years, Kurtzman continued to work on anthologies and various other projects, as well as teaching a cartooning class at the School of Visual ArtsSchool of Visual Arts
The School of Visual Arts , is a proprietary art school located in Manhattan, New York City, and is widely considered to be one of the leading art schools in the United States. It was established in 1947 by co-founders Silas H. Rhodes and Burne Hogarth as the Cartoonists and Illustrators School and...
. Beginning in 1988, the Harvey Awards, named for Kurtzman, were first given to the year's outstanding comics and creators. In the years before his death, Kurtzman returned to Mad for a brief stint, along with long-time collaborator Will Elder. Their pages were simply signed "WEHK".
Kurtzman died of liver cancer
Liver cancer
Liver tumors or hepatic tumors are tumors or growths on or in the liver . Several distinct types of tumors can develop in the liver because the liver is made up of various cell types. These growths can be benign or malignant...
at the age of 68 on February 21, 1993.
In the end, Kurtzman's critical reputation has outlasted his career valleys and the formulaic or disappointing projects. He is routinely celebrated for his visual verve and artistic successes and is often cited as a key influence by many leading cartoonists. In its much-critiqued 2000 list of the century's Top 100 comics, The Comics Journal
The Comics Journal
The Comics Journal, often abbreviated TCJ, is an American magazine of news and criticism pertaining to comic books, comic strips and graphic novels...
awarded Kurtzman five of the slots:
- 8. Mad comics by Harvey Kurtzman and various
- 12. EC's "New Trend" war comics by Harvey Kurtzman and various
- 26. The Jungle Book by Harvey Kurtzman
- 63. "Hey Look!" by Harvey Kurtzman
- 64. "Goodman Beaver" by Harvey Kurtzman and Will Elder
Comics Journal publisher Gary Groth
Gary Groth
Gary Groth is an American comic book editor, publisher and critic. He is editor-in-chief of The Comics Journal and a co-founder of Fantagraphics Books.-Early life:...
noted that Kurtzman's style "...achieves some sort of Platonic ideal of cartooning. Harvey was a master of composition, tone and visual rhythm, both within the panel and among the panels comprising the page. He was also able to convey fragments of genuine humanity through an impressionistic technique that was fluid and supple.”
Along with Will Eisner
Will Eisner
William Erwin "Will" Eisner was an American comics writer, artist and entrepreneur. He is considered one of the most important contributors to the development of the medium and is known for the cartooning studio he founded; for his highly influential series The Spirit; for his use of comics as an...
, Jack Kirby
Jack Kirby
Jack Kirby , born Jacob Kurtzberg, was an American comic book artist, writer and editor regarded by historians and fans as one of the major innovators and most influential creators in the comic book medium....
, Robert Crumb
Robert Crumb
Robert Dennis Crumb —known as Robert Crumb and R. Crumb—is an American artist, illustrator, and musician recognized for the distinctive style of his drawings and his critical, satirical, subversive view of the American mainstream.Crumb was a founder of the underground comix movement and is regarded...
, Gary Panter
Gary Panter
Gary Panter is an illustrator, painter, designer and part-time musician. Panter's work is representative of the post-underground, new wave comics movement that began with the end of Arcade: The Comics Revue and the initiation of RAW, one of the second generation in American underground comix...
and Chris Ware
Chris Ware
Franklin Christenson Ware , is an American comic book artist and cartoonist, widely known for his Acme Novelty Library series and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth. Born in Omaha, Nebraska, he resides in the Chicago area, Illinois...
, Kurtzman was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum
Jewish Museum (New York)
The Jewish Museum of New York, an art museum and repository of cultural artifacts, is the leading Jewish museum in the United States. With over 26,000 objects, it contains the largest collection of art and Jewish culture outside of museums in Israel. The museum is housed at 1109 Fifth Avenue, in...
in Manhattan from September 2006 to January 2007.
In 2009, The Art of Harvey Kurtzman: The Mad Genius of Comics, a comprehensive 256-page survey of Kurtzman's drawings, paintings, comic strips, graphic stories, comic books, magazines and paperbacks, was published by Abrams. Written by Denis Kitchen
Denis Kitchen
Denis Kitchen is an American underground cartoonist, publisher, author, and agent from Wisconsin, and the founder of the Comic Book Legal Defense Fund.-Early life:...
and Paul Buhle, the book includes both preparatory work and finished pieces. Kitchen commented:
- Too often, especially with the collaborative work, Kurtzman’s contribution is quite literally unseen. Harvey was masterful with compositions and the interaction of figures. Since he often worked with brilliant cartoonists like Will Elder, Jack Davis, Wally Wood, Al Jaffee and others, it’s easy for a casual reader to assume they were responsible for the imagery and Harvey "just wrote" or "just laid out" the stories. By showing how complete and vigorous his layouts are, it’s much clearer that he was a true director of the finished work.