Hugo Wolf
Encyclopedia
Hugo Wolf was an Austria
n composer
of Slovene origin, particularly noted for his art songs, or lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music
, somewhat related to that of the Second Viennese School
in concision but utterly unrelated in technique.
Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression
frequently interrupted his creative periods, and his last composition was written in 1898, before he died of syphilis
.
, Slovenia
), then a part of the Austrian Empire
. He spent most of his life in Vienna
, becoming a representative of "New German" trend in lieder, a trend which followed from the expressive, chromatic
, and dramatic musical innovations of Richard Wagner
.
A child prodigy
, Wolf was taught piano
and violin
by his father beginning at the age of four, and once in primary school studied piano and music theory
with Sebastian Weixler. However, subjects other than music failed to hold his interest; he was dismissed from the first secondary school he attended as being "wholly inadequate", left another over his difficulties in the compulsory Latin studies, and after a falling-out with a professor who commented on his "damned music", quit the last. From there, he went to the Vienna Conservatory to the disappointment of his father, who had hoped Wolf would not try to make his living from music; again, however, he was dismissed for "breach of discipline", though the often-rebellious Wolf would claim he quit in frustration over the school's conservatism.
After eight months with his family, he returned to Vienna to teach music. Though his fiery temperament was not ideally suited to teaching, Wolf's musical gifts—as well as his personal charm—earned him attention and patronage. This support of his benefactors allowed him to make a living as a composer, and a daughter of one of his greatest benefactors inspired him to write: Vally ("Valentine") Franck was Wolf's first love, with whom he was involved for three years. During their relationship, hints of his mature style would become evident in his Lieder. Wolf was prone to depression and wide mood swings, which would affect him all through his life. When Franck left him just before his 21st birthday, he was despondent; he returned home, though his family relationships were also strained; his father remained convinced that Wolf was a ne'er-do-well. His brief and undistinguished tenure as second Kapellmeister
at Salzburg
only reinforced this opinion—Wolf had neither the temperament, the conducting technique, nor the affinity for the decidedly non-Wagnerian repertoire to be successful, and within a year had again returned to Vienna to teach in much the same circumstances as before.
Wagner's death in February 1883 was another deeply moving event in the life of the young composer. The song "Zur Ruh, zur Ruh" was composed shortly afterward and is considered to be the best of his early works; it is speculated that it was intended as an elegy for Wagner. Wolf often despaired of his own future in the years following, in a world from which his idol had gone, leaving tremendous footsteps to follow and no guidance on how to do so. This left him often extremely temperamental, alienating friends and patrons, though his charm helped him retain them more than his actions merited. His songs meanwhile had caught the attention of Franz Liszt
, whom he respected greatly, and who like Wolf's previous mentors advised him to pursue larger forms; advice he this time followed with the symphonic tone poem on Penthesilea. Wolf's activities as a critic began to pick up; he was merciless in his criticism of the inferior works he saw taking over the musical atmosphere of the time (Anton Rubinstein
in particular he considered odious) and fervent in his support of the genius of Liszt, Schubert
, and Chopin
. Known as "Wild Wolf" for the intensity and expressive strength of his convictions, his vitriol made him some enemies. Though he composed little during this time, what he did write he could not get performed: the Rosé Quartet
would not even look at his work after it was picked apart in a column, and the premiere of Penthesilea was met by the orchestra with nothing but derision for the man who had dared to criticize Brahms.
He abandoned his activities as a critic in 1887 as he began composing once more; perhaps not unexpectedly, the first songs following his compositional hiatus are settings of texts by Goethe
, Joseph von Eichendorff
, and Joseph Viktor von Scheffel
on themes of strength and resolution under adversity. Shortly thereafter Wolf completed the Italian Serenade, which is regarded as one of the first works of his mature style as a composer. Only a week later his father died, leaving Wolf devastated, and he did not compose for the remainder of the year.
(a short train ride from Vienna), in order to escape and compose in solitude. Here he composed the Mörike
-Lieder at a frenzied pace. A short break, and a change of house, this time to the vacation home of more longtime friends, the Ecksteins, and the Eichendorff
-Lieder followed, then the 51 Goethe
-Lieder, spilling into 1889. After a summer holiday, the Spanisches Liederbuch was begun in October 1889; though Spanish-flavoured compositions were in fashion in the day, Wolf sought out poems that had been neglected by other composers.
Wolf himself saw the merit of these compositions immediately, raving to friends that they were the best things he had yet composed (it was with the aid and urging of several of the more influential of them that the works were initially published). It was now that the world outside Vienna would recognize Wolf as well. Tenor Ferdinand Jäger, whom Wolf had heard in Parsifal
during his brief summer break from composing, was present at one of the first concerts of the Mörike works and quickly became a champion of his music, performing a recital of only Wolf and Beethoven
in December 1888. His works were praised in reviews, including one in the Münchener Allgemeine Zeitung, a widely read German newspaper. (Of course the recognition was not always positive; Brahms
's adherents, still smarting from Wolf's merciless reviews, returned the favor—when they would have anything to do with him at all. Brahms's biographer Max Kalbeck
ridiculed Wolf for his immature writing and odd tonalities; another composer refused to share a program with him, while Amalie Materna
, a Wagnerian
singer, had to cancel her Wolf recital when allegedly faced with the threat of being on the critics' blacklist if she went on.)
Only a few more settings were completed in 1891 before Wolf's mental and physical health once again took a downturn at the end of the year; exhaustion from his prolific past few years combined with the effects of syphilis and his depressive temperament caused him to stop composing for the next several years. Continuing concerts of his works in Austria and Germany spread his growing fame; even Brahms and the critics who had previously reviled Wolf gave favorable reviews. Wolf, however, was consumed with depression, which stopped him from writing—which only left him more depressed. He completed orchestrations of previous works, but new compositions were not forthcoming, and certainly not the opera which he was now fixated on composing, still convinced that success in the larger forms was the mark of compositional greatness.
Wolf had scornfully rejected the libretto to Der Corregidor
when it was first presented to him in 1890, but his determination to compose an opera blinded him to its faults upon second glance. Based on El Sombrero de Tres Picos
, by Pedro Antonio de Alarcón, the darkly humorous story about an adulterous love triangle is one that Wolf could identify with: he had been in love with Melanie Köchert, married to his friend Heinrich Köchert, for several years. (It is speculated that their romance began in earnest in 1884, when Wolf accompanied the Köcherts on holiday; though Heinrich discovered the affair in 1893 he remained Wolf's patron and Melanie's husband.) The opera was completed in nine months and was met initially with success, but Wolf's musical setting could not compensate for the weakness of the text, and it was doomed to failure; it has not yet been successfully revived.
Wolf is buried in the Zentralfriedhof
(Central Cemetery) in Vienna, along with many other notable composers.
, who, in an encounter after Wolf first came to the Vienna Conservatory, encouraged the young composer to persist in composing and to attempt larger-scale works, cementing Wolf's desire to emulate his musical idol. His antipathy to Johannes Brahms
was fueled partly by his devotion to Wagner, and partially by misunderstanding and clash of personality, rather than any ill-will on Brahms' part.
His true fame is his lieder; Wolf's temperament and abilities led him to more private and personal forms. Though he initially believed that mastering the larger forms was the hallmark of a great composer (a belief that his early mentors reinforced), the smaller scale of the art song provided an excellent basis upon which to develop basic compositional skills and later came to be his greatest strength. Wolf's lieder are noted for compressing expansive musical ideas and depth of feeling; his skill at interpreting and depicting texts musically is suited to the form. Though Wolf himself was obsessed with the idea that to compose only short forms was to be second-rate, his organization of poem settings into complete dramatic cycles, finding connections between texts not explicitly intended by the poet, as well as his conceptions of individual songs as dramatic works in miniature, mark him as a talented dramatist despite having written only one not particularly successful opera.
Early in his career Wolf modelled his lieder after those of Franz Schubert
and Robert Schumann
, particularly in the period around his relationship with Franck; in fact, they were good enough imitations to pass off as the real thing, which he once attempted, though his cover was blown too soon. It is speculated that his choice of lieder texts in the earlier years, largely dealing with sin and anguish, were partly influenced by his contraction of syphilis. His love for Franck, not fully requited, bore the intellectual children of the Wesendonck Lieder
: impassioned settings of works by Nikolaus Lenau
. The others were as distant from those in mood as possible; lighthearted and humorous. Penthesilea, too, is tempestuous and highly colored; though Wolf admired Liszt, who had encouraged him to complete the work, he felt Liszt's music too dry and academic, and strove for color and passion.
1888 marked a turning point in his style as well as his career, with the Mörike, Eichendorff, and Goethe sets drawing him away from Schubertiana and into "Wölferl's own howl". Mörike in particular drew out and complemented Wolf's musical gifts, the variety of subjects suiting Wolf's tailoring of music to text, his dark sense of humor matching Wolf's own, his insight and imagery demanding a wider variety of compositional techniques and command of text painting to portray. In his later works he relied less on the text to give him his musical framework and more on his pure musical ideas themselves; the later Spanish and Italian songs reflect this move toward "absolute music
".
Wolf wrote hundreds of lieder, three opera
s, incidental music
, choral music, as well as some rarely heard orchestral, chamber
and piano music. His most famous instrumental piece is the Italian Serenade (1887), originally for string quartet and later transcribed for orchestra, which marked the beginning of his mature style.
Wolf was famous for his use of tonality
to reinforce meaning. Concentrating on two tonal areas to musically depict ambiguity and conflict in the text became a hallmark of his style, resolving only when appropriate to the meaning of the song. His chosen texts were often full of anguish and inability to find resolution, and thus so too was the tonality wandering, unable to return to the home key. Use of deceptive cadences, chromaticism, dissonance
, and chromatic mediants obscure the harmonic destination for as long as the psychological tension is sustained. His formal structure as well reflected the texts being set, and he wrote almost none of the straightforward strophic
songs favoured by his contemporaries, instead building the form around the nature of the work.
, Heinrich Rehkemper
, Heinrich Schlusnus
, Josef von Manowarda, Lotte Lehmann
, Karl Erb
and others. Early post-War collections were recorded by Suzanne Danco
, Anton Dermota
and Gérard Souzay
(all before 1953), Dietrich Fischer-Dieskau
(1954), Hans Hotter
(1954), Erna Berger
(1956), Heinrich Rehfuss (1955) and Elisabeth Schumann (1958), and important individual songs by Elisabeth Schwarzkopf
, Nicola Rossi-Lemeni
, and Elisabeth Höngen
. Gerald Moore
was a distinguished accompanist in Wolf song recordings. Fischer-Dieskau published a large collection of Mörike songs with him in March 1959. Two major projects stand out for more comprehensive coverage.
The Hugo Wolf Society was formed in September 1931 for the recording, under the aegis of English His Master's Voice records, a substantial proportion of the song repertoire, in limited editions for subscribers. The selection of artists was restricted to singers under contract to this company. Each volume consisted of six HMV red-label discs (unobtainable separately) and retailed new at $15.00 Am.
Volume I, entirely performed by Elena Gerhardt
accompanied by Coenraad van Bos, presented a selection mainly from the Spanish and Italian songbooks and the Mörike songs. For many years this scarce set was regarded as a collector's prize, and forms a distinct corpus within her recorded art. Later volumes always included more than one singer. Volume II: 16 of the 51 Goethe songs, all (apart from McCormack) accompanied by Coenraad van Bos, but with Friedrich Schorr's Prometheus with the orchestral accompaniment. Volume III: A selection of 17 items, including three Michelangelo songs, three Mörike songs, four from the Spanisches Liederbuch and six from the Italienisches Liederbuch. All accompanied by Coenraad van Bos. Volume IV: 30 items from Italienisches Liederbuch. Accompaniments by Coenraad van Bos, Michael Raucheisen
and Hanns Udo Müller. Volume V: A selection of 20 songs (mainly Mörike and Spanisches Liederbuch). Volume VI: Various. Artists included Alexander Kipnis
(III, IV, V); Herbert Janssen
(II, V); Gerhard Hüsch
(II, III, IV, V); John McCormack (accompanied by Edwin Schneider
) (II); Alexandre Trianti (II, III); Ria Ginster (IV, V); Friedrich Schorr
(II); Elisabeth Rethberg
(IV, V); Tiana Lemnitz
Each volume was accompanied by a booklet containing a short essay by Ernest Newman
(I: Words and Music in Hugo Wolf, II: Wolf's Goethe Songs, III: A Note of Wolf as Craftsman, IV: The Italienisches Liederbuch) together with German texts, English translations (by Winifred Radford) and notes on each song (by Newman).
A Hugo Wolf Lieder Edition was recorded by Dietrich Fischer-Dieskau
and Daniel Barenboim
during the 1970s for DGG
, each volume containing three records. Volume I (1974): Mörike Lieder (Paris Grand Prix du Disque). Volume II (1976): Lieder on poems by Goethe
, Heine
and Lenau
. Volume III (1977): Lieder on poems by Eichendorff, Michelangelo, Robert Reinick
, Shakespeare
, Byron
, Hoffmann von Fallersleben
, Joseph Viktor von Scheffel
, etc. The accompanying volumes include essays by Hans Jancik, texts of the poems, and translations by Lionel Salter (English) and Jacques Fournier and others (French).
The first project to record every song by Wolf was commenced in 2010, the 150th anniversary of the composer's birth, by Stone Records
and the Oxford Lieder Festival
. This series of live recordings, featuring a wide variety of singers and Oxford Lieder Festival
's artistic director Sholto Kynoch
at the piano, is expected to run to 11 or 12 discs and is due to be completed in 2013.
Austria
Austria , officially the Republic of Austria , is a landlocked country of roughly 8.4 million people in Central Europe. It is bordered by the Czech Republic and Germany to the north, Slovakia and Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the...
n composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
of Slovene origin, particularly noted for his art songs, or lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music
Romantic music
Romantic music or music in the Romantic Period is a musicological and artistic term referring to a particular period, theory, compositional practice, and canon in Western music history, from 1810 to 1900....
, somewhat related to that of the Second Viennese School
Second Viennese School
The Second Viennese School is the group of composers that comprised Arnold Schoenberg and his pupils and close associates in early 20th century Vienna, where he lived and taught, sporadically, between 1903 and 1925...
in concision but utterly unrelated in technique.
Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression
Depression (mood)
Depression is a state of low mood and aversion to activity that can affect a person's thoughts, behaviour, feelings and physical well-being. Depressed people may feel sad, anxious, empty, hopeless, helpless, worthless, guilty, irritable, or restless...
frequently interrupted his creative periods, and his last composition was written in 1898, before he died of syphilis
Syphilis
Syphilis is a sexually transmitted infection caused by the spirochete bacterium Treponema pallidum subspecies pallidum. The primary route of transmission is through sexual contact; however, it may also be transmitted from mother to fetus during pregnancy or at birth, resulting in congenital syphilis...
.
Early life (1860–1887)
Hugo Wolf was born in Windischgrätz (now Slovenj GradecSlovenj Gradec
Slovenj Gradec is a town and a municipality in northern Slovenia. It is part of the historic Lower Styria region, since 2005 it belongs to the NUTS-3 statistical region of Carinthia...
, Slovenia
Slovenia
Slovenia , officially the Republic of Slovenia , is a country in Central and Southeastern Europe touching the Alps and bordering the Mediterranean. Slovenia borders Italy to the west, Croatia to the south and east, Hungary to the northeast, and Austria to the north, and also has a small portion of...
), then a part of the Austrian Empire
Austrian Empire
The Austrian Empire was a modern era successor empire, which was centered on what is today's Austria and which officially lasted from 1804 to 1867. It was followed by the Empire of Austria-Hungary, whose proclamation was a diplomatic move that elevated Hungary's status within the Austrian Empire...
. He spent most of his life in Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
, becoming a representative of "New German" trend in lieder, a trend which followed from the expressive, chromatic
Chromatic scale
The chromatic scale is a musical scale with twelve pitches, each a semitone apart. On a modern piano or other equal-tempered instrument, all the half steps are the same size...
, and dramatic musical innovations of Richard Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
.
A child prodigy
Child prodigy
A child prodigy is someone who, at an early age, masters one or more skills far beyond his or her level of maturity. One criterion for classifying prodigies is: a prodigy is a child, typically younger than 18 years old, who is performing at the level of a highly trained adult in a very demanding...
, Wolf was taught piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
and violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
by his father beginning at the age of four, and once in primary school studied piano and music theory
Music theory
Music theory is the study of how music works. It examines the language and notation of music. It seeks to identify patterns and structures in composers' techniques across or within genres, styles, or historical periods...
with Sebastian Weixler. However, subjects other than music failed to hold his interest; he was dismissed from the first secondary school he attended as being "wholly inadequate", left another over his difficulties in the compulsory Latin studies, and after a falling-out with a professor who commented on his "damned music", quit the last. From there, he went to the Vienna Conservatory to the disappointment of his father, who had hoped Wolf would not try to make his living from music; again, however, he was dismissed for "breach of discipline", though the often-rebellious Wolf would claim he quit in frustration over the school's conservatism.
After eight months with his family, he returned to Vienna to teach music. Though his fiery temperament was not ideally suited to teaching, Wolf's musical gifts—as well as his personal charm—earned him attention and patronage. This support of his benefactors allowed him to make a living as a composer, and a daughter of one of his greatest benefactors inspired him to write: Vally ("Valentine") Franck was Wolf's first love, with whom he was involved for three years. During their relationship, hints of his mature style would become evident in his Lieder. Wolf was prone to depression and wide mood swings, which would affect him all through his life. When Franck left him just before his 21st birthday, he was despondent; he returned home, though his family relationships were also strained; his father remained convinced that Wolf was a ne'er-do-well. His brief and undistinguished tenure as second Kapellmeister
Kapellmeister
Kapellmeister is a German word designating a person in charge of music-making. The word is a compound, consisting of the roots Kapelle and Meister . The words Kapelle and Meister derive from the Latin: capella and magister...
at Salzburg
Salzburg
-Population development:In 1935, the population significantly increased when Salzburg absorbed adjacent municipalities. After World War II, numerous refugees found a new home in the city. New residential space was created for American soldiers of the postwar Occupation, and could be used for...
only reinforced this opinion—Wolf had neither the temperament, the conducting technique, nor the affinity for the decidedly non-Wagnerian repertoire to be successful, and within a year had again returned to Vienna to teach in much the same circumstances as before.
Wagner's death in February 1883 was another deeply moving event in the life of the young composer. The song "Zur Ruh, zur Ruh" was composed shortly afterward and is considered to be the best of his early works; it is speculated that it was intended as an elegy for Wagner. Wolf often despaired of his own future in the years following, in a world from which his idol had gone, leaving tremendous footsteps to follow and no guidance on how to do so. This left him often extremely temperamental, alienating friends and patrons, though his charm helped him retain them more than his actions merited. His songs meanwhile had caught the attention of Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...
, whom he respected greatly, and who like Wolf's previous mentors advised him to pursue larger forms; advice he this time followed with the symphonic tone poem on Penthesilea. Wolf's activities as a critic began to pick up; he was merciless in his criticism of the inferior works he saw taking over the musical atmosphere of the time (Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
in particular he considered odious) and fervent in his support of the genius of Liszt, Schubert
Franz Schubert
Franz Peter Schubert was an Austrian composer.Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies , liturgical music, operas, some incidental music, and a large body of chamber and solo piano music...
, and Chopin
Frédéric Chopin
Frédéric François Chopin was a Polish composer and virtuoso pianist. He is considered one of the great masters of Romantic music and has been called "the poet of the piano"....
. Known as "Wild Wolf" for the intensity and expressive strength of his convictions, his vitriol made him some enemies. Though he composed little during this time, what he did write he could not get performed: the Rosé Quartet
Rosé Quartet
The Rosé Quartet was a string quartet formed by Arnold Rosé in 1882.It was active for 55 years, until 1938.- Members :Its members changed over time....
would not even look at his work after it was picked apart in a column, and the premiere of Penthesilea was met by the orchestra with nothing but derision for the man who had dared to criticize Brahms.
He abandoned his activities as a critic in 1887 as he began composing once more; perhaps not unexpectedly, the first songs following his compositional hiatus are settings of texts by Goethe
Johann Wolfgang von Goethe
Johann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long...
, Joseph von Eichendorff
Joseph Freiherr von Eichendorff
Joseph Freiherr von Eichendorff was a German poet and novelist of the later German romantic school.Eichendorff is regarded as one of the most important German Romantics and his works have sustained high popularity in Germany from production to the present day.-Life:Eichendorff was born at Schloß...
, and Joseph Viktor von Scheffel
Joseph Viktor von Scheffel
Joseph Victor von Scheffel was a German poet and novelist.-Biography:He was born at Karlsruhe. His father, a retired major in the Baden army, was a civil engineer and member of the commission for regulating the course of the Rhine; his mother, née Josephine Krederer, the daughter of a prosperous...
on themes of strength and resolution under adversity. Shortly thereafter Wolf completed the Italian Serenade, which is regarded as one of the first works of his mature style as a composer. Only a week later his father died, leaving Wolf devastated, and he did not compose for the remainder of the year.
Maturity (1888–1896)
1888 and 1889 proved to be amazingly productive years for Wolf, and a turning point in his career. After the publication of a dozen of his songs late the preceding year, Wolf once again desired to return to composing, and travelled to the vacation home of the Werners—family friends whom Wolf had known since childhood—in PerchtoldsdorfPerchtoldsdorf
Perchtoldsdorf is a town in the district of Mödling in the Austrian state of Lower Austria, located about 16 km southwest of the viennese inner city.-History:...
(a short train ride from Vienna), in order to escape and compose in solitude. Here he composed the Mörike
Eduard Mörike
Eduard Friedrich Mörike was a German Romantic poet.-Biography:Mörike was born in Ludwigsburg. His father was Karl Friedrich Mörike , a district medical councilor; his mother was Charlotte Bayer...
-Lieder at a frenzied pace. A short break, and a change of house, this time to the vacation home of more longtime friends, the Ecksteins, and the Eichendorff
Joseph Freiherr von Eichendorff
Joseph Freiherr von Eichendorff was a German poet and novelist of the later German romantic school.Eichendorff is regarded as one of the most important German Romantics and his works have sustained high popularity in Germany from production to the present day.-Life:Eichendorff was born at Schloß...
-Lieder followed, then the 51 Goethe
Johann Wolfgang von Goethe
Johann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long...
-Lieder, spilling into 1889. After a summer holiday, the Spanisches Liederbuch was begun in October 1889; though Spanish-flavoured compositions were in fashion in the day, Wolf sought out poems that had been neglected by other composers.
Wolf himself saw the merit of these compositions immediately, raving to friends that they were the best things he had yet composed (it was with the aid and urging of several of the more influential of them that the works were initially published). It was now that the world outside Vienna would recognize Wolf as well. Tenor Ferdinand Jäger, whom Wolf had heard in Parsifal
Parsifal
Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...
during his brief summer break from composing, was present at one of the first concerts of the Mörike works and quickly became a champion of his music, performing a recital of only Wolf and Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
in December 1888. His works were praised in reviews, including one in the Münchener Allgemeine Zeitung, a widely read German newspaper. (Of course the recognition was not always positive; Brahms
Johannes Brahms
Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene...
's adherents, still smarting from Wolf's merciless reviews, returned the favor—when they would have anything to do with him at all. Brahms's biographer Max Kalbeck
Max Kalbeck
Max Kalbeck was a German writer, critic and translator.-Education:Kalbeck studied music in Munich. In 1875 he became the music-critic for the Schlesische Zeitung and assistant director of the Breslau Museum...
ridiculed Wolf for his immature writing and odd tonalities; another composer refused to share a program with him, while Amalie Materna
Amalie Materna
Amalie Materna was an Austrian operatic soprano. While possessing a famously powerful voice, Materna also maintained a youthful bright vocal timbre throughout her career which spanned for three decades...
, a Wagnerian
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
singer, had to cancel her Wolf recital when allegedly faced with the threat of being on the critics' blacklist if she went on.)
Only a few more settings were completed in 1891 before Wolf's mental and physical health once again took a downturn at the end of the year; exhaustion from his prolific past few years combined with the effects of syphilis and his depressive temperament caused him to stop composing for the next several years. Continuing concerts of his works in Austria and Germany spread his growing fame; even Brahms and the critics who had previously reviled Wolf gave favorable reviews. Wolf, however, was consumed with depression, which stopped him from writing—which only left him more depressed. He completed orchestrations of previous works, but new compositions were not forthcoming, and certainly not the opera which he was now fixated on composing, still convinced that success in the larger forms was the mark of compositional greatness.
Wolf had scornfully rejected the libretto to Der Corregidor
Der Corregidor
Der Corregidor is a comic opera by Hugo Wolf. The libretto was written by Rosa Mayreder-Obermayer, based on the short novel by Pedro Antonio de Alarcón.-Composition history:...
when it was first presented to him in 1890, but his determination to compose an opera blinded him to its faults upon second glance. Based on El Sombrero de Tres Picos
El Sombrero de Tres Picos
The Three-Cornered Hat is a ballet composed by Manuel de Falla, commissioned in its development by Sergei Diaghilev and performed in its completed form in 1919....
, by Pedro Antonio de Alarcón, the darkly humorous story about an adulterous love triangle is one that Wolf could identify with: he had been in love with Melanie Köchert, married to his friend Heinrich Köchert, for several years. (It is speculated that their romance began in earnest in 1884, when Wolf accompanied the Köcherts on holiday; though Heinrich discovered the affair in 1893 he remained Wolf's patron and Melanie's husband.) The opera was completed in nine months and was met initially with success, but Wolf's musical setting could not compensate for the weakness of the text, and it was doomed to failure; it has not yet been successfully revived.
Final years (1897–1903)
Wolf's last concert appearance, which included his early champion Jäger, was in February 1897. Shortly thereafter Wolf slipped into syphilitic insanity, with only occasional spells of wellbeing. He left sixty pages of an unfinished opera, Manuel Venegas, in 1897, in a desperate attempt to finish before he lost his mind completely; after mid-1899 he could make no music at all, and once tried to drown himself, after which he was placed in a Vienna asylum at his own insistence. Melanie visited him faithfully during his decline until his death on 22 February 1903; her lack of faith to her husband, however, tortured her, and she killed herself in 1906.Wolf is buried in the Zentralfriedhof
Zentralfriedhof
The Zentralfriedhof is one of the largest cemeteries in the world, largest by number of interred in Europe and most famous cemetery among Vienna's nearly 50 cemeteries.-Name and location:...
(Central Cemetery) in Vienna, along with many other notable composers.
Music
Wolf's greatest musical influence was Richard WagnerRichard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
, who, in an encounter after Wolf first came to the Vienna Conservatory, encouraged the young composer to persist in composing and to attempt larger-scale works, cementing Wolf's desire to emulate his musical idol. His antipathy to Johannes Brahms
Johannes Brahms
Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene...
was fueled partly by his devotion to Wagner, and partially by misunderstanding and clash of personality, rather than any ill-will on Brahms' part.
His true fame is his lieder; Wolf's temperament and abilities led him to more private and personal forms. Though he initially believed that mastering the larger forms was the hallmark of a great composer (a belief that his early mentors reinforced), the smaller scale of the art song provided an excellent basis upon which to develop basic compositional skills and later came to be his greatest strength. Wolf's lieder are noted for compressing expansive musical ideas and depth of feeling; his skill at interpreting and depicting texts musically is suited to the form. Though Wolf himself was obsessed with the idea that to compose only short forms was to be second-rate, his organization of poem settings into complete dramatic cycles, finding connections between texts not explicitly intended by the poet, as well as his conceptions of individual songs as dramatic works in miniature, mark him as a talented dramatist despite having written only one not particularly successful opera.
Early in his career Wolf modelled his lieder after those of Franz Schubert
Franz Schubert
Franz Peter Schubert was an Austrian composer.Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies , liturgical music, operas, some incidental music, and a large body of chamber and solo piano music...
and Robert Schumann
Robert Schumann
Robert Schumann, sometimes known as Robert Alexander Schumann, was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era....
, particularly in the period around his relationship with Franck; in fact, they were good enough imitations to pass off as the real thing, which he once attempted, though his cover was blown too soon. It is speculated that his choice of lieder texts in the earlier years, largely dealing with sin and anguish, were partly influenced by his contraction of syphilis. His love for Franck, not fully requited, bore the intellectual children of the Wesendonck Lieder
Wesendonck Lieder
The Wesendonck Lieder is a song cycle composed by Richard Wagner while he was working on Die Walküre. This, and the Siegfried Idyll, are his only two non-operatic works that are still regularly performed....
: impassioned settings of works by Nikolaus Lenau
Nikolaus Lenau
Nikolaus Lenau was the nom de plume of Nikolaus Franz Niembsch Edler von Strehlenau , was a German language Austrian poet.-Biography:...
. The others were as distant from those in mood as possible; lighthearted and humorous. Penthesilea, too, is tempestuous and highly colored; though Wolf admired Liszt, who had encouraged him to complete the work, he felt Liszt's music too dry and academic, and strove for color and passion.
1888 marked a turning point in his style as well as his career, with the Mörike, Eichendorff, and Goethe sets drawing him away from Schubertiana and into "Wölferl's own howl". Mörike in particular drew out and complemented Wolf's musical gifts, the variety of subjects suiting Wolf's tailoring of music to text, his dark sense of humor matching Wolf's own, his insight and imagery demanding a wider variety of compositional techniques and command of text painting to portray. In his later works he relied less on the text to give him his musical framework and more on his pure musical ideas themselves; the later Spanish and Italian songs reflect this move toward "absolute music
Absolute music
Absolute music is a concept in music that describes music as an art form separated from formalisms or other considerations; it is not explicitly about anything; it is non-representational. In contrast to program music, absolute music makes sense without accompanying words, images, drama, or...
".
Wolf wrote hundreds of lieder, three opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
s, incidental music
Incidental music
Incidental music is music in a play, television program, radio program, video game, film or some other form not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the "film score" or "soundtrack"....
, choral music, as well as some rarely heard orchestral, chamber
Chamber music
Chamber music is a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber. Most broadly, it includes any art music that is performed by a small number of performers with one performer to a part...
and piano music. His most famous instrumental piece is the Italian Serenade (1887), originally for string quartet and later transcribed for orchestra, which marked the beginning of his mature style.
Wolf was famous for his use of tonality
Tonality
Tonality is a system of music in which specific hierarchical pitch relationships are based on a key "center", or tonic. The term tonalité originated with Alexandre-Étienne Choron and was borrowed by François-Joseph Fétis in 1840...
to reinforce meaning. Concentrating on two tonal areas to musically depict ambiguity and conflict in the text became a hallmark of his style, resolving only when appropriate to the meaning of the song. His chosen texts were often full of anguish and inability to find resolution, and thus so too was the tonality wandering, unable to return to the home key. Use of deceptive cadences, chromaticism, dissonance
Consonance and dissonance
In music, a consonance is a harmony, chord, or interval considered stable, as opposed to a dissonance , which is considered to be unstable...
, and chromatic mediants obscure the harmonic destination for as long as the psychological tension is sustained. His formal structure as well reflected the texts being set, and he wrote almost none of the straightforward strophic
Strophic form
Strophic form is the simplest and most durable of musical forms, elaborating a piece of music by repetition of a single formal section. This may be analyzed as "A A A..."...
songs favoured by his contemporaries, instead building the form around the nature of the work.
Lieder
- Mörike-Lieder (1888), to texts by Eduard MörikeEduard MörikeEduard Friedrich Mörike was a German Romantic poet.-Biography:Mörike was born in Ludwigsburg. His father was Karl Friedrich Mörike , a district medical councilor; his mother was Charlotte Bayer...
. - Eichendorff-Lieder (1889), to texts by Joseph Freiherr von EichendorffJoseph Freiherr von EichendorffJoseph Freiherr von Eichendorff was a German poet and novelist of the later German romantic school.Eichendorff is regarded as one of the most important German Romantics and his works have sustained high popularity in Germany from production to the present day.-Life:Eichendorff was born at Schloß...
. - Goethe-Lieder (1890), to texts by Johann Wolfgang von GoetheJohann Wolfgang von GoetheJohann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long...
. - Spanisches Liederbuch (1891)
- Italienisches Liederbuch (1892, 1896)
- Michelangelo Lieder (1897), to texts by MichelangeloMichelangeloMichelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
.
Instrumental
- String Quartet in D minor (1878–84)
- Penthesilea (1883–85)
- Italian Serenade (1887, string quartet; orchestrated in 1892)
Recording projects
Individual songs have been included in the recorded repertoire of many singers. Significant early Wolf recording artists included Elisabeth SchumannElisabeth Schumann
Elisabeth Schumann was a German lyric soprano who sang in opera, operetta, oratorio, and lieder. She left a substantial legacy of recordings.-Career:...
, Heinrich Rehkemper
Heinrich Rehkemper
Heinrich Rehkemper was a German baritone singer whose repertoire was in opera and Lieder, and whose career was principally in Germany between the First and Second World War...
, Heinrich Schlusnus
Heinrich Schlusnus
Heinrich Schlusnus was Germany's foremost lyric baritone of the period between World War I and World War II. He sang opera and lieder with equal distinction.-Career:...
, Josef von Manowarda, Lotte Lehmann
Lotte Lehmann
Charlotte "Lotte" Lehmann was a German soprano who was especially associated with German repertory. She gave memorable performances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart and Massenet. The Marschallin in Der Rosenkavalier was considered her greatest...
, Karl Erb
Karl Erb
Karl Erb was a German tenor vocalist who made his career first in opera and then in oratorio and lieder recital. He excelled in all these genres, and before 1920 gave classic performances of key roles in modern works, and created lead roles in those of Hans Pfitzner...
and others. Early post-War collections were recorded by Suzanne Danco
Suzanne Danco
Suzanne Danco , was a celebrated Belgian soprano and mezzo-soprano.-Career:Suzanne Danco was born in Brussels and grew up in a Flemish background although French was her native language...
, Anton Dermota
Anton Dermota
Kammersänger Anton Dermota was a Slovene tenor.He was born in a poor family Born in the Upper Carniolan village of Kropa, in what was then the Austro-Hungarian Empire . He went to the Ljubljana Conservatory with the intention of studying composition and organ, but in 1934 he received a scholarship...
and Gérard Souzay
Gérard Souzay
Gérard Souzay was a French baritone singer, regarded as one of the very finest interpreters of mélodie in the generation after Charles Panzéra and Pierre Bernac.-Background and education:...
(all before 1953), Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau is a retired German lyric baritone and conductor of classical music, one of the most famous lieder performers of the post-war period and "one of the supreme vocal artists of the 20th century"...
(1954), Hans Hotter
Hans Hotter
Hans Hotter was a German operatic bass-baritone, admired internationally after World War II for the power, beauty, and intelligence of his singing, especially in Wagner operas. He was extremely tall and his appearance was striking because of his high, narrow face, wide mouth, and big, aquiline nose...
(1954), Erna Berger
Erna Berger
Erna Berger , was a prominent German coloratura lyric soprano. She is most famous for her Queen of the Night and her Konstanze....
(1956), Heinrich Rehfuss (1955) and Elisabeth Schumann (1958), and important individual songs by Elisabeth Schwarzkopf
Elisabeth Schwarzkopf
Dame Elisabeth Schwarzkopf, DBE was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned opera singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf.-Early life:Olga Maria Elisabeth Friederike...
, Nicola Rossi-Lemeni
Nicola Rossi-Lemeni
Nicola Rossi Lemeni, , was a basso opera singer of mixed Italian-Russian parentage.Rossi Lemeni was born in Istanbul, Turkey, the son of an Italian colonel and a Russian mother. In his prime he was one of the most respected bassos in Italy...
, and Elisabeth Höngen
Elisabeth Höngen
Elisabeth Höngen was a German operatic mezzo-soprano, particularly associated with Richard Wagner and Richard Strauss roles, and with Verdi's Lady Macbeth....
. Gerald Moore
Gerald Moore
Gerald Moore CBE was an English pianist best known for his career as one of the most in-demand accompanists of his day, accompanying many of the world's most famous musicians...
was a distinguished accompanist in Wolf song recordings. Fischer-Dieskau published a large collection of Mörike songs with him in March 1959. Two major projects stand out for more comprehensive coverage.
The Hugo Wolf Society was formed in September 1931 for the recording, under the aegis of English His Master's Voice records, a substantial proportion of the song repertoire, in limited editions for subscribers. The selection of artists was restricted to singers under contract to this company. Each volume consisted of six HMV red-label discs (unobtainable separately) and retailed new at $15.00 Am.
Volume I, entirely performed by Elena Gerhardt
Elena Gerhardt
Elena Gerhardt was a German mezzo-soprano singer associated with the singing of German classical lieder, of which she was considered one of the great interpreters...
accompanied by Coenraad van Bos, presented a selection mainly from the Spanish and Italian songbooks and the Mörike songs. For many years this scarce set was regarded as a collector's prize, and forms a distinct corpus within her recorded art. Later volumes always included more than one singer. Volume II: 16 of the 51 Goethe songs, all (apart from McCormack) accompanied by Coenraad van Bos, but with Friedrich Schorr's Prometheus with the orchestral accompaniment. Volume III: A selection of 17 items, including three Michelangelo songs, three Mörike songs, four from the Spanisches Liederbuch and six from the Italienisches Liederbuch. All accompanied by Coenraad van Bos. Volume IV: 30 items from Italienisches Liederbuch. Accompaniments by Coenraad van Bos, Michael Raucheisen
Michael Raucheisen
Translated from German WikipediaMichael Raucheisen was a German pianist and song accompanist....
and Hanns Udo Müller. Volume V: A selection of 20 songs (mainly Mörike and Spanisches Liederbuch). Volume VI: Various. Artists included Alexander Kipnis
Alexander Kipnis
Alexander Kipnis , was a Ukrainian-born operatic bass of great artistry and vocal endowment.Having initially established his artistic reputation in Europe, Kipnis became an American citizen in 1931, following his marriage to an American...
(III, IV, V); Herbert Janssen
Herbert Janssen
Herbert Janssen was a leading German operatic baritone who had an international career in Europe and the United States.- Biography :...
(II, V); Gerhard Hüsch
Gerhard Hüsch
Gerhard Heinrich Wilhelm Fritz Hüsch was one of the most important German singers of modern times. A lyric baritone, he specialized in Lieder but also sang, to a lesser extent, German and Italian opera.-Career:...
(II, III, IV, V); John McCormack (accompanied by Edwin Schneider
Edwin Schneider
Edwin Schneider was an American pianist, teacher, and music editor. He is best known as the partner and accompanist of Irish tenor John McCormack. Before meeting McCormack, he was an editor and translator for the John Church Company.-References:...
) (II); Alexandre Trianti (II, III); Ria Ginster (IV, V); Friedrich Schorr
Friedrich Schorr
Friedrich Schorr , was a renowned Austrian-Hungarian bass-baritone opera singer of Jewish origin. He later became a naturalized American....
(II); Elisabeth Rethberg
Elisabeth Rethberg
The German soprano Elisabeth Rethberg was an opera singer of international repute active from the period of the First World War through to the early 1940s. Some hailed her as the greatest soprano of her day...
(IV, V); Tiana Lemnitz
Tiana Lemnitz
Tiana Lemnitz was a German operatic soprano with a beautiful lyric voice. Her major operatic career took place between the two world wars .-Life and career:...
Each volume was accompanied by a booklet containing a short essay by Ernest Newman
Ernest Newman
Ernest Newman was an English music critic and musicologist. Grove's Dictionary of Music and Musicians describes him as "the most celebrated British music critic in the first half of the 20th century." His style of criticism, aiming at intellectual objectivity in contrast to the more subjective...
(I: Words and Music in Hugo Wolf, II: Wolf's Goethe Songs, III: A Note of Wolf as Craftsman, IV: The Italienisches Liederbuch) together with German texts, English translations (by Winifred Radford) and notes on each song (by Newman).
A Hugo Wolf Lieder Edition was recorded by Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau is a retired German lyric baritone and conductor of classical music, one of the most famous lieder performers of the post-war period and "one of the supreme vocal artists of the 20th century"...
and Daniel Barenboim
Daniel Barenboim
Daniel Barenboim, KBE is an Argentinian-Israeli pianist and conductor. He has served as music director of several major symphonic and operatic orchestras and made numerous recordings....
during the 1970s for DGG
Polydor Records
Polydor is a record label owned by Universal Music Group, headquartered in the United Kingdom.-Beginnings:Polydor was originally an independent branch of the Deutsche Grammophon Gesellschaft. Its name was first used as an export label in 1924, the British and German branches of the Gramophone...
, each volume containing three records. Volume I (1974): Mörike Lieder (Paris Grand Prix du Disque). Volume II (1976): Lieder on poems by Goethe
Johann Wolfgang von Goethe
Johann Wolfgang von Goethe was a German writer, pictorial artist, biologist, theoretical physicist, and polymath. He is considered the supreme genius of modern German literature. His works span the fields of poetry, drama, prose, philosophy, and science. His Faust has been called the greatest long...
, Heine
Heinrich Heine
Christian Johann Heinrich Heine was one of the most significant German poets of the 19th century. He was also a journalist, essayist, and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder by composers such as Robert Schumann...
and Lenau
Nikolaus Lenau
Nikolaus Lenau was the nom de plume of Nikolaus Franz Niembsch Edler von Strehlenau , was a German language Austrian poet.-Biography:...
. Volume III (1977): Lieder on poems by Eichendorff, Michelangelo, Robert Reinick
Robert Reinick
Robert Reinick was a German painter and poet.Reinick was born in Danzig and died in Dresden.- External links :* * *...
, Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
, Byron
George Gordon Byron, 6th Baron Byron
George Gordon Byron, 6th Baron Byron, later George Gordon Noel, 6th Baron Byron, FRS , commonly known simply as Lord Byron, was a British poet and a leading figure in the Romantic movement...
, Hoffmann von Fallersleben
August Heinrich Hoffmann von Fallersleben
' , who used Hoffmann von Fallersleben as his pen name, was a German poet. He is best known for writing "Das Lied der Deutschen", its third stanza now being the national anthem of Germany, and a number of popular children's songs.- Biography :Hoffmann was born in Fallersleben , Brunswick-Lüneburg,...
, Joseph Viktor von Scheffel
Joseph Viktor von Scheffel
Joseph Victor von Scheffel was a German poet and novelist.-Biography:He was born at Karlsruhe. His father, a retired major in the Baden army, was a civil engineer and member of the commission for regulating the course of the Rhine; his mother, née Josephine Krederer, the daughter of a prosperous...
, etc. The accompanying volumes include essays by Hans Jancik, texts of the poems, and translations by Lionel Salter (English) and Jacques Fournier and others (French).
The first project to record every song by Wolf was commenced in 2010, the 150th anniversary of the composer's birth, by Stone Records
Stone Records
Stone Records is a British, independent, classical record label, founded in 2008 by opera singer Mark Stone. It started by producing recordings of English song but has since widened its repertoire to include instrumental, choral and orchestral works....
and the Oxford Lieder Festival
Oxford Lieder Festival
The Oxford Lieder Festival, founded in 2001 by Sholto Kynoch, is the United Kingdom's largest art song festival. Oxford Lieder is now a registered charity and in addition to the annual festival which is usually in October, there are regular Song Evenings throughout the year, and a growing programme...
. This series of live recordings, featuring a wide variety of singers and Oxford Lieder Festival
Oxford Lieder Festival
The Oxford Lieder Festival, founded in 2001 by Sholto Kynoch, is the United Kingdom's largest art song festival. Oxford Lieder is now a registered charity and in addition to the annual festival which is usually in October, there are regular Song Evenings throughout the year, and a growing programme...
's artistic director Sholto Kynoch
Sholto Kynoch
- Biography :Born in Oxford, Kynoch attended Ampleforth College school before reading music at Worcester College, Oxford where he was the organ scholar...
at the piano, is expected to run to 11 or 12 discs and is due to be completed in 2013.