I Am a Camera (film)
Encyclopedia
I Am a Camera is a British comedy-drama film released in 1955. Based on The Berlin Stories
by Christopher Isherwood
and the play I Am a Camera
by John Van Druten, the film is a fictionalized account of Isherwood's time living in Berlin between the World Wars. Directed by Henry Cornelius
from a script by John Collier
, I Am a Camera stars Laurence Harvey
as Isherwood and Julie Harris
recreating her Broadway success as Sally Bowles
.
I Am a Camera was critically unsuccessful upon its release in both the United Kingdom and the United States, and the film was subjected to restrictive ratings. Long overshadowed by Cabaret, the 1966 stage
and 1972 film adaptation
of the same source material, contemporary critics have noted the historic interest of this earlier presentation.
to Berlin, New Year's Eve 1931. Broke and frustrated with his writing, Christopher plans to spend the night in but his would be gigolo
friend Fritz insists they go to a night club to see Fritz's new inamorata, Sally Bowles, perform. Fritz hopes to live off Sally's earnings as a film star but his ardor quickly cools at the sight of her fiancé Pierre, with whom she plans to leave for Paris that night. Instead, Pierre absconds with her money. Chris, taking pity on her, invites her to stay at his boarding house. They arrange for Chris to move to a smaller room and for Sally to take his old room. Over the course of a long and unproductive winter in which Chris cannot write and Sally finds no work, Chris attempts to initiate a sexual relationship with Sally. She rejects him, saying it would spoil their friendship.
Their spirits renewed by the Spring, Christopher and Sally splurge on a Champagne Cocktail at a café and Sally quickly orders far more cocktails and caviar than they can afford. They are extracted from the situation by wealthy American socialite Clive Mortimer, who pays their check and takes them on a tour of Berlin night spots. Thus begins a whirlwind relationship between the three culminating in a planned trip to Honolulu. The trip never happens, as Clive wires
that his plans have changed. Chris and Sally have a terrible fight, resulting in a rift in their friendship and Sally's planned departure.
Feeling as though he has reconnected with real life, the formerly apolitical Christopher starts a street altercation with a group of Nazis. Returning home he discovers that Sally has not left because she is pregnant. Christopher proposes marriage but Sally refuses him.
Writing up an account of his Nazi altercation, Chris sells his "Portrait of Berlin" to an American magazine to raise money for Sally to have an abortion. The magazine editor hires Chris to write a series of Portraits of European cities, expecting him to leave the following day. When he returns home Sally has changed her mind; she plans to keep the baby and marry Chris. The next morning, Sally tells Chris that she has mis-figured the dates and was never actually pregnant. She is also leaving Berlin for Paris, in pursuit of a film executive with whom Clive has connected her.
Back in present-day London, Christopher and Sally reunite. Upon learning that Sally is again penniless and homeless, Chris invites her to stay in his spare room.
In a subplot, Fritz tries to secure the affections of Natalia Landauer, a wealthy Jewish department store heiress and Christopher's student for English. When Natalia fails to respond to his charms, Sally suggest that he "pounce", make a sexual advance. He reports that this tactic is unsuccessful and Natalia refuses to see him. Fritz confesses to Christopher that he is Jewish and has been concealing it for years, but vows to stop lying about his heritage. Their story concludes with their announcement to Chris and Sally that they plan to marry and emigrate to Switzerland.
Director Henry Cornelius asked Isherwood to write the screenplay. He was forced to decline, as he was engaged working on the screenplay for Diane
, a biopic of Diane de Poitiers
.
The first draft of John Collier's screenplay was submitted to the BBFC in October 1954. While the screenplay was being prepared, the Board sent four different examiners to see the play. Each agreed that the play as written was unsuitable for filming, although one held out hope that modifications could be made to allow for the A rating. The BBFC demanded changes to the script, including insisting that Sally Bowles be left poor and unsuccessful at film's end because of her sexual promiscuity in the Berlin flashbacks. Negotiations between filmmakers and the Board continued through November. Finally on 29 November, a resolution was reached which left filmmakers prepared for the likelihood that the film would be certified X regardless.
Filming commenced in mid-October 1954. Cornelius had wanted to film in Berlin but was unable to because of currency issues with the studio. Isherwood had hoped to be in London for the filming but his lover Don Bachardy
was unable to secure the permission of his local draft board
to obtain a passport.
. With that line replaced, the film received an X certificate. In 1961 Associated-Rediffusion
asked the BBFC to review the film, hoping to secure an A certificate so as to broadcast the film on television. While acknowledging that the subject matter was mild in light of subsequent films like Room at the Top
, Look Back in Anger
and Saturday Night and Sunday Morning
, the BBFC found that the abortion subject matter prevented re-certification without re-editing.
Upon its American release I Am a Camera was denied the Production Code Administration
seal of approval. Joseph Breen
of the PCA had reviewed a copy of the Van Druten play as early as May 1953 and deemed it to have multiple Code violations. His recommendations were sent to John Van Druten, who disregarded them. The PCA's Geoffrey M. Shurlock, in denying PCA approval to the finished film, cited "gross sexual promiscuity on the part of the leading lady without the proper compensating moral values required by the Code". This included the film's treatment of the subject of abortion. Many theaters would not run the film without the seal.
Fred J. Schwartz, head of American distributor Distributors Corporation of America, tried to schedule a hearing with the Motion Picture Association of America
in August 1955, hoping to overturn the PCA decision and obtain the seal. Schwartz hired civil liberties lawyer Morris Ernst
and scheduled a screening at the Museum of Modern Art
in November, hoping to turn the film into a test case
against the Production Code. However, the film did not rally the critical support it would have needed to defy the code in the way that the 1953 film The Moon Is Blue
had. In February 1956, Schwartz wrote to Shurlock offering to include an additional scene in which Harvey as Isherwood condemned Sally's promiscuity but would not address the subject of abortion. The Production Code section on abortion was revised in December 1956 and Schwartz once again appealed to Shurlock. Shurlock responded later that month, re-affirming the denial on the basis of the light treatment of the subject matter. Following this denial Schwartz dropped his pursuit of the seal.
On 25 August 1955, the National Legion of Decency
condemned I Am a Camera and at least one theater pulled the film in response to attacks on the film by Catholic priests.
expressed a preference for Dorothy Tutin
, who had played Sally on stage in 1954.
Bosley Crowther
of The New York Times
gave I Am a Camera a bad review, finding it "meretricious, insensitive, superficial and just plain cheap". Crowther was particularly appalled by John Collier's script, blasting it for largely abandoning both the Van Druten and Isherwood source material. He also sharply criticized the abortion material, deeming it a "capstone of cheap contrivance and tasteless indelicacy". Julie Harris he labeled a "show-off" while Laurence Harvey is "an anxious straight man for her jokes", with all parties directed by Cornelius with no eye to any subtlety of character.
In an August 1955 pictorial, LIFE
magazine called the film's party sequence "violently funny". LIFE praised Harris's acting while at the same time finding the film spends too much time on Harris's character. Still, LIFE felt confident in predicting the film's success.
Julie Harris was nominated for a 1956 BAFTA Award
for Best Foreign Actress.
Isherwood recorded his distaste for the film in his diary, noting his attendance at a 22 June 1955 preview. He found the film "a truly shocking and disgraceful mess. I must admit that John Collier is largely to blame – for a sloppy, confused script. But everything is awful-except for Julie, who was misdirected." In a letter to friend John Lehmann
Isherwood called the film "disgusting ooh-la-la, near pornographic trash – a shameful exhibition".
On the occasion of its video release in 1985, Lawrence Van Gleder for The New York Times found that this film, while suffering in comparison with the more lavish Cabaret
, is still charming in its way, mostly because of Harris's performance as Sally.
Phil Hall reviewed I Am a Camera for Film Threat
in 2005. He questioned the casting of Harvey as Isherwood, saying that the role called for a light comedic touch that was never Harvey's forte. Harvey's underplaying of the part, he wrote, clashes with Harris's unrestrained stage-style performance of hers. Still, he found that the film is "an intriguing curio" that garners interest for its exploration of the anti-Semitism that gave rise to the Nazis and for its handling of "touchier aspects" of the original sources, including Isherwood's homosexualityIsherwood lived as more or less openly gay in Berlin but concealed his homosexuality in the source material; the film would state only that the character Isherwood was a "confirmed bachelor". and Sally's abortion, which became a false pregnancy scare for the film.
The Berlin Stories
The Berlin Stories is a book consisting of two short novels by Christopher Isherwood: Goodbye to Berlin and Mr Norris Changes Trains. It was published in 1945....
by Christopher Isherwood
Christopher Isherwood
Christopher William Bradshaw Isherwood was an English-American novelist.-Early life and work:Born at Wyberslegh Hall, High Lane, Cheshire in North West England, Isherwood spent his childhood in various towns where his father, a Lieutenant-Colonel in the British Army, was stationed...
and the play I Am a Camera
I Am a Camera
I Am a Camera is a 1951 Broadway play inspired by Christopher Isherwood's novel Goodbye to Berlin which is part of The Berlin Stories...
by John Van Druten, the film is a fictionalized account of Isherwood's time living in Berlin between the World Wars. Directed by Henry Cornelius
Henry Cornelius
Henry Cornelius was a South African-born film director, producer and screenwriter. He directed five films between 1949 and 1958.-Biography:...
from a script by John Collier
John Collier (writer)
John Henry Noyes Collier was a British-born author and screenplay writer best known for his short stories, many of which appeared in The New Yorker from the 1930s to the 1950s. They were collected in a 1951 volume, Fancies and Goodnights, which won the International Fantasy Award and remains in...
, I Am a Camera stars Laurence Harvey
Laurence Harvey
Laurence Harvey was a Lithuanian-born actor who achieved fame in British and American films.- Early life :Harvey maintained throughout his life that his birth name was Laruschka Mischa Skikne. However, his legal name was Zvi Mosheh Skikne. He was the youngest of three boys born to Ber "Boris" and...
as Isherwood and Julie Harris
Julie Harris
Julia Ann "Julie" Harris is an American stage, screen, and television actress. She has won five Tony Awards, three Emmy Awards and a Grammy Award, and was nominated for an Academy Award. In 1994, she was awarded the National Medal of Arts. She is a member of the American Theatre Hall of Fame...
recreating her Broadway success as Sally Bowles
Sally Bowles
Sally Bowles is a fictional character created by Christopher Isherwood. She originally appeared in Isherwood's 1937 novella Sally Bowles published by Hogarth Press. The story was later republished in the novel Goodbye to Berlin...
.
I Am a Camera was critically unsuccessful upon its release in both the United Kingdom and the United States, and the film was subjected to restrictive ratings. Long overshadowed by Cabaret, the 1966 stage
Cabaret (musical)
Cabaret is a musical based on a book written by Christopher Isherwood, music by John Kander and lyrics by Fred Ebb. The 1966 Broadway production became a hit and spawned a 1972 film as well as numerous subsequent productions....
and 1972 film adaptation
Cabaret (film)
Cabaret is a 1972 musical film directed by Bob Fosse and starring Liza Minnelli, Michael York and Joel Grey. The film is set in Berlin during the Weimar Republic in 1931, under the ominous presence of the growing National Socialist Party....
of the same source material, contemporary critics have noted the historic interest of this earlier presentation.
Plot
In contemporary London, Christopher Isherwood attends a literary party for the launch of a memoir, the author of which he is surprised to learn is Sally Bowles. This knowledge sparks a reverie and the film flashes backFlashback (narrative)
Flashback is an interjected scene that takes the narrative back in time from the current point the story has reached. Flashbacks are often used to recount events that happened before the story’s primary sequence of events or to fill in crucial backstory...
to Berlin, New Year's Eve 1931. Broke and frustrated with his writing, Christopher plans to spend the night in but his would be gigolo
Gigolo
Gigolo may refer to:* A male prostitute, escort, or dancer, who offers services to women* Gigolo , a 2006 single by Helena Paparizou* Gigolo , a 2003 single by Nick Cannon...
friend Fritz insists they go to a night club to see Fritz's new inamorata, Sally Bowles, perform. Fritz hopes to live off Sally's earnings as a film star but his ardor quickly cools at the sight of her fiancé Pierre, with whom she plans to leave for Paris that night. Instead, Pierre absconds with her money. Chris, taking pity on her, invites her to stay at his boarding house. They arrange for Chris to move to a smaller room and for Sally to take his old room. Over the course of a long and unproductive winter in which Chris cannot write and Sally finds no work, Chris attempts to initiate a sexual relationship with Sally. She rejects him, saying it would spoil their friendship.
Their spirits renewed by the Spring, Christopher and Sally splurge on a Champagne Cocktail at a café and Sally quickly orders far more cocktails and caviar than they can afford. They are extracted from the situation by wealthy American socialite Clive Mortimer, who pays their check and takes them on a tour of Berlin night spots. Thus begins a whirlwind relationship between the three culminating in a planned trip to Honolulu. The trip never happens, as Clive wires
Telegraphy
Telegraphy is the long-distance transmission of messages via some form of signalling technology. Telegraphy requires messages to be converted to a code which is known to both sender and receiver...
that his plans have changed. Chris and Sally have a terrible fight, resulting in a rift in their friendship and Sally's planned departure.
Feeling as though he has reconnected with real life, the formerly apolitical Christopher starts a street altercation with a group of Nazis. Returning home he discovers that Sally has not left because she is pregnant. Christopher proposes marriage but Sally refuses him.
Writing up an account of his Nazi altercation, Chris sells his "Portrait of Berlin" to an American magazine to raise money for Sally to have an abortion. The magazine editor hires Chris to write a series of Portraits of European cities, expecting him to leave the following day. When he returns home Sally has changed her mind; she plans to keep the baby and marry Chris. The next morning, Sally tells Chris that she has mis-figured the dates and was never actually pregnant. She is also leaving Berlin for Paris, in pursuit of a film executive with whom Clive has connected her.
Back in present-day London, Christopher and Sally reunite. Upon learning that Sally is again penniless and homeless, Chris invites her to stay in his spare room.
In a subplot, Fritz tries to secure the affections of Natalia Landauer, a wealthy Jewish department store heiress and Christopher's student for English. When Natalia fails to respond to his charms, Sally suggest that he "pounce", make a sexual advance. He reports that this tactic is unsuccessful and Natalia refuses to see him. Fritz confesses to Christopher that he is Jewish and has been concealing it for years, but vows to stop lying about his heritage. Their story concludes with their announcement to Chris and Sally that they plan to marry and emigrate to Switzerland.
Cast
- Julie HarrisJulie HarrisJulia Ann "Julie" Harris is an American stage, screen, and television actress. She has won five Tony Awards, three Emmy Awards and a Grammy Award, and was nominated for an Academy Award. In 1994, she was awarded the National Medal of Arts. She is a member of the American Theatre Hall of Fame...
as Sally BowlesSally BowlesSally Bowles is a fictional character created by Christopher Isherwood. She originally appeared in Isherwood's 1937 novella Sally Bowles published by Hogarth Press. The story was later republished in the novel Goodbye to Berlin... - Laurence HarveyLaurence HarveyLaurence Harvey was a Lithuanian-born actor who achieved fame in British and American films.- Early life :Harvey maintained throughout his life that his birth name was Laruschka Mischa Skikne. However, his legal name was Zvi Mosheh Skikne. He was the youngest of three boys born to Ber "Boris" and...
as Christopher IsherwoodChristopher IsherwoodChristopher William Bradshaw Isherwood was an English-American novelist.-Early life and work:Born at Wyberslegh Hall, High Lane, Cheshire in North West England, Isherwood spent his childhood in various towns where his father, a Lieutenant-Colonel in the British Army, was stationed... - Shelley WintersShelley WintersShelley Winters was an American actress who appeared in dozens of films, as well as on stage and television; her career spanned over 50 years until her death in 2006...
as Natalia Landauer - Ron RandellRon RandellRonald Egan "Ron" Randell was an Australian-born American film and stage actor.-Biography:Randell was born in Sydney. He started his career as a stage and radio performer in his teens. He soon established himself as a leading male juvenile for radio, acting for 2KY Players, George Edwards, BAP...
as Clive Mortimer - Lea Seidl as Fräulein Schneider
- Anton DiffringAnton DiffringAnton Diffring , born Alfred Pollack, was a German actor.-Biography:Diffring was born in Koblenz...
as Fritz Wendel - Jean Gargoet as Pierre
Production
With a successful West End run in 1954, film producers John and James Woolf began exploring the idea of adapting Van Druten's play for the screen. In April 1954, director Henry Cornelius and the Woolfs sent a copy of the play to the British Board of Film Censors (BBFC) for evaluation. The Board's preliminary report found numerous problems with the play which if unchanged would inevitably lead to an X certificate (no one under 16 admitted). The Board's initial report offered suggestions for how the play could be adapted to secure an A certificate (suitable for children if accompanied by an adult), including shifting the play's focus away from Sally Bowles, but recognized that such changes were unlikely because of how markedly they would depart from the original play.Director Henry Cornelius asked Isherwood to write the screenplay. He was forced to decline, as he was engaged working on the screenplay for Diane
Diane (film)
Diane is a 1956 American historical film drama about the life of Diane de Poitiers, produced by MGM. It was directed by David Miller and produced by Edwin H. Knopf from a screenplay by Christopher Isherwood based on a story by John Erskine. The music score was composed by Miklós Rózsa, Robert H....
, a biopic of Diane de Poitiers
Diane de Poitiers
Diane de Poitiers was a French noblewoman and a prominent courtier at the courts of kings Francis I and his son, Henry II of France. She became notorious as the latter's favourite mistress...
.
The first draft of John Collier's screenplay was submitted to the BBFC in October 1954. While the screenplay was being prepared, the Board sent four different examiners to see the play. Each agreed that the play as written was unsuitable for filming, although one held out hope that modifications could be made to allow for the A rating. The BBFC demanded changes to the script, including insisting that Sally Bowles be left poor and unsuccessful at film's end because of her sexual promiscuity in the Berlin flashbacks. Negotiations between filmmakers and the Board continued through November. Finally on 29 November, a resolution was reached which left filmmakers prepared for the likelihood that the film would be certified X regardless.
Filming commenced in mid-October 1954. Cornelius had wanted to film in Berlin but was unable to because of currency issues with the studio. Isherwood had hoped to be in London for the filming but his lover Don Bachardy
Don Bachardy
Donald Jess "Don" Bachardy is an American portrait artist. He resides in Santa Monica, California.- Life and work :Born in Los Angeles, California, Bachardy was the life partner of writer Christopher Isherwood, whom he met on Valentine's Day 1953, when he was 18 and Isherwood was 48. They...
was unable to secure the permission of his local draft board
Selective Service System
The Selective Service System is a means by which the United States government maintains information on those potentially subject to military conscription. Most male U.S. citizens and male immigrant non-citizens between the ages of 18 and 25 are required by law to have registered within 30 days of...
to obtain a passport.
Ratings and certification
The BBFC reviewed I Am a Camera on 9 May 1955 and objected to a single line of dialogue ("Surely he hasn't got a crush on shoes at his age?") that carried an implication of foot fetishismFoot fetishism
Foot fetishism, foot partialism, foot worship, or podophilia is a pronounced sexual interest in feet. It is the most common form of sexual preference for otherwise non-sexual objects or body parts.-Characteristics:...
. With that line replaced, the film received an X certificate. In 1961 Associated-Rediffusion
Associated-Rediffusion
Associated-Rediffusion, later Rediffusion, London, was the British ITV contractor for London and parts of the surrounding counties, on weekdays between 1954 and 29 July 1968. Transmissions started on 22 September 1955.-Formation:...
asked the BBFC to review the film, hoping to secure an A certificate so as to broadcast the film on television. While acknowledging that the subject matter was mild in light of subsequent films like Room at the Top
Room at the Top
Room at the Top is a 1959 British film based on the novel of the same name by John Braine. The novel was adapted by Neil Paterson with uncredited work by Mordecai Richler. It was directed by Jack Clayton and produced by James Woolf and John Woolf....
, Look Back in Anger
Look Back in Anger (film)
Look Back in Anger is a 1959 British film starring Richard Burton, Claire Bloom and Mary Ure and directed by Tony Richardson.It is based on John Osborne's play of the same name about a love triangle involving an intelligent but disaffected young man , his upper-middle-class, impassive wife , and...
and Saturday Night and Sunday Morning
Saturday Night and Sunday Morning (film)
Saturday Night and Sunday Morning is a 1960 British film. It is an adaptation of the 1958 novel of the same name by Alan Sillitoe. Sillitoe wrote the screenplay adaptation and the film was directed by Karel Reisz.-Synopsis:...
, the BBFC found that the abortion subject matter prevented re-certification without re-editing.
Upon its American release I Am a Camera was denied the Production Code Administration
Production Code Administration
The Production Code Administration was established by the Motion Picture Association of America in 1934. The PCA required all filmmakers to submit their films for approval before release.-See also:* Pre-Code* Joseph Breen* Will H. Hays...
seal of approval. Joseph Breen
Joseph Breen
Joseph Breen is an American soap opera actor.He played contract parts on both Guiding Light and Loving before being offered his most front-burner role to date: that of Lisa’s long-lost son, Scott Eldridge, on As the World Turns...
of the PCA had reviewed a copy of the Van Druten play as early as May 1953 and deemed it to have multiple Code violations. His recommendations were sent to John Van Druten, who disregarded them. The PCA's Geoffrey M. Shurlock, in denying PCA approval to the finished film, cited "gross sexual promiscuity on the part of the leading lady without the proper compensating moral values required by the Code". This included the film's treatment of the subject of abortion. Many theaters would not run the film without the seal.
Fred J. Schwartz, head of American distributor Distributors Corporation of America, tried to schedule a hearing with the Motion Picture Association of America
Motion Picture Association of America
The Motion Picture Association of America, Inc. , originally the Motion Picture Producers and Distributors of America , was founded in 1922 and is designed to advance the business interests of its members...
in August 1955, hoping to overturn the PCA decision and obtain the seal. Schwartz hired civil liberties lawyer Morris Ernst
Morris Ernst
Morris Leopold Ernst was an American lawyer and co-founder of the American Civil Liberties Union.He was born in Uniontown, Alabama on Aug. 23, 1888, to a Czech-born father and German mother. He lived in various locations around New York City from the age of 2...
and scheduled a screening at the Museum of Modern Art
Museum of Modern Art
The Museum of Modern Art is an art museum in Midtown Manhattan in New York City, on 53rd Street, between Fifth and Sixth Avenues. It has been important in developing and collecting modernist art, and is often identified as the most influential museum of modern art in the world...
in November, hoping to turn the film into a test case
Test case (law)
In case law, a test case is a legal action whose purpose is to set a precedent. An example of a test case might be a legal entity who files a lawsuit in order to see if the court considers a certain law or a certain legal precedent applicable in specific circumstances...
against the Production Code. However, the film did not rally the critical support it would have needed to defy the code in the way that the 1953 film The Moon Is Blue
The Moon Is Blue
The Moon Is Blue is a 1953 American comedy film produced and directed by Otto Preminger. The screenplay by F. Hugh Herbert, based on his 1951 play of the same title, focuses on a young woman who meets an architect on the observation deck of the Empire State Building and quickly turns his life...
had. In February 1956, Schwartz wrote to Shurlock offering to include an additional scene in which Harvey as Isherwood condemned Sally's promiscuity but would not address the subject of abortion. The Production Code section on abortion was revised in December 1956 and Schwartz once again appealed to Shurlock. Shurlock responded later that month, re-affirming the denial on the basis of the light treatment of the subject matter. Following this denial Schwartz dropped his pursuit of the seal.
On 25 August 1955, the National Legion of Decency
National Legion of Decency
The National Legion of Decency was an organization dedicated to identifying and combating objectionable content, from the point of view of the Roman Catholic Church in the United States, in motion pictures...
condemned I Am a Camera and at least one theater pulled the film in response to attacks on the film by Catholic priests.
Critical response
British critics were nearly uniform in their disappointment with I Am a Camera, with negative reviews appearing in the Evening News, the Daily Telegraph, the Financial Times, the Daily Mirror, the News Chronicle and the Tribune. Each believed that Laurence Harvey had been miscast as Isherwood. For the most part they agreed that Harris's performance was a bright spot, although the Daily SketchDaily Sketch
The Daily Sketch was a British national tabloid newspaper, founded in Manchester in 1909 by Sir Edward Hulton.It was bought in 1920 by Lord Rothermere's Daily Mirror Newspapers but in 1925 Rothermere offloaded it to William and Gomer Berry The Daily Sketch was a British national tabloid newspaper,...
expressed a preference for Dorothy Tutin
Dorothy Tutin
Dame Dorothy Tutin DBE was an English actor of stage, film, and television.An obituary in The Daily Telegraph described her as "one of the most enchanting, accomplished and intelligent leading ladies on the post-war British stage...
, who had played Sally on stage in 1954.
Bosley Crowther
Bosley Crowther
Bosley Crowther was a journalist and author who was film critic for The New York Times for 27 years. His reviews and articles helped shape the careers of actors, directors and screenwriters, though his reviews, at times, were unnecessarily mean...
of The New York Times
The New York Times
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization...
gave I Am a Camera a bad review, finding it "meretricious, insensitive, superficial and just plain cheap". Crowther was particularly appalled by John Collier's script, blasting it for largely abandoning both the Van Druten and Isherwood source material. He also sharply criticized the abortion material, deeming it a "capstone of cheap contrivance and tasteless indelicacy". Julie Harris he labeled a "show-off" while Laurence Harvey is "an anxious straight man for her jokes", with all parties directed by Cornelius with no eye to any subtlety of character.
In an August 1955 pictorial, LIFE
Life (magazine)
Life generally refers to three American magazines:*A humor and general interest magazine published from 1883 to 1936. Time founder Henry Luce bought the magazine in 1936 solely so that he could acquire the rights to its name....
magazine called the film's party sequence "violently funny". LIFE praised Harris's acting while at the same time finding the film spends too much time on Harris's character. Still, LIFE felt confident in predicting the film's success.
Julie Harris was nominated for a 1956 BAFTA Award
British Academy Film Awards
The British Academy Film Awards are presented in an annual award show hosted by the British Academy of Film and Television Arts . It is the British counterpart of the Oscars. As of 2008, it has taken place in the Royal Opera House, having taken over from the flagship Odeon cinema on Leicester Square...
for Best Foreign Actress.
Isherwood recorded his distaste for the film in his diary, noting his attendance at a 22 June 1955 preview. He found the film "a truly shocking and disgraceful mess. I must admit that John Collier is largely to blame – for a sloppy, confused script. But everything is awful-except for Julie, who was misdirected." In a letter to friend John Lehmann
John Lehmann
Rudolf John Frederick Lehmann was an English poet and man of letters, and one of the foremost literary editors of the twentieth century, founding the periodicals New Writing and The London Magazine.The fourth child of journalist Rudolph Lehmann, and brother of Helen Lehmann, novelist Rosamond...
Isherwood called the film "disgusting ooh-la-la, near pornographic trash – a shameful exhibition".
On the occasion of its video release in 1985, Lawrence Van Gleder for The New York Times found that this film, while suffering in comparison with the more lavish Cabaret
Cabaret (film)
Cabaret is a 1972 musical film directed by Bob Fosse and starring Liza Minnelli, Michael York and Joel Grey. The film is set in Berlin during the Weimar Republic in 1931, under the ominous presence of the growing National Socialist Party....
, is still charming in its way, mostly because of Harris's performance as Sally.
Phil Hall reviewed I Am a Camera for Film Threat
Film Threat
Film Threat is a former print magazine and, now, webzine which focuses primarily on independent film, although it also reviews DVDs of mainstream films and Hollywood movies in theaters. It first appeared as a photocopied zine in 1985, created by Wayne State University students Chris Gore and André...
in 2005. He questioned the casting of Harvey as Isherwood, saying that the role called for a light comedic touch that was never Harvey's forte. Harvey's underplaying of the part, he wrote, clashes with Harris's unrestrained stage-style performance of hers. Still, he found that the film is "an intriguing curio" that garners interest for its exploration of the anti-Semitism that gave rise to the Nazis and for its handling of "touchier aspects" of the original sources, including Isherwood's homosexualityIsherwood lived as more or less openly gay in Berlin but concealed his homosexuality in the source material; the film would state only that the character Isherwood was a "confirmed bachelor". and Sally's abortion, which became a false pregnancy scare for the film.
External links
- I Am a Camera at the Internet Movie DatabaseInternet Movie DatabaseInternet Movie Database is an online database of information related to movies, television shows, actors, production crew personnel, video games and fictional characters featured in visual entertainment media. It is one of the most popular online entertainment destinations, with over 100 million...