Isabella Stewart Gardner Museum
Encyclopedia
The Isabella Stewart Gardner Museum or Fenway Court, as the museum was known during Isabella Stewart Gardner
's lifetime, is a museum
in the Fenway-Kenmore
neighborhood of Boston, Massachusetts
, located within walking distance of the Museum of Fine Arts
and near the Back Bay Fens
. The museum houses an art collection of world importance, including significant examples of European, Asian
, and American art
, from paintings and sculpture to tapestries and decorative arts. It is the only private art collection in which the building, collection, and installations are the creation of one individual.
Today, the museum hosts exhibitions of historic and contemporary art, as well as concerts, lectures, family and community programs, and changing courtyard displays.
In honor of its founder, the museum offers free admission and occasional special events for anyone named Isabella. And as of January 1, 2009, everyone receives free admission to the museum on his or her birthday.
(1840–1924), an American art collector, philanthropist, and patron of the arts. It is housed in a building designed to emulate a 15th-century Venetian palace, drawing particular inspiration from the Venetian Palazzo Barbaro.
Gardner began collecting seriously after she received a large inheritance from her father in 1891. Her purchase of Vermeer
's The Concert
at auction in Paris in 1892 was her first major acquisition. In 1894, Bernard Berenson
offered his services in helping her acquire a Botticelli
. Berenson helped acquire nearly 70 works of art for her collection.
After her husband John L. Gardner’s death in 1898, Isabella Gardner realized their shared dream of building a museum for their treasures. She purchased land for the museum in the marshy Fenway area of Boston, and hired architect Willard T. Sears
to build a museum modeled on the Renaissance palaces of Venice. Gardner was deeply involved in every aspect of the design, though, leading Sears to quip that he was merely the structural engineer making Gardner's design possible. After the construction of the building was complete, Gardner spent a full year carefully installing her collection in a way that evokes intimate responses to the art, mixing paintings, furniture, textiles and objects from different cultures and periods among well-known European paintings and sculpture.
The museum opened on January 1, 1903 with a grand celebration featuring a performance by members of the Boston Symphony Orchestra
and a menu that included champagne and doughnuts.
During Gardner's lifetime, she welcomed artists, performers, and scholars to Fenway Court to draw inspiration from the rich collection and dazzling Venetian setting, including John Singer Sargent
, Charles Martin Loeffler
, and Ruth St. Denis
, among others. Today, the museum’s vibrant contemporary Artist-in-Residence program, courtyard garden displays, concerts, and innovative education programs continue Isabella Gardner’s legacy.
When Isabella Stewart Gardner died in 1924, her will created an endowment of $1 million and outlined stipulations for the support of the museum, including the charge that her collection be permanently exhibited “for the education and enjoyment of the public forever” according to her aesthetic vision and intent. Gardner stipulated that if her wishes for the museum were not honored, the property and collection were to be sold and the money given to Harvard University
.
The museum's current director is Anne Hawley
.
Built to evoke a 15th-century Venetian palace, the museum itself provides an atmospheric setting for Isabella Stewart Gardner's inventive creation. Gardner hired Willard T. Sears
to design the building near the marshy Back Bay Fens
to house her growing art collection. Inside the museum, three floors of galleries surround a garden courtyard blooming with life in all seasons.
It is a common misconception that the building was brought to America from Venice and reconstructed. It was built from the ground up in Boston out of new materials, incorporating numerous architectural fragments from European Gothic and Renaissance structures.
Antique elements are worked into the design of the turn-of-the-century building. Special tiles were custom designed for the floors, modern concrete was used for some of the structural elements, and antique capitals sit atop modern columns. The interior garden courtyard is covered by a glass roof, with steel support structure original to the building.
The Gardner Museum is much admired for the intimate atmosphere in which its works of art are displayed and for its flower-filled courtyard. Most of the art pieces are unlabeled, and the generally dim lighting is more akin to a private house than a modern art museum.
to enter an American collection is housed in the Yellow Room.
Well-known artworks in the museum’s collection include Titian’s The Rape of Europa, John Singer Sargent’s El Jaleo and Portrait of Isabella Stewart Gardner, Fra Angelico’s Death and Assumption of the Virgin, Rembrandt’s Self-Portrait, Aged 23, Cellini’s Bindo Altoviti, and Piero della Francesca’s Hercules.
The archives hold more than 7,000 letters from 1,000 correspondents, including Henry Adams, T.S. Eliot, Sarah Bernhardt and Oliver Wendell Holmes, in addition to original Dante manuscripts.
and the Renzo Piano Building Workshop (Genoa, Italy) were selected to design the new wing. The design for the new wing is conceived as a respectful complement to the historic Museum building in scale, form, and materials.
In March 2009, the Supreme Judicial Court of Massachusetts approved the museum’s plans, confirming that the project is consistent with the primary purpose of Isabella Stewart Gardner’s will and is in the public interest. The project also received approval from all relevant city and state preservation and development review agencies.
The new wing will include new spaces for visitor services, concerts, special exhibitions, and education and landscape programs, furthering Isabella Gardner’s legacy in art, music, and horticulture while reducing 21st-century strain on the collection and galleries. The planned completion date is 2012, and the project will cost $118 million.
They gained entry into the museum by posing as Boston police officers and stating that they were responding to a call. The guard on duty broke protocol and allowed them entry through the museum’s security door. Once inside, the thieves asked that the guard come around from behind the desk, claiming that they recognized him and that there was a warrant out for his arrest. The guard walked away from the desk and away from the only alarm button. The guard was told to summon the other guard on duty to the security desk, which he did. The thieves then handcuffed both guards and took them into the basement where they were secured to pipes and their hands, feet, and heads duct taped. The two guards were placed 40 yards away from each other in the basement. The next morning, the security guard arriving to relieve the two night guards discovered that the museum had been robbed and notified the police and Director Anne Hawley.
The stolen artworks include The Concert
by Vermeer (one of only 34 known works by Vermeer in the world), three works by Rembrandt including The Storm on the Sea of Galilee
(the artist’s only known seascape) and a postage-stamp-sized Self-Portrait, five drawings by Degas
, Chez Tortoni by Manet
, a landscape painting formerly attributed to Rembrandt, and two objects, an ancient Chinese Ku and a finial
in the shape of an eagle from a Napoleonic
flag
. Several empty frames hang in the Dutch Room gallery, both in homage to the missing works and as a placeholder for their eventual return.
The stolen artworks have not yet been returned to the museum. However, the investigation remains an open, active case and a top priority of the museum and of the FBI in Boston. Some media estimates have put the value of the stolen artworks at as much as $500 million, making the theft the largest single property theft in recorded history. An offer of a reward
from the Gardner Museum of up to $5 million dollars for information leading to the recovery of the stolen artwork remains open.
. It was also the subject of a 2008 episode of American Greed
.
episode "American History X-cellent
," in which one of the stolen works, The Concert by Vermeer
, is found in the collection of Mr. Burns. Similarly, in the The Venture Bros.
episode "Victor. Echo. November.," a supervillian attempts to sell The Storm on the Sea of Galilee
, which he apparently possesses, to a collector for ten million dollars.
The Gardner’s concert series welcomes musicians and emerging artists to perform classical masterpieces, new music, and jazz on Sunday afternoons and select Thursday evenings. The musical program is also available through concert videos, audio recordings, and a free classical music podcast.
Reflecting Isabella Gardner’s passion for horticulture and garden design, the Gardner’s interior courtyard is an astonishing work of art, combining ever-changing horticultural displays with sculpture and architectural elements. The unique interplay between the courtyard and the museum galleries offers visitors a fresh view of the courtyard from almost every room, inviting connections between art and landscape. Programs like the Landscape Visions lecture series and special Ask the Gardener hours further engage visitors with the art of landscape.
Isabella Stewart Gardner
Isabella Stewart Gardner – founder of the Isabella Stewart Gardner Museum in Boston – was an American art collector, philanthropist, and one of the foremost female patrons of the arts....
's lifetime, is a museum
Museum
A museum is an institution that cares for a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary. Most large museums are located in major cities...
in the Fenway-Kenmore
Fenway-Kenmore
Fenway–Kenmore is an official neighborhood of Boston, Massachusetts. While it is considered one neighborhood for administrative purposes, it is composed of numerous distinct sections and in casual conversation are almost always referred to as "Fenway," "Kenmore Square," or "Kenmore."...
neighborhood of Boston, Massachusetts
Massachusetts
The Commonwealth of Massachusetts is a state in the New England region of the northeastern United States of America. It is bordered by Rhode Island and Connecticut to the south, New York to the west, and Vermont and New Hampshire to the north; at its east lies the Atlantic Ocean. As of the 2010...
, located within walking distance of the Museum of Fine Arts
Museum of Fine Arts, Boston
The Museum of Fine Arts in Boston, Massachusetts, is one of the largest museums in the United States, attracting over one million visitors a year. It contains over 450,000 works of art, making it one of the most comprehensive collections in the Americas...
and near the Back Bay Fens
Back Bay Fens
The Back Bay Fens, most commonly called simply The Fens, is a parkland and urban wild in Boston, Massachusetts, in the United States.Designed by Frederick Law Olmsted to serve as a link in the Emerald Necklace park system, the Fens gives its name to the Fenway-Kenmore neighborhood, and thereby to...
. The museum houses an art collection of world importance, including significant examples of European, Asian
Asian art
Asian art can refer to art amongst many cultures in Asia.-Various types of Asian art:*Afghan art*Azerbaijanian art*Balinese art*Bhutanese art*Buddhist art*Burmese contemporary art*Chinese art*Eastern art*Indian art*Iranian art*Islamic art...
, and American art
American Art
American Art is the debut album of the band Weatherbox. It was released on May 8, 2007 on Doghouse Records. The album received critical acclaim from several sources including underground music distribution company Smartpunk, who lauded the band's style:...
, from paintings and sculpture to tapestries and decorative arts. It is the only private art collection in which the building, collection, and installations are the creation of one individual.
Today, the museum hosts exhibitions of historic and contemporary art, as well as concerts, lectures, family and community programs, and changing courtyard displays.
In honor of its founder, the museum offers free admission and occasional special events for anyone named Isabella. And as of January 1, 2009, everyone receives free admission to the museum on his or her birthday.
History
The museum was established in 1903 by Isabella Stewart GardnerIsabella Stewart Gardner
Isabella Stewart Gardner – founder of the Isabella Stewart Gardner Museum in Boston – was an American art collector, philanthropist, and one of the foremost female patrons of the arts....
(1840–1924), an American art collector, philanthropist, and patron of the arts. It is housed in a building designed to emulate a 15th-century Venetian palace, drawing particular inspiration from the Venetian Palazzo Barbaro.
Gardner began collecting seriously after she received a large inheritance from her father in 1891. Her purchase of Vermeer
Johannes Vermeer
Johannes, Jan or Johan Vermeer was a Dutch painter who specialized in exquisite, domestic interior scenes of middle class life. Vermeer was a moderately successful provincial genre painter in his lifetime...
's The Concert
The Concert (Vermeer)
The Concert is a painting by Dutch painter Johannes Vermeer. The 69 centimeter high by 63 centimeter wide picture depicts a man and two women playing music. It belongs to the Isabella Stewart Gardner Museum in Boston, but was stolen in March 1990 and remains missing to this day...
at auction in Paris in 1892 was her first major acquisition. In 1894, Bernard Berenson
Bernard Berenson
Bernard Berenson was an American art historian specializing in the Renaissance. He was a major figure in pioneering art attribution and therefore establishing the market for paintings by the "Old Masters".-Personal life:...
offered his services in helping her acquire a Botticelli
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli was an Italian painter of the Early Renaissance...
. Berenson helped acquire nearly 70 works of art for her collection.
After her husband John L. Gardner’s death in 1898, Isabella Gardner realized their shared dream of building a museum for their treasures. She purchased land for the museum in the marshy Fenway area of Boston, and hired architect Willard T. Sears
Willard T. Sears
Willard Thomas Sears was a prominent New England architect of the nineteenth and early twentieth centuries who worked primarily in the Gothic Revival and Renaissance Revival styles....
to build a museum modeled on the Renaissance palaces of Venice. Gardner was deeply involved in every aspect of the design, though, leading Sears to quip that he was merely the structural engineer making Gardner's design possible. After the construction of the building was complete, Gardner spent a full year carefully installing her collection in a way that evokes intimate responses to the art, mixing paintings, furniture, textiles and objects from different cultures and periods among well-known European paintings and sculpture.
The museum opened on January 1, 1903 with a grand celebration featuring a performance by members of the Boston Symphony Orchestra
Boston Symphony Orchestra
The Boston Symphony Orchestra is an orchestra based in Boston, Massachusetts. It is one of the five American orchestras commonly referred to as the "Big Five". Founded in 1881, the BSO plays most of its concerts at Boston's Symphony Hall and in the summer performs at the Tanglewood Music Center...
and a menu that included champagne and doughnuts.
During Gardner's lifetime, she welcomed artists, performers, and scholars to Fenway Court to draw inspiration from the rich collection and dazzling Venetian setting, including John Singer Sargent
John Singer Sargent
John Singer Sargent was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings...
, Charles Martin Loeffler
Charles Martin Loeffler
Charles Martin Loeffler was a German-born American violinist and composer.- Birthplace :Throughout his career Loeffler claimed to have been born in Mulhouse, Alsace and almost all music encyclopedias give this fabricated information. In his lifetime articles were published dissecting his...
, and Ruth St. Denis
Ruth St. Denis
Ruth St. Denis was an early modern dance pioneer.-Biography:Ruth St. Denis founded Adelphi University's dance program in 1938 which was one of the first dance departments in an American university...
, among others. Today, the museum’s vibrant contemporary Artist-in-Residence program, courtyard garden displays, concerts, and innovative education programs continue Isabella Gardner’s legacy.
When Isabella Stewart Gardner died in 1924, her will created an endowment of $1 million and outlined stipulations for the support of the museum, including the charge that her collection be permanently exhibited “for the education and enjoyment of the public forever” according to her aesthetic vision and intent. Gardner stipulated that if her wishes for the museum were not honored, the property and collection were to be sold and the money given to Harvard University
Harvard University
Harvard University is a private Ivy League university located in Cambridge, Massachusetts, United States, established in 1636 by the Massachusetts legislature. Harvard is the oldest institution of higher learning in the United States and the first corporation chartered in the country...
.
The museum's current director is Anne Hawley
Anne Hawley
Anne Hawley is the Norma Jean Calderwood Director of the Isabella Stewart Gardner Museum in Boston, Massachusetts. She was appointed Director in 1989 after the departure of her predecessor Rollin Van N. Hadley in 1988. With museum attendance in decline, and both the building and its collection in...
.
Design
Built to evoke a 15th-century Venetian palace, the museum itself provides an atmospheric setting for Isabella Stewart Gardner's inventive creation. Gardner hired Willard T. Sears
Willard T. Sears
Willard Thomas Sears was a prominent New England architect of the nineteenth and early twentieth centuries who worked primarily in the Gothic Revival and Renaissance Revival styles....
to design the building near the marshy Back Bay Fens
Back Bay Fens
The Back Bay Fens, most commonly called simply The Fens, is a parkland and urban wild in Boston, Massachusetts, in the United States.Designed by Frederick Law Olmsted to serve as a link in the Emerald Necklace park system, the Fens gives its name to the Fenway-Kenmore neighborhood, and thereby to...
to house her growing art collection. Inside the museum, three floors of galleries surround a garden courtyard blooming with life in all seasons.
It is a common misconception that the building was brought to America from Venice and reconstructed. It was built from the ground up in Boston out of new materials, incorporating numerous architectural fragments from European Gothic and Renaissance structures.
Antique elements are worked into the design of the turn-of-the-century building. Special tiles were custom designed for the floors, modern concrete was used for some of the structural elements, and antique capitals sit atop modern columns. The interior garden courtyard is covered by a glass roof, with steel support structure original to the building.
The Gardner Museum is much admired for the intimate atmosphere in which its works of art are displayed and for its flower-filled courtyard. Most of the art pieces are unlabeled, and the generally dim lighting is more akin to a private house than a modern art museum.
Collection
Isabella Stewart Gardner collected and carefully displayed a collection of more than 2,500 objects—paintings, sculpture, furniture, textiles, architectural elements, drawings, silver, ceramics, illuminated manuscripts, rare books, photographs and letters—from ancient Rome, Medieval Europe, Renaissance Italy, Asia, the Islamic world, and 19th-century France and America. Among the artists represented in the galleries are Titian, Rembrandt, Michelangelo, Raphael, Botticelli, Manet, Degas, Whistler and Sargent. The first MatisseHenri Matisse
Henri Matisse was a French artist, known for his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter...
to enter an American collection is housed in the Yellow Room.
Well-known artworks in the museum’s collection include Titian’s The Rape of Europa, John Singer Sargent’s El Jaleo and Portrait of Isabella Stewart Gardner, Fra Angelico’s Death and Assumption of the Virgin, Rembrandt’s Self-Portrait, Aged 23, Cellini’s Bindo Altoviti, and Piero della Francesca’s Hercules.
The archives hold more than 7,000 letters from 1,000 correspondents, including Henry Adams, T.S. Eliot, Sarah Bernhardt and Oliver Wendell Holmes, in addition to original Dante manuscripts.
Extension and preservation project
In 2002, after a two-year master planning process, the museum’s board of trustees determined that a new wing was necessary to preserve the historic building and to provide improved spaces for programs that continue Isabella Gardner’s legacy. In 2004, Pritzker Prize-winning architect Renzo PianoRenzo Piano
Renzo Piano is an Italian architect. He is the recipient of the Pritzker Architecture Prize, AIA Gold Medal, Kyoto Prize and the Sonning Prize...
and the Renzo Piano Building Workshop (Genoa, Italy) were selected to design the new wing. The design for the new wing is conceived as a respectful complement to the historic Museum building in scale, form, and materials.
In March 2009, the Supreme Judicial Court of Massachusetts approved the museum’s plans, confirming that the project is consistent with the primary purpose of Isabella Stewart Gardner’s will and is in the public interest. The project also received approval from all relevant city and state preservation and development review agencies.
The new wing will include new spaces for visitor services, concerts, special exhibitions, and education and landscape programs, furthering Isabella Gardner’s legacy in art, music, and horticulture while reducing 21st-century strain on the collection and galleries. The planned completion date is 2012, and the project will cost $118 million.
Art theft of 1990
In the early morning hours of March 18, 1990, a pair of thieves disguised as Boston police officers entered the Isabella Stewart Gardner Museum and roamed the museum's galleries, stealing thirteen works of art from its galleries.They gained entry into the museum by posing as Boston police officers and stating that they were responding to a call. The guard on duty broke protocol and allowed them entry through the museum’s security door. Once inside, the thieves asked that the guard come around from behind the desk, claiming that they recognized him and that there was a warrant out for his arrest. The guard walked away from the desk and away from the only alarm button. The guard was told to summon the other guard on duty to the security desk, which he did. The thieves then handcuffed both guards and took them into the basement where they were secured to pipes and their hands, feet, and heads duct taped. The two guards were placed 40 yards away from each other in the basement. The next morning, the security guard arriving to relieve the two night guards discovered that the museum had been robbed and notified the police and Director Anne Hawley.
The stolen artworks include The Concert
The Concert (Vermeer)
The Concert is a painting by Dutch painter Johannes Vermeer. The 69 centimeter high by 63 centimeter wide picture depicts a man and two women playing music. It belongs to the Isabella Stewart Gardner Museum in Boston, but was stolen in March 1990 and remains missing to this day...
by Vermeer (one of only 34 known works by Vermeer in the world), three works by Rembrandt including The Storm on the Sea of Galilee
The Storm on the Sea of Galilee
The Storm on the Sea of Galilee is a painting of 1633 by the Dutch Golden Age painter Rembrandt van Rijn that was in the Isabella Stewart Gardner Museum of Boston, Massachusetts, United States, prior to being stolen on March 18, 1990...
(the artist’s only known seascape) and a postage-stamp-sized Self-Portrait, five drawings by Degas
Edgar Degas
Edgar Degas[p] , born Hilaire-Germain-Edgar De Gas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist...
, Chez Tortoni by Manet
Édouard Manet
Édouard Manet was a French painter. One of the first 19th-century artists to approach modern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism....
, a landscape painting formerly attributed to Rembrandt, and two objects, an ancient Chinese Ku and a finial
Finial
The finial is an architectural device, typically carved in stone and employed decoratively to emphasize the apex of a gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. Smaller finials can be used as a decorative ornament on the ends of curtain rods...
in the shape of an eagle from a Napoleonic
Napoleon I of France
Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...
flag
Flag
A flag is a piece of fabric with a distinctive design that is usually rectangular and used as a symbol, as a signaling device, or decoration. The term flag is also used to refer to the graphic design employed by a flag, or to its depiction in another medium.The first flags were used to assist...
. Several empty frames hang in the Dutch Room gallery, both in homage to the missing works and as a placeholder for their eventual return.
The stolen artworks have not yet been returned to the museum. However, the investigation remains an open, active case and a top priority of the museum and of the FBI in Boston. Some media estimates have put the value of the stolen artworks at as much as $500 million, making the theft the largest single property theft in recorded history. An offer of a reward
Bounty (reward)
A bounty is a payment or reward often offered by a group as an incentive for the accomplishment of a task by someone usually not associated with the group. Bounties are most commonly issued for the capture or retrieval of a person or object. They are typically in the form of money...
from the Gardner Museum of up to $5 million dollars for information leading to the recovery of the stolen artwork remains open.
Speculation
The theft is the subject of a 2005 documentary called Stolen, which in a slightly different version had earlier appeared on Court TVCourt TV
truTV is an American cable television network owned by Turner Broadcasting, a subsidiary of Time Warner. The network launched as Court TV in 1991, changing to truTV in 2008...
. It was also the subject of a 2008 episode of American Greed
American Greed
-Season 2:Episode #7 The Martin Frankel CaseFinancier Martin Frankel, a con-man who vanished with $200 million dollars. A story of money laundering, prostitution, bizarre sex and drug abuse.Episode #8 When Greed and Giving Collide...
.
Reward
The Gardner Museum continues to actively investigate any and all leads related to the theft. This ongoing investigation is conducted by the museum’s Director of Security in cooperation with the FBI and the US Attorney’s Office. The focus of the investigation today is on the return of the artworks. The museum continues to issue the call to the holders of the works to conserve them in recommended temperatures and humidity levels. The Gardner Museum is offering a reward of $5 million for information leading to the recovery of these works in good condition and, with the FBI and US Attorney, can ensure complete confidentiality.In Popular Culture
The theft was referenced in The SimpsonsThe Simpsons
The Simpsons is an American animated sitcom created by Matt Groening for the Fox Broadcasting Company. The series is a satirical parody of a middle class American lifestyle epitomized by its family of the same name, which consists of Homer, Marge, Bart, Lisa and Maggie...
episode "American History X-cellent
American History X-cellent
"American History X-cellent" is the seventeenth episode of The Simpsons twenty-first season and 458th overall. In this episode, Burns is arrested for possessing stolen art and Smithers is chosen to run the nuclear plant—only to turn into a misanthropic slave driver when his co-workers begin taking...
," in which one of the stolen works, The Concert by Vermeer
The Concert (Vermeer)
The Concert is a painting by Dutch painter Johannes Vermeer. The 69 centimeter high by 63 centimeter wide picture depicts a man and two women playing music. It belongs to the Isabella Stewart Gardner Museum in Boston, but was stolen in March 1990 and remains missing to this day...
, is found in the collection of Mr. Burns. Similarly, in the The Venture Bros.
The Venture Bros.
The Venture Bros. is an American animated television series that premiered on Cartoon Network's Adult Swim on February 16, 2003. The series mixes action and comedy together while it chronicles the adventures of the Venture family: well-meaning but incompetent teenagers Hank and Dean Venture; their...
episode "Victor. Echo. November.," a supervillian attempts to sell The Storm on the Sea of Galilee
The Storm on the Sea of Galilee
The Storm on the Sea of Galilee is a painting of 1633 by the Dutch Golden Age painter Rembrandt van Rijn that was in the Isabella Stewart Gardner Museum of Boston, Massachusetts, United States, prior to being stolen on March 18, 1990...
, which he apparently possesses, to a collector for ten million dollars.
Current programs
The Gardner Museum regularly produces scholarly exhibitions—along with lectures, family programs, and symposia—that provide insights into the historic collection. Through the Gardner’s Artist-in-Residence program, artists in many disciplines are invited to live at and draw inspiration from the museum. The museum often hosts exhibitions of contemporary art, performances, and programs by Artists-in-Residence.The Gardner’s concert series welcomes musicians and emerging artists to perform classical masterpieces, new music, and jazz on Sunday afternoons and select Thursday evenings. The musical program is also available through concert videos, audio recordings, and a free classical music podcast.
Reflecting Isabella Gardner’s passion for horticulture and garden design, the Gardner’s interior courtyard is an astonishing work of art, combining ever-changing horticultural displays with sculpture and architectural elements. The unique interplay between the courtyard and the museum galleries offers visitors a fresh view of the courtyard from almost every room, inviting connections between art and landscape. Programs like the Landscape Visions lecture series and special Ask the Gardener hours further engage visitors with the art of landscape.