Jamdani
Encyclopedia
Jamdani is a hand loom woven fabric made of cotton, which historically was referred to as muslin
. The Jamdani weaving tradition is of Bengali origin. It is one of the most time and labor intensive forms of weaving hand loom weaving. In the first half of the nineteenth century, James Taylor
described the figured or flowered jamdani; in the late nineteenth century, T. N. Mukharji referred to this fabric as jamdani muslin. Whether figured or flowered, jamdani is a woven fabric in cotton, and it is undoubtedly one of the varieties of the finest muslin. It has been spoken of as the most artistic textile of the Bangladeshi weaver. Traditionally woven around Dhaka
and created on the loom brocade, jamdani is fabulously rich in motifs.
origin, from 'Jam' meaning flower and 'Dani' meaning a vase or a container. The earliest mention of jamdani and its development as an industry is found in Kautikaya (about 3rd century BC), where it is stated that this fine cloth was used in Bangla and Pundra.
s, Jamdani is also used for scarves
and handkerchief
s. Jamdani is believed to be a fusion of the ancient cloth-making techniques of Bengal
(perhaps 2,000 years old) with the muslin
s produced by Bengali Muslim
s since the 14th century. Jamdani is the most expensive product of Dhaka
looms since it requires the most lengthy and dedicated work.
Jamdani patterns are mostly of geometric, plant, and floral designs and are said to originate in Persian and Mughal fusion thousands of years ago. Due to the exquisite pain-staking methodology required, only aristocrats and royal families were able to afford such luxuries.
The main pecuiliarity of Jamdani work is the geometric design. The expert weavers do not need to draw the design on paper, but instead work from memory. Jamdanis have different names according to their design (for instance, panna hajar, dubli lala, butidar, tersa, jalar, duria, charkona & many others). Present-day Jamdani saris have on their ground designs of rose, Jasmine, lotus, bunches of bananans, bunches of ginger and sago. A Jamdani with small flowers diapered on the fabric is known as Butidar. If these flowers are arranged in reclined position it is called tersa jamdani. It is not necessary that these designs are made of flowers only. There can be designs with peacocks and leaves of creepers. If such designs cover the entire field of the sari it is called jalar naksha. If the field is ocvered with rows of flowers it is known as fulwar jamdani. Duria Jamdani has designs of spots all over. Belwari jamdani with colorful golden borders used to be made during the Mughal period, especially for the women of the inner court.
There are many shops of jamdani sarees in Mirpur Area at original no. 10 area.
, Chinese
and Italian
travelers and traders. Four kinds of fine cloth used to be made in Bengal and Pundra in those days, viz khouma, dukul, pattrorna and karpasi.
From various historical accounts, folklore and slokas, it may be assumed that very fine fabrics were available in Bengal as far back as the first decade before Christ. Cotton fabrics like dukul and muslin did not develop in a day. Dukul textile appears to have evolved into muslin. Jamdani designs and muslin developed simultaneously. The fine fabric that used to be made at Mosul in Iraq was called mosuli or mosulin
In his 9th century book Sril Silat-ut-Tawarikh the Arab geographer Solaiman mentions the fine fabric produced in a state called Rumy, which according to many, is the old name of the territory now known as Bangladesh. In the 14th century, Ibn Batuta profusely praised the quality of cotton textiles of Sonargaon. Towards the end of the 16th century the English traveler Ralph Fitch and historian Abul Fazl also praised the muslin made at Sonargaon.
The golden age of Dhaka muslin began with Mughal rule. Since then the demand for jamdani and muslin fabrics at home and abroad grew and this prompted further improvement in their manufacture. According to 18th century documents of the East India Company
, a high official of the company was posted at Dhaka to buy mulmul khas and sarkar-i-ali. He had the designation of Daroga-i-mulmul. Every weaving factory had an office, which maintained records of the best weavers and other exports. Weavers had no fixed salary. They used to be paid the market value of the jamdani or muslin they produced. It was the duty of the Daroga to keep a sharp eye at every stage of production. Mulmul khas worth about Re. 100,000 collected from Dhaka, Sonargaon and Jangalbari used to be sent to the Mughal court every year.
According to a 1747 account of muslin export, fabrics worth Re 550,000 were bought for the Emperor of Delhi, the Nawab of Bengal and the famous trader Jagath Sheth. The same year European traders and companies bought muslin worth Re 950,000. Towards the end of the 18th century, the export of muslin suffered a decline. After the English gained Diwani in Bengal in 1765, Company agents resorted to oppressing the weavers for their own gains. They used to dictate prices. If weavers refused to sell their cloth at a lower price they were subjected to repression. To stop this repression the East India Company started buying the textiles directly from the weavers.
According to James Wise, Dhaka muslin worth Re 5 million was exported to England in 1787. James Taylor put the figure at Re 3 million. In 1807, the export came down to Re 850,000 and the export completely stopped in 1817. Thereafter muslin used to go to Europe as personal imports.
period, most likely during the reign of either Emperor Akbar (1556–1605) or Emperor Jahangir (1605–1627), the figured or flowered muslin came to be known as the jamdani. Forbes Watson in his most valuable work titled Textile Manufactures and Costumes of the people of India holds that the figured muslins, because of their complicated designs, were always condidered the most expensive productions of the Dhaka looms.
The designs and colors also changed with time. Originally, the motifs used to be made on gray fabric. Later on fabrics of other colours were also used. In the 1960s, jamdani work on red fabric became very popular. The Victoria and Albert Museum of London has a fine collection of jamdani with work in white on white fabric.
The production methods have also changed. Previously, popcorn, rice or barley was used for starch. Before making jamdani, the designers used to dye their yarn and starch it. For dye they used flowers and leaves of creepers. For quality jamdani they used yarn of 200 to 250 counts. These days weavers buy fine yarn from the market and use chemical dyes instead of herbal dyes. Finally, time has also influenced the designs. Keeping up the modern demand, present day jamdani saris have on their ground designs of rose, jasmine, lotus, bunches of bananas, bunches of ginger and sago. Recently, there is a trend of embroidering Jamdanis or putting ‘’paars’’ on saris. However, many traditionalists are vehemently against this trend, claiming this is destroying a tradition.
A good piece of jamdani sari needs the labour of one to two months, and the wage paid to the weavers does not compensate for their labour. The producers often do not have direct access to sari markets and because of their dependence on the middlemen, who often form informal cartels, they are deprived of their share of profit. Sometimes, the producers fail to recover the costs.
Thankfully, the government and other organizations are trying to revive the old glory of Dhakai Jamdani. In a bid to avoid the middleman they are trying to establish direct contact with the waivers. A Jamdnai Palli has been established near Dhaka. Jamdani, one of the oldest forms of cottage industry in Bangladesh, was once was a dying trade. It was successfully revived due to the pioneering work of entrepreneurs such as Monira Emdad. Tangail Saree Kutir along with other sari stores on Baily Road, strive to support the thousands of weavers of Bangladesh who have struggled to keep this age old tradition and fashion alive. Organizations like Radiant Institute of Design, Shanto Mariam University of creative technology, etc. are helping designers create new Jamdani designs.
Muslin
Muslin |sewing patterns]], such as for clothing, curtains, or upholstery. Because air moves easily through muslin, muslin clothing is suitable for hot, dry climates.- Etymology and history :...
. The Jamdani weaving tradition is of Bengali origin. It is one of the most time and labor intensive forms of weaving hand loom weaving. In the first half of the nineteenth century, James Taylor
James Taylor
James Vernon Taylor is an American singer-songwriter and guitarist. A five-time Grammy Award winner, Taylor was inducted into the Rock & Roll Hall of Fame in 2000....
described the figured or flowered jamdani; in the late nineteenth century, T. N. Mukharji referred to this fabric as jamdani muslin. Whether figured or flowered, jamdani is a woven fabric in cotton, and it is undoubtedly one of the varieties of the finest muslin. It has been spoken of as the most artistic textile of the Bangladeshi weaver. Traditionally woven around Dhaka
Dhaka
Dhaka is the capital of Bangladesh and the principal city of Dhaka Division. Dhaka is a megacity and one of the major cities of South Asia. Located on the banks of the Buriganga River, Dhaka, along with its metropolitan area, had a population of over 15 million in 2010, making it the largest city...
and created on the loom brocade, jamdani is fabulously rich in motifs.
Etymology
The word Jamdani is of PersianPersian people
The Persian people are part of the Iranian peoples who speak the modern Persian language and closely akin Iranian dialects and languages. The origin of the ethnic Iranian/Persian peoples are traced to the Ancient Iranian peoples, who were part of the ancient Indo-Iranians and themselves part of...
origin, from 'Jam' meaning flower and 'Dani' meaning a vase or a container. The earliest mention of jamdani and its development as an industry is found in Kautikaya (about 3rd century BC), where it is stated that this fine cloth was used in Bangla and Pundra.
Varieties of Jamdani Work
Though mostly used for sariSari
A sari or sareeThe name of the garment in various regional languages include: , , , , , , , , , , , , , is a strip of unstitched cloth, worn by females, ranging from four to nine metres in length that is draped over the body in various styles. It is popular in India, Bangladesh, Nepal,...
s, Jamdani is also used for scarves
Scarf
A scarf is a piece of fabric worn around the neck, or near the head or around the waist for warmth, cleanliness, fashion or for religious reasons. They can come in a variety of different colours.-History:...
and handkerchief
Handkerchief
A handkerchief , also called a handkercher or hanky, is a form of a kerchief, typically a hemmed square of thin fabric that can be carried in the pocket or purse, and which is intended for personal hygiene purposes such as wiping one's hands or face, or blowing one's nose...
s. Jamdani is believed to be a fusion of the ancient cloth-making techniques of Bengal
Bengal
Bengal is a historical and geographical region in the northeast region of the Indian Subcontinent at the apex of the Bay of Bengal. Today, it is mainly divided between the sovereign land of People's Republic of Bangladesh and the Indian state of West Bengal, although some regions of the previous...
(perhaps 2,000 years old) with the muslin
Muslin
Muslin |sewing patterns]], such as for clothing, curtains, or upholstery. Because air moves easily through muslin, muslin clothing is suitable for hot, dry climates.- Etymology and history :...
s produced by Bengali Muslim
Muslim
A Muslim, also spelled Moslem, is an adherent of Islam, a monotheistic, Abrahamic religion based on the Quran, which Muslims consider the verbatim word of God as revealed to prophet Muhammad. "Muslim" is the Arabic term for "submitter" .Muslims believe that God is one and incomparable...
s since the 14th century. Jamdani is the most expensive product of Dhaka
Dhaka
Dhaka is the capital of Bangladesh and the principal city of Dhaka Division. Dhaka is a megacity and one of the major cities of South Asia. Located on the banks of the Buriganga River, Dhaka, along with its metropolitan area, had a population of over 15 million in 2010, making it the largest city...
looms since it requires the most lengthy and dedicated work.
Jamdani patterns are mostly of geometric, plant, and floral designs and are said to originate in Persian and Mughal fusion thousands of years ago. Due to the exquisite pain-staking methodology required, only aristocrats and royal families were able to afford such luxuries.
The main pecuiliarity of Jamdani work is the geometric design. The expert weavers do not need to draw the design on paper, but instead work from memory. Jamdanis have different names according to their design (for instance, panna hajar, dubli lala, butidar, tersa, jalar, duria, charkona & many others). Present-day Jamdani saris have on their ground designs of rose, Jasmine, lotus, bunches of bananans, bunches of ginger and sago. A Jamdani with small flowers diapered on the fabric is known as Butidar. If these flowers are arranged in reclined position it is called tersa jamdani. It is not necessary that these designs are made of flowers only. There can be designs with peacocks and leaves of creepers. If such designs cover the entire field of the sari it is called jalar naksha. If the field is ocvered with rows of flowers it is known as fulwar jamdani. Duria Jamdani has designs of spots all over. Belwari jamdani with colorful golden borders used to be made during the Mughal period, especially for the women of the inner court.
There are many shops of jamdani sarees in Mirpur Area at original no. 10 area.
The early History
The earliest mention of the origin of Jamdani and its development as an industry is found in Kautilya's book of economics (about 300 AD) where it is stated that this fine cloth used to be made in Bengal and Pundra. Its mention is also found in the book of Periplus of the Eritrean Sea and in the accounts of ArabArab
Arab people, also known as Arabs , are a panethnicity primarily living in the Arab world, which is located in Western Asia and North Africa. They are identified as such on one or more of genealogical, linguistic, or cultural grounds, with tribal affiliations, and intra-tribal relationships playing...
, Chinese
China
Chinese civilization may refer to:* China for more general discussion of the country.* Chinese culture* Greater China, the transnational community of ethnic Chinese.* History of China* Sinosphere, the area historically affected by Chinese culture...
and Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
travelers and traders. Four kinds of fine cloth used to be made in Bengal and Pundra in those days, viz khouma, dukul, pattrorna and karpasi.
From various historical accounts, folklore and slokas, it may be assumed that very fine fabrics were available in Bengal as far back as the first decade before Christ. Cotton fabrics like dukul and muslin did not develop in a day. Dukul textile appears to have evolved into muslin. Jamdani designs and muslin developed simultaneously. The fine fabric that used to be made at Mosul in Iraq was called mosuli or mosulin
In his 9th century book Sril Silat-ut-Tawarikh the Arab geographer Solaiman mentions the fine fabric produced in a state called Rumy, which according to many, is the old name of the territory now known as Bangladesh. In the 14th century, Ibn Batuta profusely praised the quality of cotton textiles of Sonargaon. Towards the end of the 16th century the English traveler Ralph Fitch and historian Abul Fazl also praised the muslin made at Sonargaon.
The Mughal Era
Without any shadow of doubt, it can be said that the jamdani industry of East Bengla reached its zenith during the Moghul era. The art of making jamdani designs on fine fabric reached its zenith during Mughal rule. There were handlooms in almost all villages of the Dhaka district. Dhaka, Sonargaon, Dhamrai, Titabari, Jangalbari and Bajitpur were famous for making superior quality jamdani and muslin. Traders from Europe, Iran, Armenia, as well as Mughal-Pathan traders used to deal in these fabrics. The Mughal Emperor, the Nawab of Bengal and other aristocrats used to engage agents at Dhaka to buy high quality muslin and jamdani for their masters' use.The golden age of Dhaka muslin began with Mughal rule. Since then the demand for jamdani and muslin fabrics at home and abroad grew and this prompted further improvement in their manufacture. According to 18th century documents of the East India Company
East India Company
The East India Company was an early English joint-stock company that was formed initially for pursuing trade with the East Indies, but that ended up trading mainly with the Indian subcontinent and China...
, a high official of the company was posted at Dhaka to buy mulmul khas and sarkar-i-ali. He had the designation of Daroga-i-mulmul. Every weaving factory had an office, which maintained records of the best weavers and other exports. Weavers had no fixed salary. They used to be paid the market value of the jamdani or muslin they produced. It was the duty of the Daroga to keep a sharp eye at every stage of production. Mulmul khas worth about Re. 100,000 collected from Dhaka, Sonargaon and Jangalbari used to be sent to the Mughal court every year.
According to a 1747 account of muslin export, fabrics worth Re 550,000 were bought for the Emperor of Delhi, the Nawab of Bengal and the famous trader Jagath Sheth. The same year European traders and companies bought muslin worth Re 950,000. Towards the end of the 18th century, the export of muslin suffered a decline. After the English gained Diwani in Bengal in 1765, Company agents resorted to oppressing the weavers for their own gains. They used to dictate prices. If weavers refused to sell their cloth at a lower price they were subjected to repression. To stop this repression the East India Company started buying the textiles directly from the weavers.
According to James Wise, Dhaka muslin worth Re 5 million was exported to England in 1787. James Taylor put the figure at Re 3 million. In 1807, the export came down to Re 850,000 and the export completely stopped in 1817. Thereafter muslin used to go to Europe as personal imports.
Changes with time
We do not know exactly when jamdani came to be adorned with floral patterns of the loom. It is, however, certain that in the MughalMughal era
The Mughal era is a historic period of the Mughal Empire in South Asia . It ran from the early 15th century to a point in the early 18th century when the Mughal Emperors' power had dwindled...
period, most likely during the reign of either Emperor Akbar (1556–1605) or Emperor Jahangir (1605–1627), the figured or flowered muslin came to be known as the jamdani. Forbes Watson in his most valuable work titled Textile Manufactures and Costumes of the people of India holds that the figured muslins, because of their complicated designs, were always condidered the most expensive productions of the Dhaka looms.
The designs and colors also changed with time. Originally, the motifs used to be made on gray fabric. Later on fabrics of other colours were also used. In the 1960s, jamdani work on red fabric became very popular. The Victoria and Albert Museum of London has a fine collection of jamdani with work in white on white fabric.
The production methods have also changed. Previously, popcorn, rice or barley was used for starch. Before making jamdani, the designers used to dye their yarn and starch it. For dye they used flowers and leaves of creepers. For quality jamdani they used yarn of 200 to 250 counts. These days weavers buy fine yarn from the market and use chemical dyes instead of herbal dyes. Finally, time has also influenced the designs. Keeping up the modern demand, present day jamdani saris have on their ground designs of rose, jasmine, lotus, bunches of bananas, bunches of ginger and sago. Recently, there is a trend of embroidering Jamdanis or putting ‘’paars’’ on saris. However, many traditionalists are vehemently against this trend, claiming this is destroying a tradition.
The decline and Fall
From the middle of the 19th century, there was a gradual decline in the jamdani industry. A number of factors contributed to this decline. Use of machinery in the English textile industry, and the subsequent import of lower quality, but cheaper yarn from Europe, started the decline. Most importantly, the decline of Mughal power in India, deprived the producers of jamdani of their most influential patrons. Villages like Madhurapur and Jangalbari, (both in the Kishoreganj district), once famous for the jamdani industry went into gradual oblivion.The current problems
At present, a major problem of the industry is that the weavers do not get adequate wages for their labour. According to a national daily, a senior taanti or "ostad" earns about Tk 2,500 to Tk 3,000 per month. Junior weavers get much less, around Tk 1,600. As a result many weavers do not want their children to come to this profession. For many, the garments industry offer a lucrative alternative.A good piece of jamdani sari needs the labour of one to two months, and the wage paid to the weavers does not compensate for their labour. The producers often do not have direct access to sari markets and because of their dependence on the middlemen, who often form informal cartels, they are deprived of their share of profit. Sometimes, the producers fail to recover the costs.
Thankfully, the government and other organizations are trying to revive the old glory of Dhakai Jamdani. In a bid to avoid the middleman they are trying to establish direct contact with the waivers. A Jamdnai Palli has been established near Dhaka. Jamdani, one of the oldest forms of cottage industry in Bangladesh, was once was a dying trade. It was successfully revived due to the pioneering work of entrepreneurs such as Monira Emdad. Tangail Saree Kutir along with other sari stores on Baily Road, strive to support the thousands of weavers of Bangladesh who have struggled to keep this age old tradition and fashion alive. Organizations like Radiant Institute of Design, Shanto Mariam University of creative technology, etc. are helping designers create new Jamdani designs.
External links
- Tangail Saree Kutir, Baily Road - External Source - 1 http://www.craftrevival.org/detailsNgos.asp?CountryCode=BANGLADESH&NgosCode=002165, 2 http://sos-arsenic.net/lovingbengal/womens-culture.html, 3 http://www.bangladesh-web.com/view.php?hidDate=2004-11-17&hidType=FEA&hidRecord=0000000000000000026974