Leopold Auer
Encyclopedia
Leopold Auer was a Hungarian
violin
ist, teacher, conductor
and composer
.
in 1845 in a Jewish household. He first studied violin with a local concertmaster
. He later continued his studies with Ridley Kohné in Budapest
. A debut with the Mendelssohn
concerto
aroused the interest of some wealthy patrons, who sent him to Vienna
for further study under a scholarship. He lived at the home of his teacher, Jakob Dont
. In his memoirs, Auer wrote that Dont was the one who taught him the foundation for his violin technique. In Vienna he also attended quartet
classes with Joseph Hellmesberger, Sr.
.
By the time Auer was 13, the scholarship money had run out. His father decided to launch his career. The income from provincial concerts was barely enough to keep father and son out of poverty. An audition with Henri Vieuxtemps
in Graz
was a failure. A visit to Paris
proved equally unsuccessful. Auer decided to seek the advice of Joseph Joachim
, then royal concertmaster at Hanover
. The two years Auer spent with Joachim (1861–63) proved a turning point in his career. More than through lessons, he learned through observation and association. He was already well prepared as a violinist. What proved revelatory was exposure to the world of German music making—a world that stresses musical values over virtuoso glitter. Auer later wrote,
Auer returned to the concert stage in 1864. Success led to his becoming concertmaster in Düsseldorf
. In 1866, he assumed the same position in Hamburg
; he also held a string quartet there. On a visit to London
in 1868, he was invited to perform Beethoven
's Archduke Trio with pianist Anton Rubinstein
and cellist Alfredo Piatti. Rubinstein was in search for a violin professor for the Saint Petersburg Conservatory
and he suggested Auer. Auer agreed to a three year contract; he would actually stay for 49 years.
and Opera, the Imperial Bolshoi Kamenny Theatre (until 1886), and later the Imperial Mariinsky Theatre, as well as the Imperial Theatres of Peterhof and the Hermitage
. For nearly 50 years, Auer performed almost all of the violin solos in the ballet
s performed by the Imperial Ballet
, the majority of which were the work of the choreographer Marius Petipa
. Many of the noted ballet composers of the day, such as Cesare Pugni
, Ludwig Minkus
, Riccardo Drigo
, Pyotr Tchaikovsky, and Alexander Glazunov
, wrote the violin solos of their scores especially for his talents.
Until 1906 he was also leader of the string quartet for the Russian Musical Society
(RMS). This quartet's concerts were as integral a part of the Saint Petersburg musical scene as their counterparts led by Joachim in Berlin
. Criticism arose in later years of less-than-perfect ensemble and insufficient attention to contemporary Russian music. Nevertheless, Auer's group performed quartets by Tchaikovsky, Alexander Borodin
, Glazunov and Nikolai Rimsky-Korsakov
. The group also played music by Johannes Brahms
and Robert Schumann
, along with Louis Spohr
, Joachim Raff
and other secondary German composers.
Auer also continued performing sonatas with many great pianists. His favorite recital partner was Anna Yesipova
, with whom he appeared until her death in 1914. Other partners included Anton Rubinstein
, Theodor Leschetizky, Raoul Pugno
, Sergei Taneyev
and Eugen d'Albert
. In the 1890s, he performed cycles of all 10 Beethoven violin sonatas. He also introduced the violin and piano sonatas of Brahms.
. He played at Carnegie Hall
on March 23, 1918 and also performed in Boston
, Chicago
and Philadelphia. He taught some private students at his home on Manhattan
's Upper West Side
. In 1926 he joined the Institute of Musical Art (later to become the Juilliard School
). In 1928 he joined the faculty of the Curtis Institute of Music
in Philadelphia. He died in 1930 in Loschwitz
, a suburb of Dresden
, Germany
and was interred in the Ferncliff Cemetery
in Hartsdale
, New York
.
was especially taken with Auer's playing. Reviewing a 1874 appearance in Moscow, Tchaikovsky praised Auer's "great expressivity, the thoughtful finesse and poetry of the interpretation." This finesse and poetry came at a tremendous price. Auer suffered as a performer from poorly built hands. He had to work incessantly, with an iron determination, just to keep his technique in shape. He wrote, "My hands are so weak and their conformation is so poor that when I have not played the violin for several successive days, and then take up the instrument, I feel as if I had altogether lost the facility of playing."
Despite this handicap, Auer achieved much through constant work. His tone was small but ingratiating, his technique polished and elegant. His playing lacked fire, but he made up for it with a classic nobility. After he arrived in the United States, he made some recordings which bear this out. They show the violinist in excellent shape technically, with impeccable intonation, incisive rhythm and tasteful playing.
His musical tastes were conservative and refined. He liked virtuoso works by Henri Vieuxtemps
and Heinrich Wilhelm Ernst
and used those works in his teaching. Once a student objected to playing Ernst's Othello Fantasy because it was bad music. Auer did not back down. "You'll play it until it sounds like good music," he thundered at the student, "and you'll play nothing else." He played little Bach
. Neither did he ever assign any of Bach's solo concertos to a student. The Double Concerto
, however, was one of his favorites.
orchestral concerts intermittently in the 1880s and 90s. He was always willing to mount the podium to accompany a famous foreign soloist—as he did when Joachim visited Russia—and did the same for his students concertizing abroad.
, Jascha Heifetz
, Nathan Milstein
, Efrem Zimbalist
, Georges Boulanger
, Benno Rabinof
, Kathleen Parlow
, Oscar Shumsky
, and Sasha Lasserson. Auer also taught the young Clara Rockmore
, who later became one of the world's foremost exponents of the theremin
.
Like pianist Franz Liszt
in his teaching, Auer did not focus on technical matters with his students. Instead, he guided their interpretations and concepts of music. If a student ran into a technical problem, Auer did not offer any solutions. Neither was he inclined to pick up a bow to demonstrate a passage. Nevertheless, he was a stickler for technical accuracy. Fearing to ask Auer themselves, many students turned to each other for help. (Paradoxically, in the years before 1900 when Auer focused more closely on technical details, he did not turn out any significant students.)
While Auer valued talent, he considered it no excuse for lack of discipline, sloppiness or absenteeism. He demanded punctual attendance. He expected intelligent work habits and attention to detail. Lessons were as grueling as recital performances—in fact, the two were practically identical.
In lieu of weekly lessons, students were required to bring a complete movement of a major work. This usually demanded more than a week to prepare. Once a student felt ready to play this work, he had to inscribe his name 10 days prior to the class meeting. The student was expected to have his instrument concert ready and to be dressed accordingly. An accompanist was provided. An audience watched—comprised not only of students and parents, but also often of distinguished guests and prominent musicians. Auer arrived for the lesson punctually; everything was supposed to be in place by the time he arrived. During the lesson, Auer would walk around the room, observing, correcting, exhorting, scolding, shaping the interpretation. "We did not dare cross the threshold of the classroom with a half-ready performance," one student remembered.
Admission to Auer's class was a privilege won by talent. Remaining there was a test of endurance and hard work. Auer could be stern, severe, harsh. One unfortunate student was ejected regularly, with the music thrown after him. Auer valued musical vitality and enthusiasm. He hated lifeless, anemic playing and was not above poking a bow into a student's ribs, demanding more "krov." (The word literally means "blood" but can also be used to mean fire or vivacity.)
While Auer pushed his students to their limits, he also remained devoted to them. He remained solicitous of their material needs. He helped them obtain scholarships, patrons and better instruments. He used his influence in high government offices to obtain residence permits for his Jewish students. He shaped his students' personalities. He gave them style, taste, musical breeding. He also broadened their horizons. He made them read books, guided their behavior and career choices and polish their social graces. He also insisted that his students learn a foreign language if an international career was expected.
Even after a student started a career, Auer would watch with a paternal eye. He wrote countless letters of recommendation to conductors and concert agents. When Mischa Elman was preparing for his London debut, Auer traveled there to coach him. He also continued work with Efrem Zimbalist and Kathleen Parlow after their debuts.
's Violin Concerto
, which, however, he initially chose not to play. This was not because he regarded the work as "unplayable", as some sources say, but because he felt that "some of the passages were not suited to the character of the instrument, and that, however perfectly rendered, they would not sound as well as the composer had imagined". He did play the work later in his career, with the alterations in certain passages that he felt were necessary. Performances of the Tchaikovsky concerto by his students (with the exception of Nathan Milstein
's) were also based on Auer's edition.
s for other composers' violin concerto
s including those by Beethoven
, Wolfgang Amadeus Mozart
and Brahms
(see Beethoven Violin Concerto
and Brahms Violin Concerto
). He also wrote three books: Violin Playing as I Teach It (1920), My Long Life in Music (1923) and Violin Master Works and Their Interpretation (1925). He also wrote an arrangement for Paganini's 24th Caprice.
vibraphonist
Vera Auer is a niece of Leopold Auer. The actor Mischa Auer
(born Mischa Ounskowsky) was his grandson. The composer György Ligeti
(the name Ligeti is a Hungarian equivalent of the German name Auer) was his great-nephew.
Hungary
Hungary , officially the Republic of Hungary , is a landlocked country in Central Europe. It is situated in the Carpathian Basin and is bordered by Slovakia to the north, Ukraine and Romania to the east, Serbia and Croatia to the south, Slovenia to the southwest and Austria to the west. The...
violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
ist, teacher, conductor
Conducting
Conducting is the art of directing a musical performance by way of visible gestures. The primary duties of the conductor are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble...
and composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
.
Early life and career
Auer was born in VeszprémVeszprém
Veszprém is one of the oldest urban areas in Hungary, and a city with county rights. It lies approximately north of the Lake Balaton. It is the administrative center of the county of the same name.-Location:...
in 1845 in a Jewish household. He first studied violin with a local concertmaster
Concertmaster
The concertmaster/mistress is the spalla or leader, of the first violin section of an orchestra. In the UK, the term commonly used is leader...
. He later continued his studies with Ridley Kohné in Budapest
Budapest
Budapest is the capital of Hungary. As the largest city of Hungary, it is the country's principal political, cultural, commercial, industrial, and transportation centre. In 2011, Budapest had 1,733,685 inhabitants, down from its 1989 peak of 2,113,645 due to suburbanization. The Budapest Commuter...
. A debut with the Mendelssohn
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Barthóldy , use the form 'Mendelssohn' and not 'Mendelssohn Bartholdy'. The Grove Dictionary of Music and Musicians gives ' Felix Mendelssohn' as the entry, with 'Mendelssohn' used in the body text...
concerto
Violin Concerto (Mendelssohn)
Felix Mendelssohn's Violin Concerto in E minor, Op. 64 is his last large orchestral work. It forms an important part of the violin repertoire and is one of the most popular and most frequently performed violin concertos of all time...
aroused the interest of some wealthy patrons, who sent him to Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
for further study under a scholarship. He lived at the home of his teacher, Jakob Dont
Jakob Dont
Jakob Dont was an Austrian violinist, composer, and teacher.He was born and died in Vienna.His father Valentin Dont was a noted cellist. Jakob was a student of Josef Böhm and of George Hellmesberger . When sixteen, he became a member of the Hofbugtheater-Orchesters and in 1834 entered service...
. In his memoirs, Auer wrote that Dont was the one who taught him the foundation for his violin technique. In Vienna he also attended quartet
String quartet
A string quartet is a musical ensemble of four string players – usually two violin players, a violist and a cellist – or a piece written to be performed by such a group...
classes with Joseph Hellmesberger, Sr.
Joseph Hellmesberger, Sr.
Josef Hellmesberger, Sr. was an Austrian violinist, conductor, and composer.Born in Vienna, he was the son of musician and pedagogue, Georg Hellmesberger, Sr. , was taught violin by his father at the Vienna Conservatoire. Hellmesberger hails from a family of notable musicians including: brother,...
.
By the time Auer was 13, the scholarship money had run out. His father decided to launch his career. The income from provincial concerts was barely enough to keep father and son out of poverty. An audition with Henri Vieuxtemps
Henri Vieuxtemps
Henri François Joseph Vieuxtemps was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century....
in Graz
Graz
The more recent population figures do not give the whole picture as only people with principal residence status are counted and people with secondary residence status are not. Most of the people with secondary residence status in Graz are students...
was a failure. A visit to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
proved equally unsuccessful. Auer decided to seek the advice of Joseph Joachim
Joseph Joachim
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.-Origins:...
, then royal concertmaster at Hanover
Hanover
Hanover or Hannover, on the river Leine, is the capital of the federal state of Lower Saxony , Germany and was once by personal union the family seat of the Hanoverian Kings of Great Britain, under their title as the dukes of Brunswick-Lüneburg...
. The two years Auer spent with Joachim (1861–63) proved a turning point in his career. More than through lessons, he learned through observation and association. He was already well prepared as a violinist. What proved revelatory was exposure to the world of German music making—a world that stresses musical values over virtuoso glitter. Auer later wrote,
Joachim was an inspiration for me and opened before my eyes horizons of that greater art of which until then I had lived in ignorance. With him I worked not only with my hands but with my head, studying the scores of the great masters and endeavoring to penetrate the very heart of their works.... I [also] played a great deal of chamber music with my fellow students.
Auer returned to the concert stage in 1864. Success led to his becoming concertmaster in Düsseldorf
Düsseldorf
Düsseldorf is the capital city of the German state of North Rhine-Westphalia and centre of the Rhine-Ruhr metropolitan region.Düsseldorf is an important international business and financial centre and renowned for its fashion and trade fairs. Located centrally within the European Megalopolis, the...
. In 1866, he assumed the same position in Hamburg
Hamburg
-History:The first historic name for the city was, according to Claudius Ptolemy's reports, Treva.But the city takes its modern name, Hamburg, from the first permanent building on the site, a castle whose construction was ordered by the Emperor Charlemagne in AD 808...
; he also held a string quartet there. On a visit to London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
in 1868, he was invited to perform Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
's Archduke Trio with pianist Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
and cellist Alfredo Piatti. Rubinstein was in search for a violin professor for the Saint Petersburg Conservatory
Saint Petersburg Conservatory
The N. A. Rimsky-Korsakov Saint Petersburg State Conservatory is a music school in Saint Petersburg. In 2004, the conservatory had around 275 faculty members and 1,400 students.-History:...
and he suggested Auer. Auer agreed to a three year contract; he would actually stay for 49 years.
Russia
During that time he held the position of first violinist to the orchestra of the St. Petersburg Imperial Theatres. This included the principal venue of the Imperial BalletMariinsky Ballet
The Mariinsky Ballet is a classical ballet company based at the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies...
and Opera, the Imperial Bolshoi Kamenny Theatre (until 1886), and later the Imperial Mariinsky Theatre, as well as the Imperial Theatres of Peterhof and the Hermitage
Hermitage Theatre
The Hermitage Theatre in Saint Petersburg, Russia is one of five Hermitage buildings lining the Palace Embankment of the Neva River.The palatial theatre was built between 1783 and 1787 at the behest of Catherine the Great to a Palladian design by Giacomo Quarenghi...
. For nearly 50 years, Auer performed almost all of the violin solos in the ballet
Ballet
Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with...
s performed by the Imperial Ballet
Mariinsky Ballet
The Mariinsky Ballet is a classical ballet company based at the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies...
, the majority of which were the work of the choreographer Marius Petipa
Marius Petipa
Victor Marius Alphonse Petipa was a French ballet dancer, teacher and choreographer. Petipa is considered to be the most influential ballet master and choreographer of ballet that has ever lived....
. Many of the noted ballet composers of the day, such as Cesare Pugni
Cesare Pugni
Cesare Pugni was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed while serving as Composer of the Ballet Music to Her Majesty's Theatre...
, Ludwig Minkus
Ludwig Minkus
Ludwig Minkus a.k.a. Léon Fyodorovich Minkus was an Austrian composer of ballet music, a violin virtuoso and teacher.Minkus is most noted for the music he composed while serving as Ballet Composer of the St...
, Riccardo Drigo
Riccardo Drigo
Riccardo Eugenio Drigo , a.k.a. Richard Drigo was an Italian composer of ballet music and Italian Opera, a theatrical conductor, and a pianist....
, Pyotr Tchaikovsky, and Alexander Glazunov
Alexander Glazunov
Alexander Konstantinovich Glazunov was a Russian composer of the late Russian Romantic period, music teacher and conductor...
, wrote the violin solos of their scores especially for his talents.
Until 1906 he was also leader of the string quartet for the Russian Musical Society
Russian Musical Society
The Russian Musical Society was an organisation founded in 1859 by the Grand Duchess Elena Pavlovna and her protégé, pianist and composer Anton Rubinstein, with the intent of raising the standard of music in the country and disseminating musical education.Rubinstein and the Grand Duchess's...
(RMS). This quartet's concerts were as integral a part of the Saint Petersburg musical scene as their counterparts led by Joachim in Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...
. Criticism arose in later years of less-than-perfect ensemble and insufficient attention to contemporary Russian music. Nevertheless, Auer's group performed quartets by Tchaikovsky, Alexander Borodin
Alexander Borodin
Alexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music...
, Glazunov and Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
. The group also played music by Johannes Brahms
Johannes Brahms
Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene...
and Robert Schumann
Robert Schumann
Robert Schumann, sometimes known as Robert Alexander Schumann, was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era....
, along with Louis Spohr
Louis Spohr
Louis Spohr was a German composer, violinist and conductor. Born Ludewig Spohr, he is usually known by the French form of his name. Described by Dorothy Mayer as "The Forgotten Master", Spohr was once as famous as Beethoven. As a violinist, his virtuoso playing was admired by Queen Victoria...
, Joachim Raff
Joachim Raff
Joseph Joachim Raff was a German-Swiss composer, teacher and pianist.-Biography:Raff was born in Lachen in Switzerland. His father, a teacher, had fled there from Württemberg in 1810 to escape forced recruitment into the military of that southwestern German state that had to fight for Napoleon in...
and other secondary German composers.
Auer also continued performing sonatas with many great pianists. His favorite recital partner was Anna Yesipova
Anna Yesipova
Anna Yesipova was a prominent Russian pianist. Her name is cited variously as Anna Esipova; Anna or Annette Essipova; Anna, Annette or Annetta Essipoff; Annette von Essipow; Anna Jessipowa.Yesipova was one of Teodor Leszetycki's most brilliant pupils...
, with whom he appeared until her death in 1914. Other partners included Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
, Theodor Leschetizky, Raoul Pugno
Raoul Pugno
Stéphane Raoul Pugno was a French composer, teacher, organist, and pianist known for his playing of Mozart's works.Raoul Pugno was born in Paris. He made his debut at the age of six, and with the help of Prince Poniatowski he was then able to study at the École Niedermeyer. He then went to the...
, Sergei Taneyev
Sergei Taneyev
Sergei Ivanovich Taneyev , was a Russian composer, pianist, teacher of composition, music theorist and author.-Life:...
and Eugen d'Albert
Eugen d'Albert
Eugen Francis Charles d'Albert was a Scottish-born German pianist and composer.Educated in Britain, d'Albert showed early musical talent and, at the age of seventeen, he won a scholarship to study in Austria...
. In the 1890s, he performed cycles of all 10 Beethoven violin sonatas. He also introduced the violin and piano sonatas of Brahms.
America
In 1918 he moved to the United StatesUnited States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
. He played at Carnegie Hall
Carnegie Hall
Carnegie Hall is a concert venue in Midtown Manhattan in New York City, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park....
on March 23, 1918 and also performed in Boston
Boston
Boston is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had...
, Chicago
Chicago
Chicago is the largest city in the US state of Illinois. With nearly 2.7 million residents, it is the most populous city in the Midwestern United States and the third most populous in the US, after New York City and Los Angeles...
and Philadelphia. He taught some private students at his home on Manhattan
Manhattan
Manhattan is the oldest and the most densely populated of the five boroughs of New York City. Located primarily on the island of Manhattan at the mouth of the Hudson River, the boundaries of the borough are identical to those of New York County, an original county of the state of New York...
's Upper West Side
Upper West Side
The Upper West Side is a neighborhood in the borough of Manhattan, New York City, that lies between Central Park and the Hudson River and between West 59th Street and West 125th Street...
. In 1926 he joined the Institute of Musical Art (later to become the Juilliard School
Juilliard School
The Juilliard School, located at the Lincoln Center for the Performing Arts in New York City, United States, is a performing arts conservatory which was established in 1905...
). In 1928 he joined the faculty of the Curtis Institute of Music
Curtis Institute of Music
The Curtis Institute of Music is a conservatory in Philadelphia, Pennsylvania, that offers courses of study leading to a performance Diploma, Bachelor of Music, Master of Music in Opera, and Professional Studies Certificate in Opera. According to statistics compiled by U.S...
in Philadelphia. He died in 1930 in Loschwitz
Loschwitz
Loschwitz is a borough of Dresden, Germany, incorporated in 1921. It consists of ten quarters :Loschwitz is a villa quarter located at the slopes north of the Elbe river...
, a suburb of Dresden
Dresden
Dresden is the capital city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the Czech border. The Dresden conurbation is part of the Saxon Triangle metropolitan area....
, Germany
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...
and was interred in the Ferncliff Cemetery
Ferncliff Cemetery
Ferncliff Cemetery and Mausoleum is located on Secor Road in the hamlet of Hartsdale, town of Greenburgh, Westchester County, New York, about 25 miles north of Midtown Manhattan. It was founded in 1902, and is non-sectarian...
in Hartsdale
Hartsdale, New York
Hartsdale is a hamlet and a census-designated place located in the town of Greenburgh, Westchester County, New York. The population was 5,293 at the 2010 census.-Geography:Hartsdale is located at ....
, New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
.
Playing
Pyotr Ilyich TchaikovskyPyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
was especially taken with Auer's playing. Reviewing a 1874 appearance in Moscow, Tchaikovsky praised Auer's "great expressivity, the thoughtful finesse and poetry of the interpretation." This finesse and poetry came at a tremendous price. Auer suffered as a performer from poorly built hands. He had to work incessantly, with an iron determination, just to keep his technique in shape. He wrote, "My hands are so weak and their conformation is so poor that when I have not played the violin for several successive days, and then take up the instrument, I feel as if I had altogether lost the facility of playing."
Despite this handicap, Auer achieved much through constant work. His tone was small but ingratiating, his technique polished and elegant. His playing lacked fire, but he made up for it with a classic nobility. After he arrived in the United States, he made some recordings which bear this out. They show the violinist in excellent shape technically, with impeccable intonation, incisive rhythm and tasteful playing.
His musical tastes were conservative and refined. He liked virtuoso works by Henri Vieuxtemps
Henri Vieuxtemps
Henri François Joseph Vieuxtemps was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century....
and Heinrich Wilhelm Ernst
Heinrich Wilhelm Ernst
Heinrich Wilhelm Ernst was a Moravian-Jewish violinist, violist and composer. Ernst was widely seen as the outstanding violinist of his time and one of Paganini's greatest successors....
and used those works in his teaching. Once a student objected to playing Ernst's Othello Fantasy because it was bad music. Auer did not back down. "You'll play it until it sounds like good music," he thundered at the student, "and you'll play nothing else." He played little Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
. Neither did he ever assign any of Bach's solo concertos to a student. The Double Concerto
Double Violin Concerto (Bach)
The Concerto for 2 Violins, Strings and Continuo in D Minor, BWV 1043, also known as the Double Violin Concerto or "Bach Double", is perhaps one of the most famous works by J. S. Bach and considered among the best examples of the work of the late Baroque period. Bach wrote it between 1730 and 1731...
, however, was one of his favorites.
Conducting
Auer was also active as a conductor. He was in charge of the Russian Musical SocietyRussian Musical Society
The Russian Musical Society was an organisation founded in 1859 by the Grand Duchess Elena Pavlovna and her protégé, pianist and composer Anton Rubinstein, with the intent of raising the standard of music in the country and disseminating musical education.Rubinstein and the Grand Duchess's...
orchestral concerts intermittently in the 1880s and 90s. He was always willing to mount the podium to accompany a famous foreign soloist—as he did when Joachim visited Russia—and did the same for his students concertizing abroad.
Teaching
Auer is remembered as one of the most important pedagogues of the violin, and was one of the most sought-after teachers for gifted pupils. Many famous virtuoso violinists were among his pupils, including Mischa Elman, Konstanty GorskiKonstanty Gorski
Konstanty Antoni Gorski was a Polish composer, violinist, organist and music teacher.-Life:...
, Jascha Heifetz
Jascha Heifetz
Jascha Heifetz was a violinist, born in Vilnius, then Russian Empire, now Lithuania. He is widely regarded as one of the greatest violinists of all time.- Early life :...
, Nathan Milstein
Nathan Milstein
Nathan Mironovich Milstein was a Russian-born American virtuoso violinist.Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period...
, Efrem Zimbalist
Efrem Zimbalist
Efrem Zimbalist, Sr. was one of the world's most prominent concert violinists, as well as a composer, teacher, conductor and a long-time director of the Curtis Institute of Music.-Early life:...
, Georges Boulanger
Georges Boulanger (violinist)
Georges Boulanger was a Romani-Romanian violinist, conductor and composer.-Biography:Georges Boulanger was born in Tulcea, Romania from a Romani Romanian family with a very long tradition in music . His father's name was Vasile Pantazi. He was known as the typical Romanian Romani virtuoso...
, Benno Rabinof
Benno Rabinof and Sylvia Rabinof
Benno and Sylvia Rabinof were a violin and piano duo. They extensively toured the U.S., Europe, Asia and Africa throughout their career together performing a mix of classical and contemporary pieces.-Benno Rabinof:...
, Kathleen Parlow
Kathleen Parlow
Kathleen Parlow was a child prodigy with her outstanding technique with a violin, which earned her the nickname "The lady of the golden bow"...
, Oscar Shumsky
Oscar Shumsky
Oscar Shumsky was an American violinist and conductor born to Russian-Jewish parents.-Biography:...
, and Sasha Lasserson. Auer also taught the young Clara Rockmore
Clara Rockmore
Clara Rockmore was a virtuoso performer of the theremin, an electronic musical instrument.-Biography :Born as Clara Reisenberg in Vilnius, Lithuania, Rockmore was a child prodigy on the violin and entered the Imperial conservatory of Saint Petersburg at the age of five...
, who later became one of the world's foremost exponents of the theremin
Theremin
The theremin , originally known as the aetherphone/etherophone, thereminophone or termenvox/thereminvox is an early electronic musical instrument controlled without discernible physical contact from the player. It is named after its Russian inventor, Professor Léon Theremin, who patented the device...
.
Like pianist Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...
in his teaching, Auer did not focus on technical matters with his students. Instead, he guided their interpretations and concepts of music. If a student ran into a technical problem, Auer did not offer any solutions. Neither was he inclined to pick up a bow to demonstrate a passage. Nevertheless, he was a stickler for technical accuracy. Fearing to ask Auer themselves, many students turned to each other for help. (Paradoxically, in the years before 1900 when Auer focused more closely on technical details, he did not turn out any significant students.)
While Auer valued talent, he considered it no excuse for lack of discipline, sloppiness or absenteeism. He demanded punctual attendance. He expected intelligent work habits and attention to detail. Lessons were as grueling as recital performances—in fact, the two were practically identical.
In lieu of weekly lessons, students were required to bring a complete movement of a major work. This usually demanded more than a week to prepare. Once a student felt ready to play this work, he had to inscribe his name 10 days prior to the class meeting. The student was expected to have his instrument concert ready and to be dressed accordingly. An accompanist was provided. An audience watched—comprised not only of students and parents, but also often of distinguished guests and prominent musicians. Auer arrived for the lesson punctually; everything was supposed to be in place by the time he arrived. During the lesson, Auer would walk around the room, observing, correcting, exhorting, scolding, shaping the interpretation. "We did not dare cross the threshold of the classroom with a half-ready performance," one student remembered.
Admission to Auer's class was a privilege won by talent. Remaining there was a test of endurance and hard work. Auer could be stern, severe, harsh. One unfortunate student was ejected regularly, with the music thrown after him. Auer valued musical vitality and enthusiasm. He hated lifeless, anemic playing and was not above poking a bow into a student's ribs, demanding more "krov." (The word literally means "blood" but can also be used to mean fire or vivacity.)
While Auer pushed his students to their limits, he also remained devoted to them. He remained solicitous of their material needs. He helped them obtain scholarships, patrons and better instruments. He used his influence in high government offices to obtain residence permits for his Jewish students. He shaped his students' personalities. He gave them style, taste, musical breeding. He also broadened their horizons. He made them read books, guided their behavior and career choices and polish their social graces. He also insisted that his students learn a foreign language if an international career was expected.
Even after a student started a career, Auer would watch with a paternal eye. He wrote countless letters of recommendation to conductors and concert agents. When Mischa Elman was preparing for his London debut, Auer traveled there to coach him. He also continued work with Efrem Zimbalist and Kathleen Parlow after their debuts.
Dedications
A number of composers dedicated pieces to Auer. One such case was TchaikovskyPyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
's Violin Concerto
Violin Concerto (Tchaikovsky)
The Violin Concerto in D major, Op. 35, written by Pyotr Ilyich Tchaikovsky in 1878, is one of the best known of all violin concertos. It is also considered to be among the most technically difficult works for violin.-Instrumentation:...
, which, however, he initially chose not to play. This was not because he regarded the work as "unplayable", as some sources say, but because he felt that "some of the passages were not suited to the character of the instrument, and that, however perfectly rendered, they would not sound as well as the composer had imagined". He did play the work later in his career, with the alterations in certain passages that he felt were necessary. Performances of the Tchaikovsky concerto by his students (with the exception of Nathan Milstein
Nathan Milstein
Nathan Mironovich Milstein was a Russian-born American virtuoso violinist.Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period...
's) were also based on Auer's edition.
Compositions and writings
Auer wrote a small number of works for his instrument, including the Rhapsodie hongroise for violin and piano. He also wrote a number of cadenzaCadenza
In music, a cadenza is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing for virtuosic display....
s for other composers' violin concerto
Violin concerto
A violin concerto is a concerto for solo violin and instrumental ensemble, customarily orchestra. Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day...
s including those by Beethoven
Ludwig van Beethoven
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time.Born in Bonn, then the capital of the Electorate of Cologne and part of...
, Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
and Brahms
Johannes Brahms
Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene...
(see Beethoven Violin Concerto
Violin Concerto (Beethoven)
Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806.The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on...
and Brahms Violin Concerto
Violin Concerto (Brahms)
Violin Concerto in D major, Op. 77 is a violin concerto in three movements composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim...
). He also wrote three books: Violin Playing as I Teach It (1920), My Long Life in Music (1923) and Violin Master Works and Their Interpretation (1925). He also wrote an arrangement for Paganini's 24th Caprice.
Relations
Auer's first wife, Nadine Pelikan, was Russian. The jazzJazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...
vibraphonist
Vibraphone
The vibraphone, sometimes called the vibraharp or simply the vibes, is a musical instrument in the struck idiophone subfamily of the percussion family....
Vera Auer is a niece of Leopold Auer. The actor Mischa Auer
Mischa Auer
Mischa Auer was a Russian-born American actor.-Early life:Auer was born Mikhail Semyonovich Unskovsky in St. Petersburg, Russia...
(born Mischa Ounskowsky) was his grandson. The composer György Ligeti
György Ligeti
György Sándor Ligeti was a composer of contemporary classical music. Born in a Hungarian Jewish family in Transylvania, Romania, he briefly lived in Hungary before becoming an Austrian citizen.-Early life:...
(the name Ligeti is a Hungarian equivalent of the German name Auer) was his great-nephew.
Discography
- Hungarian Dance No. 1 In G Minor, by Brahms, 1920
- Mélodie Es-dur, Op. 42 No. 3 (from Souvenir d'Un Lieu Cher), by Tchaikovsky, 1920