Representations of Anne of Brittany
Encyclopedia
Anne of Brittany
was the object of representations very early on. The royal propaganda of Charles VIII
and, later on, of Louis XII
idealized her as a symbol of the perfect queen, on the union between the kingdom and the duchy
, and of the return to peace. Maximilian
's Austria having been evicted from the marriage, had a different perspective on the events. Throughout the centuries, historians and popular imagery forged a very different Anne of Brittany, attributing her physical or psychological characteristics or actions that are not necessarily verifiable through historical data.
This article underlines the most common.
as the allegory of Prudence, at a corner of the tomb of Francis II
in Nantes
. At the time, physical beauty was not as praised and was to be only the reflection of moral beauty. The portraits and sculptures present a woman with a regular and pleasant face, meeting the universal canons and 15th and 16th century Europe. These are all ordered works and present few distinctive features:
Anne of Brittany was, however, generally represented as a blonde. The contemporary descriptions feature clothing appropriate to her rank: brocade dresses enhanced with fur, necklaces, jewellery, and hennin. Zaccaria Contarini, ambassador of Venice
, describes her in the following manner in 1492:
, which is why she is nicknamed "Dame Union" after her third wedding.
In the arts, France was then represented as an enchanted garden (a tradition since the beginning of the 14th century), where porcupines (symbol of Louis XII) and ermine
s (symbol of Anne of Brittany) run. She is endowed with the virtues suiting the queen of France: she is liberal, pious and loving, and contributes these three qualities to the government (generosity, prayer and love for the king), a living example for the subjects of the kingdom.
These public displays of attachment reinforce the alliance between the Breton people
and the French. The Marie de la Cordelière episode (August 10, 1512), during the war against England, shows that the two peoples were coming closer together, even though some Bretons were reluctant to fight for "an excommunicated monarch". At the Battle of St. Mathieu
a united Franco-Breton fleet fought the English marine, with the warship Marie de la Cordelière, flying the Breton pavilion, in front.
Anne of Brittany commissions three histories of Brittany over the course of her life:
Treaty) and reintroduced in 1532 and 1541. This story is there to defend the privileges of the Breton nobility and, as a incitation, a reminder for the king to respect them. Four years after her death, Anne is presented as a person loved by her people and while there is no trace of this through her lifetime, this emotional relationship was to be reused in the following centuries.
In 1577, the States of Brittany opposed the levying of new taxes. This position is based upon Anne's second wedding contract and use as a justification the Annales de Bretagne to Bertrand d'Argenté, Breton law scholar and grand-nephew of Le Beaud. These Annales, edited in Rennes
in 1582 and Paris in 1588, 1605, 1611, 1618 and 1668, create an outcry (d'Argenté is accused of supporting the claims of the Duke of Mercœur on the Duchy of Brittany), are partially censored and open a debate on the suzerainty of the king of France on Brittany. Henri III commissions a refutation to Nicolas Vignier (who dies in 1596; his story is published in 1619). Based on a few acts signed by Anne between 1489 and 1491 and on two quotes, he creates the image of a young girl, called "the heroic orphan" by Didier Le Fur:
This image is used and amplified afterwards. François de Mézeray, royal historian, adds, in 1646, that she leads the campaign by herself, refuses to see others govern in her place (in 1489–91) and rejects an imposed wedding. He uses the thesis of her will to govern Brittany by herself. He does so in order to justify the capacity of a woman, Anne of Austria
, then the regent of Louis XIV
, to govern France, a little before the Fronde
.
The second contesting of the levying of new taxes takes place in Brittany at the end of the 17th century, with the rebellion against the papier timbré
. This episode started a new wave of stories of Brittany, including a commission by the Breton States to the Benedictines of Saint-Maur
. It was started by Dom Audren, who died while he was writing it, and finished by Dom Lobineau. It uses the thesis of d'Argenté and also created an outcry, without being censored. It was refuted by abbé Vertot. Lobineau transforms what were private considerations about the refusal to marry Alain d'Albret into political will; she makes a sacrifice during the 1489–1491 war for the happiness of her people.
At the beginning of the 18th century, the image of Anne of Brittany is more one of a duchess than of a queen, more attached to her duchy than to the kingdom of France with, for instance, the Histoire de Bretagne by abbé Desfontaines (1739), which has been used since: he states that "the title of duchess was dearer to her than that of queen"; he multiplies her trips to Brittany; Anne of Brittany is saddened by the union of Brittany to France. For Le Fur, her will to govern by herself becomes obvious. The "heroic orphan" image develops afterwards: she campaigns alone, with her people, against the king of France. The numerous patriotic episodes are invented.
In the 19th century, her character as defender of Breton independence is accentuated: in one book, she appears at the Battle of Saint-Aubin-du-Cormier
, she loves only her native land, her trips take the Bretons out of their state of lethargy, encourage the founding of covenants and the construction of religious buildings. Her biographies of the 19th century are devoted, for half of them, to her youth (until 1491), a period of her life for which sources are very few. After 1850, in the regional histories and sometimes in the republican, Anne of Brittany is never presented as French; she is the one who preserves the autonomy of Brittany after 1491. It becomes obvious, even to major historians like Arthur Le Moyne de La Borderie
.
With the creation of the separatist movement in 1911, Anne makes the sacrifice of her life in order to preserve the name and independence of Brittany. She does nothing for the union of the duchy to France which becomes guilty of not respecting its engagements. In 1934, a little-known historian, Bardin, even compares her to Joan of Arc
.
Finally, Didier Le Fur systematically finds these characteristics of autonomism in all the descriptions made of duchess Anne in the histories of Brittany after 1945.
than for the king of France. The latter becomes Anne's mortal enemy. The only reason for the wedding is interests of State.
This thesis is corroborated by the royal chronicler Philippe de Commines
.
Bernard d'Argenté uses the same vision: the histories of Brittany after him transform Maximilian into an accepted husband because he is far (thus preserving the autonomy of the duchy) but condemn him because he does not defend his wife; the wedding with Charles VIII disgusts Anne, for religious (her engagement to Maximilian of Austria is the theme that gave birth to the legend of her piety, and then of her bigotry) and political reasons: she makes a sacrifice. This sacrifice becomes more and more important in the stories of the 19th century and even her wedding to Maximilian becomes one.
The abduction theme, derived from the Austrian propaganda of 1491–1492, reappears in the middle of the 19th century and is profusely used by separatists (who state that the abduction story came from "a popular tradition"), the abduction is being used to delegitimized the union of Brittany to France. It was also used in the 1940s by Breton nationalists, who interpreted it a sign that Brittany should have been unified with the Holy Roman Empire
(centred in Germany) rather than France. The pro-Nazi Breton National Party
sought to ally an independent Brittany with Hitler's new empire.
Her reputation of having a bad temper comes from an extract of the Mémoires of Philippe de Commines
, in which she shows rancour towards Louis of Orléans
. She is portrayed in a happy mood, even shortly after the death of the child she had by Charles VIII. This aspect of her personality was ignored until the 17th century and was then used and amplified by Pierre de Brantôme
. With a partial reading of a few sources (the trial of the maréchal de Gié), she becomes cynical, calculating and devoured by ambition: this trial "reveals" her desire to flee to Brittany. From the 18th century on, she is depicted as dominating Louis XII, who is in love with her; her advice is claimed to have provoked the defeats of 1512–1513; she wanted to steal the royal treasury (episode by Gié during her imagined escape) and she is willing to make an alliance with the enemies of France. This description culminates with Michelet, who describes Louis XII as a feeble king, dominated by his wife. After him, histories of France give her numerous faults, linked to her preference for her native duchy.
At the end of the 19th century, Anne becomes popularly known as "la bonne duchesse". The expression "Anne of Brittany, duchess in clogs" also becomes popular, based on a nursery rhyme Les Sabots d'Anne de Bretagne. Le Fur describes the song as a parody of another one, En passant par la Lorraine. This song appears in 1880 because of Adolphe Orain who is said to have collected it in the Ille-et-Vilaine
region and he added a verse. The song originally becomes popular in children's literature. It is then adapted for the participants in the Celtic banquets of Paris who sing it at the end of the meal as early as 1884, which make it the Marseillaise of the Bretons. Historically, this image of the duchess in clogs was never justified, neither was it ever presented as a historical truth. Historians start to question it in 1976. The expression, well-known in France in the early 20th century, is still used today in a number of history books as well as in children's literature and touristic pamphlets.
Town Hall depicts her marriage to Charles VIII, as does a tapestry, formerly in the Parlement of Brittany, Rennes. Her marriage was also depicted in a large bronze sculpture in Rennes Town Hall, which was destroyed by Breton nationalists in 1932. She appears greeting the Breton people in a large stained glass window in the Church of Saint Malo in Dinan
. A statue by Jean Fréour
is placed outside the castle of the Dukes in Nantes.
She is also depicted in musical works. Anne de Bretagne was the title of an opera composed by Louis-Albert Bourgault-Ducoudray
in the 1870s. Bourgault, himself distantly related to Anne, was also born in Nantes and aimed to promote Breton culture throughout much of his music. Two operas, also called Anne de Bretagne, were also created in the 21st century. Anne de Bretagne, an opera by Breton composer Pierick Houdy, libretto by Jean-Michel Fournereau, was first performed in Rennes 2001, featuring Agnès Bove in the title role. Houdy also wrote an Anne de Bretagne Mass. The second operatic work was the rock opera
Anne de Bretagne, by Alan Simon
, was first performed in Nantes in June 2009 starring Cécile Corbel
(as Anne), Fairport Convention
, Nilda Fernandez
, Tri Yann
, Les Holroyd
and others.
Anne is also referred to in songs. A song of Gilles Servat
evokes her life: Kaoc'h ki gwenn ha kaoc'h ki du. If dead died, an anonymous poem going back to her funeral, and now performed by the popular Breton folk musicians Tri Yann. Another song of their repertory refers to the Duchess.
Her name is widely used in other contexts, such as Duchesse Anne, the name of a beer produced in Brittany. The square three-masted ship Duchesse Anne, is currently moored in the Port of Dunkirk.
Anne is the subject of Eleanor Fairburn's historical novel, Crowned Ermine, published in 1968
Anne of Brittany
Anne, Duchess of Brittany , also known as Anna of Brittany , was a Breton ruler, who was to become queen to two successive French kings. She was born in Nantes, Brittany, and was the daughter of Francis II, Duke of Brittany and Margaret of Foix. Her maternal grandparents were Queen Eleanor of...
was the object of representations very early on. The royal propaganda of Charles VIII
Charles VIII of France
Charles VIII, called the Affable, , was King of France from 1483 to his death in 1498. Charles was a member of the House of Valois...
and, later on, of Louis XII
Louis XII of France
Louis proved to be a popular king. At the end of his reign the crown deficit was no greater than it had been when he succeeded Charles VIII in 1498, despite several expensive military campaigns in Italy. His fiscal reforms of 1504 and 1508 tightened and improved procedures for the collection of taxes...
idealized her as a symbol of the perfect queen, on the union between the kingdom and the duchy
Duchy
A duchy is a territory, fief, or domain ruled by a duke or duchess.Some duchies were sovereign in areas that would become unified realms only during the Modern era . In contrast, others were subordinate districts of those kingdoms that unified either partially or completely during the Medieval era...
, and of the return to peace. Maximilian
Maximilian I, Holy Roman Emperor
Maximilian I , the son of Frederick III, Holy Roman Emperor and Eleanor of Portugal, was King of the Romans from 1486 and Holy Roman Emperor from 1493 until his death, though he was never in fact crowned by the Pope, the journey to Rome always being too risky...
's Austria having been evicted from the marriage, had a different perspective on the events. Throughout the centuries, historians and popular imagery forged a very different Anne of Brittany, attributing her physical or psychological characteristics or actions that are not necessarily verifiable through historical data.
This article underlines the most common.
Anne of Brittany's physique
We have a few descriptions of Anne of Brittany's physique provided by chroniclers, a good number of portraits on wood or on illuminated manuscripts, her profile on medals, the statues on her funeral monument in Basilica of Saint Denis and maybe her face sculpted by Michel ColombeMichel Colombe
Michel Colombe was a French sculptor whose work bridged the late Gothic and Renaissance styles.Born in Bourges into a family of artisans, he was active in Tours. Colombe's surviving works all date from his old age. He created the gisant figures of the two deceased children of Charles VIII of...
as the allegory of Prudence, at a corner of the tomb of Francis II
Tomb of Francis II, Duke of Brittany
The tomb of Francis II, Duke of Brittany is a monument located in Nantes, in the Cathedral of St. Peter. The project was commissioned by Anne of Brittany, Queen of France, who was the daughter of Francis and his second wife Margaret of Foix, who is also depicted beside Francis. The tomb was...
in Nantes
Nantes
Nantes is a city in western France, located on the Loire River, from the Atlantic coast. The city is the 6th largest in France, while its metropolitan area ranks 8th with over 800,000 inhabitants....
. At the time, physical beauty was not as praised and was to be only the reflection of moral beauty. The portraits and sculptures present a woman with a regular and pleasant face, meeting the universal canons and 15th and 16th century Europe. These are all ordered works and present few distinctive features:
- under Charles VIIICharles VIII of FranceCharles VIII, called the Affable, , was King of France from 1483 to his death in 1498. Charles was a member of the House of Valois...
, her representations are without personality: she is only a queen, next to her husband; - under Louis XIILouis XII of FranceLouis proved to be a popular king. At the end of his reign the crown deficit was no greater than it had been when he succeeded Charles VIII in 1498, despite several expensive military campaigns in Italy. His fiscal reforms of 1504 and 1508 tightened and improved procedures for the collection of taxes...
, she personifies peace, the union between BrittanyBrittanyBrittany is a cultural and administrative region in the north-west of France. Previously a kingdom and then a duchy, Brittany was united to the Kingdom of France in 1532 as a province. Brittany has also been referred to as Less, Lesser or Little Britain...
and France: she is given the traits of the Virgin MaryMary (mother of Jesus)Mary , commonly referred to as "Saint Mary", "Mother Mary", the "Virgin Mary", the "Blessed Virgin Mary", or "Mary, Mother of God", was a Jewish woman of Nazareth in Galilee...
.
Anne of Brittany was, however, generally represented as a blonde. The contemporary descriptions feature clothing appropriate to her rank: brocade dresses enhanced with fur, necklaces, jewellery, and hennin. Zaccaria Contarini, ambassador of Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
, describes her in the following manner in 1492:
Symbol of the Union between France and Brittany
The image that Anne spreads of herself, through commissions (portraits, stories), is one of a queen personifying the union between France and Brittany. Until the incorporation of Brittany into France was assured, she is called Reine de Sure Alliance (Queen of the Certain Alliance). She is devoted, like all queens of France, to her kingdom. She appears as a symbol of peace and union between France and Brittany, mostly after her marriage to Louis XIILouis XII of France
Louis proved to be a popular king. At the end of his reign the crown deficit was no greater than it had been when he succeeded Charles VIII in 1498, despite several expensive military campaigns in Italy. His fiscal reforms of 1504 and 1508 tightened and improved procedures for the collection of taxes...
, which is why she is nicknamed "Dame Union" after her third wedding.
In the arts, France was then represented as an enchanted garden (a tradition since the beginning of the 14th century), where porcupines (symbol of Louis XII) and ermine
Ermine
Ermine has several uses:* A common name for the stoat * The white fur and black tail end of this animal, which is historically worn by and associated with royalty and high officials...
s (symbol of Anne of Brittany) run. She is endowed with the virtues suiting the queen of France: she is liberal, pious and loving, and contributes these three qualities to the government (generosity, prayer and love for the king), a living example for the subjects of the kingdom.
These public displays of attachment reinforce the alliance between the Breton people
Breton people
The Bretons are an ethnic group located in the region of Brittany in France. They trace much of their heritage to groups of Brythonic speakers who emigrated from southwestern Great Britain in waves from the 3rd to 6th century into the Armorican peninsula, subsequently named Brittany after them.The...
and the French. The Marie de la Cordelière episode (August 10, 1512), during the war against England, shows that the two peoples were coming closer together, even though some Bretons were reluctant to fight for "an excommunicated monarch". At the Battle of St. Mathieu
Battle of St. Mathieu
-External links:*...
a united Franco-Breton fleet fought the English marine, with the warship Marie de la Cordelière, flying the Breton pavilion, in front.
Anne of Brittany commissions three histories of Brittany over the course of her life:
- the first is commissioned in 1498 to Pierre le Baud (who had already written one in 1480 for Jean Derval), traces the history of the province from Conan MeriadocConan MeriadocConan Meriadoc is a legendary British leader credited with founding Brittany. Versions of his story circulated in both Brittany and Great Britain from at least the early 12th century, and supplanted earlier legends of Brittany's foundation...
to Francis II and is edited in 1515; - the second is commissioned to Alain BouchardAlain BouchardAlain Bouchard is a Canadian businessman. He is founder, president and CEO of Alimentation Couche-Tard, and also serves on the board of directors of Atrium Innovations. Both corporations are based in Quebec. Bouchard had a net worth of $790 million CDN in 2010. He is in the top 20 of richest...
, advisor to Francis II and lawyer in the Parliament; finished and edited in 1514, then reedited in 1518, 1531, 1532 and 1541. Each edition includes additions (on the reigns of the kings of France, starting with Charles VIII); - the third is commissioned in 1512 to Jean Lemaire de BelgesJean Lemaire de BelgesJean Lemaire de Belges was a Walloon poet and historian who lived primarily in France.He was born in Hainaut , the godson and possibly a nephew of Jean Molinet, and spent some time with him at Valenciennes, where the elder writer held a kind of academy of poetry. Lemaire in his first poems calls...
, but is never edited.
Evolution of Anne of Brittany's image
In his essay on the queen's biographies, Anne de Bretagne, Didier Le Fur takes the image that a number of writers and historians have given of Anne through the centuries after her death and compares it with the sources available to him. He concludes that the story of Anne of Brittany has been enriched by hagiographical or depreciatory elements, not recounted in the writings contemporary to the duchess, hard to prove or invented. The following paragraphs synthesize most of the arguments found in his book. Georges Minois' Anne de Bretagne draws, on the contrary, a non lenient portrait of Anne by a critical reading of the sources.Anne, "heroic orphan" and a duchess loved by the Bretons
The reedition of Bouchard's Histoire de Bretagne from 1518 includes an addition on her trip to Brittany in 1505 (while the king was sick and which includes a pilgrimage) to insist on the festive atmosphere of the trip and on the reciprocal love between the Queen and her duchy (which is not a compulsory figure of the royal voyages accounts, popular affection being the best manifestation of the legitimacy of the kings). The government of Brittany by Louis XII is not related by Bouchard, who states, on the contrary, that Anne of Brittany governed the duchy by herself, and that she defended Brittany's privileges. These additions where deleted in 1531 (during the negotiation of the UnionUnion between Brittany and France
In August 1532, King Francis I of France absorbed the independent Duchy of Brittany into the Kingdom of France. The union of Brittany and France was a step toward the unification of modern-day France.-Context:...
Treaty) and reintroduced in 1532 and 1541. This story is there to defend the privileges of the Breton nobility and, as a incitation, a reminder for the king to respect them. Four years after her death, Anne is presented as a person loved by her people and while there is no trace of this through her lifetime, this emotional relationship was to be reused in the following centuries.
In 1577, the States of Brittany opposed the levying of new taxes. This position is based upon Anne's second wedding contract and use as a justification the Annales de Bretagne to Bertrand d'Argenté, Breton law scholar and grand-nephew of Le Beaud. These Annales, edited in Rennes
Rennes
Rennes is a city in the east of Brittany in northwestern France. Rennes is the capital of the region of Brittany, as well as the Ille-et-Vilaine department.-History:...
in 1582 and Paris in 1588, 1605, 1611, 1618 and 1668, create an outcry (d'Argenté is accused of supporting the claims of the Duke of Mercœur on the Duchy of Brittany), are partially censored and open a debate on the suzerainty of the king of France on Brittany. Henri III commissions a refutation to Nicolas Vignier (who dies in 1596; his story is published in 1619). Based on a few acts signed by Anne between 1489 and 1491 and on two quotes, he creates the image of a young girl, called "the heroic orphan" by Didier Le Fur:
- who governs the Breton state between 1488 and 1491 (from ages 11 to 14);
- and who has to face a brutal campaign by Charles VIII.
This image is used and amplified afterwards. François de Mézeray, royal historian, adds, in 1646, that she leads the campaign by herself, refuses to see others govern in her place (in 1489–91) and rejects an imposed wedding. He uses the thesis of her will to govern Brittany by herself. He does so in order to justify the capacity of a woman, Anne of Austria
Anne of Austria
Anne of Austria was Queen consort of France and Navarre, regent for her son, Louis XIV of France, and a Spanish Infanta by birth...
, then the regent of Louis XIV
Louis XIV of France
Louis XIV , known as Louis the Great or the Sun King , was a Bourbon monarch who ruled as King of France and Navarre. His reign, from 1643 to his death in 1715, began at the age of four and lasted seventy-two years, three months, and eighteen days...
, to govern France, a little before the Fronde
Fronde
The Fronde was a civil war in France, occurring in the midst of the Franco-Spanish War, which had begun in 1635. The word fronde means sling, which Parisian mobs used to smash the windows of supporters of Cardinal Mazarin....
.
The second contesting of the levying of new taxes takes place in Brittany at the end of the 17th century, with the rebellion against the papier timbré
Revolt of the papier timbré
The Revolt of the papier timbré was an anti-fiscal revolt in the west of Ancien Régime France, during the reign of Louis XIV from April to September 1675...
. This episode started a new wave of stories of Brittany, including a commission by the Breton States to the Benedictines of Saint-Maur
Saint-Maur
Saint-Maur is the name of several communes in France:*Saint-Maur, Cher, in the Cher département*Saint-Maur, Gers, in the Gers département*Saint-Maur, Indre, in the Indre département*Saint-Maur, Jura, in the Jura département...
. It was started by Dom Audren, who died while he was writing it, and finished by Dom Lobineau. It uses the thesis of d'Argenté and also created an outcry, without being censored. It was refuted by abbé Vertot. Lobineau transforms what were private considerations about the refusal to marry Alain d'Albret into political will; she makes a sacrifice during the 1489–1491 war for the happiness of her people.
At the beginning of the 18th century, the image of Anne of Brittany is more one of a duchess than of a queen, more attached to her duchy than to the kingdom of France with, for instance, the Histoire de Bretagne by abbé Desfontaines (1739), which has been used since: he states that "the title of duchess was dearer to her than that of queen"; he multiplies her trips to Brittany; Anne of Brittany is saddened by the union of Brittany to France. For Le Fur, her will to govern by herself becomes obvious. The "heroic orphan" image develops afterwards: she campaigns alone, with her people, against the king of France. The numerous patriotic episodes are invented.
In the 19th century, her character as defender of Breton independence is accentuated: in one book, she appears at the Battle of Saint-Aubin-du-Cormier
Battle of Saint-Aubin-du-Cormier (1488)
The Battle of Saint-Aubin-du-Cormier took place on July 28, 1488, between the forces of king Charles VIII of France, and those of Francis II, Duke of Brittany and his allies. The defeat of the latter signalled the end to the "guerre folle" , a feudal conflict in which French aristocrats revolted...
, she loves only her native land, her trips take the Bretons out of their state of lethargy, encourage the founding of covenants and the construction of religious buildings. Her biographies of the 19th century are devoted, for half of them, to her youth (until 1491), a period of her life for which sources are very few. After 1850, in the regional histories and sometimes in the republican, Anne of Brittany is never presented as French; she is the one who preserves the autonomy of Brittany after 1491. It becomes obvious, even to major historians like Arthur Le Moyne de La Borderie
Arthur Le Moyne de La Borderie
Arthur Le Moyne de La Borderie, was a Breton historian, regarded as a father of Brittany's historiography.-Life:He came from La Borderie, which was an estate in the commune of Étrelles....
.
With the creation of the separatist movement in 1911, Anne makes the sacrifice of her life in order to preserve the name and independence of Brittany. She does nothing for the union of the duchy to France which becomes guilty of not respecting its engagements. In 1934, a little-known historian, Bardin, even compares her to Joan of Arc
Joan of Arc
Saint Joan of Arc, nicknamed "The Maid of Orléans" , is a national heroine of France and a Roman Catholic saint. A peasant girl born in eastern France who claimed divine guidance, she led the French army to several important victories during the Hundred Years' War, which paved the way for the...
.
Finally, Didier Le Fur systematically finds these characteristics of autonomism in all the descriptions made of duchess Anne in the histories of Brittany after 1945.
The forced wedding
Of this image of the Breton duchess, attached to the independence and happiness of her duchy, derives another myth: that of the forced wedding, accepted in the face of an incompatible struggle against the king of France and the defence of the autonomy of the duchy. The story of the forced wedding is based on an extract by Jean de Molinet, a historian from Burgundy attached to Margaret of Austria, who was abandoned by Charles VIII to the benefit of Anne of Brittany. In the extract, Anne has more affection for Maximilian of AustriaMaximilian I, Holy Roman Emperor
Maximilian I , the son of Frederick III, Holy Roman Emperor and Eleanor of Portugal, was King of the Romans from 1486 and Holy Roman Emperor from 1493 until his death, though he was never in fact crowned by the Pope, the journey to Rome always being too risky...
than for the king of France. The latter becomes Anne's mortal enemy. The only reason for the wedding is interests of State.
This thesis is corroborated by the royal chronicler Philippe de Commines
Philippe de Commines
Philippe de Commines was a writer and diplomat in the courts of Burgundy and France. He has been called "the first truly modern writer" and "the first critical and philosophical historian since classical times"...
.
Bernard d'Argenté uses the same vision: the histories of Brittany after him transform Maximilian into an accepted husband because he is far (thus preserving the autonomy of the duchy) but condemn him because he does not defend his wife; the wedding with Charles VIII disgusts Anne, for religious (her engagement to Maximilian of Austria is the theme that gave birth to the legend of her piety, and then of her bigotry) and political reasons: she makes a sacrifice. This sacrifice becomes more and more important in the stories of the 19th century and even her wedding to Maximilian becomes one.
The abduction theme, derived from the Austrian propaganda of 1491–1492, reappears in the middle of the 19th century and is profusely used by separatists (who state that the abduction story came from "a popular tradition"), the abduction is being used to delegitimized the union of Brittany to France. It was also used in the 1940s by Breton nationalists, who interpreted it a sign that Brittany should have been unified with the Holy Roman Empire
Holy Roman Empire
The Holy Roman Empire was a realm that existed from 962 to 1806 in Central Europe.It was ruled by the Holy Roman Emperor. Its character changed during the Middle Ages and the Early Modern period, when the power of the emperor gradually weakened in favour of the princes...
(centred in Germany) rather than France. The pro-Nazi Breton National Party
Breton National Party
The Breton National Party was a nationalist party in Brittany that existed from 1931 to 1944. The party was disbanded after the liberation of France in World War II, because of ties to the Nazi party....
sought to ally an independent Brittany with Hitler's new empire.
Bad temper and traitor to France
This part of the posthumous image of Anne comes from royal, then national stories.Her reputation of having a bad temper comes from an extract of the Mémoires of Philippe de Commines
Philippe de Commines
Philippe de Commines was a writer and diplomat in the courts of Burgundy and France. He has been called "the first truly modern writer" and "the first critical and philosophical historian since classical times"...
, in which she shows rancour towards Louis of Orléans
Louis XII of France
Louis proved to be a popular king. At the end of his reign the crown deficit was no greater than it had been when he succeeded Charles VIII in 1498, despite several expensive military campaigns in Italy. His fiscal reforms of 1504 and 1508 tightened and improved procedures for the collection of taxes...
. She is portrayed in a happy mood, even shortly after the death of the child she had by Charles VIII. This aspect of her personality was ignored until the 17th century and was then used and amplified by Pierre de Brantôme
Pierre de Bourdeille, seigneur de Brantôme
Pierre de Bourdeille, seigneur de Brantôme was a French historian, soldier and biographer.-Life:Brantôme was born in Périgord, Aquitaine, the third son of the baron de Bourdeille...
. With a partial reading of a few sources (the trial of the maréchal de Gié), she becomes cynical, calculating and devoured by ambition: this trial "reveals" her desire to flee to Brittany. From the 18th century on, she is depicted as dominating Louis XII, who is in love with her; her advice is claimed to have provoked the defeats of 1512–1513; she wanted to steal the royal treasury (episode by Gié during her imagined escape) and she is willing to make an alliance with the enemies of France. This description culminates with Michelet, who describes Louis XII as a feeble king, dominated by his wife. After him, histories of France give her numerous faults, linked to her preference for her native duchy.
Anne, "duchess in clogs", an idealized image
For Didier le Fur, Breton regionalists, as soon as the Breton Association was founded, were searching for a personality capable of personifying their ideal view of an agrarian and regional renewal, while manifesting their attachment to the French nation. They choose Anne of Brittany, who is increasingly portrayed in Breton costume in images. As prescribed by decorum in the 15th century, the duchess permanently wears a headdress (see contemporary representations of the duchess). For Didier Le Fur, the regionalists use this clothing accessory to attach Anne to their people, and to demonstrate the simplicity of the national (Breton) tastes. Didier Le Fur later indicates that regionalists give Anne simple and dark clothing (with the exception of official ceremonies, during which she wears sumptuous clothes, as seen on the official iconography). But the headdress was also adopted by the Breton bourgeoisie at the end of the 19th, which mitigates the peasant character of the portrayal of Anne at this time.At the end of the 19th century, Anne becomes popularly known as "la bonne duchesse". The expression "Anne of Brittany, duchess in clogs" also becomes popular, based on a nursery rhyme Les Sabots d'Anne de Bretagne. Le Fur describes the song as a parody of another one, En passant par la Lorraine. This song appears in 1880 because of Adolphe Orain who is said to have collected it in the Ille-et-Vilaine
Ille-et-Vilaine
Ille-et-Vilaine is a department of France, located in the region of Brittany in the northwest of the country.- History :Ille-et-Vilaine is one of the original 83 departments created during the French Revolution on March 4, 1790...
region and he added a verse. The song originally becomes popular in children's literature. It is then adapted for the participants in the Celtic banquets of Paris who sing it at the end of the meal as early as 1884, which make it the Marseillaise of the Bretons. Historically, this image of the duchess in clogs was never justified, neither was it ever presented as a historical truth. Historians start to question it in 1976. The expression, well-known in France in the early 20th century, is still used today in a number of history books as well as in children's literature and touristic pamphlets.
Depictions in art, fiction and drama
Anne is widely portrayed in dramatisations and artworks, mostly in Brittany. Many of these date from the turn of the nineteenth-twentieth centuries. A stained glass window in VannesVannes
Vannes is a commune in the Morbihan department in Brittany in north-western France. It was founded over 2000 years ago.-Geography:Vannes is located on the Gulf of Morbihan at the mouth of two rivers, the Marle and the Vincin. It is around 100 km northwest of Nantes and 450 km south west...
Town Hall depicts her marriage to Charles VIII, as does a tapestry, formerly in the Parlement of Brittany, Rennes. Her marriage was also depicted in a large bronze sculpture in Rennes Town Hall, which was destroyed by Breton nationalists in 1932. She appears greeting the Breton people in a large stained glass window in the Church of Saint Malo in Dinan
Dinan
Dinan is a walled Breton town and a commune in the Côtes-d'Armor department in northwestern France.-Geography:Its geographical setting is exceptional. Instead of nestling on the valley floor like Morlaix, most urban development has been on the hillside, overlooking the river Rance...
. A statue by Jean Fréour
Jean Freour
Jean Fréour was a prominent Breton sculptor.Fréour was born in Nantes. He studied at the Bordeaux School of the Fine arts and attended the classes of Louis-Henry Bouchard in the national School of the Fine arts in Paris. He is a member of the Breton artistic movement Seiz Breur.In the mid 1950s he...
is placed outside the castle of the Dukes in Nantes.
She is also depicted in musical works. Anne de Bretagne was the title of an opera composed by Louis-Albert Bourgault-Ducoudray
Louis-Albert Bourgault-Ducoudray
Louis-Albert Bourgault-Ducoudray was a French Breton composer, pianist, and professor of music history/theory at the Conservatoire de Paris as well as a Prix de Rome laureate. He was born at Nantes and died at Vernouillet, near Dreux...
in the 1870s. Bourgault, himself distantly related to Anne, was also born in Nantes and aimed to promote Breton culture throughout much of his music. Two operas, also called Anne de Bretagne, were also created in the 21st century. Anne de Bretagne, an opera by Breton composer Pierick Houdy, libretto by Jean-Michel Fournereau, was first performed in Rennes 2001, featuring Agnès Bove in the title role. Houdy also wrote an Anne de Bretagne Mass. The second operatic work was the rock opera
Rock opera
A rock opera is a work of rock music that presents a storyline told over multiple parts, songs or sections in the manner of opera. A rock opera differs from a conventional rock album, which usually includes songs that are not unified by a common theme or narrative. More recent developments include...
Anne de Bretagne, by Alan Simon
Alan Simon (musician)
Alan Simon is a French folk-rock musician and composer best known for his rock operas which are performed with collaboration from other noted rock musicians. Simon is associated with Breton Celticism, and his most ambitious works are typically on themes linked to Celtic myth and history...
, was first performed in Nantes in June 2009 starring Cécile Corbel
Cécile Corbel
Cécile Corbel is a French-Brettone singer and harper. She has released four albums of original music and worked for Studio Ghibli as a composer for their 2010 film, The Borrower Arrietty...
(as Anne), Fairport Convention
Fairport Convention
Fairport Convention are an English folk rock and later electric folk band, formed in 1967 who are still recording and touring today. They are widely regarded as the most important single group in the English folk rock movement...
, Nilda Fernandez
Nilda Fernandez
Nilda Fernández is a French-Spanish singer-songwriter.-1991 - Nilda Fernández:1. Entre Lyon et Barcelone2. Mes Yeux Dans Ton Regard3. Croisière Sur Le Nil4. Rendez-Vous Manqués5. L'invitation A Venise6. Nos Fiançailles7. Luisita...
, Tri Yann
Tri Yann
Tri Yann is a French band from Nantes , who play folk rock music drawing on traditional Breton folk ballads.The band was founded in 1970 by Jean Chocun, Jean-Paul Corbineau and Jean-Louis Jossic – all of whom remain members – hence the suggested name of Tri Yann an Naoned , Jean and Yann being...
, Les Holroyd
Les Holroyd
This derivative of the band featured Les Holroyd and Mel Pritchard after the schism in the original band. Pritchard remained with the group until his death in February 2004...
and others.
Anne is also referred to in songs. A song of Gilles Servat
Gilles Servat
Gilles Servat is a French singer, born in Tarbes in southern France in 1945, into a family whose roots lay in the Nantes region of Brittany.He spent his early childhood around Nantes and Cholet. His music evoques the Isle of Groix, off the coast of Morbihan.His music was originally inspired by the...
evokes her life: Kaoc'h ki gwenn ha kaoc'h ki du. If dead died, an anonymous poem going back to her funeral, and now performed by the popular Breton folk musicians Tri Yann. Another song of their repertory refers to the Duchess.
Her name is widely used in other contexts, such as Duchesse Anne, the name of a beer produced in Brittany. The square three-masted ship Duchesse Anne, is currently moored in the Port of Dunkirk.
Anne is the subject of Eleanor Fairburn's historical novel, Crowned Ermine, published in 1968
See also
- Anne of BrittanyAnne of BrittanyAnne, Duchess of Brittany , also known as Anna of Brittany , was a Breton ruler, who was to become queen to two successive French kings. She was born in Nantes, Brittany, and was the daughter of Francis II, Duke of Brittany and Margaret of Foix. Her maternal grandparents were Queen Eleanor of...