Robert Massard
Encyclopedia
Robert Massard is a French baritone
, primarily associated with the French repertory, one of the few outstanding French opera singers of the postwar era.
. The same year, he also made his debut at the Aix-en-Provence Festival
, as Thoas in Iphigénie en Tauride
. His career rapidly took an international dimension with debuts in 1955, at La Scala
and the Glyndebourne Festival, both as Ramiro in L'Heure espagnole
. Oreste in Iphigénie en Tauride was his debut role at the Maggio Musicale Fiorentino
, the Royal Opera House
in London, and the Edinburgh Festival
. Massard also appeared in North and South America, notably at the Lyric Opera of Chicago
, at Carnegie Hall
in New York, the Teatro Colón in Buenos Aires. Henceforth considered one of the best French baritone of his generation, he was internationally acclaimed as Valentin in Faust, Escamillo in Carmen
, Fieramosca in Benvenuto Cellini
, and Golaud in Pelléas et Mélisande
.
Massard also enjoyed considerable success in the Italian repertory, singing Enrico in Lucia di Lammermoor
, notably at the Paris Opera in 1960, opposite Joan Sutherland
, and Riccardo in I Puritani
in London in 1961, again with Sutherland. He also appeared as Rigoletto
and Germont in La traviata
. Massard also sang in contemporary works, such as Le Roi David and L'école des maris by Emmanuel Bondeville, and Médée by Darius Milhaud
.
Massard made many recordings, the two most famous being Faust, opposite Joan Sutherland, Franco Corelli
, Nicolai Ghiaurov
, and Carmen, opposite Maria Callas
, Nicolai Gedda
and Andréa Guiot, with Georges Pretre
conducting.
Robert Massard was also active as a teacher at the Conservatoire de musique of Bordeaux
.
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
, primarily associated with the French repertory, one of the few outstanding French opera singers of the postwar era.
Career
Massard was born in Pau, France, and was mainly self-taught. After singing in his native province, Massard made his professional debut at the Paris Opera in 1952, as the High Priest in Samson et Dalila, shorthly followed by Valentin in FaustFaust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
. The same year, he also made his debut at the Aix-en-Provence Festival
Aix-en-Provence Festival
The festival international d'art lyrique is an annual international music festival which takes place each summer in Aix-en-Provence, principally in the month of July. Devoted mainly to opera, it also includes concerts of orchestral, chamber, vocal and solo instrumental music.-Establishment:The...
, as Thoas in Iphigénie en Tauride
Iphigénie en Tauride
Iphigénie en Tauride is an opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard....
. His career rapidly took an international dimension with debuts in 1955, at La Scala
La Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...
and the Glyndebourne Festival, both as Ramiro in L'Heure espagnole
L'heure espagnole
L'heure espagnole is a one-act opera, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on his play of the same name first performed at the Théâtre de l'Odéon on 28 October 1904...
. Oreste in Iphigénie en Tauride was his debut role at the Maggio Musicale Fiorentino
Maggio Musicale Fiorentino
Maggio Musicale Fiorentino is an annual opera festival which was founded in April 1933 by conductor Vittorio Gui with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy. The first opera presented was Verdi's early...
, the Royal Opera House
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
in London, and the Edinburgh Festival
Edinburgh Festival
The Edinburgh Festival is a collective term for many arts and cultural festivals that take place in Edinburgh, Scotland each summer, mostly in August...
. Massard also appeared in North and South America, notably at the Lyric Opera of Chicago
Lyric Opera of Chicago
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1952, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicolà Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma...
, at Carnegie Hall
Carnegie Hall
Carnegie Hall is a concert venue in Midtown Manhattan in New York City, United States, located at 881 Seventh Avenue, occupying the east stretch of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park....
in New York, the Teatro Colón in Buenos Aires. Henceforth considered one of the best French baritone of his generation, he was internationally acclaimed as Valentin in Faust, Escamillo in Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
, Fieramosca in Benvenuto Cellini
Benvenuto Cellini (opera)
Benvenuto Cellini is an opera in two acts with music by Hector Berlioz and libretto by Léon de Wailly and Henri Auguste Barbier. It was the first of Berlioz's operas. The story is loosely based on the memoirs of the Florentine sculptor Benvenuto Cellini. The opera is technically very challenging...
, and Golaud in Pelléas et Mélisande
Pelléas et Mélisande (opera)
Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande...
.
Massard also enjoyed considerable success in the Italian repertory, singing Enrico in Lucia di Lammermoor
Lucia di Lammermoor
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor....
, notably at the Paris Opera in 1960, opposite Joan Sutherland
Joan Sutherland
Dame Joan Alston Sutherland, OM, AC, DBE was an Australian dramatic coloratura soprano noted for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s....
, and Riccardo in I Puritani
I puritani
I puritani is an opera in three acts by Vincenzo Bellini. It was his last opera. Its libretto is by Count Carlo Pepoli, based on Têtes rondes et Cavaliers by Jacques-François Ancelot and Joseph Xavier Saintine, which is in turn based on Walter Scott's novel Old Mortality. It was first produced at...
in London in 1961, again with Sutherland. He also appeared as Rigoletto
Rigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
and Germont in La traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
. Massard also sang in contemporary works, such as Le Roi David and L'école des maris by Emmanuel Bondeville, and Médée by Darius Milhaud
Darius Milhaud
Darius Milhaud was a French composer and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and make use of polytonality...
.
Massard made many recordings, the two most famous being Faust, opposite Joan Sutherland, Franco Corelli
Franco Corelli
Franco Corelli was a famous Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, a...
, Nicolai Ghiaurov
Nicolai Ghiaurov
Nicolai Ghiaurov was a Bulgarian opera singer and one of the most famous bass singers of the postwar period. He was admired for his powerful, sumptuous voice, and was particularly associated with roles of Verdi.Ghiaurov married the Italian soprano Mirella Freni in 1978...
, and Carmen, opposite Maria Callas
Maria Callas
Maria Callas was an American-born Greek soprano and one of the most renowned opera singers of the 20th century. She combined an impressive bel canto technique, a wide-ranging voice and great dramatic gifts...
, Nicolai Gedda
Nicolai Gedda
Nicolai Gedda is a Swedish operatic tenor. Having made some two hundred recordings, Gedda is said to be the most widely recorded tenor in history...
and Andréa Guiot, with Georges Pretre
Georges Prêtre
- Biography :He was born in Waziers , and attended the Douai Conservatory and then studied harmony under Maurice Duruflé and conducting under André Cluytens among others at the Conservatoire de Paris. Amongst his early musical interests were jazz and trumpet. After graduating, he conducted in a...
conducting.
Robert Massard was also active as a teacher at the Conservatoire de musique of Bordeaux
Bordeaux
Bordeaux is a port city on the Garonne River in the Gironde department in southwestern France.The Bordeaux-Arcachon-Libourne metropolitan area, has a population of 1,010,000 and constitutes the sixth-largest urban area in France. It is the capital of the Aquitaine region, as well as the prefecture...
.
Sources
- Alain Pâris, Dictionnaire des interprètes et de l'interpretation musicale au XX siècle (2 vols), Ed. Robert Laffont (Bouquins, Paris 1982, 4th Edn. 1995, 5th Edn 2004). ISBN 2-221-06660-X
- Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition), Guide de l’opéra, Les indispensables de la musique (Fayard, 1995). ISBN 2-213-01563-6