San Damiano cross
Encyclopedia
The San Damiano Cross is the large Romanesque
rood
cross that St. Francis of Assisi was praying before when he received the commission from the Lord
to rebuild the Church. The original cross hangs in the Basilica of Saint Clare
(Basilica di Santa Chiara) in Assisi
, Italy
. Franciscan
s cherish this cross as the symbol of their mission from God
. The cross is of a type sometimes called an icon
cross because besides the main figure it contains images of other saints and people related to the incident of Christ's crucifixion
. The tradition of such crosses began in the Eastern Church and probably reached Italy via Serbia
and Croatia
.
. The name of the painter is unknown, but it was fashioned around the year 1100. The purpose of an icon
cross was to teach the meaning of the event depicted and thereby strengthen the faith of the people. The Byzantine
style was common in Italy before Cimabue
and Giotto
.
When the Poor Clares moved from San Damiano to the Basilica of Santa Chiara in 1257, they took the original San Damiano Cross with them and still guard it with great solicitude. It now hangs in the Basilica over the altar of the Chapel of the Crucifix a reconstruction of the Church of Saint George, which was torn down to build the Basilica. The crucifix hanging over the altar
of the ancient church of San Damiano is a copy. All Franciscans cherish this cross as the symbol of their mission from God to commit our lives and resources to renew and rebuild the Church through the power of Christ.
already includes the pictures of the glorified cross. The bright white of the Lord's body contrasts with the dark red and black around it and, therefore, accentuates the prominence of Jesus. He projects the life of divine nature in a body pierced by nails in the hands and feet, by the crown of thorns on his head, and by the soldier's lance in his side. This representation contrasts with the regal Christ portrayed on the cross in earlier centuries and the suffering, dying, crucified Christ depicted generally throughout the Church since the beginning of the 14th century. Christ is represented in full stature while all others are smaller. Above the head of Christ is the inscription in Latin: Jesus of Nazareth
, King of the Jews
.
The next largest figures are the five witnesses of the crucifixion and witnesses of Jesus as Lord. On the left side are the Virgin Mary and St. John the Evangelist
, to whom Jesus entrusted his mother. On the right side are Mary Magdalene
, Mary, Mother of James, and the centurion who in Matthew's
Gospel account asks Christ to heal his son, who is also depicted on the cross on the shoulder of the centurion (Matthew 8:5-13). Both Mary and Mary Magdalene have their hands placed on their cheeks to reflect extreme grief and anguish. The first four witnesses are saints who gave their lives for the Lord and are therefore represented with halos of sanctity. The names of the five major witnesses are written beneath their pictures.
The three smaller figures are represented as witnessing the crucifixion. On the lower left is Longinus the traditional name of the Roman soldier who pierced the side of Jesus with a lance. He is represented here as holding the lance and looking up at Jesus. The blood running down the right arm of Jesus begins at the elbow and drips straight down and will land on the upturned face of Longinus. In the lower right is Stephaton
, the traditional name for the soldier who offered Jesus the sponge soaked in vinegar wine. From the his posture, one can see that he holds the staff and sponge in the same way that Longinus holds the lance.
Peering over the left shoulder of the centurion is a small face. A close look reveals the tops of the heads of three others beside him. This represents the centurion's son who was healed by Jesus and the rest of his family to show that "he and his whole household believed" (John 4:45-54).
Six angels are represented as marvelling over the event of the crucifixion. They are positioned at both ends of the crossbar. Their hand gestures indicate they are discussing this wondrous event of the death and calling us to marvel with them.
At the foot of the cross there is a damaged picture of six figures, two of whom are represented with halos. In accordance with the traditions of the day, these six are the patrons of Umbria: St. John
, St. Michael, St. Rufino, St. John the Baptist, St. Peter and St. Paul
.
On the top of the cross, one sees Jesus now fully clothed in his regal garments and carrying the cross as a triumphant sceptre
. He is climbing out of the tomb and into the heavenly courts. Ten angels are crowded around, five of whom have their hands extended in a welcoming gesture to Jesus, who himself has his hand raised in the form of a greeting.
At the very top of the cross is the Hand of God
with two fingers extended. This is to be understood as the blessing of God the Father
on the sacrifice of his Son
.
On the right side of the picture next to the left calf of Jesus, there is a small figure of a fowl. Some art historians have interpreted it to be a rooster
, representing the sign of Jesus' denial by Peter, mentioned in all four Gospel accunts. Other commentators see it as a peacock, a frequent symbol of immortality in Early Christian art. Along the lower right side of the shaft, there is a small animal, possibly a cat.
Romanesque art
Romanesque art refers to the art of Western Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. The preceding period is increasingly known as the Pre-Romanesque...
rood
Rood
A rood is a cross or crucifix, especially a large one in a church; a large sculpture or sometimes painting of the crucifixion of Jesus.Rood is an archaic word for pole, from Old English rōd "pole", specifically "cross", from Proto-Germanic *rodo, cognate to Old Saxon rōda, Old High German ruoda...
cross that St. Francis of Assisi was praying before when he received the commission from the Lord
Christ
Christ is the English term for the Greek meaning "the anointed one". It is a translation of the Hebrew , usually transliterated into English as Messiah or Mashiach...
to rebuild the Church. The original cross hangs in the Basilica of Saint Clare
Basilica of Saint Clare
The Basilica of Saint Clare is a church in Assisi, central Italy; it is dedicated to and contains the remains of Saint Clare of Assisi, a follower of Saint Francis of Assisi and founder of the Order of Poor Ladies, known today as the Order of Saint Clare.Construction of the church began under the...
(Basilica di Santa Chiara) in Assisi
Assisi
- Churches :* The Basilica of San Francesco d'Assisi is a World Heritage Site. The Franciscan monastery, il Sacro Convento, and the lower and upper church of St Francis were begun immediately after his canonization in 1228, and completed in 1253...
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
. Franciscan
Franciscan
Most Franciscans are members of Roman Catholic religious orders founded by Saint Francis of Assisi. Besides Roman Catholic communities, there are also Old Catholic, Anglican, Lutheran, ecumenical and Non-denominational Franciscan communities....
s cherish this cross as the symbol of their mission from God
God the Father
God the Father is a gendered title given to God in many monotheistic religions, particularly patriarchal, Abrahamic ones. In Judaism, God is called Father because he is the creator, life-giver, law-giver, and protector...
. The cross is of a type sometimes called an icon
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and in certain Eastern Catholic churches...
cross because besides the main figure it contains images of other saints and people related to the incident of Christ's crucifixion
Crucifixion of Jesus
The crucifixion of Jesus and his ensuing death is an event that occurred during the 1st century AD. Jesus, who Christians believe is the Son of God as well as the Messiah, was arrested, tried, and sentenced by Pontius Pilate to be scourged, and finally executed on a cross...
. The tradition of such crosses began in the Eastern Church and probably reached Italy via Serbia
Serbia
Serbia , officially the Republic of Serbia , is a landlocked country located at the crossroads of Central and Southeast Europe, covering the southern part of the Carpathian basin and the central part of the Balkans...
and Croatia
Croatia
Croatia , officially the Republic of Croatia , is a unitary democratic parliamentary republic in Europe at the crossroads of the Mitteleuropa, the Balkans, and the Mediterranean. Its capital and largest city is Zagreb. The country is divided into 20 counties and the city of Zagreb. Croatia covers ...
.
History
The San Damiano Cross was one of a number of crosses painted with similar figures during the 12th century in UmbriaUmbria
Umbria is a region of modern central Italy. It is one of the smallest Italian regions and the only peninsular region that is landlocked.Its capital is Perugia.Assisi and Norcia are historical towns associated with St. Francis of Assisi, and St...
. The name of the painter is unknown, but it was fashioned around the year 1100. The purpose of an icon
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and in certain Eastern Catholic churches...
cross was to teach the meaning of the event depicted and thereby strengthen the faith of the people. The Byzantine
Byzantine
Byzantine usually refers to the Roman Empire during the Middle Ages.Byzantine may also refer to:* A citizen of the Byzantine Empire, or native Greek during the Middle Ages...
style was common in Italy before Cimabue
Cimabue
Cimabue , also known as Bencivieni di Pepo or in modern Italian, Benvenuto di Giuseppe, was an Italian painter and creator of mosaics from Florence....
and Giotto
Giotto di Bondone
Giotto di Bondone , better known simply as Giotto, was an Italian painter and architect from Florence in the late Middle Ages...
.
When the Poor Clares moved from San Damiano to the Basilica of Santa Chiara in 1257, they took the original San Damiano Cross with them and still guard it with great solicitude. It now hangs in the Basilica over the altar of the Chapel of the Crucifix a reconstruction of the Church of Saint George, which was torn down to build the Basilica. The crucifix hanging over the altar
Altar (Catholicism)
In the liturgy of the Roman Catholic Church, the altar is where the Sacrifice of the Mass is offered. Mass may sometimes be celebrated outside a sacred place, but never without an altar, or at least an altar stone.-Precedent:...
of the ancient church of San Damiano is a copy. All Franciscans cherish this cross as the symbol of their mission from God to commit our lives and resources to renew and rebuild the Church through the power of Christ.
Description
Jesus Christ is represented both as wounded and strong. He stands upright and resolute. His haloHalo (religious iconography)
A halo is a ring of light that surrounds a person in art. They have been used in the iconography of many religions to indicate holy or sacred figures, and have at various periods also been used in images of rulers or heroes...
already includes the pictures of the glorified cross. The bright white of the Lord's body contrasts with the dark red and black around it and, therefore, accentuates the prominence of Jesus. He projects the life of divine nature in a body pierced by nails in the hands and feet, by the crown of thorns on his head, and by the soldier's lance in his side. This representation contrasts with the regal Christ portrayed on the cross in earlier centuries and the suffering, dying, crucified Christ depicted generally throughout the Church since the beginning of the 14th century. Christ is represented in full stature while all others are smaller. Above the head of Christ is the inscription in Latin: Jesus of Nazareth
Nazareth
Nazareth is the largest city in the North District of Israel. Known as "the Arab capital of Israel," the population is made up predominantly of Palestinian Arab citizens of Israel...
, King of the Jews
Jews
The Jews , also known as the Jewish people, are a nation and ethnoreligious group originating in the Israelites or Hebrews of the Ancient Near East. The Jewish ethnicity, nationality, and religion are strongly interrelated, as Judaism is the traditional faith of the Jewish nation...
.
The next largest figures are the five witnesses of the crucifixion and witnesses of Jesus as Lord. On the left side are the Virgin Mary and St. John the Evangelist
John the Evangelist
Saint John the Evangelist is the conventional name for the author of the Gospel of John...
, to whom Jesus entrusted his mother. On the right side are Mary Magdalene
Mary Magdalene
Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of "seven demons", conventionally interpreted as referring to complex illnesses...
, Mary, Mother of James, and the centurion who in Matthew's
Gospel of Matthew
The Gospel According to Matthew is one of the four canonical gospels, one of the three synoptic gospels, and the first book of the New Testament. It tells of the life, ministry, death, and resurrection of Jesus of Nazareth...
Gospel account asks Christ to heal his son, who is also depicted on the cross on the shoulder of the centurion (Matthew 8:5-13). Both Mary and Mary Magdalene have their hands placed on their cheeks to reflect extreme grief and anguish. The first four witnesses are saints who gave their lives for the Lord and are therefore represented with halos of sanctity. The names of the five major witnesses are written beneath their pictures.
The three smaller figures are represented as witnessing the crucifixion. On the lower left is Longinus the traditional name of the Roman soldier who pierced the side of Jesus with a lance. He is represented here as holding the lance and looking up at Jesus. The blood running down the right arm of Jesus begins at the elbow and drips straight down and will land on the upturned face of Longinus. In the lower right is Stephaton
Stephaton
Stephaton or was the name given by tradition to the Roman soldier, unnamed in the Gospels, who offered Jesus a sponge soaked in vinegar wine after Jesus cried out "I thirst" , and thus a subordinate of Longinus the centurion. It is not known when or how the name originated, well before the end of...
, the traditional name for the soldier who offered Jesus the sponge soaked in vinegar wine. From the his posture, one can see that he holds the staff and sponge in the same way that Longinus holds the lance.
Peering over the left shoulder of the centurion is a small face. A close look reveals the tops of the heads of three others beside him. This represents the centurion's son who was healed by Jesus and the rest of his family to show that "he and his whole household believed" (John 4:45-54).
Six angels are represented as marvelling over the event of the crucifixion. They are positioned at both ends of the crossbar. Their hand gestures indicate they are discussing this wondrous event of the death and calling us to marvel with them.
At the foot of the cross there is a damaged picture of six figures, two of whom are represented with halos. In accordance with the traditions of the day, these six are the patrons of Umbria: St. John
John the Evangelist
Saint John the Evangelist is the conventional name for the author of the Gospel of John...
, St. Michael, St. Rufino, St. John the Baptist, St. Peter and St. Paul
Paul of Tarsus
Paul the Apostle , also known as Saul of Tarsus, is described in the Christian New Testament as one of the most influential early Christian missionaries, with the writings ascribed to him by the church forming a considerable portion of the New Testament...
.
On the top of the cross, one sees Jesus now fully clothed in his regal garments and carrying the cross as a triumphant sceptre
Sceptre
A sceptre is a symbolic ornamental rod or wand borne in the hand by a ruling monarch as an item of royal or imperial insignia.-Antiquity:...
. He is climbing out of the tomb and into the heavenly courts. Ten angels are crowded around, five of whom have their hands extended in a welcoming gesture to Jesus, who himself has his hand raised in the form of a greeting.
At the very top of the cross is the Hand of God
Hand of God (art)
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei, the "right hand of the Lord/God", is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Jehovah or God the Father as a full human figure was considered...
with two fingers extended. This is to be understood as the blessing of God the Father
God the Father
God the Father is a gendered title given to God in many monotheistic religions, particularly patriarchal, Abrahamic ones. In Judaism, God is called Father because he is the creator, life-giver, law-giver, and protector...
on the sacrifice of his Son
Son of God
"Son of God" is a phrase which according to most Christian denominations, Trinitarian in belief, refers to the relationship between Jesus and God, specifically as "God the Son"...
.
On the right side of the picture next to the left calf of Jesus, there is a small figure of a fowl. Some art historians have interpreted it to be a rooster
Rooster
A rooster, also known as a cockerel, cock or chanticleer, is a male chicken with the female being called a hen. Immature male chickens of less than a year's age are called cockerels...
, representing the sign of Jesus' denial by Peter, mentioned in all four Gospel accunts. Other commentators see it as a peacock, a frequent symbol of immortality in Early Christian art. Along the lower right side of the shaft, there is a small animal, possibly a cat.
Books
- The Franciscan Vision and the Gospel of John: The San Damiano Crucifix, Francis and John, Creation and John, by Michael Guinan, Franciscan Institute Publications, 2006. ISBN 9781576592045