Seat of Wisdom
Encyclopedia
In the Roman Catholic tradition, the epithet "the Seat of Wisdom" or "Throne of Wisdom" (a translation of the still-used Latin sedes sapientiae) is identified with one of many devotional titles
for the Mother of God. The phrase, which was characterized in the 11th and 12th centuries, by Peter Damiani and Guibert de Nogent as likening Mary to the Throne of Solomon, refers to her status as a vessel of the incarnation
, carrying the Holy Child. As the phrase associates the Blessed Virgin with glory and with teaching, Madonna-images in this tradition are especially popular in Catholic imagery, while Protestant churches often downplay veneration for Mary (and other saints), and the veneration of images
.
, Sedes sapientiae ("The Throne of Wisdom") is an icon of the Mother of God in majesty. When the Virgin is depicted in sedes sapientiae icon
s and sculptural representations, she is seated on a throne, with the Christ Child on her lap. For the more domestic and intimate iconic representations of Mary with the infant Jesus on her lap, see Madonna and Child.
This type of madonna
-image, as a variant of the Byzantine
Hodegetria
type, appeared in a wide range of sculptural and, later, painted images in Western Europe, especially about 1200. In these representations, some structural elements of the throne invariably appear, even if only handholds and front legs. For hieratic purposes, the Virgin's feet often rest on a low stool. Later, Gothic sculptures of the type are more explicitly identifiable with the Throne of Solomon, where
The Sedes sapientiae icon also appeared in illuminated manuscript
s, and Romanesque frescoes and mosaics, and was represented on seals. The icon possesses in addition emblem
atic verbal components: the Virgin as the Throne of Wisdom is a trope of Damiani or Guibert de Nogent, based on their typological interpretation of the passage in the Books of Kings
, that describes the throne of Solomon (I Kings 10: 18–20, repeated at II Chronicles 9: 17–19). This was much used in Early Netherlandish painting
in works like the Lucca Madonna
by Jan van Eyck
.
is for example the motto of the Katholieke Universiteit Leuven
and the Université catholique de Louvain
, founded when Latin still was the academic lingua franca. Here the phrase is also a play on words, since the University itself is a major seat of learning, i.e. school, in the Low Countries). In September 2000, at the close of the Jubilee Year, Pope John Paul II
commissioned the Slovenian Jesuit artist Marko Ivan Rupnik to create in mosaic an icon of the Virgin sedes sapientiae for the world's Catholic universities; it has since been passed reverently among Catholic institutions in a number of nations.
Epithet
An epithet or byname is a descriptive term accompanying or occurring in place of a name and having entered common usage. It has various shades of meaning when applied to seemingly real or fictitious people, divinities, objects, and binomial nomenclature. It is also a descriptive title...
for the Mother of God. The phrase, which was characterized in the 11th and 12th centuries, by Peter Damiani and Guibert de Nogent as likening Mary to the Throne of Solomon, refers to her status as a vessel of the incarnation
Incarnation
Incarnation literally means embodied in flesh or taking on flesh. It refers to the conception and birth of a sentient creature who is the material manifestation of an entity, god or force whose original nature is immaterial....
, carrying the Holy Child. As the phrase associates the Blessed Virgin with glory and with teaching, Madonna-images in this tradition are especially popular in Catholic imagery, while Protestant churches often downplay veneration for Mary (and other saints), and the veneration of images
Veneration
Veneration , or veneration of saints, is a special act of honoring a saint: an angel, or a dead person who has been identified by a church committee as singular in the traditions of the religion. It is practiced by the Eastern Orthodox Church, the Roman Catholic, and Eastern Catholic Churches...
.
Cultural history
In Christian iconographyIconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
, Sedes sapientiae ("The Throne of Wisdom") is an icon of the Mother of God in majesty. When the Virgin is depicted in sedes sapientiae icon
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and in certain Eastern Catholic churches...
s and sculptural representations, she is seated on a throne, with the Christ Child on her lap. For the more domestic and intimate iconic representations of Mary with the infant Jesus on her lap, see Madonna and Child.
This type of madonna
Madonna (art)
Images of the Madonna and the Madonna and Child or Virgin and Child are pictorial or sculptured representations of Mary, Mother of Jesus, either alone, or more frequently, with the infant Jesus. These images are central icons of Roman Catholicism and Eastern Orthodox Christianity where Mary remains...
-image, as a variant of the Byzantine
Byzantine Empire
The Byzantine Empire was the Eastern Roman Empire during the periods of Late Antiquity and the Middle Ages, centred on the capital of Constantinople. Known simply as the Roman Empire or Romania to its inhabitants and neighbours, the Empire was the direct continuation of the Ancient Roman State...
Hodegetria
Hodegetria
A Hodegetria — or Virgin Hodegetria — is an iconographic depiction of the Theotokos holding the Child Jesus at her side while pointing to Him as the source of salvation for mankind...
type, appeared in a wide range of sculptural and, later, painted images in Western Europe, especially about 1200. In these representations, some structural elements of the throne invariably appear, even if only handholds and front legs. For hieratic purposes, the Virgin's feet often rest on a low stool. Later, Gothic sculptures of the type are more explicitly identifiable with the Throne of Solomon, where
- two lions stood, one at each hand. And twelve little lions stood upon the six steps on the one side and on the other.
The Sedes sapientiae icon also appeared in illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s, and Romanesque frescoes and mosaics, and was represented on seals. The icon possesses in addition emblem
Emblem
An emblem is a pictorial image, abstract or representational, that epitomizes a concept — e.g., a moral truth, or an allegory — or that represents a person, such as a king or saint.-Distinction: emblem and symbol:...
atic verbal components: the Virgin as the Throne of Wisdom is a trope of Damiani or Guibert de Nogent, based on their typological interpretation of the passage in the Books of Kings
Books of Kings
The Book of Kings presents a narrative history of ancient Israel and Judah from the death of David to the release of his successor Jehoiachin from imprisonment in Babylon, a period of some 400 years...
, that describes the throne of Solomon (I Kings 10: 18–20, repeated at II Chronicles 9: 17–19). This was much used in Early Netherlandish painting
Early Netherlandish painting
Early Netherlandish painting refers to the work of artists active in the Low Countries during the 15th- and early 16th-century Northern renaissance, especially in the flourishing Burgundian cities of Bruges and Ghent...
in works like the Lucca Madonna
Lucca Madonna (van Eyck)
The Lucca Madonna is an oil painting of the Madonna and Child by the Early Netherlandish master Jan van Eyck, from 1436. It is on display in the Städel Museum in Frankfurt....
by Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....
.
Other uses
More recently, sedes sapientiaeSedes Sapientiae
The Sedes Sapientiae , also known as Our Lady of Louvain, is a medieval wooden statue of the Virgin Mary. Nicolaas De Bruyne carved the statue in 1442, copying and enlarging an earlier and smaller statue from the 13th century. It is located in the church of Saint Peter in heart of the city of...
is for example the motto of the Katholieke Universiteit Leuven
Katholieke Universiteit Leuven
The Katholieke Universiteit Leuven is a Dutch-speaking university in Flanders, Belgium.It is located at the centre of the historic town of Leuven, and is a prominent part of the city, home to the university since 1425...
and the Université catholique de Louvain
Université catholique de Louvain
The Université catholique de Louvain, sometimes known, especially in Belgium, as UCL, is Belgium's largest French-speaking university. It is located in Louvain-la-Neuve and in Brussels...
, founded when Latin still was the academic lingua franca. Here the phrase is also a play on words, since the University itself is a major seat of learning, i.e. school, in the Low Countries). In September 2000, at the close of the Jubilee Year, Pope John Paul II
Pope John Paul II
Blessed Pope John Paul II , born Karol Józef Wojtyła , reigned as Pope of the Catholic Church and Sovereign of Vatican City from 16 October 1978 until his death on 2 April 2005, at of age. His was the second-longest documented pontificate, which lasted ; only Pope Pius IX ...
commissioned the Slovenian Jesuit artist Marko Ivan Rupnik to create in mosaic an icon of the Virgin sedes sapientiae for the world's Catholic universities; it has since been passed reverently among Catholic institutions in a number of nations.
See also
- Madonna of humilityMadonna of humilityMadonna of humility refers to artistic portrayals of the Virgin Mary which depict her as a Madonna sitting on the ground, or sitting upon a low cushion. She may be holding the Child Jesus in her lap...
- MaestàMaestàMaestà, the Italian word for "majesty", designates an iconic formula of the enthroned Madonna with the child Jesus, whether or not accompanied with angels and saints...
, Maria Regina.
Further reading
- Hans Belting, 1994. Likeness and Presence: A History of the Image before the Era of Art, translator E. Jephcott (Chicago: University of Chicago Press)
- Ilene Forsyth, 1972. The throne of Wisdom: Wood Sculptures of the Madonna in Romanesque France. (Princeton: Princeton University Press)
- Lane, Barbara G,The Altar and the Altarpiece, Sacramental Themes in Early Netherlandish Painting, Harper & Row, 1984, ISBN 0064301338