Madonna (art)
Encyclopedia
Images of the Madonna and the Madonna and Child or Virgin and Child are pictorial or sculptured representations of Mary, Mother of Jesus, either alone, or more frequently, with the infant Jesus
. These images are central icon
s of Roman Catholicism and Eastern Orthodox
Christianity
where Mary remains a central artistic topic. No image (in either the Western or the Eastern Church) permeates Christian art as the image of Madonna and Child.
While Mary, the Mother of Jesus, may be referred to as "the Madonna" in other contexts, in art the term is applied specifically to an artwork in which Mary, with or without the infant Jesus, is the focus, and central figure of the picture. Mary and the infant Jesus may be surrounded by adoring angels or worshiping saints. Images that have a narrative content, including those of the many scenes which make up the Life of the Virgin
, are not correctly referred to as "Madonnas" but are given a title that reflects the scene such as the Annunciation to Mary.
The earliest such images date from the Early Christian Church and are found in the catacombs of Rome. Representation of Mary became more common after the Council of Ephesus in 431.
For over a thousand years, through the Byzantine, Medieval and Early Renaissance periods the Madonna was the most often produced pictorial artwork. Many specific images of the Madonna, both painted and sculptured, have achieved fame, either as objects of religious veneration or for their intrinsic artistic qualities. Many of the most renowned painters and sculptors in the history of art have turned their skills toward the creation of Madonna images. These artists include Duccio
, Leonardo da Vinci
, Michelangelo
, Giovanni Bellini
, Caravaggio
, Rubens
, Salvador Dalí
and Henry Moore
.
term for a noble or otherwise important woman, and has long been used commonly in reference to images of the Virgin Mary, the mother of Jesus. The word has also been adopted by the English and other European languages. "Madonna", translates as "My Lady". While stressing the personal, if reverent relationship between the Virgin and the devout Christian who addresses her in prayer, it is comparable to the French, "Notre Dame", or "Our Lady". These names signal both the increased importance of the Cult of the Virgin and the prominence of art in service to Marian devotion during the late medieval period. During the thirteenth century, especially, with the increasing influence of chivalry and aristocratic culture on poetry, song and the visual arts, the Madonna is represented as the Queen of Heaven, often enthroned. Strictly speaking, the term "Madonna" should be used exclusively for Italian works, but has become applied much more widely. It is often applied to the same work of art alternately with the title "Virgin". An image in which Mary is depicted with the Christ Child, may be called a Madonna and Child, but is often loosely referred to as a Madonna.
, Rome, in which the seated Madonna suckles the Child, who turns his head to gaze at the spectator.
The earliest consistent representations of Mother and Child were developed in the Eastern Empire, where despite an iconoclastic strain in culture that rejected physical representations as "idols
", respect for venerated images was expressed in the repetition of a narrow range of highly conventionalized types, the repeated images familiar as icon
s (Greek
"image"). On a visit to Constantinople in 536, Pope Agapetus
was accused of being opposed to the veneration of the theotokos and to the portrayal of her image in churches. Eastern examples show the Madonna enthroned, even wearing the closed Byzantine pearl-encrusted crown with pendants, with the Christ Child on her lap.
In the West, hieratic Byzantine models were closely followed in the Early Middle Ages, but with the increased importance of the cult of the Virgin in the 12th and 13th centuries a wide variety of types developed to satisfy a flood of more intensely personal forms of piety. In the usual Gothic and Renaissance formulas the Virgin Mary sits with the Infant Jesus
on her lap, or enfolded in her arms. In earlier representations the Virgin is enthroned, and the Child may be fully aware, raising his hand to offer blessing. In a 15th century Italian variation, a baby John the Baptist
looks on.
Late Gothic sculptures of the Virgin and Child may show a standing virgin with the child in her arms. Iconography
varies between public images and private images supplied on a smaller scale and meant for personal devotion in the chamber: the Virgin suckling
the Child (such as the Madonna Litta
) is an image largely confined to private devotional icons.
("God-bearer") was confirmed; this had been a subject of some controversy until then, though mainly for reasons to do with arguments over the nature of Christ
. In mosaic
s in Santa Maria Maggiore in Rome, dating from 432-40, just after the council, she is not yet shown with a halo
, and she is also not shown in Nativity scenes at this date, though she is included in the Adoration of the Magi.
By the next century the iconic depiction of the Virgin enthroned carrying the infant Christ was established, as in the example from the only group of icons surviving from this period, at Saint Catherine's Monastery, Mount Sinai
. This type of depiction, with subtly changing differences of emphasis, has remained the mainstay of depictions of Mary to the present day. The image at Mount Sinai succeeds in combining two aspects of Mary described in the Magnificat
, her humility
and her exaltation above other humans, and has the Hand of God
above, up to which the archangels look. An early icon of the Virgin as queen is in the church of Santa Maria in Trastevere
in Rome, datable to 705-707 by the kneeling figure of Pope John VII
, a notable promoter of the cult of the Virgin, to whom the infant Christ reaches his hand. This type was long confined to Rome. The roughly half-dozen varied icons of the Virgin and Child in Rome from the 6th - 8th century form the majority of the representations surviving from this period; "isolated images of the Madonna and Child ... are so common ... to the present day in Catholic and Orthodox tradition, that it is difficult to recover a sense of the novelty of such images in the early Middle Ages, at least in western Europe".
At this period the iconography
of the Nativity was taking the form, centred on Mary, that it has retained up to the present day in Eastern Orthodoxy, and on which Western depictions remained based until the High Middle Ages
. Other narrative scenes for Byzantine cycles on the Life of the Virgin
were being evolved, relying on apocypha
l sources to fill in her life before the Annunciation to Mary. By this time the political and economic collapse of the Western Roman Empire
meant that the Western, Latin, church was unable to compete in the development of such sophisticated iconography
, and relied heavily on Byzantine developments.
The earliest surviving image in a Western illuminated manuscript
of the Madonna and Child comes from the Book of Kells
of about 800 (there is a similar carved image on the lid of St Cuthbert's coffin of 698) and, though magnificently decorated in the style of Insular art
, the drawing of the figures can only be described as rather crude compared to Byzantine work of the period. This was in fact an unusual inclusion in a Gospel book
, and images of the Virgin were slow to appear in large numbers in manuscript art until the book of hours
was devised in the 13th century.
icons, especially those created in Constantinople
(Istanbul), the capital of the longest, enduring medieval civilization whose icons participated in civic life and were celebrated for their miraculous properties. Byzantium (324-1453) saw itself as the true Rome
, if Greek
-speaking, Christian empire with colonies of Italians living among its citizens, participating in Crusades
at the borders of its land, and ultimately, plundering its churches, palaces and monasteries of many of its treasures. Later in the Middle Ages
, the Cretan school
was the main source of icons for the West, and the artists there could adapt their style to Western iconography
when required.
While theft is one way that Byzantine images made their way West to Italy, the relationship between Byzantine icons and Italian images of the Madonna is far more rich and complicated. Byzantine art played a long, critical role in Western Europe, especially when Byzantine territories included parts of Eastern Europe, Greece and much of Italy itself. Byzantine manuscripts, ivories, gold, silver and luxurious textiles
were distributed throughout the West. In Byzantium, Mary's usual title was the Theotokos
or Mother of God, rather than the Virgin Mary and it was believed that salvation
was delivered to the faithful at the moment of God's incarnation
. That theological concept takes pictorial form in the image of Mary holding her infant son.
However, what is most relevant to the Byzantine heritage of the Madonna is twofold. First, the earliest surviving independent images of the Virgin Mary are found in Rome, the center of Christianity in the medieval West. One is a valued possession of Santa Maria in Trastevere
, one of the many Roman churches dedicated to the Virgin Mary. Another, a splintered, repainted ghost of its former self, is venerated at the Pantheon
, that great architectural wonder of the Ancient Roman Empire
, that was rededicated to Mary as an expression of the Church's triumph. Both evoke Byzantine tradition in terms of their medium, that is, the technique and materials of the paintings, in that they were originally painted in tempera
(egg yolk and ground pigments) on wooden panels. In this respect, they share the Ancient Roman heritage of Byzantine icons. Second, they share iconography
, or subject matter. Each image stresses the maternal role that Mary plays, representing her in relationship to her infant son. It is difficult to gauge the dates of the cluster of these earlier images, however, they seem to be primarily works of the seventh and eighth centuries.
in Italy during the twelfth and thirteenth centuries, that the image of the Madonna gains prominence outside of Rome, especially throughout Tuscany
. While members of the mendicant orders of the Franciscan
and Dominican
Orders are some of the first to commission panels representing this subject matter, such works quickly became popular in monasteries, parish churches, and homes. Some images of the Madonna were paid for by lay organizations called confraternities, who met to sing praises of the Virgin in chapels found within the newly reconstructed, spacious churches that were sometimes dedicated to her. Paying for such a work might also be seen as a form of devotion. Its expense registers in the use of thin sheets of real gold leaf
in all parts of the panel that are not covered with paint, a visual analogue not only to the costly sheaths that medieval goldsmith
s used to decorate altars, but also a means of surrounding the image of the Madonna with illumination from oil lamps and candles. Even more precious is the bright blue mantle colored with lapis lazuli
, a stone imported from Afghanistan.
This is the case of one of the most famous, innovative and monumental works that Duccio executed for the Laudesi at Santa Maria Novella in Florence. Often the scale of the work indicates a great deal about its original function. Often referred to as the Rucellia Madonna (c. 1285), the panel painting towers over the spectator, offering a visual focus for members of the Laudesi confraternity to gather before it as they sang praises to the image. Duccio made an even grander image of the Madonna enthroned for the high altar of the cathedral of Siena, his home town. Known as the Maesta(1308–11), the image represents the pair as the center of a densely populated court in the central part of a complexly carpentered work that lifts the court upon a predella (pedestal of altarpiece) of narrative scenes and standing figures of prophets and saints. In turn, a modestly scaled image of the Madonna as a half-length figure holding her son in a memorably intimate depiction, is to be found in the National Gallery of London. This is clearly made for the private devotion of a Christian wealthy enough to hire one of the most important Italian artists of his day. The privileged owner need not go to Church to say his prayers or plead for salvation; all he or she had to do was open the shutters of the tabernacle in an act of private revelation.
Duccio and his contemporaries inherited early pictorial conventions that were maintained, in part, to tie their own works to the authority of tradition. Despite all of the innovations of painters of the Madonna during the thirteenth and fourteenth centuries, Mary can usually be recognized by virtue of her attire. Customarily when she is represented as a youthful mother of her newborn child, she wears a deeply saturated blue mantle over a red garment. This mantle typically covers her head, where sometimes, one might see a linen, or later, transparent silk veil. She holds the Christ Child, or Baby Jesus, who shares her halo as well as her regal bearing. Often her gaze is directed out at the viewer, serving as an intercessor, or conduit for prayers that flow from the Christian, to Her, and only then, to Her Son. However, late medieval Italian artists also followed the trends of Byzantine icon painting, developing their own methods of depicting the Madonna. Sometimes, the Madonna's complex bond with her tiny child takes the form of a close, intimate moment of tenderness steeped in sorrow where she only has eyes for Him.
While the focus of this entry currently stresses the depiction of the Madonna in panel painting, it should be noted that her image also appears in mural decoration, whether mosaics or fresco painting on the exteriors and interior of sacred buildings. She is found high above the apse, or east end of the church where the liturgy is celebrated in the West. She is also found in sculpted form, whether small ivories for private devotion, or large sculptural reliefs and free-standing sculpture. As a participant in sacred drama, her image inspires one of the most important fresco cycles in all of Italian painting: Giotto's narrative cycle in the Arena Chapel, next to the Scrovegni family's palace in Padua. This program dates to the first decade of the fourteenth century.
Italian artists of the fifteenth century onward are indebted to traditions established in the thirteenth and fourteenth centuries in their representation of the Madonna.
Some the most famous Italian painters to turn to this subject are Leonardo da Vinci
, Michelangelo
and Raphael, Giorgione
, Giovanni Bellini
and Titian
, in the 16th century. They developed on the foundations of fifteenth century Marian images by Fra Angelico
, Fra Filippo Lippi, Mantegna
and Piero della Francesca
in particular, among countless others. The subject was equally popular in Early Netherlandish painting
and that of the rest of Northern Europe.
The subject retaining the greatest power on all of these men remained the maternal bond, even though other subjects, especially the Annunciation
, and later the Immaculate Conception
, led to a greater number of paintings that represented Mary alone, without her son. As a commemorative image, the Pietà
became an important subject, newly freed from its former role in narrative cycles, in part, an outgrowth of popular devotional statues in Northern Europe. Traditionally, Mary is depicted expressing compassion, grief and love, usually in highly charged, emotional works of art even though the most famous, early work by Michelangelo stifles signs of mourning. The tenderness an ordinary mother might feel towards her beloved child is captured, evoking the moment when she first held her infant son Christ
. The spectator, after all, is meant to sympathize, to share in the despair of the mother who holds the body of her crucified son.
In Germany such a statue placed on the outside of a building is called a Hausmadonna. Some date back to the Middle Ages, while some are still being made today. Usually found on the level of the second floor or higher, and often on the corner of a house, such sculptures were found in great numbers in many cities; Mainz
, for instance, was supposed to have had more than 200 of them before World War II. The variety in such statues is as great as in other Madonna images; one finds Madonnas holding grapes (in reference to the Song of Songs
1:14, translated as "My lover is to me a cluster of henna blossoms" in the NIV
), "immaculate" Madonnas in pure, perfect white without child or accessories, and Madonnas with roses symbolizing her life determined by the mysteries of faith.
In Italy the roadside Madonna is a common sight both on the side of buildings and along roads in small enclosures. These are expected to bring spiritual relief to people who pass them. Some Madonnas statues are placed around Italian towns and villages as a matter of protection, or as a commemoration of a reported miracle.
In the 1920s, the Daughters of the American Revolution placed statues called the Madonna of the Trail from coast to coast, marking the path of the old National Road and the Santa Fe Trail
.
Jesus
Jesus of Nazareth , commonly referred to as Jesus Christ or simply as Jesus or Christ, is the central figure of Christianity...
. These images are central icon
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and in certain Eastern Catholic churches...
s of Roman Catholicism and Eastern Orthodox
Eastern Orthodox Church
The Orthodox Church, officially called the Orthodox Catholic Church and commonly referred to as the Eastern Orthodox Church, is the second largest Christian denomination in the world, with an estimated 300 million adherents mainly in the countries of Belarus, Bulgaria, Cyprus, Georgia, Greece,...
Christianity
Christianity
Christianity is a monotheistic religion based on the life and teachings of Jesus as presented in canonical gospels and other New Testament writings...
where Mary remains a central artistic topic. No image (in either the Western or the Eastern Church) permeates Christian art as the image of Madonna and Child.
While Mary, the Mother of Jesus, may be referred to as "the Madonna" in other contexts, in art the term is applied specifically to an artwork in which Mary, with or without the infant Jesus, is the focus, and central figure of the picture. Mary and the infant Jesus may be surrounded by adoring angels or worshiping saints. Images that have a narrative content, including those of the many scenes which make up the Life of the Virgin
Life of the Virgin
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space...
, are not correctly referred to as "Madonnas" but are given a title that reflects the scene such as the Annunciation to Mary.
The earliest such images date from the Early Christian Church and are found in the catacombs of Rome. Representation of Mary became more common after the Council of Ephesus in 431.
For over a thousand years, through the Byzantine, Medieval and Early Renaissance periods the Madonna was the most often produced pictorial artwork. Many specific images of the Madonna, both painted and sculptured, have achieved fame, either as objects of religious veneration or for their intrinsic artistic qualities. Many of the most renowned painters and sculptors in the history of art have turned their skills toward the creation of Madonna images. These artists include Duccio
Duccio
Duccio di Buoninsegna was one of the most influential Italian artists of his time. Born in Siena, Tuscany, he worked mostly with pigment and egg tempera and like most of his contemporaries painted religious subjects...
, Leonardo da Vinci
Leonardo da Vinci
Leonardo di ser Piero da Vinci was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist and writer whose genius, perhaps more than that of any other figure, epitomized the Renaissance...
, Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
, Giovanni Bellini
Giovanni Bellini
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it...
, Caravaggio
Caravaggio
Michelangelo Merisi da Caravaggio was an Italian artist active in Rome, Naples, Malta, and Sicily between 1593 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque...
, Rubens
Rubens
Rubens is often used to refer to Peter Paul Rubens , the Flemish artist.Rubens may also refer to:- People :Family name* Paul Rubens Rubens is often used to refer to Peter Paul Rubens (1577-1640), the Flemish artist.Rubens may also refer to:- People :Family name* Paul Rubens (composer) Rubens is...
, Salvador Dalí
Salvador Dalí
Salvador Domènec Felip Jacint Dalí i Domènech, Marquis de Púbol , commonly known as Salvador Dalí , was a prominent Spanish Catalan surrealist painter born in Figueres,Spain....
and Henry Moore
Henry Moore
Henry Spencer Moore OM CH FBA was an English sculptor and artist. He was best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art....
.
Terminology
Madonna is a medieval ItalianItalian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
term for a noble or otherwise important woman, and has long been used commonly in reference to images of the Virgin Mary, the mother of Jesus. The word has also been adopted by the English and other European languages. "Madonna", translates as "My Lady". While stressing the personal, if reverent relationship between the Virgin and the devout Christian who addresses her in prayer, it is comparable to the French, "Notre Dame", or "Our Lady". These names signal both the increased importance of the Cult of the Virgin and the prominence of art in service to Marian devotion during the late medieval period. During the thirteenth century, especially, with the increasing influence of chivalry and aristocratic culture on poetry, song and the visual arts, the Madonna is represented as the Queen of Heaven, often enthroned. Strictly speaking, the term "Madonna" should be used exclusively for Italian works, but has become applied much more widely. It is often applied to the same work of art alternately with the title "Virgin". An image in which Mary is depicted with the Christ Child, may be called a Madonna and Child, but is often loosely referred to as a Madonna.
Modes of representation
There are several distinct types of representation of the Madonna.- One type of Madonna shows Mary alone (without the child Jesus), and standing, generally glorified and with a gesture of prayer, benediction or prophesy. This type of image occurs in a number of ancient apsidal mosaicMosaicMosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...
s. - Full-length standing images of the Madonna more frequently include the infant Jesus, who turns towards the viewer or raises his hand in benediction. The most famous Byzantine image, the HodegetriaHodegetriaA Hodegetria — or Virgin Hodegetria — is an iconographic depiction of the Theotokos holding the Child Jesus at her side while pointing to Him as the source of salvation for mankind...
was originally of this type, though most copies are at half-length. This type of image occurs frequently in sculpture and may be found in fragile ivory carvings, in limestone on the central door posts of many cathedrals, and in polychrome wooden or plaster casts in almost every Catholic Church. There are a number of famous paintings that depict the Madonna in this manner, notably the Sistine MadonnaSistine MadonnaSistine Madonna, also called La Madonna di San Sisto, is an oil painting by the Italian artist Raphael. Finished shortly before his death, ca. 1513–1514, as a commissioned altarpiece, it was the last of the painter's Madonnas and the last painting he completed with his own hands...
by RaphaelRaphaelRaffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...
. - The Madonna enthroned is a type of image that dates from the ByzantineByzantineByzantine usually refers to the Roman Empire during the Middle Ages.Byzantine may also refer to:* A citizen of the Byzantine Empire, or native Greek during the Middle Ages...
period and was used widely in Medieval and Renaissance times. These representations of the Madonna and Child often take the form of large altarpieces. They also occur as frescoes and apsidal mosaics. In Medieval examples the Madonna is often accompanied by angels who support the throne, or by rows of saints. In Renaissance painting, particularly High Renaissance painting, the saints may be grouped informally in a type of composition known as a Sacra conversazioneSacra conversazioneIn art, a sacra conversazione or sacred conversation is a depiction of the Virgin and Child amidst a group of saints in a relatively informal grouping, as opposed to the more rigid and hierarchical compositions of earlier periods...
. - The Madonna of humilityMadonna of humilityMadonna of humility refers to artistic portrayals of the Virgin Mary which depict her as a Madonna sitting on the ground, or sitting upon a low cushion. She may be holding the Child Jesus in her lap...
refers to portrayals in which the Madonna is sitting on the ground, or sitting upon a low cushion. She may be holding the Child JesusJesusJesus of Nazareth , commonly referred to as Jesus Christ or simply as Jesus or Christ, is the central figure of Christianity...
in her lap. This style was a product of Franciscan piety, and perhaps due to Simone MartiniSimone MartiniSimone Martini was an Italian painter born in Siena.He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style....
. It spread quickly through Italy and by 1375 examples began to appear in Spain, France and Germany. It was the most popular among the styles of the early TrecentoTrecentoThe Trecento refers to the 14th century in Italian cultural history.Commonly the Trecento is considered to be the beginning of the Renaissance in art history...
artistic period. - Half-length Madonnas are the form most frequently taken by painted icons of the Eastern Orthodox Church, where the subject matter is highly formulated so that each painting expresses one particular attribute of the "Mother of God". Half-length paintings of the Madonna and Child are also common in Italian Renaissance paintingItalian Renaissance paintingItalian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas...
, particularly in VeniceVeniceVenice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
. - The seated Madonna and Child is a style of image that became particularly popular during the 15th century in FlorenceFlorenceFlorence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
and was imitated elsewhere. These representations are usually of a small size suitable for a small altar or domestic use. They usually show Mary holding the infant Jesus in an informal and maternal manner. These paintings often include symbolic reference to the Passion of Christ. - The Adoring Madonna is a type popular during the Renaissance. These images, usually small and intended for personal devotion, show Mary kneeling in adoration of the Christ Child. Many such images were produced in glazed terracotta as well as paint.
Development
The earliest representation of the Madonna and Child may be the wall painting in the Catacomb of PriscillaCatacombs of Rome
The Catacombs of Rome are ancient catacombs, underground burial places under or near Rome, Italy, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, they began in the 2nd century, much...
, Rome, in which the seated Madonna suckles the Child, who turns his head to gaze at the spectator.
The earliest consistent representations of Mother and Child were developed in the Eastern Empire, where despite an iconoclastic strain in culture that rejected physical representations as "idols
Idolatry
Idolatry is a pejorative term for the worship of an idol, a physical object such as a cult image, as a god, or practices believed to verge on worship, such as giving undue honour and regard to created forms other than God. In all the Abrahamic religions idolatry is strongly forbidden, although...
", respect for venerated images was expressed in the repetition of a narrow range of highly conventionalized types, the repeated images familiar as icon
Icon
An icon is a religious work of art, most commonly a painting, from Eastern Christianity and in certain Eastern Catholic churches...
s (Greek
Greek language
Greek is an independent branch of the Indo-European family of languages. Native to the southern Balkans, it has the longest documented history of any Indo-European language, spanning 34 centuries of written records. Its writing system has been the Greek alphabet for the majority of its history;...
"image"). On a visit to Constantinople in 536, Pope Agapetus
Pope Agapetus
Pope Agapetus may refer to:*Pope Agapetus I *Pope Agapetus II *Agapitus of Palestrina, martyr and saint*Felicissimus and Agapitus, martyrs*An early bishop of Ravenna...
was accused of being opposed to the veneration of the theotokos and to the portrayal of her image in churches. Eastern examples show the Madonna enthroned, even wearing the closed Byzantine pearl-encrusted crown with pendants, with the Christ Child on her lap.
In the West, hieratic Byzantine models were closely followed in the Early Middle Ages, but with the increased importance of the cult of the Virgin in the 12th and 13th centuries a wide variety of types developed to satisfy a flood of more intensely personal forms of piety. In the usual Gothic and Renaissance formulas the Virgin Mary sits with the Infant Jesus
Child Jesus
The Child Jesus represents Jesus from his Nativity to age 12. At 13 he was considered to be adult, in accordance with the Jewish custom of his time, and that of most Christian cultures until recent centuries.The Child Jesus is frequently depicted in art, from around the third or fourth century...
on her lap, or enfolded in her arms. In earlier representations the Virgin is enthroned, and the Child may be fully aware, raising his hand to offer blessing. In a 15th century Italian variation, a baby John the Baptist
John the Baptist
John the Baptist was an itinerant preacher and a major religious figure mentioned in the Canonical gospels. He is described in the Gospel of Luke as a relative of Jesus, who led a movement of baptism at the Jordan River...
looks on.
Late Gothic sculptures of the Virgin and Child may show a standing virgin with the child in her arms. Iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
varies between public images and private images supplied on a smaller scale and meant for personal devotion in the chamber: the Virgin suckling
Breastfeeding
Breastfeeding is the feeding of an infant or young child with breast milk directly from female human breasts rather than from a baby bottle or other container. Babies have a sucking reflex that enables them to suck and swallow milk. It is recommended that mothers breastfeed for six months or...
the Child (such as the Madonna Litta
Madonna Litta
The Madonna Litta is a late 15th-century painting of the Madonna and Christ Child generally attributed to Leonardo da Vinci, and displayed in the Hermitage Museum, Russia....
) is an image largely confined to private devotional icons.
Early images
There was a great expansion of the cult of Mary after the Council of Ephesus in 431, when her status as TheotokosTheotokos
Theotokos is the Greek title of Mary, the mother of Jesus used especially in the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches. Its literal English translations include God-bearer and the one who gives birth to God. Less literal translations include Mother of God...
("God-bearer") was confirmed; this had been a subject of some controversy until then, though mainly for reasons to do with arguments over the nature of Christ
Christology
Christology is the field of study within Christian theology which is primarily concerned with the nature and person of Jesus Christ as recorded in the Canonical gospels and the letters of the New Testament. Primary considerations include the relationship of Jesus' nature and person with the nature...
. In mosaic
Mosaic
Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...
s in Santa Maria Maggiore in Rome, dating from 432-40, just after the council, she is not yet shown with a halo
Halo (religious iconography)
A halo is a ring of light that surrounds a person in art. They have been used in the iconography of many religions to indicate holy or sacred figures, and have at various periods also been used in images of rulers or heroes...
, and she is also not shown in Nativity scenes at this date, though she is included in the Adoration of the Magi.
By the next century the iconic depiction of the Virgin enthroned carrying the infant Christ was established, as in the example from the only group of icons surviving from this period, at Saint Catherine's Monastery, Mount Sinai
Saint Catherine's Monastery, Mount Sinai
Saint Catherine's Monastery lies on the Sinai Peninsula, at the mouth of a gorge at the foot of Mount Sinai in the city of Saint Catherine in Egypt's South Sinai Governorate. The monastery is Orthodox and is a UNESCO World Heritage Site...
. This type of depiction, with subtly changing differences of emphasis, has remained the mainstay of depictions of Mary to the present day. The image at Mount Sinai succeeds in combining two aspects of Mary described in the Magnificat
Magnificat
The Magnificat — also known as the Song of Mary or the Canticle of Mary — is a canticle frequently sung liturgically in Christian church services. It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn...
, her humility
Humility
Humility is the quality of being modest, and respectful. Humility, in various interpretations, is widely seen as a virtue in many religious and philosophical traditions, being connected with notions of transcendent unity with the universe or the divine, and of egolessness.-Term:The term "humility"...
and her exaltation above other humans, and has the Hand of God
Hand of God (art)
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei, the "right hand of the Lord/God", is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Jehovah or God the Father as a full human figure was considered...
above, up to which the archangels look. An early icon of the Virgin as queen is in the church of Santa Maria in Trastevere
Santa Maria in Trastevere
The Basilica of Our Lady in Trastevere is a titular minor basilica, one of the oldest churches in Rome, and perhaps the first in which mass was openly celebrated...
in Rome, datable to 705-707 by the kneeling figure of Pope John VII
Pope John VII
Pope John VII was pope from 705 to 707. The successor of John VI, he was of Greek ancestry. He is one of the popes of the Byzantine captivity.-Biography:...
, a notable promoter of the cult of the Virgin, to whom the infant Christ reaches his hand. This type was long confined to Rome. The roughly half-dozen varied icons of the Virgin and Child in Rome from the 6th - 8th century form the majority of the representations surviving from this period; "isolated images of the Madonna and Child ... are so common ... to the present day in Catholic and Orthodox tradition, that it is difficult to recover a sense of the novelty of such images in the early Middle Ages, at least in western Europe".
At this period the iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
of the Nativity was taking the form, centred on Mary, that it has retained up to the present day in Eastern Orthodoxy, and on which Western depictions remained based until the High Middle Ages
High Middle Ages
The High Middle Ages was the period of European history around the 11th, 12th, and 13th centuries . The High Middle Ages were preceded by the Early Middle Ages and followed by the Late Middle Ages, which by convention end around 1500....
. Other narrative scenes for Byzantine cycles on the Life of the Virgin
Life of the Virgin
The Life of the Virgin, showing narrative scenes from the life of Mary, the mother of Jesus, is a common subject for pictorial cycles in Christian art, often complementing, or forming part of, a cycle on the Life of Christ. In both cases the number of scenes shown varies greatly with the space...
were being evolved, relying on apocypha
New Testament apocrypha
The New Testament apocrypha are a number of writings by early Christians that claim to be accounts of Jesus and his teachings, the nature of God, or the teachings of his apostles and of their lives. These writings often have links with books regarded as "canonical"...
l sources to fill in her life before the Annunciation to Mary. By this time the political and economic collapse of the Western Roman Empire
Western Roman Empire
The Western Roman Empire was the western half of the Roman Empire after its division by Diocletian in 285; the other half of the Roman Empire was the Eastern Roman Empire, commonly referred to today as the Byzantine Empire....
meant that the Western, Latin, church was unable to compete in the development of such sophisticated iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
, and relied heavily on Byzantine developments.
The earliest surviving image in a Western illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
of the Madonna and Child comes from the Book of Kells
Book of Kells
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier...
of about 800 (there is a similar carved image on the lid of St Cuthbert's coffin of 698) and, though magnificently decorated in the style of Insular art
Insular art
Insular art, also known as Hiberno-Saxon art, is the style of art produced in the post-Roman history of Ireland and Great Britain. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe...
, the drawing of the figures can only be described as rather crude compared to Byzantine work of the period. This was in fact an unusual inclusion in a Gospel book
Gospel Book
The Gospel Book, Evangelion, or Book of the Gospels is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament...
, and images of the Virgin were slow to appear in large numbers in manuscript art until the book of hours
Book of Hours
The book of hours was a devotional book popular in the later Middle Ages. It is the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and...
was devised in the 13th century.
Byzantine influence on the West
Very few early images of the Virgin Mary survive, though the depiction of the Madonna has roots in ancient pictorial and sculptural traditions that informed the earliest Christian communities throughout Europe, Northern Africa and the Middle East. Important to Italian tradition are ByzantineByzantine art
Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....
icons, especially those created in Constantinople
Constantinople
Constantinople was the capital of the Roman, Eastern Roman, Byzantine, Latin, and Ottoman Empires. Throughout most of the Middle Ages, Constantinople was Europe's largest and wealthiest city.-Names:...
(Istanbul), the capital of the longest, enduring medieval civilization whose icons participated in civic life and were celebrated for their miraculous properties. Byzantium (324-1453) saw itself as the true Rome
Ancient Rome
Ancient Rome was a thriving civilization that grew on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to one of the largest empires in the ancient world....
, if Greek
Greek language
Greek is an independent branch of the Indo-European family of languages. Native to the southern Balkans, it has the longest documented history of any Indo-European language, spanning 34 centuries of written records. Its writing system has been the Greek alphabet for the majority of its history;...
-speaking, Christian empire with colonies of Italians living among its citizens, participating in Crusades
Crusades
The Crusades were a series of religious wars, blessed by the Pope and the Catholic Church with the main goal of restoring Christian access to the holy places in and near Jerusalem...
at the borders of its land, and ultimately, plundering its churches, palaces and monasteries of many of its treasures. Later in the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
, the Cretan school
Cretan School
The term Cretan School describes an important school of icon painting, also known as Post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the...
was the main source of icons for the West, and the artists there could adapt their style to Western iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
when required.
While theft is one way that Byzantine images made their way West to Italy, the relationship between Byzantine icons and Italian images of the Madonna is far more rich and complicated. Byzantine art played a long, critical role in Western Europe, especially when Byzantine territories included parts of Eastern Europe, Greece and much of Italy itself. Byzantine manuscripts, ivories, gold, silver and luxurious textiles
Byzantine silk
Byzantine silk is silk woven in the Byzantine Empire from about the 4th century until the Fall of Constantinople in 1453.The Byzantine capital of Constantinople was the first significant silk-weaving center in Europe. Silk was one of the most important commodities in the Byzantine economy, used by...
were distributed throughout the West. In Byzantium, Mary's usual title was the Theotokos
Theotokos
Theotokos is the Greek title of Mary, the mother of Jesus used especially in the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches. Its literal English translations include God-bearer and the one who gives birth to God. Less literal translations include Mother of God...
or Mother of God, rather than the Virgin Mary and it was believed that salvation
Salvation
Within religion salvation is the phenomenon of being saved from the undesirable condition of bondage or suffering experienced by the psyche or soul that has arisen as a result of unskillful or immoral actions generically referred to as sins. Salvation may also be called "deliverance" or...
was delivered to the faithful at the moment of God's incarnation
Incarnation
Incarnation literally means embodied in flesh or taking on flesh. It refers to the conception and birth of a sentient creature who is the material manifestation of an entity, god or force whose original nature is immaterial....
. That theological concept takes pictorial form in the image of Mary holding her infant son.
However, what is most relevant to the Byzantine heritage of the Madonna is twofold. First, the earliest surviving independent images of the Virgin Mary are found in Rome, the center of Christianity in the medieval West. One is a valued possession of Santa Maria in Trastevere
Santa Maria in Trastevere
The Basilica of Our Lady in Trastevere is a titular minor basilica, one of the oldest churches in Rome, and perhaps the first in which mass was openly celebrated...
, one of the many Roman churches dedicated to the Virgin Mary. Another, a splintered, repainted ghost of its former self, is venerated at the Pantheon
Pantheon, Rome
The Pantheon ,Rarely Pantheum. This appears in Pliny's Natural History in describing this edifice: Agrippae Pantheum decoravit Diogenes Atheniensis; in columnis templi eius Caryatides probantur inter pauca operum, sicut in fastigio posita signa, sed propter altitudinem loci minus celebrata.from ,...
, that great architectural wonder of the Ancient Roman Empire
Roman Empire
The Roman Empire was the post-Republican period of the ancient Roman civilization, characterised by an autocratic form of government and large territorial holdings in Europe and around the Mediterranean....
, that was rededicated to Mary as an expression of the Church's triumph. Both evoke Byzantine tradition in terms of their medium, that is, the technique and materials of the paintings, in that they were originally painted in tempera
Tempera
Tempera, also known as egg tempera, is a permanent fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium . Tempera also refers to the paintings done in this medium. Tempera paintings are very long lasting, and examples from the 1st centuries AD still exist...
(egg yolk and ground pigments) on wooden panels. In this respect, they share the Ancient Roman heritage of Byzantine icons. Second, they share iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
, or subject matter. Each image stresses the maternal role that Mary plays, representing her in relationship to her infant son. It is difficult to gauge the dates of the cluster of these earlier images, however, they seem to be primarily works of the seventh and eighth centuries.
Representations
It was not until the revival of monumental panel paintingPanel painting
A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, it was the normal form of support for a painting not on a wall or vellum, which was used for...
in Italy during the twelfth and thirteenth centuries, that the image of the Madonna gains prominence outside of Rome, especially throughout Tuscany
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
. While members of the mendicant orders of the Franciscan
Franciscan
Most Franciscans are members of Roman Catholic religious orders founded by Saint Francis of Assisi. Besides Roman Catholic communities, there are also Old Catholic, Anglican, Lutheran, ecumenical and Non-denominational Franciscan communities....
and Dominican
Dominican Order
The Order of Preachers , after the 15th century more commonly known as the Dominican Order or Dominicans, is a Catholic religious order founded by Saint Dominic and approved by Pope Honorius III on 22 December 1216 in France...
Orders are some of the first to commission panels representing this subject matter, such works quickly became popular in monasteries, parish churches, and homes. Some images of the Madonna were paid for by lay organizations called confraternities, who met to sing praises of the Virgin in chapels found within the newly reconstructed, spacious churches that were sometimes dedicated to her. Paying for such a work might also be seen as a form of devotion. Its expense registers in the use of thin sheets of real gold leaf
Gold leaf
right|thumb|250px|[[Burnishing]] gold leaf with an [[agate]] stone tool, during the water gilding processGold leaf is gold that has been hammered into extremely thin sheets and is often used for gilding. Gold leaf is available in a wide variety of karats and shades...
in all parts of the panel that are not covered with paint, a visual analogue not only to the costly sheaths that medieval goldsmith
Goldsmith
A goldsmith is a metalworker who specializes in working with gold and other precious metals. Since ancient times the techniques of a goldsmith have evolved very little in order to produce items of jewelry of quality standards. In modern times actual goldsmiths are rare...
s used to decorate altars, but also a means of surrounding the image of the Madonna with illumination from oil lamps and candles. Even more precious is the bright blue mantle colored with lapis lazuli
Lapis lazuli
Lapis lazuli is a relatively rare semi-precious stone that has been prized since antiquity for its intense blue color....
, a stone imported from Afghanistan.
This is the case of one of the most famous, innovative and monumental works that Duccio executed for the Laudesi at Santa Maria Novella in Florence. Often the scale of the work indicates a great deal about its original function. Often referred to as the Rucellia Madonna (c. 1285), the panel painting towers over the spectator, offering a visual focus for members of the Laudesi confraternity to gather before it as they sang praises to the image. Duccio made an even grander image of the Madonna enthroned for the high altar of the cathedral of Siena, his home town. Known as the Maesta(1308–11), the image represents the pair as the center of a densely populated court in the central part of a complexly carpentered work that lifts the court upon a predella (pedestal of altarpiece) of narrative scenes and standing figures of prophets and saints. In turn, a modestly scaled image of the Madonna as a half-length figure holding her son in a memorably intimate depiction, is to be found in the National Gallery of London. This is clearly made for the private devotion of a Christian wealthy enough to hire one of the most important Italian artists of his day. The privileged owner need not go to Church to say his prayers or plead for salvation; all he or she had to do was open the shutters of the tabernacle in an act of private revelation.
Duccio and his contemporaries inherited early pictorial conventions that were maintained, in part, to tie their own works to the authority of tradition. Despite all of the innovations of painters of the Madonna during the thirteenth and fourteenth centuries, Mary can usually be recognized by virtue of her attire. Customarily when she is represented as a youthful mother of her newborn child, she wears a deeply saturated blue mantle over a red garment. This mantle typically covers her head, where sometimes, one might see a linen, or later, transparent silk veil. She holds the Christ Child, or Baby Jesus, who shares her halo as well as her regal bearing. Often her gaze is directed out at the viewer, serving as an intercessor, or conduit for prayers that flow from the Christian, to Her, and only then, to Her Son. However, late medieval Italian artists also followed the trends of Byzantine icon painting, developing their own methods of depicting the Madonna. Sometimes, the Madonna's complex bond with her tiny child takes the form of a close, intimate moment of tenderness steeped in sorrow where she only has eyes for Him.
While the focus of this entry currently stresses the depiction of the Madonna in panel painting, it should be noted that her image also appears in mural decoration, whether mosaics or fresco painting on the exteriors and interior of sacred buildings. She is found high above the apse, or east end of the church where the liturgy is celebrated in the West. She is also found in sculpted form, whether small ivories for private devotion, or large sculptural reliefs and free-standing sculpture. As a participant in sacred drama, her image inspires one of the most important fresco cycles in all of Italian painting: Giotto's narrative cycle in the Arena Chapel, next to the Scrovegni family's palace in Padua. This program dates to the first decade of the fourteenth century.
Italian artists of the fifteenth century onward are indebted to traditions established in the thirteenth and fourteenth centuries in their representation of the Madonna.
Renaissance
While the fifteenth and sixteenth centuries were a time when Italian painters expanded their repertoire to include historical events, independent portraits and mythological subject matter, Christianity retained a strong hold on their careers. Most works of art from this era are sacred. While the range of religious subject matter included subjects from the Old Testament and images of saints whose cults date after the codification of the Bible, the Madonna remained a dominant subject in the iconography of the Renaissance.Some the most famous Italian painters to turn to this subject are Leonardo da Vinci
Leonardo da Vinci
Leonardo di ser Piero da Vinci was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist and writer whose genius, perhaps more than that of any other figure, epitomized the Renaissance...
, Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
and Raphael, Giorgione
Giorgione
Giorgione was a Venetian painter of the High Renaissance in Venice, whose career was cut off by his death at a little over thirty. Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are acknowledged for certain to be his work...
, Giovanni Bellini
Giovanni Bellini
Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it...
and Titian
Titian
Tiziano Vecelli or Tiziano Vecellio Tiziano Vecelli or Tiziano Vecellio Tiziano Vecelli or Tiziano Vecellio (c. 1488/1490 – 27 August 1576 better known as Titian was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near...
, in the 16th century. They developed on the foundations of fifteenth century Marian images by Fra Angelico
Fra Angelico
Fra Angelico , born Guido di Pietro, was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having "a rare and perfect talent"...
, Fra Filippo Lippi, Mantegna
Andrea Mantegna
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality...
and Piero della Francesca
Piero della Francesca
Piero della Francesca was a painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Artists, to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting was characterized by its...
in particular, among countless others. The subject was equally popular in Early Netherlandish painting
Early Netherlandish painting
Early Netherlandish painting refers to the work of artists active in the Low Countries during the 15th- and early 16th-century Northern renaissance, especially in the flourishing Burgundian cities of Bruges and Ghent...
and that of the rest of Northern Europe.
The subject retaining the greatest power on all of these men remained the maternal bond, even though other subjects, especially the Annunciation
Annunciation
The Annunciation, also referred to as the Annunciation to the Blessed Virgin Mary or Annunciation of the Lord, is the Christian celebration of the announcement by the angel Gabriel to Virgin Mary, that she would conceive and become the mother of Jesus the Son of God. Gabriel told Mary to name her...
, and later the Immaculate Conception
Immaculate Conception
The Immaculate Conception of Mary is a dogma of the Roman Catholic Church, according to which the Virgin Mary was conceived without any stain of original sin. It is one of the four dogmata in Roman Catholic Mariology...
, led to a greater number of paintings that represented Mary alone, without her son. As a commemorative image, the Pietà
Pietà
The Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ...
became an important subject, newly freed from its former role in narrative cycles, in part, an outgrowth of popular devotional statues in Northern Europe. Traditionally, Mary is depicted expressing compassion, grief and love, usually in highly charged, emotional works of art even though the most famous, early work by Michelangelo stifles signs of mourning. The tenderness an ordinary mother might feel towards her beloved child is captured, evoking the moment when she first held her infant son Christ
Christ
Christ is the English term for the Greek meaning "the anointed one". It is a translation of the Hebrew , usually transliterated into English as Messiah or Mashiach...
. The spectator, after all, is meant to sympathize, to share in the despair of the mother who holds the body of her crucified son.
Modern images
In some European countries, such as Germany, Italy and Poland sculptures of the Madonna are found on the outside of city houses and buildings, or along the roads in small enclosures.In Germany such a statue placed on the outside of a building is called a Hausmadonna. Some date back to the Middle Ages, while some are still being made today. Usually found on the level of the second floor or higher, and often on the corner of a house, such sculptures were found in great numbers in many cities; Mainz
Mainz
Mainz under the Holy Roman Empire, and previously was a Roman fort city which commanded the west bank of the Rhine and formed part of the northernmost frontier of the Roman Empire...
, for instance, was supposed to have had more than 200 of them before World War II. The variety in such statues is as great as in other Madonna images; one finds Madonnas holding grapes (in reference to the Song of Songs
Song of songs
Song of Songs, also known as the Song of Solomon, is a book of the Hebrew Bible or Old Testament. It may also refer to:In music:* Song of songs , the debut album by David and the Giants* A generic term for medleysPlays...
1:14, translated as "My lover is to me a cluster of henna blossoms" in the NIV
New International Version
The New International Version is an English translation of the Christian Bible. Published by Zondervan in the United States and by Hodder & Stoughton in the UK, it has become one of the most popular modern translations in history.-History:...
), "immaculate" Madonnas in pure, perfect white without child or accessories, and Madonnas with roses symbolizing her life determined by the mysteries of faith.
In Italy the roadside Madonna is a common sight both on the side of buildings and along roads in small enclosures. These are expected to bring spiritual relief to people who pass them. Some Madonnas statues are placed around Italian towns and villages as a matter of protection, or as a commemoration of a reported miracle.
In the 1920s, the Daughters of the American Revolution placed statues called the Madonna of the Trail from coast to coast, marking the path of the old National Road and the Santa Fe Trail
Santa Fe Trail
The Santa Fe Trail was a 19th-century transportation route through central North America that connected Missouri with Santa Fe, New Mexico. Pioneered in 1822 by William Becknell, it served as a vital commercial and military highway until the introduction of the railroad to Santa Fe in 1880...
.
Paintings and art
There are a large number of articles on individual works of various sorts in :Category:Depictions of the Virgin Mary and its Sub-category. The term "Madonna" is sometimes used to refer to representations of Mary that were not created by Italians. A small selection of examples include:- Golden Madonna of EssenGolden Madonna of EssenThe Golden Madonna of Essen is a sculpture with a wooden core covered all over with sheets of thin gold leaf of the Virgin Mary and the infant Jesus...
(the earliest large-scale sculptural example in Western Europe; made for an Ottonian abbess and a precedent for the polychrome wooden processional sculptures of Romanesque France, a type known as Throne of Wisdom.) - Madonna of humilityMadonna of humilityMadonna of humility refers to artistic portrayals of the Virgin Mary which depict her as a Madonna sitting on the ground, or sitting upon a low cushion. She may be holding the Child Jesus in her lap...
depicting a Madonna sitting on the ground, or low cushions - Madonna and ChildMadonna and Child (Duccio)Madonna and Child is a panel painting by Italian medieval artist Duccio di Buoninsegna. Painted in tempera with gilding on wood panel around the year 1300, it depicts Mary, the mother of Jesus holding the infant Jesus...
(also known as the Stroclet Madonna or Stroganoff Madonna), a painting by Duccio di Buoninsegna, from around the year 1300. - The Black Madonna of Częstochowa (Czarna Madonna or Matka Boska Częstochowska in Polish) icon, which was, according to legend, painted by St. Luke the Evangelist on a cypress table top from the house of the Holy Family.
- Madonna and Child with FlowersThe Benois MadonnaMadonna and Child with Flowers, otherwise known as the Benois Madonna, could be one of two Madonnas started by Leonardo da Vinci, as he remarked himself, in October 1478. The other one could be Madonna with the Carnation from Munich....
, otherwise known as the Benois Madonna, possibly one of two works begun by the artist, as documented in October 1478. - Madonna Eleusa (of tenderness) has been depicted both in the Eastern and Western churches.
- Madonna of the StepsMadonna of the StepsMadonna of the stairs is a relief by Italian Renaissance master Michelangelo, created around 1491.-History:The first citation that Madonna of the stairs was a Michelangelo sculpture was in Giorgio Vasari's Lives in the 1568 edition.-External links:* - From the Official Site of Casa Buonarroti...
, a relief by Michelangelo. - Madonna della seggiolaMadonna della seggiolaThe Madonna della seggiola or Madonna della sedia is a Madonna painting by the Italian renaissance artist Raphael, dating to c. 1513-1514 and housed in the Palazzo Pitti collection in Florence...
, by RaphaelRaphaelRaffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur... - Madonna with the Long NeckMadonna with the Long NeckThe Madonna of the Long Neck , also known as Madonna and Child with Angels and St. Jerome, is an Italian Mannerist oil painting by the Italian painter Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. The painting was begun in 1534 for the church of the Servites in...
, by ParmigianinoParmigianinoGirolamo Francesco Maria Mazzola , also known as Francesco Mazzola or more commonly as Parmigianino or sometimes "Parmigiano", was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma...
. - The Madonna of Port LligatThe Madonna of Port LligatThe Madonna of Port Lligat is the name of three paintings by Salvador Dalí. The first was created in 1949, measuring 49 x 37.5 centimetres , and is housed in the Haggerty Museum of Art at Marquette University in Milwaukee, Wisconsin. Dali submitted it to Pope Pius XII for approval, which was granted...
, the name of two paintings by Salvador Dalí created in 1949 and 1950.
See also
- Christian ArtChristian artChristian art is sacred art produced in an attempt to illustrate, supplement and portray in tangible form the principles of Christianity, though other definitions are possible. Most Christian groups use or have used art to some extent, although some have had strong objections to some forms of...
- Art in Roman CatholicismArt in Roman CatholicismRoman Catholic art consists of all visual works produced in an attempt to illustrate, supplement and portray in tangible form the teachings of the Catholic Church. This includes sculpture, painting, mosaics, metalwork, embroidery and even architecture. Catholic art has played a leading role in the...
- Blessed Virgin Mary
- Mary (mother of Jesus)Mary (mother of Jesus)Mary , commonly referred to as "Saint Mary", "Mother Mary", the "Virgin Mary", the "Blessed Virgin Mary", or "Mary, Mother of God", was a Jewish woman of Nazareth in Galilee...
- Roman Catholic Marian artRoman Catholic Marian artThe Blessed Virgin Mary has been one of the major subjects of Christian Art, Catholic Art and Western Art for many centuries. Literally hundreds of thousands of pieces of...
- PietàPietàThe Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ...
External links
- http://campus.udayton.edu/mary/maryimages.html
- http://iconographia-mariana.cocolog-nifty.com/blog/ http://iconographia-mariana.cocolog-nifty.com/blog/ by Takeshi Kosugi since 2007, art,iconography,& postage stamps of Blessed Virgin Mary
- Metropolitan Museum: The Virgin Mary in the Middle Ages
- Virgin Mary at Olga's Gallery by Estelle M. Hurll (First printed 1897)
- Madonna and Child Oil Painting by Artist Mark Sanislo
- LUBA Madonna figure, Democratic Republic of the Congo, RAND African Art