Insular art
Encyclopedia
Insular art, also known as Hiberno
-Saxon art, is the style of art produced in the post-Roman history
of Ireland
and Great Britain
. The term derives from insula, the Latin term for "island"; in this period Britain
and Ireland
shared a largely common style different from that of the rest of Europe. Arts historians usually group insular art as part of the Migration Period art
movement as well as Early Medieval Western art, and it is the combination of these two traditions that give the style its special character.
Most Insular art originates from the Irish monasticism
of Celtic Christianity
, or metalwork for the secular elite, and the period begins around 600 AD with the combining of 'Celtic' styles
and Anglo-Saxon (English) styles ('zoomorphic
interlace
' decoration as found at Sutton Hoo). The finest period of the style was brought to an end by the disruption to monastic centres and aristocratic life of the Viking raids
which began in earnest in the late 8th century. These are presumed to have interrupted work on the Book of Kells
, and no later Gospel books are as heavily or finely illuminated as the masterpieces of the 8th century. In England the style merged into Anglo-Saxon art
around 900, whilst in Ireland
the style continued until the 12th century, when it merged into Romanesque art
. Ireland, Scotland
and the kingdom of Northumbria
in northern England are the most important centres, but examples were produced in southern England, Wales and in Continental Europe, especially Gaul
(modern France), in centres founded by the Hiberno-Scottish mission
and Anglo-Saxon missions. The influence of insular art affected all subsequent European medieval art, especially in the decorative elements of Romanesque and Gothic manuscripts.
Surviving examples of Insular art are mainly illuminated manuscript
s, metalwork and carvings in stone, especially stone crosses
. Surfaces are highly decorated with intricate patterning, with no attempt to give an impression of depth, volume or recession. The best examples include the Book of Kells
, Lindisfarne Gospels
, Book of Durrow
, brooches such as the Tara Brooch
and the Ruthwell Cross
. Carpet pages are a characteristic feature of Insular manuscripts, although historiated initial
s (an Insular invention), canon tables and figurative miniatures, especially Evangelist portrait
s, are also common.
, first cited by the OED in 1908, and is also used for the group of Insular Celtic languages
by linguists. Initially used mainly to describe the style of decoration of illuminated manuscripts, which are certainly the most numerous type of major surviving objects using the style, it is now used more widely across all the arts. It has the advantage of recognising the unity of styles across the British Isles while avoiding the use of that term, sensitive in modern Ireland, and also circumventing arguments about the origins of the style, and the place of creation of specific works, which were often fierce in the 20th century. Some sources distinguish between a "wider period between the 5th and 11th centuries, from the departure of the Romans to the beginnings of the Romanesque style" and a "more specific phase from the 6th to 9th centuries, between the conversion to Christianity and the Viking settlements". C. R. Dodwell, on the other hand, says that in Ireland "the Insular style continued almost unchallenged until the Anglo-Norman invasion of 1170
; indeed examples of it occur even as late as the thirteenth and fourteenth centuries".
n animal style
, though also from Celtic art, where heads terminating scrolls were common. Interlace
was used by both these traditions, as well as Roman art (for example in floor mosaic
s) and other possible influences such as Coptic art
, and its use was taken to new levels in insular art, where it was combined with the other elements already mentioned. There is no attempt to represent depth in manuscript painting, with all the emphasis on a brilliantly patterned surface. In early works the human figure was shown in the same geometric fashion as animal figures, but reflections of a classical figure style spread as the period went on, probably mostly from the southern Anglo-Saxon regions, though northern areas also had direct contacts with the Continent. The origins of the overall format of the carpet page have often been related to Roman floor mosaics, Coptic carpets and manuscript paintings, without general agreement being reached among scholars.
, and that of most major periods, insular art does not come from a society where common stylistic influences were spread across a great number of types of object in art, applied art
and decorative art
. Across all the islands society was effectively entirely rural, buildings were rudimentary, and architecture has no Insular style. Although related objects in many more perishable media certainly existed and have not survived, it is clear that both religious and secular Insular patrons expected individual objects of dazzling virtuousity, that were all the more dazzling because of the lack of visual sophistication in the world in which they were seen.
Especially in Ireland, the clerical and secular elites were often very closely linked, some Irish abbacies
being held for generations among a small kin-group. Ireland was divided into very small "kingdoms", almost too many for historians to keep track of, whilst in Britain there was a smaller number of much larger kingdoms. Both the Celtic (Irish and Pict
ish) and Anglo-Saxon elites had long traditions of metalwork of the finest quality, much of it used for the personal adornment of the elite. The Insular style arises from the meeting of their two styles, Celtic
and Germanic Animal style
, in a Christian
context, and with some awareness of Late Antique style, especially in their application to the book, which was a new type of object for both traditions, as well as to metalwork.
The role of the Kingdom of Northumbria in the formation of the new style appears to have been pivotal. The northernmost Anglo-Saxon kingdom continued to expand into areas with Celtic populations, but often leaving those populations largely intact in areas such as Dál Riata
, Elmet
and the Kingdom of Strathclyde
. The Irish monastery at Iona
was established by Saint Columba
(Colum Cille) in 563, when Iona was part of a Dál Riata that included territory in both Ireland and modern Scotland. Although the first conversion of a Northumbrian king, that of Edwin
in 627, was effected by clergy from the Gregorian Mission
to Kent, it was the Celtic Christianity
of Iona that was initially more influential in Northumbria, founding Lindisfarne
on the eastern coast as a satellite in 635. However Northumbria remained in direct contact with Rome and other important monastic centres were founded by Wilfrid
and Benedict Biscop
who looked to Rome, and at the Synod of Whitby
it was the Roman practices that were upheld, while the Iona contingent walked out, not adopting the Roman Easter dating until 715.
s ("cumdach
s") for books or relic
s, several of which have been continuously owned, mostly by churches on the Continent—though the Monymusk Reliquary
has always been in Scotland. In general it is clear that most survivals are only by chance, and that we have only fragments of some types of object—in particular the largest and least portable. The highest quality survivals are either secular jewellery, the largest and most elaborate pieces probably for male wearers, or tableware or altarware in what were apparently very similar styles—some pieces cannot be confidently assigned between altar and royal dining-table. It seems possible, even likely, that the finest church pieces were made by secular workshops, often attached to a royal household, though other pieces were made by monastic workshops. The evidence suggests that Irish metalworkers produced most of the best pieces, however the finds from the royal burial at Sutton Hoo
, from the far east of England and at the beginning of the period, are as fine in design and workmanship as any Irish pieces.
There are a number of large brooches, including several of comparable quality to the Tara brooch
. Almost all of these are in the National Museum of Ireland
, the British Museum
, the National Museum of Scotland
, or local museums in the islands. Each of their designs is wholly individual in detail, and the workmanship is varied in technique and superb in quality. Many elements of the designs can be directly related to elements used in manuscripts. Almost all of the many techniques known in metalwork can be found in Insular work. Surviving stones used in decoration are semi-precious ones, with amber
and rock crystal among the commonest, and some garnet
s. Coloured glass, enamel
and millefiore glass, probably imported, are also used.
The Ardagh Chalice
and the Derrynaflan
Hoard of chalice, paten
with stand, strainer, and basin (only discovered in 1980) are the most outstanding pieces of church metalware to survive (only three other chalices, and no other paten, survive). These pieces are thought to come from the 8th or 9th century, but most dating of metalwork is uncertain, and comes largely from comparison with manuscripts. Only fragments remain from what were probably large pieces of church furniture, probably with metalwork on wooden frameworks, such as shrines, crosses and other items. The Cross of Cong
is a 12th century Irish processional cross and reliquary
that shows insular decoration, possibly added in a deliberately revivalist spirit. The gilt-bronze "Athlone Crucifixion Plaque" (National Museum of Ireland
, perhaps 8th century) is much the best known of a group of nine recorded Irish metal plaques with Crucifixions, and is comparable in style to figures on many high crosses; it may well have come from a book cover.
The fittings of a major abbey church in the insular period remain hard to imagine; one thing that does seem clear is that the most fully decorated manuscripts were treated as decorative objects for display rather than as books for study. The most fully decorated of all, the Book of Kells, has several mistakes left uncorrected, the text headings necessary to make the Canon tables usable have not been added, and when it was stolen in 1006 for its cover in precious metals, it was taken from the sacristy
, not the library. The book was recovered, but not the cover, as also happened with the Book of Lindisfarne. None of the major insular manuscripts have preserved their elaborate jewelled metal covers, but we know from documentary evidence that these were as spectacular as the few remaining continental examples. The re-used metal back cover of the Lindau
Gospels (now in the Morgan Library
, New York
) was made in southern Germany in the late 8th or early 9th? century, under heavy insular influence, and is perhaps the best indication as to the appearance of the original covers of the great insular manuscripts, although one gold and garnet piece from the Anglo-Saxon Staffordshire Hoard
, found in 2009, may be the corner of a book-cover. The Lindau design is dominated by a cross, but the whole surface of the cover is decorated, with interlace panels between the arms of the cross. The cloisonné
enamel shows Italian influence, and is not found in work from the Insular homelands, but the overall effect is very like a carpet page.
Cathach of St. Columba
.
An Irish Latin psalter
of the early 7th century, this is perhaps the oldest known Irish manuscript of any sort. It contains only decorated letters, at the beginning of each Psalm, but these already show distinctive traits. Not just the initial, but the first few letters are decorated, at diminishing sizes. The decoration influences the shape of the letters, and various decorative forms are mixed in a very unclassical way. Lines are already inclined to spiral and metamorphose, as in the example shown. Apart from black, some orange ink is used for dotted decoration. The classical tradition was late to use capital letters for initials at all (in Roman texts it is often very hard to even separate the words), and though by this time they were in common use in Italy, they were often set in the left margin, as though to cut them off from the rest of the text. The insular tendency for the decoration to lunge into the text, and take over more and more of it, was a radical innovation. The Bobbio Jerome
which according to an inscription dates to before 622, from Bobbio Abbey
, an Irish mission centre in northern Italy, has a more elaborate initial with colouring, showing Insular characteristics still more developed, even in such an outpost. From the same scriptorium
and of similar date, the Bobbio Orosius
has the earliest carpet page
, although a relatively simple one.
Durham Gospel Book Fragment.
The earliest painted Insular manuscript to survive, produced in Lindisfarne
c. 650, but with only seven leaves of the book remaining, not all with illuminations. This introduces interlace, and also uses Celtic motifs drawn from metalwork. The design of two of the surviving pages relates them as a two-page spread
Book of Durrow
.
The earliest surviving Gospel Book with a full programme of decoration (though not all has survived): six extant carpet pages, a full-page miniature of the four evangelist's symbols, four full-page miniatures of the evangelists' symbols, four pages with very large initials, and decorated text on other pages. Many minor initial groups are decorated. Its date and place of origin remain subjects of debate, with 650–690 and Durrow
in Ireland, Iona
or Lindisfarne
being the normal contenders. The influences on the decoration are also highly controversial, especially regarding Copt
ic or other Near Eastern influence.
After large initials the following letters on the same line, or for some lines beyond, continue to be decorated at a smaller size. Dots round the outside of large initials are much used. The figures are highly stylised, and some pages use Germanic interlaced animal ornament, whilst others use the full repertoire of Celtic geometric spirals. Each page uses a different and coherent set of decorative motifs. Only four colours are used, but the viewer is hardly conscious of any limitation from this. All the elements of Insular manuscript style are already in place. The execution, though of high quality, is not as refined as in the best later books, nor is the scale of detail as small.
Lindisfarne Gospels
Produced in Lindisfarne by Eadfrith, Bishop of Lindisfarne, between about 690 and his death in 721 (perhaps towards the end of this period), this is a Gospel Book in the style of the Book of Durrow, but more elaborate and complex. All the letters on the pages beginning the Gospels are highly decorated in a single composition, and many two-page openings are designed as a unit, with carpet pages facing an incipit ("Here begins..") initial page at the start of each Gospel. Eadfrith was almost certainly the scribe as well as the artist. There are four Evangelist portrait
s, clearly derived from the classical tradition but treated without any sense of depth; the borders around them are far plainer than the decoration of the text pages, and there is clearly a sense of two styles which Eadfrith does not attempt to integrate wholly. The carpet-pages are enormously complex, and superbly executed.
St Petersburg Bede.
Attributed to Monkwearmouth-Jarrow Abbey
in Northumbria between about 730–746, this contains larger opening letters in which metalwork styles of decoration can clearly be seen. There are thin bands of interlace within the members of letters. It also contains the earliest historiated initial
, a bust probably of Pope Gregory I
, which like some other elements of the decoration, clearly derives from a Mediterranean model. Colour is used, although in a relatively restrained way.
Book of Kells
Usually dated to around 800, although sometimes up to a century earlier, the place of origin is disputed between Iona and Kells
, or other locations. It is also often thought to have been begun in Iona and then continued in Ireland, after disruption from Viking
raids; the book survives nearly intact but the decoration is not finished, with some parts in outline only. It is far more comprehensively decorated than any previous manuscript in any tradition, with every page (except two) having many small decorated letters. Although there is only one carpet page, the incipit initials are so densely decorated, with only a few letters on the page, that they rather take over this function. Human figures are more numerous than before, though treated in a thoroughly stylised fashion, and closely surrounded, even hemmed in, by decoration as crowded as on the initial pages. A few scenes such as the Temptation and Arrest of Christ are included, as well as a Madonna and Child, surrounded by angels (the earliest Madonna in a Western book). More miniatures may have been planned or executed and lost. Colours are very bright and the decoration has tremendous energy, with spiral forms predominating. Gold and silver are not used.
, Book of Deer
, Book of Dimma
, and the smallest of all, the Stonyhurst Gospel
(now British Library
), a 7th-century Anglo-Saxon text of the Gospel of John, which belonged to St Cuthbert and was buried with him. Its beautifully tooled goatskin cover is the oldest Western bookbinding to survive, and a virtually unique example of insular leatherwork, in an excellent state of preservation.
Both Anglo-Saxon and Irish manuscripts have a distinctive rougher finish to their vellum, compared to the smooth-polished surface of contemporary continental and all late-medieval vellum. It appears that, in contrast to later periods, the scribes copying the text were often also the artists of the illuminations, and might include the most senior figures of their monastery.
from Rome had brought the St Augustine Gospels and other manuscripts now lost with them, and other books were imported from the continent early on. The 8th century Cotton Bede
shows mixed elements in the decoration, as does the Stockholm Codex Aureus
of similar period, probably written in Canterbury
. In the Vespasian Psalter
it is clear which element is coming to dominate. All these and other members of the "Tiberius" group of manuscripts were written south of the river Humber
, but the Codex Amiatinus
, of before 716 from Jarrow, is written in a fine uncial
script, and its only illustration is conceived in an Italianate style, with no insular decoration; it has been suggested this was only because the volume was made for presentation to the Pope. The dating is partly known from the grant of additional land secured to raise the generations of cattle, amounting to 2,000 head in all, which were necessary to make the vellum
for three complete but unillustrated Bibles, which shows the resources necessary to make the large books of the period.
Many Anglo-Saxon manuscripts written in the south, and later the north, of England show strong Insular influences until the 10th century or beyond, but the pre-dominant stylistic impulse comes from the continent of Europe; carpet-pages are not found, but many large figurative miniatures are. Panels of interlace and other Insular motifs continue to be used as one element in borders and frames ultimately classical in derivation. Many continental manuscripts, especially in areas influenced by the Celtic missions, also show such features well into the early Romanesque period. "Franco-Saxon" is a term for a school of late Carolingian illumination in north-eastern France that used insular-style decoration, including super-large initials, sometimes in combination with figurative images typical of contemporary French styles. The "most tenacious of all the Carolingian styles", it continued until as late as the 11th century.
Unmistakable insular influence can be seen in Carolingian
manuscripts, even though these were also trying to copy the Imperial styles of Rome and Byzantium. Greatly enlarged initials, sometimes inhabited, were retained, as well as far more abstract decoration than found in classical models. These features continue in Ottonian
and contemporary French illumination and metalwork, before the Romanesque period further removed classical restraints, especially in manuscripts, and the capitals of columns.
es, usually erected outside monasteries or churches, first appear in the 8th century in Ireland, perhaps at Carndonagh
, Donegal
, a monastic site with Ionian
foundations, apparently later than the earliest Anglo-Saxon crosses, which may be 7th century. Later insular carvings found throughout Britain and Ireland were almost entirely geometrical, as was the decoration on the earliest crosses. By the 9th century figures are carved, and the largest crosses have very many figures in scenes on all surfaces, often from the Old Testament
on the east side, and the New on the west, with a Crucifixion
at the centre of the cross. The 10th-century Muiredach's High Cross
at Monasterboice
is usually regarded as the peak of the Irish crosses. In later examples the figures become fewer and larger, and their style begins to merge with the Romanesque, as at the Dysert Cross in Ireland.
The 8th-century Northumbria
n Ruthwell Cross
(now in Scotland
), unfortunately damaged by Presbyterian iconoclasm
, is the most impressive remaining Anglo-Saxon
cross, though as with most Anglo-Saxon crosses the original cross head is missing. Many Anglo-Saxon crosses were much smaller and more slender than the Irish ones, and therefore only had room for carved foliage, but the Bewcastle Cross
, Easby Cross
and Sandbach Crosses
are other survivals with considerable areas of figurative relief
s, with larger-scale figures than any early Irish examples. Even early Anglo-Saxon examples mix vine-scroll decoration of Continental origin with interlace panels, and in later ones the former type becomes the norm, just as in manuscripts. There is literary evidence for considerable numbers of carved stone crosses across the whole of England, and also straight shafts, often as grave-markers, but most survivals are in the northernmost counties. There are remains of other works of monumental sculpture
in Anglo-Saxon art, even from the earlier periods, but nothing comparable from Ireland.
of Scotland
north of the Clyde-Forth line between the 6th–8th centuries are particularly striking in design and construction, carved in the typical Easter Ross
style related to that of insular art, though with much less classical influence. In particular the forms of animals are often closely comparable to those found in Insular manuscripts, where they typically represent the Evangelist's symbols, which may indicate a Pictish origin for these forms, or another common source. The carvings come from both pagan and early Christian periods, and the Pictish symbols, which are still poorly understood, do not seem to have been repugnant to Christians. The purpose and meaning of the stones are only partially understood, although some think that they served as personal memorials, the symbols indicating membership of clan
s, lineages, or kindreds and depict ancient ceremonies and rituals Examples include the Eassie Stone
and the Hilton of Cadboll Stone
. It is possible that they had subsidiary uses, such as marking tribal or lineage territories. It has also been suggested that the symbol
s could have been some kind of pictographic system of writing.
There are also a few examples of similar decoration on Pictish silver jewellery, notably the Norrie's Law Hoard, of the 7th century or perhaps earlier, much of which was melted down on discovery, and the 8th century St Ninian's Isle
Hoard, with many brooches and bowls. The surviving items from both are now held by National Museums Scotland.
Hibernia
Hibernia is the Classical Latin name for the island of Ireland. The name Hibernia was taken from Greek geographical accounts. During his exploration of northwest Europe , Pytheas of Massilia called the island Ierne . In his book Geographia Hibernia is the Classical Latin name for the island of...
-Saxon art, is the style of art produced in the post-Roman history
Sub-Roman Britain
Sub-Roman Britain is a term derived from an archaeological label for the material culture of Britain in Late Antiquity: the term "Sub-Roman" was invented to describe the potsherds in sites of the 5th century and the 6th century, initially with an implication of decay of locally-made wares from a...
of Ireland
Ireland
Ireland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...
and Great Britain
Great Britain
Great Britain or Britain is an island situated to the northwest of Continental Europe. It is the ninth largest island in the world, and the largest European island, as well as the largest of the British Isles...
. The term derives from insula, the Latin term for "island"; in this period Britain
Great Britain
Great Britain or Britain is an island situated to the northwest of Continental Europe. It is the ninth largest island in the world, and the largest European island, as well as the largest of the British Isles...
and Ireland
Ireland
Ireland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...
shared a largely common style different from that of the rest of Europe. Arts historians usually group insular art as part of the Migration Period art
Migration Period art
Migration Period art denotes the artwork of the Germanic peoples during the Migration period . It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles...
movement as well as Early Medieval Western art, and it is the combination of these two traditions that give the style its special character.
Most Insular art originates from the Irish monasticism
Hiberno-Scottish mission
The Hiberno-Scottish mission was a mission led by Irish and Scottish monks which spread Christianity and established monasteries in Great Britain and continental Europe during the Middle Ages...
of Celtic Christianity
Celtic Christianity
Celtic Christianity or Insular Christianity refers broadly to certain features of Christianity that were common, or held to be common, across the Celtic-speaking world during the Early Middle Ages...
, or metalwork for the secular elite, and the period begins around 600 AD with the combining of 'Celtic' styles
Celtic art
Celtic art is the art associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic...
and Anglo-Saxon (English) styles ('zoomorphic
Animal style
Animal style art is characterized by its emphasis on animal and bird motifs, and the term describes an approach to decoration which existed from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period...
interlace
Interlace (visual arts)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motifs are looped, braided, and knotted in complex geometric patterns, often to fill a space. Islamic interlace patterns and Celtic knotwork share similar patterns, suggesting a...
' decoration as found at Sutton Hoo). The finest period of the style was brought to an end by the disruption to monastic centres and aristocratic life of the Viking raids
Viking expansion
The Vikings sailed most of the North Atlantic, reaching south to North Africa and east to Russia, Constantinople and the Middle East, as looters, traders, colonists, and mercenaries...
which began in earnest in the late 8th century. These are presumed to have interrupted work on the Book of Kells
Book of Kells
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier...
, and no later Gospel books are as heavily or finely illuminated as the masterpieces of the 8th century. In England the style merged into Anglo-Saxon art
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
around 900, whilst in Ireland
Ireland
Ireland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...
the style continued until the 12th century, when it merged into Romanesque art
Romanesque art
Romanesque art refers to the art of Western Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century, or later, depending on region. The preceding period is increasingly known as the Pre-Romanesque...
. Ireland, Scotland
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
and the kingdom of Northumbria
Northumbria
Northumbria was a medieval kingdom of the Angles, in what is now Northern England and South-East Scotland, becoming subsequently an earldom in a united Anglo-Saxon kingdom of England. The name reflects the approximate southern limit to the kingdom's territory, the Humber Estuary.Northumbria was...
in northern England are the most important centres, but examples were produced in southern England, Wales and in Continental Europe, especially Gaul
Gaul
Gaul was a region of Western Europe during the Iron Age and Roman era, encompassing present day France, Luxembourg and Belgium, most of Switzerland, the western part of Northern Italy, as well as the parts of the Netherlands and Germany on the left bank of the Rhine. The Gauls were the speakers of...
(modern France), in centres founded by the Hiberno-Scottish mission
Hiberno-Scottish mission
The Hiberno-Scottish mission was a mission led by Irish and Scottish monks which spread Christianity and established monasteries in Great Britain and continental Europe during the Middle Ages...
and Anglo-Saxon missions. The influence of insular art affected all subsequent European medieval art, especially in the decorative elements of Romanesque and Gothic manuscripts.
Surviving examples of Insular art are mainly illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s, metalwork and carvings in stone, especially stone crosses
High cross
A high cross or standing cross is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors...
. Surfaces are highly decorated with intricate patterning, with no attempt to give an impression of depth, volume or recession. The best examples include the Book of Kells
Book of Kells
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier...
, Lindisfarne Gospels
Lindisfarne Gospels
The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John in the British Library...
, Book of Durrow
Book of Durrow
The Book of Durrow is a 7th-century illuminated manuscript gospel book in the Insular style. It was probably created between 650 and 700, in Northumbria in Northern England, where Lindisfarne or Durham would be the likely candidates, or on the island of Iona in the Scottish Inner Hebrides...
, brooches such as the Tara Brooch
Tara Brooch
The Tara Brooch is a Celtic brooch of about 700 AD generally considered to be the most impressive of over 50 elaborate Irish brooches to have been discovered...
and the Ruthwell Cross
Ruthwell Cross
The Ruthwell Cross is a stone Anglo-Saxon cross probably dating from the 8th century, when Ruthwell was part of the Anglo-Saxon kingdom of Northumbria; it is now in Scotland. Anglo-Saxon crosses are closely related to the contemporary Irish high crosses, and both are part of the Insular art tradition...
. Carpet pages are a characteristic feature of Insular manuscripts, although historiated initial
Historiated initial
A historiated initial is an enlarged letter at the beginning of a paragraph or other section of text, which contains a picture. Strictly speaking, an inhabited initial contains figures that are decorative only, without forming a subject, whereas in a historiated initial there is an identifiable...
s (an Insular invention), canon tables and figurative miniatures, especially Evangelist portrait
Evangelist portrait
Evangelist portraits are a specific type of miniature included in ancient and mediæval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of...
s, are also common.
Use of the term
The term was derived from its use for Insular scriptInsular script
Insular script was a medieval script system originally used in Ireland, then Great Britain, that spread to continental Europe under the influence of Celtic Christianity. Irish missionaries also took the script to continental Europe, where they founded monasteries such as Bobbio. The scripts were...
, first cited by the OED in 1908, and is also used for the group of Insular Celtic languages
Insular Celtic languages
Insular Celtic languages are those Celtic languages that originated in the British Isles, in contrast to the Continental Celtic languages of mainland Europe and Anatolia. All surviving Celtic languages are from the Insular Celtic group; the Continental Celtic languages are extinct...
by linguists. Initially used mainly to describe the style of decoration of illuminated manuscripts, which are certainly the most numerous type of major surviving objects using the style, it is now used more widely across all the arts. It has the advantage of recognising the unity of styles across the British Isles while avoiding the use of that term, sensitive in modern Ireland, and also circumventing arguments about the origins of the style, and the place of creation of specific works, which were often fierce in the 20th century. Some sources distinguish between a "wider period between the 5th and 11th centuries, from the departure of the Romans to the beginnings of the Romanesque style" and a "more specific phase from the 6th to 9th centuries, between the conversion to Christianity and the Viking settlements". C. R. Dodwell, on the other hand, says that in Ireland "the Insular style continued almost unchallenged until the Anglo-Norman invasion of 1170
Norman Invasion of Ireland
The Norman invasion of Ireland was a two-stage process, which began on 1 May 1169 when a force of loosely associated Norman knights landed near Bannow, County Wexford...
; indeed examples of it occur even as late as the thirteenth and fourteenth centuries".
Insular decoration
The Insular style is most famous for its highly dense, intricate and imaginative decoration, which takes elements from several earlier styles. From late Celtic art, sometimes known as the "Ultimate La Tène" style, come the love of spirals, triskeles, circles and other geometric motifs. These were combined with animal forms probably mainly deriving from the Germanic version of the general EurasiaEurasia
Eurasia is a continent or supercontinent comprising the traditional continents of Europe and Asia ; covering about 52,990,000 km2 or about 10.6% of the Earth's surface located primarily in the eastern and northern hemispheres...
n animal style
Animal style
Animal style art is characterized by its emphasis on animal and bird motifs, and the term describes an approach to decoration which existed from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period...
, though also from Celtic art, where heads terminating scrolls were common. Interlace
Interlace (visual arts)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motifs are looped, braided, and knotted in complex geometric patterns, often to fill a space. Islamic interlace patterns and Celtic knotwork share similar patterns, suggesting a...
was used by both these traditions, as well as Roman art (for example in floor mosaic
Mosaic
Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...
s) and other possible influences such as Coptic art
Coptic art
Coptic art is a term used either for the art of Egypt produced in the early Christian era or for the art produced by the Coptic Christians themselves. Coptic art is most well known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and...
, and its use was taken to new levels in insular art, where it was combined with the other elements already mentioned. There is no attempt to represent depth in manuscript painting, with all the emphasis on a brilliantly patterned surface. In early works the human figure was shown in the same geometric fashion as animal figures, but reflections of a classical figure style spread as the period went on, probably mostly from the southern Anglo-Saxon regions, though northern areas also had direct contacts with the Continent. The origins of the overall format of the carpet page have often been related to Roman floor mosaics, Coptic carpets and manuscript paintings, without general agreement being reached among scholars.
Background
Unlike contemporary Byzantine artByzantine art
Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....
, and that of most major periods, insular art does not come from a society where common stylistic influences were spread across a great number of types of object in art, applied art
Applied art
Applied art is the application of design and aesthetics to objects of function and everyday use. Whereas fine arts serve as intellectual stimulation to the viewer or academic sensibilities, the applied arts incorporate design and creative ideals to objects of utility, such as a cup, magazine or...
and decorative art
Decorative art
The decorative arts is traditionally a term for the design and manufacture of functional objects. It includes interior design, but not usually architecture. The decorative arts are often categorized in opposition to the "fine arts", namely, painting, drawing, photography, and large-scale...
. Across all the islands society was effectively entirely rural, buildings were rudimentary, and architecture has no Insular style. Although related objects in many more perishable media certainly existed and have not survived, it is clear that both religious and secular Insular patrons expected individual objects of dazzling virtuousity, that were all the more dazzling because of the lack of visual sophistication in the world in which they were seen.
Especially in Ireland, the clerical and secular elites were often very closely linked, some Irish abbacies
Abbot
The word abbot, meaning father, is a title given to the head of a monastery in various traditions, including Christianity. The office may also be given as an honorary title to a clergyman who is not actually the head of a monastery...
being held for generations among a small kin-group. Ireland was divided into very small "kingdoms", almost too many for historians to keep track of, whilst in Britain there was a smaller number of much larger kingdoms. Both the Celtic (Irish and Pict
PICT
PICT is a graphics file format introduced on the original Apple Macintosh computer as its standard metafile format. It allows the interchange of graphics , and some limited text support, between Mac applications, and was the native graphics format of QuickDraw.The original version, PICT 1, was...
ish) and Anglo-Saxon elites had long traditions of metalwork of the finest quality, much of it used for the personal adornment of the elite. The Insular style arises from the meeting of their two styles, Celtic
Celtic art
Celtic art is the art associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic...
and Germanic Animal style
Animal style
Animal style art is characterized by its emphasis on animal and bird motifs, and the term describes an approach to decoration which existed from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period...
, in a Christian
Christian
A Christian is a person who adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus of Nazareth as recorded in the Canonical gospels and the letters of the New Testament...
context, and with some awareness of Late Antique style, especially in their application to the book, which was a new type of object for both traditions, as well as to metalwork.
The role of the Kingdom of Northumbria in the formation of the new style appears to have been pivotal. The northernmost Anglo-Saxon kingdom continued to expand into areas with Celtic populations, but often leaving those populations largely intact in areas such as Dál Riata
Dál Riata
Dál Riata was a Gaelic overkingdom on the western coast of Scotland with some territory on the northeast coast of Ireland...
, Elmet
Elmet
Elmet was an independent Brythonic kingdom covering a broad area of what later became the West Riding of Yorkshire during the Early Middle Ages, between approximately the 5th century and early 7th century. Although its precise boundaries are unclear, it appears to have been bordered by the River...
and the Kingdom of Strathclyde
Kingdom of Strathclyde
Strathclyde , originally Brythonic Ystrad Clud, was one of the early medieval kingdoms of the celtic people called the Britons in the Hen Ogledd, the Brythonic-speaking parts of what is now southern Scotland and northern England. The kingdom developed during the post-Roman period...
. The Irish monastery at Iona
Iona
Iona is a small island in the Inner Hebrides off the western coast of Scotland. It was a centre of Irish monasticism for four centuries and is today renowned for its tranquility and natural beauty. It is a popular tourist destination and a place for retreats...
was established by Saint Columba
Columba
Saint Columba —also known as Colum Cille , Colm Cille , Calum Cille and Kolban or Kolbjørn —was a Gaelic Irish missionary monk who propagated Christianity among the Picts during the Early Medieval Period...
(Colum Cille) in 563, when Iona was part of a Dál Riata that included territory in both Ireland and modern Scotland. Although the first conversion of a Northumbrian king, that of Edwin
Edwin of Northumbria
Edwin , also known as Eadwine or Æduini, was the King of Deira and Bernicia – which later became known as Northumbria – from about 616 until his death. He converted to Christianity and was baptised in 627; after he fell at the Battle of Hatfield Chase, he was venerated as a saint.Edwin was the son...
in 627, was effected by clergy from the Gregorian Mission
Gregorian mission
The Gregorian mission, sometimes known as the Augustinian mission, was the missionary endeavour sent by Pope Gregory the Great to the Anglo-Saxons in 596 AD. Headed by Augustine of Canterbury, its goal was to convert the Anglo-Saxons to Christianity. By the death of the last missionary in 653, they...
to Kent, it was the Celtic Christianity
Celtic Christianity
Celtic Christianity or Insular Christianity refers broadly to certain features of Christianity that were common, or held to be common, across the Celtic-speaking world during the Early Middle Ages...
of Iona that was initially more influential in Northumbria, founding Lindisfarne
Lindisfarne
Lindisfarne is a tidal island off the north-east coast of England. It is also known as Holy Island and constitutes a civil parish in Northumberland...
on the eastern coast as a satellite in 635. However Northumbria remained in direct contact with Rome and other important monastic centres were founded by Wilfrid
Wilfrid
Wilfrid was an English bishop and saint. Born a Northumbrian noble, he entered religious life as a teenager and studied at Lindisfarne, at Canterbury, in Gaul, and at Rome; he returned to Northumbria in about 660, and became the abbot of a newly founded monastery at Ripon...
and Benedict Biscop
Benedict Biscop
Benedict Biscop , also known as Biscop Baducing, was an Anglo-Saxon abbot and founder of Monkwearmouth-Jarrow Priory and was considered a saint after his death.-Early career:...
who looked to Rome, and at the Synod of Whitby
Synod of Whitby
The Synod of Whitby was a seventh century Northumbriansynod where King Oswiu of Northumbria ruled that his kingdom would calculate Easter and observe the monastic tonsure according to the customs of Rome, rather than the customs practised by Iona and its satellite institutions...
it was the Roman practices that were upheld, while the Iona contingent walked out, not adopting the Roman Easter dating until 715.
Insular metalwork
Christianity discouraged the burial of grave goods so that, at least from the Anglo-Saxons, we have a larger number of pre-Christian survivals than those from later periods. The majority of examples that survive from the Christian period have been found in archaeological contexts that suggest they were rapidly hidden, lost or abandoned. There are a few exceptions, notably portable shrineShrine
A shrine is a holy or sacred place, which is dedicated to a specific deity, ancestor, hero, martyr, saint, daemon or similar figure of awe and respect, at which they are venerated or worshipped. Shrines often contain idols, relics, or other such objects associated with the figure being venerated....
s ("cumdach
Cumdach
A cumdach or book shrine is an elaborate ornamented box or case used as a reliquary to enshrine books regarded as relics of the saints who had used them in Early Medieval Ireland...
s") for books or relic
Relic
In religion, a relic is a part of the body of a saint or a venerated person, or else another type of ancient religious object, carefully preserved for purposes of veneration or as a tangible memorial...
s, several of which have been continuously owned, mostly by churches on the Continent—though the Monymusk Reliquary
Monymusk Reliquary
The Monymusk Reliquary is an eighth century Scottish reliquary made of wood and metal characterised by an Insular fusion of Gaelic and Pictish design and Anglo-Saxon metalworking, probably by Ionan monks. It has been said to be the Brecbennoch of St...
has always been in Scotland. In general it is clear that most survivals are only by chance, and that we have only fragments of some types of object—in particular the largest and least portable. The highest quality survivals are either secular jewellery, the largest and most elaborate pieces probably for male wearers, or tableware or altarware in what were apparently very similar styles—some pieces cannot be confidently assigned between altar and royal dining-table. It seems possible, even likely, that the finest church pieces were made by secular workshops, often attached to a royal household, though other pieces were made by monastic workshops. The evidence suggests that Irish metalworkers produced most of the best pieces, however the finds from the royal burial at Sutton Hoo
Sutton Hoo
Sutton Hoo, near to Woodbridge, in the English county of Suffolk, is the site of two 6th and early 7th century cemeteries. One contained an undisturbed ship burial including a wealth of Anglo-Saxon artefacts of outstanding art-historical and archaeological significance, now held in the British...
, from the far east of England and at the beginning of the period, are as fine in design and workmanship as any Irish pieces.
There are a number of large brooches, including several of comparable quality to the Tara brooch
Tara Brooch
The Tara Brooch is a Celtic brooch of about 700 AD generally considered to be the most impressive of over 50 elaborate Irish brooches to have been discovered...
. Almost all of these are in the National Museum of Ireland
National Museum of Ireland
The National Museum of Ireland is the national museum in Ireland. It has three branches in Dublin and one in County Mayo, with a strong emphasis on Irish art, culture and natural history.-Archaeology:...
, the British Museum
British Museum
The British Museum is a museum of human history and culture in London. Its collections, which number more than seven million objects, are amongst the largest and most comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture from its...
, the National Museum of Scotland
National Museum of Scotland
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the Royal Museum next door, with collections covering science and technology, natural history, and world...
, or local museums in the islands. Each of their designs is wholly individual in detail, and the workmanship is varied in technique and superb in quality. Many elements of the designs can be directly related to elements used in manuscripts. Almost all of the many techniques known in metalwork can be found in Insular work. Surviving stones used in decoration are semi-precious ones, with amber
Amber
Amber is fossilized tree resin , which has been appreciated for its color and natural beauty since Neolithic times. Amber is used as an ingredient in perfumes, as a healing agent in folk medicine, and as jewelry. There are five classes of amber, defined on the basis of their chemical constituents...
and rock crystal among the commonest, and some garnet
Garnet
The garnet group includes a group of minerals that have been used since the Bronze Age as gemstones and abrasives. The name "garnet" may come from either the Middle English word gernet meaning 'dark red', or the Latin granatus , possibly a reference to the Punica granatum , a plant with red seeds...
s. Coloured glass, enamel
Vitreous enamel
Vitreous enamel, also porcelain enamel in U.S. English, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C...
and millefiore glass, probably imported, are also used.
The Ardagh Chalice
Ardagh Chalice
The Ardagh Hoard, best known for the Ardagh Chalice, is a hoard of metalwork from the 8th and 9th centuries, found in 1868 and now in the National Museum of Ireland in Dublin...
and the Derrynaflan
Derrynaflan Chalice
The Derrynaflan Chalice is an 8th- or 9th-century chalice, that was found as part of the Derrynaflan Hoard of five liturgical vessels. The discovery was made on 17 February 1980 near Killenaule, South Tipperary in Ireland...
Hoard of chalice, paten
Paten
A paten, or diskos, is a small plate, usually made of silver or gold, used to hold Eucharistic bread which is to be consecrated. It is generally used during the service itself, while the reserved hosts are stored in the Tabernacle in a ciborium....
with stand, strainer, and basin (only discovered in 1980) are the most outstanding pieces of church metalware to survive (only three other chalices, and no other paten, survive). These pieces are thought to come from the 8th or 9th century, but most dating of metalwork is uncertain, and comes largely from comparison with manuscripts. Only fragments remain from what were probably large pieces of church furniture, probably with metalwork on wooden frameworks, such as shrines, crosses and other items. The Cross of Cong
Cross of Cong
The Cross of Cong is an early 12th century Irish Christian ornamented cusped processional cross, which was, as an inscription says, made for Tairrdelbach Ua Conchobair , King of Connacht and High King of Ireland to donate to the Cathedral church of the period that was located at Tuam, County...
is a 12th century Irish processional cross and reliquary
Reliquary
A reliquary is a container for relics. These may be the physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures...
that shows insular decoration, possibly added in a deliberately revivalist spirit. The gilt-bronze "Athlone Crucifixion Plaque" (National Museum of Ireland
National Museum of Ireland
The National Museum of Ireland is the national museum in Ireland. It has three branches in Dublin and one in County Mayo, with a strong emphasis on Irish art, culture and natural history.-Archaeology:...
, perhaps 8th century) is much the best known of a group of nine recorded Irish metal plaques with Crucifixions, and is comparable in style to figures on many high crosses; it may well have come from a book cover.
The fittings of a major abbey church in the insular period remain hard to imagine; one thing that does seem clear is that the most fully decorated manuscripts were treated as decorative objects for display rather than as books for study. The most fully decorated of all, the Book of Kells, has several mistakes left uncorrected, the text headings necessary to make the Canon tables usable have not been added, and when it was stolen in 1006 for its cover in precious metals, it was taken from the sacristy
Sacristy
A sacristy is a room for keeping vestments and other church furnishings, sacred vessels, and parish records.The sacristy is usually located inside the church, but in some cases it is an annex or separate building...
, not the library. The book was recovered, but not the cover, as also happened with the Book of Lindisfarne. None of the major insular manuscripts have preserved their elaborate jewelled metal covers, but we know from documentary evidence that these were as spectacular as the few remaining continental examples. The re-used metal back cover of the Lindau
Lindau Abbey
Lindau Abbey was a house of secular canonesses in Lindau on the Bodensee in Bavaria, Germany, which stands on an island in the lake.- History :...
Gospels (now in the Morgan Library
Morgan Library
The Morgan Library & Museum is a museum and research library in New York City, USA. It was founded to house the private library of J. P. Morgan in 1906, which included, besides the manuscripts and printed books, some of them in rare bindings, his collection of prints and drawings...
, New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
) was made in southern Germany in the late 8th or early 9th? century, under heavy insular influence, and is perhaps the best indication as to the appearance of the original covers of the great insular manuscripts, although one gold and garnet piece from the Anglo-Saxon Staffordshire Hoard
Staffordshire Hoard
The Staffordshire Hoard is the largest hoard of Anglo-Saxon gold and silver metalwork . Discovered in a field near the village of Hammerwich, near Lichfield, in Staffordshire, England on 5 July 2009, it consists of some 3,500 items that are nearly all martial in character...
, found in 2009, may be the corner of a book-cover. The Lindau design is dominated by a cross, but the whole surface of the cover is decorated, with interlace panels between the arms of the cross. The cloisonné
Cloisonné
Cloisonné is an ancient technique for decorating metalwork objects, in recent centuries using vitreous enamel, and in older periods also inlays of cut gemstones, glass, and other materials. The resulting objects can also be called cloisonné...
enamel shows Italian influence, and is not found in work from the Insular homelands, but the overall effect is very like a carpet page.
Insular manuscripts
Although many more examples survive than of large pieces of metalwork, the development of the style is usually described in terms of the same outstanding examples:Cathach of St. Columba
Cathach of St. Columba
The Cathach of St. Columba is an late 6th century Irish Psalter.It is traditionally associated with St. Columba , and was identified as the copy made by him of a book loaned to him by St. Finnian, and which led to the Battle of Cúl Dreimhne in 561...
.
An Irish Latin psalter
Psalter
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were...
of the early 7th century, this is perhaps the oldest known Irish manuscript of any sort. It contains only decorated letters, at the beginning of each Psalm, but these already show distinctive traits. Not just the initial, but the first few letters are decorated, at diminishing sizes. The decoration influences the shape of the letters, and various decorative forms are mixed in a very unclassical way. Lines are already inclined to spiral and metamorphose, as in the example shown. Apart from black, some orange ink is used for dotted decoration. The classical tradition was late to use capital letters for initials at all (in Roman texts it is often very hard to even separate the words), and though by this time they were in common use in Italy, they were often set in the left margin, as though to cut them off from the rest of the text. The insular tendency for the decoration to lunge into the text, and take over more and more of it, was a radical innovation. The Bobbio Jerome
Bobbio Jerome
The Bobbio Jerome is an early seventh century manuscript copy of the Commentary on Isaiah attributed to St. Jerome. The manuscript has 156 pages and measures 235 by 215 mm...
which according to an inscription dates to before 622, from Bobbio Abbey
Bobbio Abbey
Bobbio Abbey is a monastery founded by Irish Saint Columbanus in 614, around which later grew up the town of Bobbio, in the province of Piacenza, Emilia-Romagna, Italy. It is dedicated to Saint Columbanus...
, an Irish mission centre in northern Italy, has a more elaborate initial with colouring, showing Insular characteristics still more developed, even in such an outpost. From the same scriptorium
Scriptorium
Scriptorium, literally "a place for writing", is commonly used to refer to a room in medieval European monasteries devoted to the copying of manuscripts by monastic scribes...
and of similar date, the Bobbio Orosius
Bobbio Orosius
The Bobbio Orosius is an early 7th century Insular manuscript of the Chronicon of Paulus Orosius. The manuscript has 48 folios and measures 210 by 150 mm. It is thought to have been produced at the scriptorium of Bobbio Abbey.It contains the earliest surviving carpet page in Insular art. The...
has the earliest carpet page
Carpet page
Carpet pages are a characteristic feature of Insular illuminated manuscripts. They are pages of mainly geometrical ornamentation, which may include repeated animal forms, typically placed at the beginning of each of the four Gospels in Gospel Books...
, although a relatively simple one.
Durham Gospel Book Fragment.
The earliest painted Insular manuscript to survive, produced in Lindisfarne
Lindisfarne
Lindisfarne is a tidal island off the north-east coast of England. It is also known as Holy Island and constitutes a civil parish in Northumberland...
c. 650, but with only seven leaves of the book remaining, not all with illuminations. This introduces interlace, and also uses Celtic motifs drawn from metalwork. The design of two of the surviving pages relates them as a two-page spread
Book of Durrow
Book of Durrow
The Book of Durrow is a 7th-century illuminated manuscript gospel book in the Insular style. It was probably created between 650 and 700, in Northumbria in Northern England, where Lindisfarne or Durham would be the likely candidates, or on the island of Iona in the Scottish Inner Hebrides...
.
The earliest surviving Gospel Book with a full programme of decoration (though not all has survived): six extant carpet pages, a full-page miniature of the four evangelist's symbols, four full-page miniatures of the evangelists' symbols, four pages with very large initials, and decorated text on other pages. Many minor initial groups are decorated. Its date and place of origin remain subjects of debate, with 650–690 and Durrow
Durrow
Durrow is a small rural village in County Offaly, Ireland. Durrow is located on the N52 off the N6 road between Kilbeggan and Tullamore .Famous for being the Ancestral home of the Champion ploughman Luke Bracken. and Dean McDermott, Offaly Bord na Scol runner up,...
in Ireland, Iona
Iona
Iona is a small island in the Inner Hebrides off the western coast of Scotland. It was a centre of Irish monasticism for four centuries and is today renowned for its tranquility and natural beauty. It is a popular tourist destination and a place for retreats...
or Lindisfarne
Lindisfarne
Lindisfarne is a tidal island off the north-east coast of England. It is also known as Holy Island and constitutes a civil parish in Northumberland...
being the normal contenders. The influences on the decoration are also highly controversial, especially regarding Copt
Copt
The Copts are the native Egyptian Christians , a major ethnoreligious group in Egypt....
ic or other Near Eastern influence.
After large initials the following letters on the same line, or for some lines beyond, continue to be decorated at a smaller size. Dots round the outside of large initials are much used. The figures are highly stylised, and some pages use Germanic interlaced animal ornament, whilst others use the full repertoire of Celtic geometric spirals. Each page uses a different and coherent set of decorative motifs. Only four colours are used, but the viewer is hardly conscious of any limitation from this. All the elements of Insular manuscript style are already in place. The execution, though of high quality, is not as refined as in the best later books, nor is the scale of detail as small.
Lindisfarne Gospels
Lindisfarne Gospels
The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John in the British Library...
Produced in Lindisfarne by Eadfrith, Bishop of Lindisfarne, between about 690 and his death in 721 (perhaps towards the end of this period), this is a Gospel Book in the style of the Book of Durrow, but more elaborate and complex. All the letters on the pages beginning the Gospels are highly decorated in a single composition, and many two-page openings are designed as a unit, with carpet pages facing an incipit ("Here begins..") initial page at the start of each Gospel. Eadfrith was almost certainly the scribe as well as the artist. There are four Evangelist portrait
Evangelist portrait
Evangelist portraits are a specific type of miniature included in ancient and mediæval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of...
s, clearly derived from the classical tradition but treated without any sense of depth; the borders around them are far plainer than the decoration of the text pages, and there is clearly a sense of two styles which Eadfrith does not attempt to integrate wholly. The carpet-pages are enormously complex, and superbly executed.
St Petersburg Bede.
Attributed to Monkwearmouth-Jarrow Abbey
Monkwearmouth-Jarrow Abbey
Wearmouth-Jarrow is a twin-foundation English monastery, located on the River Wear in Sunderland and the River Tyne at Jarrow respectively, in the Kingdom of Northumbria . Its formal name is The Abbey Church of Saint Peter and Saint Paul, Wearmouth-Jarrow...
in Northumbria between about 730–746, this contains larger opening letters in which metalwork styles of decoration can clearly be seen. There are thin bands of interlace within the members of letters. It also contains the earliest historiated initial
Historiated initial
A historiated initial is an enlarged letter at the beginning of a paragraph or other section of text, which contains a picture. Strictly speaking, an inhabited initial contains figures that are decorative only, without forming a subject, whereas in a historiated initial there is an identifiable...
, a bust probably of Pope Gregory I
Pope Gregory I
Pope Gregory I , better known in English as Gregory the Great, was pope from 3 September 590 until his death...
, which like some other elements of the decoration, clearly derives from a Mediterranean model. Colour is used, although in a relatively restrained way.
Book of Kells
Book of Kells
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier...
Usually dated to around 800, although sometimes up to a century earlier, the place of origin is disputed between Iona and Kells
Kells, County Meath
Kells is a town in County Meath, Ireland. The town lies off the M3 motorway, from Navan and from Dublin. In recent years Kells has grown greatly with many Dublin commuters moving to the town....
, or other locations. It is also often thought to have been begun in Iona and then continued in Ireland, after disruption from Viking
Viking
The term Viking is customarily used to refer to the Norse explorers, warriors, merchants, and pirates who raided, traded, explored and settled in wide areas of Europe, Asia and the North Atlantic islands from the late 8th to the mid-11th century.These Norsemen used their famed longships to...
raids; the book survives nearly intact but the decoration is not finished, with some parts in outline only. It is far more comprehensively decorated than any previous manuscript in any tradition, with every page (except two) having many small decorated letters. Although there is only one carpet page, the incipit initials are so densely decorated, with only a few letters on the page, that they rather take over this function. Human figures are more numerous than before, though treated in a thoroughly stylised fashion, and closely surrounded, even hemmed in, by decoration as crowded as on the initial pages. A few scenes such as the Temptation and Arrest of Christ are included, as well as a Madonna and Child, surrounded by angels (the earliest Madonna in a Western book). More miniatures may have been planned or executed and lost. Colours are very bright and the decoration has tremendous energy, with spiral forms predominating. Gold and silver are not used.
Other books
A distinctive Insular type of book is the pocket gospel, inevitably much less decorated, but in several cases with Evangelist portraits and other decoration. Examples include the Book of MullingBook of Mulling
The Book of Mulling or less commonly, Book of Moling , is an Irish pocket Gospel Book from the late 8th century. The text collection includes the four Gospels, a liturgical service which includes the "Apostles' Creed", and in the colophon, a supposed plan of St...
, Book of Deer
Book of Deer
The Book of Deer is a 10th-century Latin Gospel Book from Old Deer, Aberdeenshire, Scotland, with early 12th-century additions in Latin, Old Irish and Scottish Gaelic. It is most famous for containing the earliest surviving Gaelic literature from Scotland...
, Book of Dimma
Book of Dimma
thumb|left|The 12th century case of the Book of Dimma.The Book of Dimma is an 8th-century Irish pocket Gospel Book originally from the Abbey of Roscrea, founded by St. Cronan in the County Tipperary, Ireland. In addition to the four Gospels, in between the Gospels of Luke and John, it has an...
, and the smallest of all, the Stonyhurst Gospel
Stonyhurst Gospel
The Stonyhurst Gospel, also known as the St Cuthbert Gospel or the St Cuthbert Gospel of St John, is a small 7th-century pocket gospel book, written in Latin, which was probably placed in the tomb of Saint Cuthbert of Lindisfarne, a few years after he died in 687...
(now British Library
British Library
The British Library is the national library of the United Kingdom, and is the world's largest library in terms of total number of items. The library is a major research library, holding over 150 million items from every country in the world, in virtually all known languages and in many formats,...
), a 7th-century Anglo-Saxon text of the Gospel of John, which belonged to St Cuthbert and was buried with him. Its beautifully tooled goatskin cover is the oldest Western bookbinding to survive, and a virtually unique example of insular leatherwork, in an excellent state of preservation.
Both Anglo-Saxon and Irish manuscripts have a distinctive rougher finish to their vellum, compared to the smooth-polished surface of contemporary continental and all late-medieval vellum. It appears that, in contrast to later periods, the scribes copying the text were often also the artists of the illuminations, and might include the most senior figures of their monastery.
Movement to Anglo-Saxon art
In England the pull of a Continental style operated from very early on; the Gregorian missionGregorian mission
The Gregorian mission, sometimes known as the Augustinian mission, was the missionary endeavour sent by Pope Gregory the Great to the Anglo-Saxons in 596 AD. Headed by Augustine of Canterbury, its goal was to convert the Anglo-Saxons to Christianity. By the death of the last missionary in 653, they...
from Rome had brought the St Augustine Gospels and other manuscripts now lost with them, and other books were imported from the continent early on. The 8th century Cotton Bede
Bede, Ecclesiastical History (British Library, MS Cotton Tiberius C. II)
British Library, MS Cotton Tiberius C. II, or the Tiberius Bede, is an 8th century illuminated manuscript of Bede's Historia ecclesiastica gentis Anglorum. It is one of only four surviving 8th century manuscripts of Bede. As such it is on the closest texts to Bede's autograph. The manuscript has...
shows mixed elements in the decoration, as does the Stockholm Codex Aureus
Stockholm Codex Aureus
The Stockholm Codex Aureus is an Insular Gospel book written in the mid-eighth century in Southumbria, probably in Canterbury...
of similar period, probably written in Canterbury
Canterbury
Canterbury is a historic English cathedral city, which lies at the heart of the City of Canterbury, a district of Kent in South East England. It lies on the River Stour....
. In the Vespasian Psalter
Vespasian Psalter
The Vespasian Psalter is an Anglo-Saxon illuminated Psalter produced in the second or third quarter of the 8th century. It contains an interlinear gloss in Old English which is the oldest extant English translation of any portion of the Bible. It was produced in southern England, perhaps in St...
it is clear which element is coming to dominate. All these and other members of the "Tiberius" group of manuscripts were written south of the river Humber
Humber
The Humber is a large tidal estuary on the east coast of Northern England. It is formed at Trent Falls, Faxfleet, by the confluence of the tidal River Ouse and the tidal River Trent. From here to the North Sea, it forms part of the boundary between the East Riding of Yorkshire on the north bank...
, but the Codex Amiatinus
Codex Amiatinus
The Codex Amiatinus, designated by siglum A, is the earliest surviving manuscript of the nearly complete Bible in the Latin Vulgate version, and is considered to be the most accurate copy of St. Jerome's text. It is missing the Book of Baruch. It was produced in the Anglo-Saxon kingdom of...
, of before 716 from Jarrow, is written in a fine uncial
Uncial
Uncial is a majuscule script commonly used from the 3rd to 8th centuries AD by Latin and Greek scribes. Uncial letters are written in either Greek, Latin, or Gothic.-Development:...
script, and its only illustration is conceived in an Italianate style, with no insular decoration; it has been suggested this was only because the volume was made for presentation to the Pope. The dating is partly known from the grant of additional land secured to raise the generations of cattle, amounting to 2,000 head in all, which were necessary to make the vellum
Vellum
Vellum is mammal skin prepared for writing or printing on, to produce single pages, scrolls, codices or books. It is generally smooth and durable, although there are great variations depending on preparation, the quality of the skin and the type of animal used...
for three complete but unillustrated Bibles, which shows the resources necessary to make the large books of the period.
Many Anglo-Saxon manuscripts written in the south, and later the north, of England show strong Insular influences until the 10th century or beyond, but the pre-dominant stylistic impulse comes from the continent of Europe; carpet-pages are not found, but many large figurative miniatures are. Panels of interlace and other Insular motifs continue to be used as one element in borders and frames ultimately classical in derivation. Many continental manuscripts, especially in areas influenced by the Celtic missions, also show such features well into the early Romanesque period. "Franco-Saxon" is a term for a school of late Carolingian illumination in north-eastern France that used insular-style decoration, including super-large initials, sometimes in combination with figurative images typical of contemporary French styles. The "most tenacious of all the Carolingian styles", it continued until as late as the 11th century.
Legacy of Insular art
The true legacy of insular art lies not so much in the specific stylistic features discussed above, but in its fundamental departure from the classical approach to decoration, whether of books or other works of art. The barely controllable energy of Insular decoration, spiralling across formal partitions, becomes a feature of later medieval art, especially Gothic art, in areas where specific Insular motifs are hardly used, such as architecture. The mixing of the figurative with the ornamental also remained characteristic of all later medieval illumination; indeed for the complexity and density of the mixture, Insular manuscripts are only rivalled by some 15th-century works of late Flemish illumination. It is also noticeable that these characteristics are always rather more pronounced in the north of Europe than the south; Italian art, even in the Gothic period, always retains a certain classical clarity in form.Unmistakable insular influence can be seen in Carolingian
Carolingian art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about AD 780 to 900 — during the reign of Charlemagne and his immediate heirs — popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of...
manuscripts, even though these were also trying to copy the Imperial styles of Rome and Byzantium. Greatly enlarged initials, sometimes inhabited, were retained, as well as far more abstract decoration than found in classical models. These features continue in Ottonian
Ottonian
The Ottonian dynasty was a dynasty of Germanic Kings , named after its first emperor but also known as the Saxon dynasty after the family's origin. The family itself is also sometimes known as the Liudolfings, after its earliest known member Liudolf and one of its primary leading-names...
and contemporary French illumination and metalwork, before the Romanesque period further removed classical restraints, especially in manuscripts, and the capitals of columns.
Sculpture
Large stone Celtic crossCeltic cross
A Celtic cross is a symbol that combines a cross with a ring surrounding the intersection. In the Celtic Christian world it was combined with the Christian cross and this design was often used for high crosses – a free-standing cross made of stone and often richly decorated...
es, usually erected outside monasteries or churches, first appear in the 8th century in Ireland, perhaps at Carndonagh
Carndonagh
Carndonagh is a town on the Inishowen peninsula in County Donegal, Ireland and is home to the Irish Space Exploration Mission. The town is located near Malin Head, the most northerly point of Ireland and lies close to the shores of Trawbeaga Bay...
, Donegal
Donegal
Donegal or Donegal Town is a town in County Donegal, Ireland. Its name, which was historically written in English as Dunnagall or Dunagall, translates from Irish as "stronghold of the foreigners" ....
, a monastic site with Ionian
Iona Abbey
Iona Abbey is located on the Isle of Iona, just off the Isle of Mull on the West Coast of Scotland. It is one of the oldest and most important religious centres in Western Europe. The abbey was a focal point for the spread of Christianity throughout Scotland and marks the foundation of a monastic...
foundations, apparently later than the earliest Anglo-Saxon crosses, which may be 7th century. Later insular carvings found throughout Britain and Ireland were almost entirely geometrical, as was the decoration on the earliest crosses. By the 9th century figures are carved, and the largest crosses have very many figures in scenes on all surfaces, often from the Old Testament
Old Testament
The Old Testament, of which Christians hold different views, is a Christian term for the religious writings of ancient Israel held sacred and inspired by Christians which overlaps with the 24-book canon of the Masoretic Text of Judaism...
on the east side, and the New on the west, with a Crucifixion
Crucifixion
Crucifixion is an ancient method of painful execution in which the condemned person is tied or nailed to a large wooden cross and left to hang until dead...
at the centre of the cross. The 10th-century Muiredach's High Cross
Muiredach's High Cross
Muiredach's High Cross is a high cross from the 10th or possibly 9th century, located at the ruined monastic site of Monasterboice, County Louth, Ireland. There are two other high crosses at Monasterboice; in local terms Muiredach's cross is also known as the South Cross...
at Monasterboice
Monasterboice
The historic ruins of Monasterboice are of an early Christian settlement in County Louth in Ireland, north of Drogheda. It was founded in the late 5th century by Saint Buithe who died around 521, and was an important centre of religion and learning until the founding of nearby Mellifont Abbey in...
is usually regarded as the peak of the Irish crosses. In later examples the figures become fewer and larger, and their style begins to merge with the Romanesque, as at the Dysert Cross in Ireland.
The 8th-century Northumbria
Northumbria
Northumbria was a medieval kingdom of the Angles, in what is now Northern England and South-East Scotland, becoming subsequently an earldom in a united Anglo-Saxon kingdom of England. The name reflects the approximate southern limit to the kingdom's territory, the Humber Estuary.Northumbria was...
n Ruthwell Cross
Ruthwell Cross
The Ruthwell Cross is a stone Anglo-Saxon cross probably dating from the 8th century, when Ruthwell was part of the Anglo-Saxon kingdom of Northumbria; it is now in Scotland. Anglo-Saxon crosses are closely related to the contemporary Irish high crosses, and both are part of the Insular art tradition...
(now in Scotland
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
), unfortunately damaged by Presbyterian iconoclasm
Iconoclasm
Iconoclasm is the deliberate destruction of religious icons and other symbols or monuments, usually with religious or political motives. It is a frequent component of major political or religious changes...
, is the most impressive remaining Anglo-Saxon
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
cross, though as with most Anglo-Saxon crosses the original cross head is missing. Many Anglo-Saxon crosses were much smaller and more slender than the Irish ones, and therefore only had room for carved foliage, but the Bewcastle Cross
Bewcastle Cross
The Bewcastle Cross is an Anglo-Saxon high cross still in its original position in the churchyard of Bewcastle, near Carlisle, Cumbria, England. The cross probably dates from the 7th or early 8th century and features reliefs and inscriptions in the runic alphabet...
, Easby Cross
Easby Cross
The Easby Cross is an Anglo-Saxon sandstone standing cross of 800–820, now in the Victoria and Albert Museum, London. It originally came from Easby near Richmond in the Richmondshire district of North Yorkshire, where a plaster replica is kept in the church. Easby was then in the Kingdom of...
and Sandbach Crosses
Sandbach Crosses
The Sandbach Crosses are two 9th-century Anglo-Saxon stone crosses now erected in the market place in the town of Sandbach, Cheshire, England. They are unusually large and elaborate examples of the type and have been designated by English Heritage as a Grade I listed building, and are a...
are other survivals with considerable areas of figurative relief
Relief
Relief is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is thus to give the impression that the sculpted material has been raised above the background plane...
s, with larger-scale figures than any early Irish examples. Even early Anglo-Saxon examples mix vine-scroll decoration of Continental origin with interlace panels, and in later ones the former type becomes the norm, just as in manuscripts. There is literary evidence for considerable numbers of carved stone crosses across the whole of England, and also straight shafts, often as grave-markers, but most survivals are in the northernmost counties. There are remains of other works of monumental sculpture
Monumental sculpture
The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large...
in Anglo-Saxon art, even from the earlier periods, but nothing comparable from Ireland.
Pictish standing stones
The stone monuments erected by the PictsPicts
The Picts were a group of Late Iron Age and Early Mediaeval people living in what is now eastern and northern Scotland. There is an association with the distribution of brochs, place names beginning 'Pit-', for instance Pitlochry, and Pictish stones. They are recorded from before the Roman conquest...
of Scotland
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
north of the Clyde-Forth line between the 6th–8th centuries are particularly striking in design and construction, carved in the typical Easter Ross
Easter Ross
Easter Ross is a loosely defined area in the east of Ross, Highland, Scotland.The name is used in the constituency name Caithness, Sutherland and Easter Ross, which is the name of both a British House of Commons constituency and a Scottish Parliament constituency...
style related to that of insular art, though with much less classical influence. In particular the forms of animals are often closely comparable to those found in Insular manuscripts, where they typically represent the Evangelist's symbols, which may indicate a Pictish origin for these forms, or another common source. The carvings come from both pagan and early Christian periods, and the Pictish symbols, which are still poorly understood, do not seem to have been repugnant to Christians. The purpose and meaning of the stones are only partially understood, although some think that they served as personal memorials, the symbols indicating membership of clan
Clan
A clan is a group of people united by actual or perceived kinship and descent. Even if lineage details are unknown, clan members may be organized around a founding member or apical ancestor. The kinship-based bonds may be symbolical, whereby the clan shares a "stipulated" common ancestor that is a...
s, lineages, or kindreds and depict ancient ceremonies and rituals Examples include the Eassie Stone
Eassie Stone
The Eassie Stone is a Class II Pictish stone at the village of Eassie, Angus, Scotland. The stone was found in Eassie burn in the late 18th century and now resides in a purpose-built perspex building in the ruined Eassie church.-Location:...
and the Hilton of Cadboll Stone
Hilton of Cadboll Stone
The Hilton of Cadboll Stone is a Class II Pictish stone discovered at Hilton of Cadboll, on the Tarbat Peninsula in Easter Ross, Scotland. It is one of the most magnificent of all Pictish cross-slabs. On the seaward-facing side is a Christian cross, and on the landward facing side are secular...
. It is possible that they had subsidiary uses, such as marking tribal or lineage territories. It has also been suggested that the symbol
Symbol
A symbol is something which represents an idea, a physical entity or a process but is distinct from it. The purpose of a symbol is to communicate meaning. For example, a red octagon may be a symbol for "STOP". On a map, a picture of a tent might represent a campsite. Numerals are symbols for...
s could have been some kind of pictographic system of writing.
There are also a few examples of similar decoration on Pictish silver jewellery, notably the Norrie's Law Hoard, of the 7th century or perhaps earlier, much of which was melted down on discovery, and the 8th century St Ninian's Isle
St Ninian's Isle
St Ninian's Isle is a small island connected by the largest active tombolo in the UK to the south-western coast of the Mainland, Shetland, in Scotland. The tombolo, known locally as an ayre, from the Old Norse for 'gravel bank', is 500 metres long. Except at extremely high tides, the sand is above...
Hoard, with many brooches and bowls. The surviving items from both are now held by National Museums Scotland.
See also
- :Category:Hiberno-Saxon manuscripts
- :Category:High crosses
- List of Hiberno-Saxon illustrated manuscripts
- Early Insular ChristianityEarly Insular ChristianityEarly Insular Christianity is a term used to cover Christianity in Great Britain and Ireland during the post-Roman period. It splits into two strands:...
- Celtic knotCeltic knotCeltic knots are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation of Christian monuments and manuscripts, such as the 8th-century...
Sources
- Alexander, Jonathan J.G.; Medieval Illuminators and their Methods of Work, Yale UP, 1992, ISBN0300056893
- Bloxham, Jim & Rose, Krisine; St. Cuthbert Gospel of St. John, Formerly Known as the Stonyhurst Gospel
- Brown, Michelle P. Mercian Manuscripts? The "Tiberius" Group and its Historical Context, in Michelle P. Brown, Carol Ann Farr: Mercia: an Anglo-Saxon kingdom in Europe, Continuum International Publishing Group, 2005, ISBN 0826477658, 9780826477651
- Calkins, Robert G. Illuminated Books of the Middle Ages. Ithaca, New York: Cornell University Press, 1983.
- Dodwell, C.R. (1982); Anglo-Saxon Art, a new perspective, 1982, Manchester UP, ISBN 071900926X
- Dodwell, C.R. (1993); The Pictorial arts of the West, 800–1200, 1993, Yale UP, ISBN 0300064934
- Gombrich, E.H.Ernst GombrichSir Ernst Hans Josef Gombrich, OM, CBE was an Austrian-born art historian who became naturalized British citizen in 1947. He spent most of his working life in the United Kingdom...
, The Story of Art, Phaidon, 13th edn. 1982. ISBN 0714818410 - Grove Art Online, "Insular Art", accessed April 18, 2010, see also Ryan, Michael.
- Henderson, George. Early Medieval Art, 1972, rev. 1977, Penguin.
- Hicks, Carola. Insular – The Age of Migrating Ideas: Early Medieval Art in Northern Britain and Ireland
- Hugh HonourHugh HonourHugh Honour is a British art historian, famous for his writings. His A World History of Art, co-authored with John Fleming, is now in its seventh edition; his Chinoiserie first set the phenomenon of chinoiserie in its European cultural context, and his overview of Neoclassicism is still "an...
and John Fleming, A World History of Art,1st edn. 1982 & later editions, Macmillan, London, page refs to 1984 Macmillan 1st edn. paperback. ISBN 0333371852 - Laing, Lloyd Robert. The archaeology of late Celtic Britain and Ireland, c. 400–1200 AD, Taylor & Francis, 1975, ISBN 0416823602, 9780416823608
- Lasko, Peter, Ars Sacra, 800–1200, Penguin History of Art (now Yale), 1972 (nb, 1st edn.) ISBN 14056036X
- Nordenfalk, Carl. Celtic and Anglo-Saxon Painting: Book illumination in the British Isles 600–800. New York: George Braziller, 1976.
- Pächt, Otto. Book Illumination in the Middle Ages (trans fr German), 1986, Harvey Miller Publishers, London, ISBN 0199210608
- Rigby, Stephen Henry. A companion to Britain in the later Middle Ages, Wiley-Blackwell, 2003, ISBN 0631217851, 9780631217855. Google books
- Ryan, Michael, and others, in Grove Art Online, Insular art (Ryan is also a major contributor to Youngs below)
- Schapiro, MeyerMeyer SchapiroMeyer Schapiro was a Lithuanian-born American art historian known for forging new art historical methodologies that incorporated an interdisciplinary approach to the study of works of art...
, Selected Papers, volume 3, Late Antique, Early Christian and Mediaeval Art, 1980, Chatto & Windus, London, ISBN 0701125144 - Wailes, Bernard and Zoll, Amy L., in Philip L. Kohl, Clare P. Fawcett, Nationalism, politics, and the practice of archaeology, Cambridge University Press, 1995, ISBN 0521558395, 9780521558396
- Susan Youngs (ed), "The Work of Angels", Masterpieces of Celtic Metalwork, 6th–9th centuries AD, 1989, British Museum Press, London, ISBN 0714105546
- Wilson, David M.David M. WilsonSir David Mackenzie Wilson, Kt is a British archaeologist, art historian, and museum curator, specialising in Anglo-Saxon art and the Viking Age. He lives on the Isle of Man....
; Anglo-Saxon Art: From The Seventh Century To The Norman Conquest, Thames and Hudson (US edn. Overlook Press), 1984.