The Demon is an opera

Opera

Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 in three acts (six scenes) by Russia

Russia

Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...

n composer Anton Rubinstein

Anton Rubinstein

Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...

. The work was composed in 1871. The libretto

Libretto

A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 was by Pavel Viskovatov, based on the poem of the same name by Mikhail Lermontov

Mikhail Lermontov

Mikhail Yuryevich Lermontov , a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", became the most important Russian poet after Alexander Pushkin's death in 1837. Lermontov is considered the supreme poet of Russian literature alongside Pushkin and the greatest...

.

Background

Lermontov's poem was banned as sacrilegious until 1860. Its popularity and its lurid story made it an excellent candidate for an opera libretto, and Rubinstein himself worked out the scenario

Scenario

A scenario is a synoptical collage of an event or series of actions and events. In the Commedia dell'arte it was an outline of entrances, exits, and action describing the plot of a play that was literally pinned to the back of the scenery...

 from which Viskovatov produced the final text.The opera was premiered at the Mariinsky Theatre

Mariinsky Theatre

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. The...

, St. Petersburg

Saint Petersburg

Saint Petersburg is a city and a federal subject of Russia located on the Neva River at the head of the Gulf of Finland on the Baltic Sea...

, on , conducted by Eduard Nápravník

Eduard Nápravník

Eduard Francevič Nápravník was a Czech conductor and composer, who settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades...

. The stage design was by Mikhayil Bocharov, Matvey Shishkov, and Lagorio. The Moscow

Moscow

Moscow is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, scientific, religious, financial, educational, and transportation centre of Russia and the continent...

 premiere was in 1879 at the Bolshoi Theatre

Bolshoi Theatre

The Bolshoi Theatre is a historic theatre in Moscow, Russia, designed by architect Joseph Bové, which holds performances of ballet and opera. The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world...

, conducted by Enrico Bevignani

Enrico Bevignani

Enrico Modesto Bevignani was an Italian conductor, harpsichordist, composer, and impresario. He studied in his native city with Giuseppe Albanese, Salvatore Lavigna, Giuseppe Lillo and Giuseppe Staffa...

The opera was published by V. Bessel and Co.

V. Bessel and Co.

V. Bessel and Co. was a musical firm founded in 1869 in St Petersburg by Vasily Vasil’yevich Bessel . His brother N. V. Bessel was a co-owner of the firm....

, St. Petersburg, in 1876.A further edition was in 1968 by Muzgiz, Moscow.

Critical reception

Rubinstein invited several musicians of the group known as The Five

The Five

The Five, also known as The Mighty Handful or The Mighty Coterie , refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin...

, including César Cui

César Cui

César Antonovich Cui was a Russian of French and Lithuanian descent. His profession was as an army officer and a teacher of fortifications; his avocational life has particular significance in the history of music, in that he was a composer and music critic; in this sideline he is known as a...

, Modest Mussorgsky

Modest Mussorgsky

Modest Petrovich Mussorgsky was a Russian composer, one of the group known as 'The Five'. He was an innovator of Russian music in the romantic period...

 and Nikolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov

Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...

, as well as the critic Vladimir Stasov to a private hearing of the opera in September 1871, where the guests did not regard the work favourably. However, melodic motifs from The Demon inspired comparable motifs in Mussorgsky's Khovanshchina

Khovanshchina

Khovanshchina is an opera in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources...

and Tchaikovsky

Pyotr Ilyich Tchaikovsky

Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...

's Eugene Onegin

Eugene Onegin (opera)

Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....

.

The opera received 100 performances in the first decade following its premiere. Its first performance in Paris was in May 1911, where the critics considered the opera to be old-fashioned.

Whilst it is still quite frequently performed in Russia, the opera has become a rarity in the West.

Roles

Role	Voice	St. Petersburg 1875	Moscow 1879
Prince Gudal	bass Bass (voice type) A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...	Osip Petrov Osip Petrov Osip Afanasievich Petrov was a Russian operatic bass-baritone of great range and renown whose career centred on St Petersburg.He started his career by singing in a church chorus...	Anton Bartsal
Tamara,his daughter	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...	Wilhelmina Raab	Yelena Verni
Tamara's Nurse	contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
Prince Sinodal, Tamara's betrothed	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...	Fyodor Komissarzhevsky Fyodor Petrovich Komissarzhevsky Fyodor Petrovich Komissarzhevsky was a Russian opera singer and teacher of voice and stagecraft. A leading tenor at the Mariinsky Theatre in St. Petersburg, he created many roles in Russian operas, including the Pretender in Mussorgsky's Boris Godunov and the title role in Tchaikovsky's Vakula...
Sinodal's servant	bass
Courier	tenor
Demon	bass-baritone Bass-baritone A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the Dutchman in Der fliegende...	Ivan Melnikov	Bogomir Korsov Bogomir Korsov Bogomir Bogomirovich Korsov, was a Russian baritone opera singer....
Angel	contralto	Aleksandra Krutikova
Chorus: Evil and good spirits, Georgians, guests, Tatars, servants, nuns

Scene 1 Prologue

During a storm in the Caucasian mountains a chorus of evil spirits call upon the Demon to destroy the beauty of God's creation. The Demon sings of his hatred for the universe and rejects an Angel's plea for him to reconcile with heaven.

Scene 2

Tamara, awaiting her wedding with Prince Sinodal, is by a river with her attendants. The Demon sees her and falls in love with her. He promises her that "all the world will kneel before her" if she returns his love. Tamara is fascinated but frightened by him and returns to the castle.

Scene 3

Prince Sinodal's caravan is making its way to Prince Gudal's court for his marriage to Tamara but is delayed by a landslide. The Demon appears and vows that Prince Sinodal will never see Tamara again. The carvan is attacked by Tatars

Tatars

Tatars are a Turkic speaking ethnic group , numbering roughly 7 million.The majority of Tatars live in the Russian Federation, with a population of around 5.5 million, about 2 million of which in the republic of Tatarstan.Significant minority populations are found in Uzbekistan, Kazakhstan,...

, and Prince Sinodal is mortally wounded. Before he dies he tells his servant to bring his body to Tamara.

Scene 4

The festivities for the wedding have already begun. A messenger announces that Prince Sinodal's caravan has been delayed. Tamara senses the presence of the Demon and is fearful. When Prince Sinodal's body is brought into the castle, Tamara is overcome by grief, but to her horror, keeps hearing the supernatural voice of the Demon and his promises. She begs her father to let her enter a convent.

Scene 5

The Demon intends to enter the convent where Tamara is now living, believing that his love for her has opened his spirit to goodness. An Angel tries in vain to stop him.

Scene 6

Tamara prays in her convent cell but is constantantly troubled by thoughts of the Demon, who appears to her in her dreams. The Demon now appears in reality, declares his love for her and begs her to love him in return. Tamara tries to resist her attraction to him but fails. The Demon kisses her in triumph. The Angel suddenly appears and shows her the ghost of Prince Sinodal. In horror, Tamara struggles out of the Demon's arms and falls dead.

Epilogue and Apotheosis

Apotheosis

Apotheosis is the glorification of a subject to divine level. The term has meanings in theology, where it refers to a belief, and in art, where it refers to a genre.In theology, the term apotheosis refers to the idea that an individual has been raised to godlike stature...

The Angel proclaims that Tamara has been redeemed by her suffering, while the Demon is damned to eternal solitude. The Demon curses his fate. In the final Apotheosis Tamara's soul is carried to Heaven accompanied by angels.