The Five
Encyclopedia
The Five, also known as The Mighty Handful or The Mighty Coterie , refers to a circle of composers who met in Saint Petersburg
, Russia
, in the years 1856–1870: Mily Balakirev
(the leader), César Cui
, Modest Mussorgsky
, Nikolai Rimsky-Korsakov
and Alexander Borodin
. The group had the aim of producing a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. In a sense, they were a branch of the Romantic Nationalist
movement in Russia, sharing similar artistic goals with the Abramtsevo Colony
and Russian Revival
.
In May 1867 the critic Vladimir Stasov wrote an article, Mr. Balakirev's Slavic Concert, on a concert given for visiting Slav delegations to the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka
, Alexander Dargomyzhsky
, Mily Balakirev
, and Nikolai Rimsky-Korsakov
. The article ended with the following statement:
The expression "mighty handful" , was mocked by enemies of Balakirev and Stasov: Aleksandr Serov
, academic circles of the conservatory, the Russian Musical Society, and their press supporters. The group responded by defiantly adopting the name. This loose collection of composers gathered around Balakirev now included Cui, Mussorgsky, Rimsky-Korsakov, and Borodin — the five who have come to be associated with the name "Mighty Handful", or sometimes "The Five". Gerald Abraham stated flatly in the Grove Dictionary of Music and Musicians
that "they never called themselves, nor were they ever called in Russia, 'The Five'" (although today the Russian equivalent "Пятерка" ("Pyatyorka") is occasionally used to refer to this group.). In his memoirs, Rimsky-Korsakov routinely refers to the group as "Balakirev's circle", and occasionally uses "The Mighty Handful", usually with an ironic tone. He also makes the following reference to "The Five":
The Russian word kuchka also spawned the terms "kuchkism" and "kuchkist", which may be applied to artistic aims or works in tune with the sensibilities of The Mighty Handful.
The name of Les Six
, an even looser collection of French-speaking composers, emulates that of "The Five".
. Modest Mussorgsky
joined them in 1857, Nikolai Rimsky-Korsakov
in 1861, and Alexander Borodin
in 1862. All the composers in The Five were young men in 1862. Balakirev was 25, Cui 27, Mussorgsky 23, Borodin the eldest at 28, and Rimsky-Korsakov just 18. They were all self-trained amateurs. Borodin combined composing with a career in chemistry. Rimsky-Korsakov was a naval officer (he wrote his First Symphony on a three-year naval voyage circumnavigating the globe). Mussorgsky had been in the Guards, then in the civil service before taking up music; even at the height of his career in the 1870s he was forced by the expense of his drinking habit to hold down a full-time job in the State Forestry Department.
In contrast to the élite status and court connections of Conservatory composers such as Pyotr Ilyich Tchaikovsky
, The Five were mainly from the minor gentry of the provinces. To some degree their esprit de corps depended on the myth, which they themselves created, of a movement that was more "authentically Russian," in the sense that it was closer to the native soil, than the classic academy.
Before them, Mikhail Glinka
and Alexander Dargomyzhsky
had gone some way towards producing a distinctly Russian kind of music, writing operas on Russian subjects, but The Mighty Handful represented the first concentrated attempt to develop such a music, with Stasov as their artistic adviser and Dargomyzhsky as an elder statesman to the group, so to speak. The circle began to fall apart during the 1870s, no doubt partially due to the fact that Balakirev withdrew from musical life early in the decade for a period of time. All of "The Five" are buried in Tikhvin Cemetery
in Saint Petersburg
.
. Many quintessentially "Russian" works were composed in orientalist style, such as Balakirev's Islamey, Borodin's Prince Igor
and Rimsky-Korsakov's Scheherazade
. Orientalism, in fact, became widely considered in the West both one of the best-known aspects of Russian music and a trait of Russian national character. As leader of "The Five," Balakirev encouraged the use of eastern themes and harmonies to set their "Russian" music apart from the German symphonism of Anton Rubinstein
and other Western-oriented composers. Because Rimsky-Korsakov used Russian folk and oriental melodies in his First Symphony
, Stasov and the other nationalists dubbed it the "First Russian Symphony," even though Rubinstein had written his Ocean Symphony a dozen years before it. These were themes Balakirev had transcribed in the Caucasus. "The symphony is good," Cui wrote to Rimsky-Korsakov in 1863, while the latter was out on naval deployment. "We played it a few days ago at Balakirev's—to the great pleasure of Stassov. It is really Russian. Only a Russian could have composed it, because it lacks the slightest trace of any stagnant Germanness."
Orientalism was not confined to using authentic Eastern melodies. What became more important than the melodies themselves were the musical conventions added to them. These conventions allowed orientalism to become an avenue for writing music on subjects considered unmentionable otherwise, such as political themes and erotic fantasies. It also became a means of expressing Russian supremacy as the empire expanded under Alexander II
. This was often reinforced through misogynist
symbolism—the rational, active and moral Western man versus the irrational, passive and immoral Eastern woman.
Two major works entirely dominated by orientalism are Rimsky-Korsakov's symphonic suite Antar
and Balakirev's symphonic poem Tamara. Antar, set in Arabia, uses two different styles of music, Western (Russian) and Eastern (Arabian). The first theme, Antar's, is masculine and Russian in character. The second theme, feminine and oriental in melodic contour, belongs to the queen, Gul Nazar. Rimsky-Korsakov was able to soften the implicit misogyny to some extent. However, female sensuality does exert a paralyzing, ultimately destructive influence. With Gul Nazar extinguishing Antar's life in a final embrace, the woman overcomes the man.
Balakirev gives a more overtly misogynistic view of oriental women in Tamara. He had originally planned to write a Caucasan dance called a lezginka, modeled on Glinka, for this work. However, he discovered a poem by Mikhail Lermontov
about the beautiful Tamara, who lived in a tower alongside the gorge of Daryal. She lured travelers and allowed them to enjoy a night of sensual delights, only to kill them and throw their bodies into the River Terek. Balakirev uses two specific codes endemic to orientalism in writing Tamara. The first code, based on obsessive rhythms, note repetitions, climactic effects and accelerated tempi, represents Dionysian intoxication. The second code, consisting of unpredictable rhythms, irregular phrasing and based on long passages with many repeat notes, augmented and diminished intervals
and extended melisma
s, depict sensual longing. Not only did Balakirev use these codes extensively, but he also attempted to supercharge them further when he revised the orchestration of Tamara in 1898.
A direct result of such orientalism was the big influence that this circle left on the formation of classical traditions in other nations of the east and south of Russia. For instance, one of Rimsky-Korsakov's famous students, Alexander Spendiaryan
went on to become the founder of Armenian classical music, carrying on the traditions and aesthetics of the Mighty Handful to the Caucasus.
provides the following picture of "The Mighty Handful" in his memoirs, Chronicle of My Musical Life (translated by J. A. Joffe):
, Mikhail Ippolitov-Ivanov
, Sergei Prokofiev
, Igor Stravinsky
, and Dmitri Shostakovich
.
Saint Petersburg
Saint Petersburg is a city and a federal subject of Russia located on the Neva River at the head of the Gulf of Finland on the Baltic Sea...
, Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
, in the years 1856–1870: Mily Balakirev
Mily Balakirev
Mily Alexeyevich Balakirev ,Russia was still using old style dates in the 19th century, and information sources used in the article sometimes report dates as old style rather than new style. Dates in the article are taken verbatim from the source and therefore are in the same style as the source...
(the leader), César Cui
César Cui
César Antonovich Cui was a Russian of French and Lithuanian descent. His profession was as an army officer and a teacher of fortifications; his avocational life has particular significance in the history of music, in that he was a composer and music critic; in this sideline he is known as a...
, Modest Mussorgsky
Modest Mussorgsky
Modest Petrovich Mussorgsky was a Russian composer, one of the group known as 'The Five'. He was an innovator of Russian music in the romantic period...
, Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
and Alexander Borodin
Alexander Borodin
Alexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music...
. The group had the aim of producing a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. In a sense, they were a branch of the Romantic Nationalist
Romantic nationalism
Romantic nationalism is the form of nationalism in which the state derives its political legitimacy as an organic consequence of the unity of those it governs...
movement in Russia, sharing similar artistic goals with the Abramtsevo Colony
Abramtsevo Colony
Abramtsevo is an estate located north of Moscow, in the proximity of Khotkovo, that became a center for the Slavophile movement and artistic activity in the 19th century.-History:...
and Russian Revival
Russian Revival
The Russian Revival style is the generic term for a number of different movements within Russian architecture that arose in second quarter of the 19th century and was an eclectic melding of pre-Peterine Russian architecture and elements of Byzantine architecture.The Russian Revival style arose...
.
Name
Mikhail Glinka
Mikhail Ivanovich Glinka , was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music...
, Alexander Dargomyzhsky
Alexander Dargomyzhsky
Alexander Sergeyevich Dargomyzhsky was a 19th century Russian composer. He bridged the gap in Russian opera composition between Mikhail Glinka and the later generation of The Five and Tchaikovsky....
, Mily Balakirev
Mily Balakirev
Mily Alexeyevich Balakirev ,Russia was still using old style dates in the 19th century, and information sources used in the article sometimes report dates as old style rather than new style. Dates in the article are taken verbatim from the source and therefore are in the same style as the source...
, and Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
. The article ended with the following statement:
The expression "mighty handful" , was mocked by enemies of Balakirev and Stasov: Aleksandr Serov
Alexander Serov
Alexander Nikolayevich Serov – was a Russian composer and music critic. He and his wife Valentina were the parents of painter Valentin Serov...
, academic circles of the conservatory, the Russian Musical Society, and their press supporters. The group responded by defiantly adopting the name. This loose collection of composers gathered around Balakirev now included Cui, Mussorgsky, Rimsky-Korsakov, and Borodin — the five who have come to be associated with the name "Mighty Handful", or sometimes "The Five". Gerald Abraham stated flatly in the Grove Dictionary of Music and Musicians
Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Musik in Geschichte und Gegenwart, it is the largest single reference work on Western music. The dictionary has gone through several editions since the 19th century...
that "they never called themselves, nor were they ever called in Russia, 'The Five'" (although today the Russian equivalent "Пятерка" ("Pyatyorka") is occasionally used to refer to this group.). In his memoirs, Rimsky-Korsakov routinely refers to the group as "Balakirev's circle", and occasionally uses "The Mighty Handful", usually with an ironic tone. He also makes the following reference to "The Five":
The Russian word kuchka also spawned the terms "kuchkism" and "kuchkist", which may be applied to artistic aims or works in tune with the sensibilities of The Mighty Handful.
The name of Les Six
Les Six
Les six is a name, inspired by The Five, given in 1920 by critic Henri Collet in an article titled "" to a group of six composers working in Montparnasse whose music is often seen as a reaction against the musical style of Richard Wagner and impressionist music.-Members:Formally, the Groupe des...
, an even looser collection of French-speaking composers, emulates that of "The Five".
Formation
The formation of the group began in 1856, with the first meeting of Balakirev and César CuiCésar Cui
César Antonovich Cui was a Russian of French and Lithuanian descent. His profession was as an army officer and a teacher of fortifications; his avocational life has particular significance in the history of music, in that he was a composer and music critic; in this sideline he is known as a...
. Modest Mussorgsky
Modest Mussorgsky
Modest Petrovich Mussorgsky was a Russian composer, one of the group known as 'The Five'. He was an innovator of Russian music in the romantic period...
joined them in 1857, Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
in 1861, and Alexander Borodin
Alexander Borodin
Alexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music...
in 1862. All the composers in The Five were young men in 1862. Balakirev was 25, Cui 27, Mussorgsky 23, Borodin the eldest at 28, and Rimsky-Korsakov just 18. They were all self-trained amateurs. Borodin combined composing with a career in chemistry. Rimsky-Korsakov was a naval officer (he wrote his First Symphony on a three-year naval voyage circumnavigating the globe). Mussorgsky had been in the Guards, then in the civil service before taking up music; even at the height of his career in the 1870s he was forced by the expense of his drinking habit to hold down a full-time job in the State Forestry Department.
In contrast to the élite status and court connections of Conservatory composers such as Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
, The Five were mainly from the minor gentry of the provinces. To some degree their esprit de corps depended on the myth, which they themselves created, of a movement that was more "authentically Russian," in the sense that it was closer to the native soil, than the classic academy.
Before them, Mikhail Glinka
Mikhail Glinka
Mikhail Ivanovich Glinka , was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music...
and Alexander Dargomyzhsky
Alexander Dargomyzhsky
Alexander Sergeyevich Dargomyzhsky was a 19th century Russian composer. He bridged the gap in Russian opera composition between Mikhail Glinka and the later generation of The Five and Tchaikovsky....
had gone some way towards producing a distinctly Russian kind of music, writing operas on Russian subjects, but The Mighty Handful represented the first concentrated attempt to develop such a music, with Stasov as their artistic adviser and Dargomyzhsky as an elder statesman to the group, so to speak. The circle began to fall apart during the 1870s, no doubt partially due to the fact that Balakirev withdrew from musical life early in the decade for a period of time. All of "The Five" are buried in Tikhvin Cemetery
Tikhvin Cemetery
Tikhvin Cemetery is located at the Alexander Nevsky Monastery, in Saint Petersburg, Russia.Established in 1823, some of the notables buried here are:* Mily Balakirev - , composer* Alexander Borodin - , composer...
in Saint Petersburg
Saint Petersburg
Saint Petersburg is a city and a federal subject of Russia located on the Neva River at the head of the Gulf of Finland on the Baltic Sea...
.
Stylization
The musical language The Five developed set them far apart from the Conservatoire. This self-conscious Russian styling was based on two elements:- They tried to incorporate in their music what they heard in village songs, in CossackCossackCossacks are a group of predominantly East Slavic people who originally were members of democratic, semi-military communities in what is today Ukraine and Southern Russia inhabiting sparsely populated areas and islands in the lower Dnieper and Don basins and who played an important role in the...
and Caucasian dances, in church chants and the tolling of church bells (to the point where the bell tolling became a cliché). The Five's music became filled with imitative sounds of Russian life. They also tried to reproduce the long-drawn, lyrical and melismaMelismaMelisma, in music, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as melismatic, as opposed to syllabic, where each syllable of text is matched to a single note.-History:Music of ancient cultures used...
tic peasant song, what Glinka had once called "the soul of Russian music." Balakirev made this possible by his study of songs from the Volga in the 1860s. More than any previous anthology, his transcriptions artfully preserved the distinctive aspects of Russian folk music:- Tonal mutability
- A tune seems to shift naturally from one tonal center to another, often ending up in a different key than the one in which the song began. This can produce a feeling of elusiveness, a lack of definition or of logical progression in the harmony. Even when stylized by The Five, this quality can make Russian music sound very different from the tonal structures of the West.
- HeterophonyHeterophonyIn music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody...
- A melody is simultaneously rendered by two or more performers in different variations. This is improvised by the singers until the end, when the song reverts to a single melodic line.
- Parallel fifths, fourths and thirds
- The effect lends Russian music a raw sonority missing entirely from the comparatively polished harmonies of Western music.
- The Five also adopted a series of harmonic devices to create a distinct "Russian" style and color different from Western music. This "exotic" styling of "Russia" was not just self-conscious but entirely invented. None of these devices was actually used in Russian folk or church music:
- Whole tone scaleWhole tone scaleIn music, a whole tone scale is a scale in which each note is separated from its neighbors by the interval of a whole step. There are only two complementary whole tone scales, both six-note or hexatonic scales:...
- Although Glinka did not invent this scale, his application of it in the opera Ruslan and Lyudmila (1842) — most recognizable at the end of the festive overture — provided a characteristic harmonic and melodic device. This scale in "Russian" works often suggests evil or ominous personages or situations. It was used by all the major composers from Tchaikovsky (the appearance of the Countess's ghost in The Queen of SpadesThe Queen of Spades (opera)The Queen of Spades, Op. 68 is an opera in 3 acts by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin. The premiere took place in 1890 in St...
) to Rimsky-Korsakov (in all his magic-story operas—SadkoSadko (opera)Sadko is an opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5...
, Kashchey the Deathless and The Invisible City of KitezhThe Legend of the Invisible City of Kitezh and the Maiden FevroniyaThe Legend of the Invisible City of Kitezh and the Maiden Fevroniya is an opera in four acts by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on a combination of two Russian legends: that of St. Fevroniya of Murom, and the city of Kitezh, which became invisible...
). Claude DebussyClaude DebussyClaude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
also uses this scale in his music, taking this, among many things, from the Russians. Later it became a standard device in horror-movie scores.
- The Russian submediant
- Also linked to Glinka's Ruslan, this is a harmonic pattern (in major mode) in which one upper part proceeds from the dominant pitch chromatically to the submediant while the other harmony parts remain constant. The most basic form of this pattern can be shown as follows (beginning with typical tonic): root-position tonic triad --> root-position augmented tonic triad -> 1st inversion submediant minor triad. A famous example of the Russian submediant occurs in the very opening bars of the third movement of Rimsky-Korsakov's ScheherezadeScheherazade (Rimsky-Korsakov)Sheherazade , Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888. Based on One Thousand and One Nights, sometimes known as The Arabian Nights, this orchestral work combines two features common to Russian music and of Rimsky-Korsakov in particular: dazzling, colourful...
.
- Diminished or octatonic scaleOctatonic scaleAn octatonic scale is any eight-note musical scale. Among the most famous of these is a scale in which the notes ascend in alternating intervals of a whole step and a half step, creating a symmetric scale...
- Rimsky-Korsakov first used this in his symphonic poem Sadko in 1867. This scale became a sort of Russian calling-card — a leitmotifLeitmotifA leitmotif , sometimes written leit-motif, is a musical term , referring to a recurring theme, associated with a particular person, place, or idea. It is closely related to the musical idea of idée fixe...
of magic and menace used not just by Rimsky-Korsakov but all of his followers, above all Alexander ScriabinAlexander ScriabinAlexander Nikolayevich Scriabin was a Russian composer and pianist who initially developed a lyrical and idiosyncratic tonal language inspired by the music of Frédéric Chopin. Quite independent of the innovations of Arnold Schoenberg, Scriabin developed an increasingly atonal musical system,...
, Maurice RavelMaurice RavelJoseph-Maurice Ravel was a French composer known especially for his melodies, orchestral and instrumental textures and effects...
, Igor StravinskyIgor StravinskyIgor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
and Olivier MessiaenOlivier MessiaenOlivier Messiaen was a French composer, organist and ornithologist, one of the major composers of the 20th century. His music is rhythmically complex ; harmonically and melodically it is based on modes of limited transposition, which he abstracted from his early compositions and improvisations...
(mode 2).
- Modular rotation in sequences of thirds
- The Five made this device of Franz LisztFranz LisztFranz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...
their own to base a loose symphonic-poemSymphonic poemA symphonic poem or tone poem is a piece of orchestral music in a single continuous section in which the content of a poem, a story or novel, a painting, a landscape or another source is illustrated or evoked. The term was first applied by Hungarian composer Franz Liszt to his 13 works in this vein...
type of structure. This way, they could avoid the rigid Western laws of modulation in sonata formSonata formSonata form is a large-scale musical structure used widely since the middle of the 18th century . While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement...
, allowing the form of a musical composition to be shaped entirely by the "content" of the music (its programmatic statements and visual descriptions) rather than by formal laws of symmetry. This loose structure became especially important for Mussorgsky's Pictures at an ExhibitionPictures at an ExhibitionPictures at an Exhibition is a suite in ten movements composed for piano by Russian composer Modest Mussorgsky in 1874.The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists...
, a work that may have done more than any other to define the Russian style.
- Pentatonic scalePentatonic scaleA pentatonic scale is a musical scale with five notes per octave in contrast to a heptatonic scale such as the major scale and minor scale...
- This stylistic aspect became used by every Russian nationalist composer. Its distinctive feature is to have only five notes in the octave, rather than the seven of the heptatonic scaleHeptatonic scaleA heptatonic scale is a musical scale with seven pitches per octave. Among the most famous of these are the major scale, C D E F G A B C; the melodic minor scale, C D E F G A B C ascending, C B A G F E D C descending; the harmonic minor scale, C D E F G A B C; and a scale variously known as the...
s (e.g., majorMajor scaleIn music theory, the major scale or Ionian scale is one of the diatonic scales. It is made up of seven distinct notes, plus an eighth which duplicates the first an octave higher. In solfege these notes correspond to the syllables "Do, Re, Mi, Fa, Sol, La, Ti/Si, ", the "Do" in the parenthesis at...
and minorMinor scaleA minor scale in Western music theory includes any scale that contains, in its tonic triad, at least three essential scale degrees: 1) the tonic , 2) a minor-third, or an interval of a minor third above the tonic, and 3) a perfect-fifth, or an interval of a perfect fifth above the tonic, altogether...
). The pentatonic scale is one of the ways of suggesting a "primitive" folk-melodic style as well as the "Eastern" element (Middle East, Asia). A melodic example of the "major-mode" pentatonic scale (C-D-E-G-A) can be heard at the entrance of the chorus at the beginning of Borodin's Prince IgorPrince IgorPrince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185...
.
- Whole tone scale
Orientalism
One hallmark of "The Five" was its reliance on orientalismOrientalism
Orientalism is a term used for the imitation or depiction of aspects of Eastern cultures in the West by writers, designers and artists, as well as having other meanings...
. Many quintessentially "Russian" works were composed in orientalist style, such as Balakirev's Islamey, Borodin's Prince Igor
Prince Igor
Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185...
and Rimsky-Korsakov's Scheherazade
Scheherazade
Scheherazade , sometimes Scheherazadea, Persian transliteration Shahrazad or Shahrzād is a legendary Persian queen and the storyteller of One Thousand and One Nights.-Narration :...
. Orientalism, in fact, became widely considered in the West both one of the best-known aspects of Russian music and a trait of Russian national character. As leader of "The Five," Balakirev encouraged the use of eastern themes and harmonies to set their "Russian" music apart from the German symphonism of Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
and other Western-oriented composers. Because Rimsky-Korsakov used Russian folk and oriental melodies in his First Symphony
Symphony No. 1 (Rimsky-Korsakov)
Nikolai Rimsky-Korsakov wrote his Symphony No. 1 in E minor, Op. 1 , between 1861 and 1865 under the guidance of Mily Balakirev. Balakirev also premiered the work at a concert of the Free Music School in December 1865...
, Stasov and the other nationalists dubbed it the "First Russian Symphony," even though Rubinstein had written his Ocean Symphony a dozen years before it. These were themes Balakirev had transcribed in the Caucasus. "The symphony is good," Cui wrote to Rimsky-Korsakov in 1863, while the latter was out on naval deployment. "We played it a few days ago at Balakirev's—to the great pleasure of Stassov. It is really Russian. Only a Russian could have composed it, because it lacks the slightest trace of any stagnant Germanness."
Orientalism was not confined to using authentic Eastern melodies. What became more important than the melodies themselves were the musical conventions added to them. These conventions allowed orientalism to become an avenue for writing music on subjects considered unmentionable otherwise, such as political themes and erotic fantasies. It also became a means of expressing Russian supremacy as the empire expanded under Alexander II
Alexander II of Russia
Alexander II , also known as Alexander the Liberator was the Emperor of the Russian Empire from 3 March 1855 until his assassination in 1881...
. This was often reinforced through misogynist
Misogyny
Misogyny is the hatred or dislike of women or girls. Philogyny, meaning fondness, love or admiration towards women, is the antonym of misogyny. The term misandry is the term for men that is parallel to misogyny...
symbolism—the rational, active and moral Western man versus the irrational, passive and immoral Eastern woman.
Two major works entirely dominated by orientalism are Rimsky-Korsakov's symphonic suite Antar
Antar (Rimsky-Korsakov)
Antar is a composition for symphony orchestra in four movements by the Russian composer Nikolai Rimsky-Korsakov. He wrote the piece in 1868 but revised the work in 1875 and 1891. He initially called this work his Second Symphony. He later reconsidered and called it a symphonic suite...
and Balakirev's symphonic poem Tamara. Antar, set in Arabia, uses two different styles of music, Western (Russian) and Eastern (Arabian). The first theme, Antar's, is masculine and Russian in character. The second theme, feminine and oriental in melodic contour, belongs to the queen, Gul Nazar. Rimsky-Korsakov was able to soften the implicit misogyny to some extent. However, female sensuality does exert a paralyzing, ultimately destructive influence. With Gul Nazar extinguishing Antar's life in a final embrace, the woman overcomes the man.
Balakirev gives a more overtly misogynistic view of oriental women in Tamara. He had originally planned to write a Caucasan dance called a lezginka, modeled on Glinka, for this work. However, he discovered a poem by Mikhail Lermontov
Mikhail Lermontov
Mikhail Yuryevich Lermontov , a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", became the most important Russian poet after Alexander Pushkin's death in 1837. Lermontov is considered the supreme poet of Russian literature alongside Pushkin and the greatest...
about the beautiful Tamara, who lived in a tower alongside the gorge of Daryal. She lured travelers and allowed them to enjoy a night of sensual delights, only to kill them and throw their bodies into the River Terek. Balakirev uses two specific codes endemic to orientalism in writing Tamara. The first code, based on obsessive rhythms, note repetitions, climactic effects and accelerated tempi, represents Dionysian intoxication. The second code, consisting of unpredictable rhythms, irregular phrasing and based on long passages with many repeat notes, augmented and diminished intervals
Interval (music)
In music theory, an interval is a combination of two notes, or the ratio between their frequencies. Two-note combinations are also called dyads...
and extended melisma
Melisma
Melisma, in music, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as melismatic, as opposed to syllabic, where each syllable of text is matched to a single note.-History:Music of ancient cultures used...
s, depict sensual longing. Not only did Balakirev use these codes extensively, but he also attempted to supercharge them further when he revised the orchestration of Tamara in 1898.
A direct result of such orientalism was the big influence that this circle left on the formation of classical traditions in other nations of the east and south of Russia. For instance, one of Rimsky-Korsakov's famous students, Alexander Spendiaryan
Alexander Spendiaryan
Alexander Spendiaryan was an Armenian music composer, conductor, founder of Armenian national symphonic music and one of the patriarchs of Armenian classical music. His compositions include the opera Almast and the Yerevan Etudes among others...
went on to become the founder of Armenian classical music, carrying on the traditions and aesthetics of the Mighty Handful to the Caucasus.
Quotations
Rimsky-KorsakovNikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
provides the following picture of "The Mighty Handful" in his memoirs, Chronicle of My Musical Life (translated by J. A. Joffe):
Tastes
Balakirev
Abilities
Influence
Except perhaps for Cui, the members of this group influenced or taught many of the great Russian composers who were to follow, including Alexander GlazunovAlexander Glazunov
Alexander Konstantinovich Glazunov was a Russian composer of the late Russian Romantic period, music teacher and conductor...
, Mikhail Ippolitov-Ivanov
Mikhail Ippolitov-Ivanov
Mikhail Mikhailovich Ippolitov-Ivanov was a Russian composer, conductor and teacher.- Biography :...
, Sergei Prokofiev
Sergei Prokofiev
Sergei Sergeyevich Prokofiev was a Russian composer, pianist and conductor who mastered numerous musical genres and is regarded as one of the major composers of the 20th century...
, Igor Stravinsky
Igor Stravinsky
Igor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
, and Dmitri Shostakovich
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich was a Soviet Russian composer and one of the most celebrated composers of the 20th century....
.
See also
- List of Russian composers
- Tchaikovsky and the FiveTchaikovsky and the FiveIn mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions on the nature of classical Russian music, specifically whether it should follow Western or native compositional practices...
- Les SixLes SixLes six is a name, inspired by The Five, given in 1920 by critic Henri Collet in an article titled "" to a group of six composers working in Montparnasse whose music is often seen as a reaction against the musical style of Richard Wagner and impressionist music.-Members:Formally, the Groupe des...
, French composers - Armenian Mighty HandfulArmenian Mighty HandfulThe Armenian Mighty Handful , refers to a circle of Soviet Armenian classical music composers. It consisted of 5 persons born in 1920-1921, studied at Yerevan State Conservatory and in mid-1940s entered to the Moscow Conservatory and the Armenian Cultural Studio's courses. Among the main professors...
- The Turkish FiveThe Turkish FiveThe Turkish Five is a term used to describe the five pioneers of western classical music in Turkey. They were all born in the first decade of the 20th century and they composed their most outstanding music in the early years of the Republic of Turkey, especially during the presidencies of Mustafa...
- Group of Eight (music)Group of Eight (music)The Group of Eight was a group of Spanish composers and musicologists, including Jesús Bal y Gay, Ernesto Halffter and his brother Rodolfo, Juan José Mantecón, Julián Bautista, Fernando Remacha, Rosa García Ascot, Salvador Bacarisse and Gustavo Pittaluga. The group was founded in the spirit of Les...
, Spanish composers
External links
- Encyclopædia Britannica article about "The Five" http://www.britannica.com/eb/article-9034446
- The Article about The Five in "1000 years of Russian Music" http://www.vor.ru/English/1000years/1000y-047.html
- Turgenev and Russian Music: The Mighty Handful (with music samples)
- Russian musical influences of The Five on works of Claude Debussy http://www.amazon.com/Russian-musical-influences-works-Debussy/dp/3844316434