The Descent from the Cross is the central panel of a triptych

Triptych

A triptych , from tri-= "three" + ptysso= "to fold") is a work of art which is divided into three sections, or three carved panels which are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works...

 painting by Peter Paul Rubens in 1612-1614. The painting is the second of Rubens's great altarpieces for the Cathedral of Our Lady, Antwerp, Belgium

Belgium

Belgium , officially the Kingdom of Belgium, is a federal state in Western Europe. It is a founding member of the European Union and hosts the EU's headquarters, and those of several other major international organisations such as NATO.Belgium is also a member of, or affiliated to, many...

, along with The Elevation of the Cross. The subject was one Rubens returned to again and again in his career. This particular work was commissioned on September 7, 1611, by the Confraternity of the Arquebusiers, whose Patron Saint was St. Christopher

Saint Christopher

.Saint Christopher is a saint venerated by Roman Catholics and Orthodox Christians, listed as a martyr killed in the reign of the 3rd century Roman Emperor Decius or alternatively under the Roman Emperor Maximinus II Dacian...

.
Although essentially Baroque, the oil on panel piece is rooted in the Venetian tradition, and likely influenced by the work of Daniele da Volterra

Daniele da Volterra

Daniele Ricciarelli , better known as Daniele da Volterra, was an Italian mannerist painter and sculptor.He is best remembered for his association, for better or worse, with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo...

, Federico Barocci

Federico Barocci

Federico Barocci was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio, which still in northwestern Italian dialects means a two wheel cart drawn by oxen...

 and Cigoli

Cigoli

Lodovico Cardi , also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome.Lodovico Cardi was born at Villa Castelvecchio di Cigoli, in Tuscany,...

, amongst others. In its composition and use of light, the triptych recalls Caravaggio

Caravaggio

Michelangelo Merisi da Caravaggio was an Italian artist active in Rome, Naples, Malta, and Sicily between 1593 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque...

's Roman period.

Sequentially, the triptych describes the Visitation, the Descent from the Cross

Descent from the Cross

The Descent from the Cross , or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion . In Byzantine art the topic became popular in the 9th century, and in the West from the...

, and the Presentation of Jesus at the Temple

Presentation of Jesus at the Temple

The Presentation of Jesus at the Temple, which falls on 2 February, celebrates an early episode in the life of Jesus. In the Eastern Orthodox Church and some Eastern Catholic Churches, it is one of the twelve Great Feasts, and is sometimes called Hypapante...

.

Theophile Silvestre wrote, in his "On Rubens' Descent from the Cross - 1868":

“The principal subject is composed of nine figures: at the top of two ladders, workers are lowering the body of Christ with the aid of a shroud which one of them holds in his teeth, the other in the left hand. Bracing themselves firmly against the arms of the cross, each bends forward to guide the Christ with the hand that is left free while St. John, with one foot on the ladder and his back arched, supports him most energetically. One of Savior’s feet comes to rest on the beautiful shoulder of the Magdalene, grazing her golden hair.
Joseph of Arimathea and Nicodemus, placed midway on ladders so as to face each other, form, together with the two workmen in the upper part of the picture, a square of vigorous but plebeian figures.
The Virgin, standing at the foot of the sacrificial tree, extends her arms towards her Son; Salome (properly, Mary Cleophas), kneeling, gathers up her robe. On the ground are seen the superscription and a copper basin where the crown of thorns and the nails of the Crucifixion lie in the congealed blood.
The crowd, always elated by the spectacle of torture, has departed from Golgotha as daylight fades. After the sacrifice of Calvary, as it is called in Scripture, the sad, dark sky is crossed by a light that illumines the shoulders of the workmen, whose bold posture recalls the composition by Daniele da Volterra

Daniele da Volterra

Daniele Ricciarelli , better known as Daniele da Volterra, was an Italian mannerist painter and sculptor.He is best remembered for his association, for better or worse, with the late Michelangelo. Several of Daniele's most important works were based on designs made for that purpose by Michelangelo...

".

The altarpiece has been located in Antwerp's Cathedral of Our Lady since it was painted, but Napoleon

Napoleon I of France

Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...

 took the painting and The Elevation of the Cross to Paris

Paris

Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...

during his rule. They were returned to the cathedral in the late 1800s.