Whiskeyhill Singers
Encyclopedia
The Whiskeyhill Singers were formed in early 1961 by Dave Guard
after he left The Kingston Trio
. Guard formed the Singers as an attempt to return to the Trio's earlier roots in folk music. The Singers lasted about six months before disbanding. During that short period the group released one album, Dave Guard & The Whiskeyhill Singers, and recorded a number of songs for the soundtrack of How the West Was Won
, but only four of these were used in the movie.
and Purple Onion
, and then on to become nationally and internationally well known, accepted, and successful, Guard felt that by 1961 the Trio's musical style had become fixed and predictable, and its performances increasingly commercial. The Trio, Guard reportedly felt, had lost touch with the folk music roots that brought him to form The Calypsonians, which he had formed with Nick Reynolds
and the group which had morphed into The Kingston Quartet and then finally with Bob Shane
back from Hawaii into the Quartet's successor, The Kingston Trio. Guard also had concerns and conflicts with the way the Trio's publishing earnings were being handled. Those issues, combined with underlying, long simmering resentments and ego clashes between himself and his Trio colleague, former Punahou School
classmate Shane over control and leadership of the now successful group that the three had formed, led Guard to finally leave [1] the group. Shortly thereafter Guard formed the Whiskeyhill Singers with another Punahou high school friend, Cyrus Faryar
, and the Trio's bassist and musicologist David "Buck" Wheat.
In line with Guard's intention to return to folk music, with its frequently uninhibited enthusiasm and vocal harmonies, Faryar suggested the group bring in an acquaintance of his, Judy Henske
, to provide a female balance to the male harmonies, and in so doing, move definitively away from the Kingston Trio's male-only vocal format. Guard agreed, and the Whiskeyhill Singers, with Henske as female lead developed their own, often innovative, folk music mood, style, and sound.
Despite the group's intent to return to folk music along the lines of Pete Seeger
's The Weavers
, Guard's and Wheat's long association with the Trio and its musical style inevitably had an influence on the Singers' own musical style and arrangements. Complicating matters was the fact that the Trio's rollicking and successful performing style of uninhibited enthusiasm was also taken directly from Weavers-style folk music, leading to criticism that the musical style of the Singers was more "Trio-like" than being an original style of their own.
At the time that it disbanded, Guard said that The Whiskeyhill Singers had posted a loss of $10,000.
had approached the Kingston Trio to sing folk songs on the soundtrack for the movie. But learning Guard was beginning a new group, they felt the Whiskeyhill's sound, not as commercially slick, better suited their production. They performed several folk songs, "The Erie Canal", "900 miles", "The Ox Driver", "Raise A Ruckus Tonight" (along with The Ken Darby Singers, as the general chorus behind Debbie Reynolds). Judy Henske sang lead with the Singers on "Careless Love" and soloed as the unknown singer on "A Railroader's Bride I'll Be". Cyrus Faryar can be heard performing solo on the track "Wanderin'" and Dave Guard on "Poor Wayfarin' Stranger". The film received the Academy Award in 1962 for the best Motion Picture Soundtrack. Originally they recorded the main title tune. But once this small group of singers were placed on a soundstage, recording before the full MGM Studio Orchestra, the experience was somewhat overwhelming. The full choir finally performed the song over the opening credits.
Guard is considered to be a very important figure of the folk music
scene of both the 1950s and 1960s. The Kingston Trio is credited with creating and popularizing eclectic folk and neo-folk music, a form that is now being called "world music
".
, in 1922. Lived for many years in Sausalito, California
, part of the "Beat" generation. He was a well known jazz guitarist and bass player with the big dance bands and in 1957 recorded with the Chet Baker Trio on "My Funny Valentine" and "Embraceable You". He is best known as the bass accompanist for The Kingston Trio
.
By 1957 Faryar's avant garde interests led him to establish a "beat" style coffee house in Honolulu. Popularized first in San Francisco's Broadway section, Faryar's Greensleeves coffee house was, like the those popularized first by San Francisco's beat generation
in the Broadway section of the city, a gathering place for local musicians, poets, and writers.
Faryar was contacted by Dave Guard about joining a new group, later to become the Whiskeyhill Singers, before Guard's final appearances with the Trio. He had been performing his solo act at Scottsdale Arizona and received a telephone call from Guard saying that he was leaving the Trio and would arrange to meet with him and Buckwheat when The Kingston Trio was performing a scheduled date at Tempe a few weeks later. By that time Faryar had closed Greensleeves, left Honolulu, and established himself in San Diego, California. Faryar agreed, having known Guard from their Punahou days together, and having appeared with him in various school drama and musical productions.
(b. Robert Castle Schoën) grew up in Honolulu, in what was then a remote, but strategically important, U.S. territorial possession in the Pacific, the pre-statehood Territory of Hawaii
. The only two radio stations in Honolulu during Guard's high school and pre-high school years were AM stations KGU and KGMB
. Both stations, each owned by Honolulu's two newspapers [1] and conservative in their popular music programs. Hawaiian music and the most popular "Hit Parade" tunes of the late '40's, early '50's were the popular music staples that Guard and Shane, and their classmates heard over the airwaves. Television did not arrive in the Territory until 1952, after both Guard and Shane had completed high school and gone on to college on the mainland.
While Guard and Shane were teenagers in Hawaii there was only one record large hole 45's, and 33⅓ rpm vinyl shop in Honolulu where new pop tunes — carried in cargo holds of Matson Lines freighters sailing from California, usually four to six weeks after their release on the mainland could be listened to in listening booths and purchased.
It was in this relatively austere pop music environment, with its one pop music DJ "Aku" heard during the morning hours and the commute to school, and the ever present Hawaiian music, with its harmonies and falsettos, strumming guitars and ukuleles and their country riffs and slack key finger-picking, clearly influenced both Guard's and Shane's instrumental development and were embedded in the Trio's and latter the Singers arrangements. A high school drama presentation of "Oklahoma" in 1951 brought Guard and Shane, along with similarly guitar-competent classmate Bob Murphy, together as a group. This influenced soloists Guard and Shane to get together and form what was later to become the Kingston Trio.
While at Punahou, Guard and his '52 classmate Bob Shane were frequently and regularly exposed to the words and a capella harmonies of the classical Hawaiian music of Hawai'i's revered Queen Liliuokalani. Ukulele
s and guitars tuned to either standard tuning or to one of the many Hawaiian slack key tunings, were the standard – if not expected – accompaniment to virtually all local music. In the 7th and 8th grades in the Junior Academy [1] at Punahou, "ukulele" was a required music class for all students; thereafter Shane became quite accomplished with the ukulele, graduating from standard to tenor ukulele and then to baritone uke, with one or the other almost always in or near his hand.
Guard and Shane were also regularly exposed to Japanese language and music broadcasts, as well as broadcasts of Chinese, Filipino, and Portuguese languages and music. Popular Japanese tunes of the 1949–1953 era, like Kankan musumae (koku no Hawaii) were popular among haole
and non-haoles alike. Rarely understanding the meaning of the words, but being able to remember and sing a medley of popular and traditional Hawaiian "folk music" was virtually a requisite at house parties, beach parties, moonlight gatherings, and other events. Being able to sing along and play a ukulele or guitar was a recognized and envied accomplishment at which Guard and Shane gradually to excelled during their high school years at Punahou.
Within this background of Hawaiian/Polynesian harmonies and instrumental accompaniments for venerable staples like Genoa Keawe
's Kaimana Hila came the folk music of Burl Ives
and Pete Seeger
, with party songs like Burl Ives' rendition of On Top Of Old Smokey, Pete Seeger and The Weavers ever popular Goodnight, Irene, and Roy Acuff's Wabash Cannonball. The calypso rhythms and vocals of Harry Belafonte, and the hand-clapping, sing-along style of Mitch Miller's group, very popular during the high school years of Guard and Shane, were a significant influence on Guard's and Shane's, and eventually the Trio's, musical style.
Then a bit later in the early 1950s, came Fijiian tunes, like Isa Lei, the perennial slack key favorite, the comic Samoan Salomila, the classic Pupu o Ewa, taught as one of Shane's Punahou graduating class of 1952's Hawaiian songs sung en chorale during their graduation (and which Don Ho
's performed with English lyrics to become his signature, tourist favorite Pearly Shells), and the catchy, toe-tapping Molokai Nui Ahina, all of which were beach and house party favorites that clearly influenced and contributed to Guard and Shane's music style and rhythms.
In the pop music realm, both Guard and Shane were clearly influenced by the harmonies and often lusty style of Mitch Miller
's group [1}, and the distinctive voices of Vaughn Monroe [1], and (early on) young Dean Martin. Fast guitar strumming rhythms and rippling banjo riffs characteristic in Pete Seeger and The Weaverss renditions became the basic, and ultimately expected, bedrock sound in Guard's and Shane's Kingston Trio, a sound which Guard, in his Whiskeyhill Singers group, and for whatever reason, found it necessary to repeat. A quick, shadowy glimpse of the early-on influence on Guard of Miller's group, Mitch Miller and the Gang seeps out in the title of his group's one album, Dave Guard and the Whiskeyhill Singers.
Guard and Shane's relative isolation from the varieties of mainland pop music and their continual exposure to Polynesian sing-along harmonies with their strummed guitar accompaniments are clearly heard in both the Trio's and the Singers renditions. For example, Hawaiian slack key guitar riffs can be heard throughout the Singers rendition of Salomila [1]
Guard moved his family to Australia, and kept active in his musical interests, developing a guitar teaching tool he called "Colour Guitar". A cardboard, color-coded chording device, the tool met with little financial success. He hosted his own TV show Dave's Place in Australia in the late part of 1965. Guard returned to the US in 1968.
Guard died of lymphatic cancer in 1991.
At the end of his recording and performing career, Cyrus returned home to Hawaii.
s to master. However, it's possible to some extent to mimic slack key by using some common slack key riffs and doing some 'creative' fingering picking.
2. KGU was owned by the Honolulu Advertiser, and KGMB was owned, in part, by the Honolulu Star-Bulletin.
3. Mitch Miller and the Gang.
4. Guard's break with the Trio wasn't on friendly terms.
Dave Guard
Donald David "Dave" Guard was an American folk singer, songwriter, arranger and recording artist. Along with Nick Reynolds and Bob Shane, he was one of the founding members of The Kingston Trio.Guard was educated in Honolulu, Hawaii, at Punahou School in what was then the pre-statehood U.S....
after he left The Kingston Trio
The Kingston Trio
The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds...
. Guard formed the Singers as an attempt to return to the Trio's earlier roots in folk music. The Singers lasted about six months before disbanding. During that short period the group released one album, Dave Guard & The Whiskeyhill Singers, and recorded a number of songs for the soundtrack of How the West Was Won
How the West Was Won (film)
How the West Was Won is a 1962 American epic Western film. The picture was one of the last "old-fashioned" epic films made by Metro-Goldwyn-Mayer to enjoy great success. It follows four generations of a family as they move ever westward, from western New York state to the Pacific Ocean...
, but only four of these were used in the movie.
History
Although The Kingston Trio had quickly risen in three short years from smoky gigs in the San Francisco peninsula's college town fraternity houses, bistros and bars to San Francisco's prestigious hungry iHungry i
The hungry i was originally a nightclub in North Beach, San Francisco. It was launched by Eric "Big Daddy" Nord, who sold it to Enrico Banducci in 1950.-The name:How the club's name came about is something of a mystery...
and Purple Onion
Purple Onion
-Credits:Musicians*Les Claypool - bass , vocals, percussion , guitar , whamola , drums *Jay Lane - drums *Mike Dillon - vibraphone , metal drum , percussion , tabla baya , pandiero , electric bow & arrow , metal sounds , cuica , marimba , metal , tabla *Skerik - saxophone , "fancy" sax...
, and then on to become nationally and internationally well known, accepted, and successful, Guard felt that by 1961 the Trio's musical style had become fixed and predictable, and its performances increasingly commercial. The Trio, Guard reportedly felt, had lost touch with the folk music roots that brought him to form The Calypsonians, which he had formed with Nick Reynolds
Nick Reynolds
Nick Reynolds was an American folk musician and recording artist. Reynolds was one of the founding members of The Kingston Trio, whose largely folk-based material captured international attention during the late fifties and early sixties.- Early life :Growing up in Coronado, California, his...
and the group which had morphed into The Kingston Quartet and then finally with Bob Shane
Bob Shane
Bob Shane is an American singer and guitarist and, with Nick Reynolds' passing in October 2008, the only surviving founding member of The Kingston Trio. In that capacity, Shane became a seminal figure in the revival of folk and other acoustic music as a popular art form in the U.S...
back from Hawaii into the Quartet's successor, The Kingston Trio. Guard also had concerns and conflicts with the way the Trio's publishing earnings were being handled. Those issues, combined with underlying, long simmering resentments and ego clashes between himself and his Trio colleague, former Punahou School
Punahou School
Punahou School, once known as Oahu College, is a private, co-educational, college preparatory school located in Honolulu CDP, City and County of Honolulu in the U.S. State of Hawaii...
classmate Shane over control and leadership of the now successful group that the three had formed, led Guard to finally leave [1] the group. Shortly thereafter Guard formed the Whiskeyhill Singers with another Punahou high school friend, Cyrus Faryar
Cyrus Faryar
Cyrus Faryar is an American folk musician, songwriter, and record producer. He was active in musical, theatrical, and performance events in high school. After graduating from high school and attending college, he became involved in the entertainment industry, opening the first coffee house in...
, and the Trio's bassist and musicologist David "Buck" Wheat.
In line with Guard's intention to return to folk music, with its frequently uninhibited enthusiasm and vocal harmonies, Faryar suggested the group bring in an acquaintance of his, Judy Henske
Judy Henske
Judy Henske is an American singer and songwriter, once known as "the Queen of the Beatniks".-Life and recording career:...
, to provide a female balance to the male harmonies, and in so doing, move definitively away from the Kingston Trio's male-only vocal format. Guard agreed, and the Whiskeyhill Singers, with Henske as female lead developed their own, often innovative, folk music mood, style, and sound.
Despite the group's intent to return to folk music along the lines of Pete Seeger
Pete Seeger
Peter "Pete" Seeger is an American folk singer and was an iconic figure in the mid-twentieth century American folk music revival. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of The Weavers, most notably their recording of Lead...
's The Weavers
The Weavers
The Weavers were an American folk music quartet based in the Greenwich Village area of New York City. They sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads, and selling millions of records at the height of their...
, Guard's and Wheat's long association with the Trio and its musical style inevitably had an influence on the Singers' own musical style and arrangements. Complicating matters was the fact that the Trio's rollicking and successful performing style of uninhibited enthusiasm was also taken directly from Weavers-style folk music, leading to criticism that the musical style of the Singers was more "Trio-like" than being an original style of their own.
At the time that it disbanded, Guard said that The Whiskeyhill Singers had posted a loss of $10,000.
How the West Was Won
The producers of the MGM film How the West Was WonHow the West Was Won (film)
How the West Was Won is a 1962 American epic Western film. The picture was one of the last "old-fashioned" epic films made by Metro-Goldwyn-Mayer to enjoy great success. It follows four generations of a family as they move ever westward, from western New York state to the Pacific Ocean...
had approached the Kingston Trio to sing folk songs on the soundtrack for the movie. But learning Guard was beginning a new group, they felt the Whiskeyhill's sound, not as commercially slick, better suited their production. They performed several folk songs, "The Erie Canal", "900 miles", "The Ox Driver", "Raise A Ruckus Tonight" (along with The Ken Darby Singers, as the general chorus behind Debbie Reynolds). Judy Henske sang lead with the Singers on "Careless Love" and soloed as the unknown singer on "A Railroader's Bride I'll Be". Cyrus Faryar can be heard performing solo on the track "Wanderin'" and Dave Guard on "Poor Wayfarin' Stranger". The film received the Academy Award in 1962 for the best Motion Picture Soundtrack. Originally they recorded the main title tune. But once this small group of singers were placed on a soundstage, recording before the full MGM Studio Orchestra, the experience was somewhat overwhelming. The full choir finally performed the song over the opening credits.
Dave Guard
Guard is considered to be a very important figure of the folk music
Folk music
Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers....
scene of both the 1950s and 1960s. The Kingston Trio is credited with creating and popularizing eclectic folk and neo-folk music, a form that is now being called "world music
World music
World music is a term with widely varying definitions, often encompassing music which is primarily identified as another genre. This is evidenced by world music definitions such as "all of the music in the world" or "somebody else's local music"...
".
Buckwheat
David "Buck" Wheat was born in San Antonio, TexasSan Antonio, Texas
San Antonio is the seventh-largest city in the United States of America and the second-largest city within the state of Texas, with a population of 1.33 million. Located in the American Southwest and the south–central part of Texas, the city serves as the seat of Bexar County. In 2011,...
, in 1922. Lived for many years in Sausalito, California
Sausalito, California
Sausalito is a San Francisco Bay Area city, in Marin County, California, United States. Sausalito is south-southeast of San Rafael, at an elevation of 13 feet . The population was 7,061 as of the 2010 census. The community is situated near the northern end of the Golden Gate Bridge, and prior to...
, part of the "Beat" generation. He was a well known jazz guitarist and bass player with the big dance bands and in 1957 recorded with the Chet Baker Trio on "My Funny Valentine" and "Embraceable You". He is best known as the bass accompanist for The Kingston Trio
The Kingston Trio
The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds...
.
Cyrus Faryar
Like Dave Guard, Faryar attended Punahou School, graduating in 1953.By 1957 Faryar's avant garde interests led him to establish a "beat" style coffee house in Honolulu. Popularized first in San Francisco's Broadway section, Faryar's Greensleeves coffee house was, like the those popularized first by San Francisco's beat generation
Beat generation
The Beat Generation refers to a group of American post-WWII writers who came to prominence in the 1950s, as well as the cultural phenomena that they both documented and inspired...
in the Broadway section of the city, a gathering place for local musicians, poets, and writers.
Faryar was contacted by Dave Guard about joining a new group, later to become the Whiskeyhill Singers, before Guard's final appearances with the Trio. He had been performing his solo act at Scottsdale Arizona and received a telephone call from Guard saying that he was leaving the Trio and would arrange to meet with him and Buckwheat when The Kingston Trio was performing a scheduled date at Tempe a few weeks later. By that time Faryar had closed Greensleeves, left Honolulu, and established himself in San Diego, California. Faryar agreed, having known Guard from their Punahou days together, and having appeared with him in various school drama and musical productions.
Liz Seneff
Liz Seneff (aka Elizabeth Seneff-Corrigan) joined The Whiskeyhill Singers in July 1962 after Judy Henske departed the group. Her tenure was brief, as Dave Guard was already seeking a home in Sydney Australia and he moved there in October 1962 after winding-up the group.Early on
Guard, like his classmate Bob ShaneBob Shane
Bob Shane is an American singer and guitarist and, with Nick Reynolds' passing in October 2008, the only surviving founding member of The Kingston Trio. In that capacity, Shane became a seminal figure in the revival of folk and other acoustic music as a popular art form in the U.S...
(b. Robert Castle Schoën) grew up in Honolulu, in what was then a remote, but strategically important, U.S. territorial possession in the Pacific, the pre-statehood Territory of Hawaii
Territory of Hawaii
The Territory of Hawaii or Hawaii Territory was an organized incorporated territory of the United States that existed from July 7, 1898, until August 21, 1959, when its territory, with the exception of Johnston Atoll, was admitted to the Union as the fiftieth U.S. state, the State of Hawaii.The U.S...
. The only two radio stations in Honolulu during Guard's high school and pre-high school years were AM stations KGU and KGMB
KGMB
KGMB is the CBS-affiliated television station for the state of Hawaii that is licensed to Honolulu. It broadcasts a high definition digital signal on UHF channel 23 from a transmitter in Palehua....
. Both stations, each owned by Honolulu's two newspapers [1] and conservative in their popular music programs. Hawaiian music and the most popular "Hit Parade" tunes of the late '40's, early '50's were the popular music staples that Guard and Shane, and their classmates heard over the airwaves. Television did not arrive in the Territory until 1952, after both Guard and Shane had completed high school and gone on to college on the mainland.
While Guard and Shane were teenagers in Hawaii there was only one record large hole 45's, and 33⅓ rpm vinyl shop in Honolulu where new pop tunes — carried in cargo holds of Matson Lines freighters sailing from California, usually four to six weeks after their release on the mainland could be listened to in listening booths and purchased.
It was in this relatively austere pop music environment, with its one pop music DJ "Aku" heard during the morning hours and the commute to school, and the ever present Hawaiian music, with its harmonies and falsettos, strumming guitars and ukuleles and their country riffs and slack key finger-picking, clearly influenced both Guard's and Shane's instrumental development and were embedded in the Trio's and latter the Singers arrangements. A high school drama presentation of "Oklahoma" in 1951 brought Guard and Shane, along with similarly guitar-competent classmate Bob Murphy, together as a group. This influenced soloists Guard and Shane to get together and form what was later to become the Kingston Trio.
While at Punahou, Guard and his '52 classmate Bob Shane were frequently and regularly exposed to the words and a capella harmonies of the classical Hawaiian music of Hawai'i's revered Queen Liliuokalani. Ukulele
Ukulele
The ukulele, ; from ; it is a subset of the guitar family of instruments, generally with four nylon or gut strings or four courses of strings....
s and guitars tuned to either standard tuning or to one of the many Hawaiian slack key tunings, were the standard – if not expected – accompaniment to virtually all local music. In the 7th and 8th grades in the Junior Academy [1] at Punahou, "ukulele" was a required music class for all students; thereafter Shane became quite accomplished with the ukulele, graduating from standard to tenor ukulele and then to baritone uke, with one or the other almost always in or near his hand.
Guard and Shane were also regularly exposed to Japanese language and music broadcasts, as well as broadcasts of Chinese, Filipino, and Portuguese languages and music. Popular Japanese tunes of the 1949–1953 era, like Kankan musumae (koku no Hawaii) were popular among haole
Haole
Haole , in the Hawaiian language, is generally used to refer to an individual that fits one of the following: "White person, American, Englishman, Caucasian; American, English; formerly, any foreigner; foreign, introduced, of foreign origin, as plants, pigs, chickens"...
and non-haoles alike. Rarely understanding the meaning of the words, but being able to remember and sing a medley of popular and traditional Hawaiian "folk music" was virtually a requisite at house parties, beach parties, moonlight gatherings, and other events. Being able to sing along and play a ukulele or guitar was a recognized and envied accomplishment at which Guard and Shane gradually to excelled during their high school years at Punahou.
Within this background of Hawaiian/Polynesian harmonies and instrumental accompaniments for venerable staples like Genoa Keawe
Genoa Keawe
‘Aunty’ Genoa Leilani Adolpho Keawe-Aiko was a Hawaiian musician. Aunty Genoa was born on the island of Oʻahu in the Kakaʻako district of Honolulu and grew up in Lā'ie. She is an icon in Hawaiian music and has been a mainstay on the Hawaiian music scene for more than 60 years...
's Kaimana Hila came the folk music of Burl Ives
Burl Ives
Burl Icle Ivanhoe Ives was an American actor, writer and folk music singer. As an actor, Ives's work included comedies, dramas, and voice work in theater, television, and motion pictures. Music critic John Rockwell said, "Ives's voice .....
and Pete Seeger
Pete Seeger
Peter "Pete" Seeger is an American folk singer and was an iconic figure in the mid-twentieth century American folk music revival. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of The Weavers, most notably their recording of Lead...
, with party songs like Burl Ives' rendition of On Top Of Old Smokey, Pete Seeger and The Weavers ever popular Goodnight, Irene, and Roy Acuff's Wabash Cannonball. The calypso rhythms and vocals of Harry Belafonte, and the hand-clapping, sing-along style of Mitch Miller's group, very popular during the high school years of Guard and Shane, were a significant influence on Guard's and Shane's, and eventually the Trio's, musical style.
Then a bit later in the early 1950s, came Fijiian tunes, like Isa Lei, the perennial slack key favorite, the comic Samoan Salomila, the classic Pupu o Ewa, taught as one of Shane's Punahou graduating class of 1952's Hawaiian songs sung en chorale during their graduation (and which Don Ho
Don Ho
Donald Tai Loy "Don" Ho was a Hawaiian and traditional pop musician, singer and entertainer.-Life and career:Ho, of Chinese, Hawaiian, Portuguese, Dutch, and German descent, was born in the small Honolulu neighborhood of Kakaako, but he grew up in Kāneohe on the windward side of the island of Oahu...
's performed with English lyrics to become his signature, tourist favorite Pearly Shells), and the catchy, toe-tapping Molokai Nui Ahina, all of which were beach and house party favorites that clearly influenced and contributed to Guard and Shane's music style and rhythms.
In the pop music realm, both Guard and Shane were clearly influenced by the harmonies and often lusty style of Mitch Miller
Mitch Miller
Mitchell William "Mitch" Miller was an American musician, singer, conductor, record producer, A&R man and record company executive...
's group [1}, and the distinctive voices of Vaughn Monroe [1], and (early on) young Dean Martin. Fast guitar strumming rhythms and rippling banjo riffs characteristic in Pete Seeger and The Weaverss renditions became the basic, and ultimately expected, bedrock sound in Guard's and Shane's Kingston Trio, a sound which Guard, in his Whiskeyhill Singers group, and for whatever reason, found it necessary to repeat. A quick, shadowy glimpse of the early-on influence on Guard of Miller's group, Mitch Miller and the Gang seeps out in the title of his group's one album, Dave Guard and the Whiskeyhill Singers.
Guard and Shane's relative isolation from the varieties of mainland pop music and their continual exposure to Polynesian sing-along harmonies with their strummed guitar accompaniments are clearly heard in both the Trio's and the Singers renditions. For example, Hawaiian slack key guitar riffs can be heard throughout the Singers rendition of Salomila [1]
Post-Trio
Guard's and Buck Wheat's departure from the Trio, and the forming of the Whiskeyhill Singers allowed Guard to have the freedom and total control over the reptoire and style of a more 'folk-like' folk music group. Whether he accomplished his goal or not is hard to say. The addition of Judy Henske to the group, with her often harsh, contemporary, but out of place Joplin-esque vocals, may have done more harm to the group than good. If Guard objective was to meld traditional folk with contemporary '60's activist intensity and Trio-style renditions, he may well have succeeded in accomplishing his goal. Whether Guard's idea of a 'new' folk music style was viable and acceptable to the public is hard to tell, since once again, differences with group members quickly led the Singers down the road to a short group life.The end of the line
After disbanding of the Singers, Faryar and Henske went their separate ways, but still maintained contact and friendship. The two returned to the San Diego area where they performed for a few years, with Faryar eventually returning to Hawai'i and taking up a relatively reclusive residence on the state's Big Island. [1]Dave Guard
Guard spent a few years vacillating between wanting to return to the Trio, and wanting not to return to the Trio. In his absence, the other two members of the Trio, Bob Shane and Nick Reynolds, recruited John Stewart to take Guard's place. The new configuration continued the Trio's success until they disbanded in 1967. Shortly after the Trio breakup, Bob Shane formed a group called in the New Kingston Trio, which he led. Shane, understandably, was not much interested in having Guard back in his new group.Guard moved his family to Australia, and kept active in his musical interests, developing a guitar teaching tool he called "Colour Guitar". A cardboard, color-coded chording device, the tool met with little financial success. He hosted his own TV show Dave's Place in Australia in the late part of 1965. Guard returned to the US in 1968.
Guard died of lymphatic cancer in 1991.
Buckwheat
David "Buck" Wheat went on to arrange and record with Bud & Travis duo. David died in Los Angeles in 1985 at the age of 63.Cyrus Faryar
Cyrus Faryar went on establish himself as a singer and songwriter, first with the Modern Folk Quartet, and then as a solo performer recording two albums with Elektra, Islands and Cyrus and then as a solo performer and accompanist with a number of other well known (and lesser known) groups.At the end of his recording and performing career, Cyrus returned home to Hawaii.
Judy Henske
Henske's singing career continued as a soloist and performer with other groups, cutting several records.Liz Seneff
Liz Seneff released a solo album Now Listen to Liz and a single for the Gateway label in 1963 and was later a member of the semi-psychedelic group The Split Level that released one album Divided We Stand on the Dot label in 1968. She otherwise devoted her time to live solo appearances and promotional work. Liz Seneff died from breast cancer in 1993.Discography
- Dave Guard and the Whiskeyhill Singers 1962 (Capitol)
- Whiskeyhill Singers 2nd Album (unreleased) (1962)
- Ride on Railroad Bill (single)1962 (Capitol)
- Plane Wreck at Los Gatos (single)1962 (Capitol)
- Dave Guard and the Whiskeyhill Singers (2001) (Collectors Choice)
- How the West Was Won: Original Motion Picture Soundtrack (MGM) Academy Award:Best Soundtrack 1963
Footnotes
1. The unique sounds of Hawaiian slack key tuned guitars and finger picking come from a wide variety of alternate guitar tunings, many of them family secrets passed down from generation to generation. These alternate tunings present chording and fingering difficulties which are very difficult for haoleHaole
Haole , in the Hawaiian language, is generally used to refer to an individual that fits one of the following: "White person, American, Englishman, Caucasian; American, English; formerly, any foreigner; foreign, introduced, of foreign origin, as plants, pigs, chickens"...
s to master. However, it's possible to some extent to mimic slack key by using some common slack key riffs and doing some 'creative' fingering picking.
2. KGU was owned by the Honolulu Advertiser, and KGMB was owned, in part, by the Honolulu Star-Bulletin.
3. Mitch Miller and the Gang.
4. Guard's break with the Trio wasn't on friendly terms.