Zakaria Paliashvili
Encyclopedia
Zakaria Paliashvili was a composer from the nation of Georgia
. He is regarded as a founder of Georgian classical music.
As a young boy he sang in a choir and learned to play the organ
in the St. Mary Catholic Church of Kutaisi. His first tutor was his brother Ivan, who later became a conductor. Paliashvili moved to Tbilisi in 1887 as a chorister in the St. Mary Assumption Catholic Church of Tbilisi, eventually entering the music school there, studying French horn and composition. During 1900-1903 he studied composition under Sergei Taneyev
at the Moscow Conservatory
. Upon returning to his native land, Paliashvili began to play a strong role in developing national music in Georgia. He collected Georgian folk songs, co-founded the Georgian Philharmonic Society, and became head of the Tbilisi Conservatory.
Paliashvili composed works for symphony orchestra (e.g., Georgian Suite on Folk Themes), but is probably best known for his vocal music, which includes choruses and songs. His major works in this regard are the operas Abesalom da Eteri (Absalom and Eteri) (premiered 1919, although a version of Act III was performed in 1913; based on a folk tale "Eteriani
"), Daisi (Twilight) (1923), and Latavra (1927).
In his autobiographical notes Zakaria Paliashvili writes: "...in our big family, my brothers and sisters displayed a natural gift of music even in their early age. To my mind the explanation of this should be sought in the fact that we, being catholics attended the church where the sweet sounds of organ music are not only enjoyable but help develop a good ear... we spend much time in the church and gradually developed a good ear.."
The first to display considerable musical abilities was the eldest son Ivane (Vano) Paliashvili (1868–1934) who subsequently became an outstanding conductor. When Vano was eleven years old he was made assistant to the church organist, and the eight-year-old Zakaria was admitted as a chorister to the church choir. With the help of the dean, Father I. Antonishvili, little Zakaria studied "Lullaby for Jesus" and sang it with great success on Christmas night.
The Kutaisi period, however, left a deep impression on the life of the future composer. It was the place of his first contact with music, and the basis of his professional attitude to his life's dedication - music - had developed there, too. All his life Zakaria had retained his youthful love for the relics of Georgia's magnificence, the ruins of the Church of Bagrat (built by Georgias king Bagrat III in 1003, ruined and plundered by the Turks in 1631), Gelati (1106–1125), one of the most important centres of education, philosophy and literature in medieval Georgia and the extraordinary beauty of his home town. Subsequently, Zakaria recalled Kutaisi many times, permeated, he said, with a "truly Georgian spirit"
Upon leaving the two-year parish school, brothers Ivan and Zakaria began to play the piano under tutorship of Felix Mizandari, an organist and pianist. Mizandari did not charge the family for the lessons for he was aware that Paliashvili family was of very modest means. Shortly afterwards, people in the town learned of the two talented and exceptionally persevering young musicians.
The news reached father Alfonso Khitarishvili, dean of Tbilisi Georgian Catholic Church of the assumption. With the parents' consent Khitarishvili took Ivan and Zakaria Paliashvili to Tbilisi. This was in the spring of 1887. The elder brother was appointed to the post of the organist and Zakaria was made his brother's assistant and a choirboy. A short time after, the entire family of Petre Paliashvili moved to Tbilisi
.
The work at the Catholic Church in Tbilisi, besides providing a small but badly needed salary also gave Zakaria Paliashvili the opportunity to broaden his musical knowlage by getting acquainted with the composers of Palestrina
, Lassus, Bach
, Handel
, Mozart
and other great composers of the past.
The first performance of a Georgian Ethnographic choir, established of the initiative and with the material support of Lado Agniashvili, a well-known public personality of those days, took a place in Tbilisi in 1886.
Later the concerts of this choir were conducted by Joseph Ratil (Navratil), though Czech by birth had forever associated his life with Georgia. The concerts of Agniashvili's choir evoked very favourable comments from the patriotically minded Georgian public. Vano and Zakaria Paliashvili sang in this choir in 1887-1889 and this fact was of importance for future composer.
In 1889 Vano left for Russia
where he was engaged as an opera conductor. His post of church organist was taken over by Zakaria who now had to support the entire family; as a result, he had no opportunity to continue his musical education.
in 1874 on the initiative of singer Kharlamphy Savaneli, pianists Aloizy Mizandari and Konstantin Alikhanov, the first musical school in Georgia was founded in Tbilisi. The Tbilisi Musical School was reorganised into the Tbilisi Branch of the Russian Royal Musical Society with the statue of a musical college. This was carried out with the active assistance of Mikhail Mikhailovich Ippolitov-Ivanov, a well-known Russian composer, conductor and educationalist (worked in Tbilisi in (1882–1893).
Zakaria Paliashvili's cherished dream came true only in 1891 when he was admitted to the french horn class under F.F. Parizek. A year later, when Parizek left the school, Zakaria continued to study under A.I. Mosko. Paliashvili graduated from the French horn class in 1895 and in the same year was admitted to the musical theory class which was conducted by Nikolai Semenovich Klenovsky, a Russian conductor, composer and teacher. Apart from this, Zakaria studied with Ippolitov-Ivanov and music critic Vasili Davidovich Korganov.
Zakaria Paliashvili graduated from the school with honour diploma in the spring of 1899.During his school years he had founded a mixed choir factory and office workers which performed Georgian and Russian folk songs for workers. In 1898 Paliashvili conducted his choir in Gyandja and had a tremendous success.
While studying in Klenovsky's class Paliashvili wrote several piecevs and this aroused in him an indomitable desire for further composition.
Following and exchange of letters with Sergei Ivanovich Taneyev (1856–1915), a Russian composer and teacher, Zakaria Paliashvili went to Moscow
towards the end of August 1900. After taking his entry examinations he became a pupil in the class of counterpoint at the Moscow Conservatorie. Three years of study with Professor Taneyev, an expert in polyphony, enriched Paliashvili with fundamental knowlage and facilitated his maturing into a professional composer.
Of great importance for the broadening of his musical outlook was his favourite composers: Glinka
, Borodin
, Rimsky-Korsakov and Tchaikovsky as well as listening to operas at the Bolshoi theatre
and symphonic concerts at the Conservatorie, the Club of the Nobility and other concert halls. He studiet with great interest the compositions of the great masters of the world musical culture: Mozart, Beethoven, Schubert, Chopin, Verdi, Grieg and later wrote fundamental articles on them.
As a pupil of the Moscow Conservatory in 1901, Zakaria Paliashvili made his first trip through Georgia to collect folksong material. He recorded remarkable speciments of Georgian songs. This work laid the foundation for Paliashvili's folklorist activity.
Towards the end of June 1903 Paliashvili completed his studies under Taneyev. Together with his young wife Julia Mikhailovna Utkina, Zakaria Paliashvili returned to Georgia to put into practice the knowlage gained in Russia. In autumn of 1903, Paliashvili began teaching at the Tbilisi High School for the nobility, where he had a singing class and also conducted the choir and orchestra, founded by him. Zakaria was a strict and uncompromising teacher. He demanded full accuracy of intonation and precision of rhythm for every pupil-member of his choir or orchestra. He made such big progress in this field, that the school choir and orchestra soon began giving public concerts. The press called this "a triumph of the gifted maestro" and said, tha the "choir and orchestra were brought to an evinous standard even for a musical school". It should be noted, that a number of personalities who later on distinguished themselves in the Georgian Soviet musical culture (Composers: I. Tuskia, G Kiladze, S. Taktakishvili, V. Gokiely, A. Andriashvili; music critics: S. Aslanishvili, G. Chkhikvadze; Violinist L. Yashvili and others) had their first inspiring contact with music in this school, attending Z. Paliashvili's class. Violinist Andrei Karashvili and composer Zakaria Chkhikvadze worked at the same high school, where they conducted musical classes.
In 1906, using a piano piece by A. Karashvili ("Sazandary") as a point of departure, Paliashvili composed a profoundly patriotic song "Samshoblo", which became popular throughout Georgia.
In 1904 Paliashvili was invited to head the teaching of theoretical subjects at the Tbilisi Musical Collage. Besides instructing classes in solfeggio, harmony and orchestration, he conducted pupils' choir and orchestra, the public performances of which were invaribly successful.
Progressive Georgians before the revolution had regarded collecting, recording and elaboration of folklore material as an essential element, contributing to the spiritual life of the nation. Apart from the practical application - the use of folklore material as the basis of literary and musical work - a large scale propaganda of remarkable folk poetry and songs formed a major instrument for stimulating the Georgian people's patriotic sentiments. Many contemporaries of Paliashvili have been engaged in folklorist work: Meliton Balanchivadze
(father of well-known Soviet composer Andria Balanchivadze
and of George Balanchine
, an American choreographer), Dimitri Arakishvili
, Filimon Koridze, Zakaria Chkhikvadze, Kote Potskhverashvili and others.
In the summer of 1903, Zakaria Paliashvili and A.S. Khakhashvili (Khakhanov), professor at the University of Moscow and specialist in the history of Georgian literature, made a tour of Svanetia (a high-attetude area in western Georgia). where they recorded some very rare old Georgian folk songs. Paliashvili described the trip to his favourite teacher, S.I. Taneyev. in 1903-1908 with the same goal in view Paliashvili toured such districts as Racha, where he recorded local folk singers, and in particular a mestvire (Bag-piper); Guria
(Ozurgeti
), Imereti
, Kartli
and Kakheti
. Part of the songs, recorded by Zakaria Paliashvili were published in Moscow as a collection in 1910. The publication was financed by Georgian Philarmonic Society. These are Forty Georgian Folk Songs recorded by Z. Paliashvili and Eight Folk songs rendered for choir and orchestra. Paliashvili, however, did not rest content. Whenever he had the least opportunity, he included folk songs elaborated by him in the concert programme of his choirs. K. Kvitka, the husband of Lesya Ukrainka
, a distinguished Ukrainian poetess, sang in one of these choirs. Paliashvili was a good friend of this talanted daughter of the Ukrainian people and of her husband till Lesya Ukraininka's death.
Alongside secular music, Georgia, which adopdet Christianity in 337, had old traditions in chorals, mostly centred in monasteries and cathedrals. The development of Georgian hymnography dates back to the end of 9th century, as is evident from the big collection of chorals complited by Mikel Modrekili (10th century) and recorded in ingenious Georgian neumatic signs. The peak of development of chorals and of secular music in medieval Georgia came in XII-XIII cc. Then came the devastating invasions of the Mongols, Turks and Persians, which had retarded the progress of Georgian culture for a long time.
When Georgia joined Russia
, the autocephaly of the Georgian Orthodox Church was avikusged. This endangered the national music, which is based upon a well-developed polyphony. The first notations of chorals, on the suggestion of the Georgian clergy was carried out by M.M. Ipolitov-Ivanov. His Collection on Georgian Chorals from the Liturgy of St. John the Golden Mouthed formed the basis for the Collection of 22 Georgian Chorals, compiled by Paliashvili and published in Moscow in 1910, together with his collection of folk songs.
An illustrative and creative elaboration for the rich traditions of Georgian folk and church singing are the remarkable choral compositions by Niko Sulkhanishvili, a gifted composer and Zakaria's friend. These pieces are distinguished by profound content, variety of form and a well expressed national idiom and have became a part of the golden fund of Georgian classical music.
In 1908, on his initiative, a music school was opened under the Philharmonic Society. As the Society was short of funds, Paliashvili headed the school for several years without receiving any payment. Theoretical subjects were taught by Giorgi Natadze, one of Paliashvili's closest friends and a graduate of Moscow Conservatorie. Ilya (Ia) Kargareteli, a prominent musician, singer and composer, initiated the Association of staging operas in Georgian, which soon began to work under the patronage of the Georgian Philharmonic Society. The efforts of Kargareteli, Paliashvili and Niko Kartvelishvili led to the first ever performances in the Georgian language, of Gounod's
"Faust"
, Anton Rubinstein
's "Demon", Rossini's "The Barber of Seville
", Verdi's "Aida" and Bizet's "Carmen
" in the Tbilisi opera house. The conductors were Z. Paliashvili and N. Kartvelishvili.
From early 20th century no solemn gathering, devoted to prominent national figures, where held without Zakaria Paliashvili. A year later, Paliashvili again recorded folk songs at Kartalinia. In Khove he visited his friend Ivane Javakhishvili
, an outstanding schoar of history who highly valued Zakaria's perseverance, talent and dedication to the vital issues of national musical culture. By the end of the first decade of 20th century Paliashvili had become sufficiently mature to commence composing an opera. A folk legend - Eteriany published in the Paskunji magazine (the fire bird, 1908) and rendered in the form of an opera libretto by Petre Mirianashvili, a teacher, writer and public personality, gave Zakaria the impetus to compose "Absalom and Etery". The plot of the opera is based on a story of a prince who falss in love with a beautiful village girl, Believing in the sincerity of Absalom's feelings Etery marries him, At the same time, Murman, the closest friend of the prince and his visier also falls in love with Etery. Through malicious intrigues Murman destroys the happiness of the young couple, Parted from Etery Absalom falls ill and dies. Etery does not wish to live without Absalom and stabs herself to death.
The opening night of this opera took place on February 21, 1919. It was produced by A. Tsutsunava and conducted by the author. The leading parts were performed by B. Zapliski (Absalom), who was soon substituted by Vano Sarajishvili; O. Bakutashvili-Shulgina (Etery) and Sandro Inashvili (Murman).
Paliashvili dedicated his work of genius to his only son Irakly, whose untimely death ha had suffered deeply.
Two weeks before this event, on February 5, 1919, the Georgian public had warmly welcomed the first presentation of "Saga of Shota Rustaveli", an opera by Dimitri Arakishvili
, a classical composer of Georgian music. There were also successful performances of excerpts from a Georgian opera "Gulnara" and pieces for piano by composer Irakly Djabadari. The premiere of "Abesalom and Eteri" which had received a standing ovation resolved into a grand popular festival. There were numerous articles and reviews published in connection with the first presentation of "Abesalom and Eteri", The article by literary critic Ilya Zurabishvili was distinguished by depth of penetration in the opera's musical dramaturgy and by valid professional comment. In may 1917, the Tbilisi Musical College was reorganised into the Tbilisi Conservatorie. The post of the director was offered to pianist and teacher N. Nikolayev, and that of inspector to Z. Paliashvili. In 1918, when Nokolayev left Georgia, Paliashvili became the director of the Conservatorie. in 1919 he was awarded a professor's degree. Paliashvili continued to conduct classes in theoretical subjects at the Conservatorie. The rousing success of his first opera had inspired Paliashvili to compose another - a lyrical-drama - "Daisi" ("Twilight" or "Sunset") founded on the libretto by Valerian Gunia, a well-known stage art personality, actor and playwright. The drama of love and jealousy in "Daisi" is shown against the background of national gerne scenes. Maro, a beautiful young girl is betrothed by the will of her parents to Kiazo, who is brave and ambitious. The girl, however, loves her childhood friend Malkhaz, a young warrior. Tsangal, the village jester, tells Kiazo about this, and the latter challenges Malkhaz. At this time the country is attacked by enemies. The people are alarmed, but the adversaries, forgetting their duty to their Motherland, continue duelling and Malkhaz is mortally wounded. The people sternly censure the man who failed to restrain his passions on the day of trial to the country. Maro grieves over the death of her sweetheart. Thus, twilight falls prematurely on the life of the three young people.
The first showing of "Daisi" was held on December 19, 1923. It was produced and directed by Kote Marjanishvili
, the sets were designed by V. Sidamon-Eristavi, the conductor was I. Paliashvili. The leading parts were performed by V. Sarajishvili (Malkhaz), E. Popova (Maro) and Krzhizhanovsky (Kiazko). When Sarajishvili died in November 1924 the part of Malkhaz was performed by a number of remarkable singers: N. Kumsiashvili, D. Andguladze, D. Badridze and M. Kvarelashvili.
Zakaria Paliashvili's third opera "Latavra" after the libretto by Sandro Shanshiashvili appeared five years later (the first showing was on March 16, 1928). Subsequent revisions (in 1950, particularly) noticeably improved the shortcomings of this opera which were mainly of an ideological character. "Daisi" and Latavra", a romance "who do I love? to words by Ilia Chavchavadze and "lullaby" to the words of Mikhail Lermontov
and several chamber pieces were dedicated to Nadejda Ivanovna Buzogly (Abashidze), a close friend of the composer, a merited artist of the Georgian Republic, professor of the Chair of Solo Singing of the Tbilisi Conservatorie. candidate of sciences (arts); and the "Collection of Ten Georgian and Russian folk songs" was dedicated by Paliashvili to Buzogly's sons Mikhail and Alexy. Zakaria Paliashvili always enjoyed real friendship and respect of his talent in the family of the well-known civil engineer Mikhail Buzogly and his wife.
Early in 1929 Paliashvili was invited to the Ukraine to conduct two concerts of Georgian music in Kharkov, then the capital of Ukrainian Soviet Republic. The concerts were held on January 28 and 29 and were very successful. The Ukrainian musical world warmly greeted the great Georgian composer. The reception in honor of Paliashvili was attended by distinguished representatives of Ukrainian culture and also by Henri Barbusse
, a French writer who was on a visit to the Soviet Union at that time. He warmly thanked Zakharia Paliashvili for the aesthetic pleasure and for the discovery he had made “of a new world of musical Georgia”. It was there that the idea came to produce in Kharkov “Absalom and Eteri” and in Tbilisi “Taras Bulba
”, an Ukrainian classical opera by Nikolay Lysenko. Both were produced as suggested, the former in Kharkov on October 18, 1931 (Director – A. Pagava, décor – S. Nadareishvili), and the latter in Tbilisi in the winter of 1933. “Absalom and Eteri” was produced in Ukrainian by Konstantin Tsagareli, a gifted lawyer and close friend of the composer, jointly with O. Varava.
In the summer of 1929, Zakaria Paliashvili made his second visit to Azerbaijan
. Two symphonic concerts were given in Baku
, the capital of the republic, on July 23 and 24. The program was made up of Paliashvili’s works and the author conducted the orchestra.
of the adrenal gland
. Anton and Nikoloz Paliashvili, the composer’s brothers took Zakaria to Leningrad
to see a friend of theirs, Yustin Djanilidze, a famous Soviet surgeon. The latter operated on Paliashvili, but when he saw that surgical interference would do no good, he stopped the operation and sewed up the wound. In regard to Paliashvili’s health he said: “There is no hope. He will live not more than two or three months.” And so it proved to be. Zakaria Paliashvili was bedridden during the summer months of 1933.His condition continually deteriorated. The new season began at the Tbilisi Opera House. Several days before his death, Zakaria said to his relatives “before I die, I want to hear my Absalom once again.” The radio was switched on. Paliashvili strained to listen and at first his face was happy but soon it was contorted with severe pain. At 5 p.m. on October 6, 1933, Zakaria Paliashvili died.
He was buried on October 10 in the garden of the opera house next to the grave of his friend Vano Sarajishvili, known as the “Georgian nightingale”
By a decree of the Georgian Government the Tbilisi Second Musical School, the Tbilisi Ten-Year Musical School, the Batumi Musical School and a street in Tbilisi were named after Zakaria Paliashvili. Later, a street in Moscow was also named after him.
Valuable materials relating to the life and work of this great national composer have been gathered at the Home-Museum of Z. Paliashvili. In 1959, the entire second storey of house no.10 in Barnov Street, where Paliashvili lived from 1915 to 1933, was set aside as his Home-Museum. In October 8, 1962, a special ceremony marked the opening of a permanent exhibition at this museum. The director of the museum was Vazha Chinchaladze, a journalist, philologist and publicist, a merited worker in culture. Another permanent exhibition dedicated mainly to the childhood and youth of the composer was opened in Kutaisi, in the house were Z. Paliashvili was born. There is a special place for exhibits on Paliashvili’s life and work at the M. I. Glinka All-Union museum of Musical Culture in Moscow.
Georgia (country)
Georgia is a sovereign state in the Caucasus region of Eurasia. Located at the crossroads of Western Asia and Eastern Europe, it is bounded to the west by the Black Sea, to the north by Russia, to the southwest by Turkey, to the south by Armenia, and to the southeast by Azerbaijan. The capital of...
. He is regarded as a founder of Georgian classical music.
As a young boy he sang in a choir and learned to play the organ
Organ (music)
The organ , is a keyboard instrument of one or more divisions, each played with its own keyboard operated either with the hands or with the feet. The organ is a relatively old musical instrument in the Western musical tradition, dating from the time of Ctesibius of Alexandria who is credited with...
in the St. Mary Catholic Church of Kutaisi. His first tutor was his brother Ivan, who later became a conductor. Paliashvili moved to Tbilisi in 1887 as a chorister in the St. Mary Assumption Catholic Church of Tbilisi, eventually entering the music school there, studying French horn and composition. During 1900-1903 he studied composition under Sergei Taneyev
Sergei Taneyev
Sergei Ivanovich Taneyev , was a Russian composer, pianist, teacher of composition, music theorist and author.-Life:...
at the Moscow Conservatory
Moscow Conservatory
The Moscow Conservatory is a higher musical education institution in Moscow, and the second oldest conservatory in Russia after St. Petersburg Conservatory. Along with the St...
. Upon returning to his native land, Paliashvili began to play a strong role in developing national music in Georgia. He collected Georgian folk songs, co-founded the Georgian Philharmonic Society, and became head of the Tbilisi Conservatory.
Paliashvili composed works for symphony orchestra (e.g., Georgian Suite on Folk Themes), but is probably best known for his vocal music, which includes choruses and songs. His major works in this regard are the operas Abesalom da Eteri (Absalom and Eteri) (premiered 1919, although a version of Act III was performed in 1913; based on a folk tale "Eteriani
Eteriani
Eteriani is a Georgian folk epic romance which has come down to us in the form of about 70 pieces of oral prose and poetry, probably dating from the 10th or 11th century...
"), Daisi (Twilight) (1923), and Latavra (1927).
Biography
Childhood and Youth
His father, Petre Ivanovich Paliashvili (1838–1913) was a kind, hard working man, a model father and husband. he was an elder at the Kutaisi Georgian Catholic Church. Zakaria's mother, Maria Pavlova Mesarkishvili (1851–1916) was noted for her grace and spiritual beauty. Zakaria was the third child in a family of eighteen children (thirteen sons and five daughters). Seven children died in infancy. Thought Zakaria's parents were not professional musicians, their children remembered their mother's singing.In his autobiographical notes Zakaria Paliashvili writes: "...in our big family, my brothers and sisters displayed a natural gift of music even in their early age. To my mind the explanation of this should be sought in the fact that we, being catholics attended the church where the sweet sounds of organ music are not only enjoyable but help develop a good ear... we spend much time in the church and gradually developed a good ear.."
The first to display considerable musical abilities was the eldest son Ivane (Vano) Paliashvili (1868–1934) who subsequently became an outstanding conductor. When Vano was eleven years old he was made assistant to the church organist, and the eight-year-old Zakaria was admitted as a chorister to the church choir. With the help of the dean, Father I. Antonishvili, little Zakaria studied "Lullaby for Jesus" and sang it with great success on Christmas night.
The Kutaisi period, however, left a deep impression on the life of the future composer. It was the place of his first contact with music, and the basis of his professional attitude to his life's dedication - music - had developed there, too. All his life Zakaria had retained his youthful love for the relics of Georgia's magnificence, the ruins of the Church of Bagrat (built by Georgias king Bagrat III in 1003, ruined and plundered by the Turks in 1631), Gelati (1106–1125), one of the most important centres of education, philosophy and literature in medieval Georgia and the extraordinary beauty of his home town. Subsequently, Zakaria recalled Kutaisi many times, permeated, he said, with a "truly Georgian spirit"
Upon leaving the two-year parish school, brothers Ivan and Zakaria began to play the piano under tutorship of Felix Mizandari, an organist and pianist. Mizandari did not charge the family for the lessons for he was aware that Paliashvili family was of very modest means. Shortly afterwards, people in the town learned of the two talented and exceptionally persevering young musicians.
The news reached father Alfonso Khitarishvili, dean of Tbilisi Georgian Catholic Church of the assumption. With the parents' consent Khitarishvili took Ivan and Zakaria Paliashvili to Tbilisi. This was in the spring of 1887. The elder brother was appointed to the post of the organist and Zakaria was made his brother's assistant and a choirboy. A short time after, the entire family of Petre Paliashvili moved to Tbilisi
Tbilisi
Tbilisi is the capital and the largest city of Georgia, lying on the banks of the Mt'k'vari River. The name is derived from an early Georgian form T'pilisi and it was officially known as Tiflis until 1936...
.
The work at the Catholic Church in Tbilisi, besides providing a small but badly needed salary also gave Zakaria Paliashvili the opportunity to broaden his musical knowlage by getting acquainted with the composers of Palestrina
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition...
, Lassus, Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
, Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
, Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
and other great composers of the past.
The first performance of a Georgian Ethnographic choir, established of the initiative and with the material support of Lado Agniashvili, a well-known public personality of those days, took a place in Tbilisi in 1886.
Later the concerts of this choir were conducted by Joseph Ratil (Navratil), though Czech by birth had forever associated his life with Georgia. The concerts of Agniashvili's choir evoked very favourable comments from the patriotically minded Georgian public. Vano and Zakaria Paliashvili sang in this choir in 1887-1889 and this fact was of importance for future composer.
In 1889 Vano left for Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
where he was engaged as an opera conductor. His post of church organist was taken over by Zakaria who now had to support the entire family; as a result, he had no opportunity to continue his musical education.
in 1874 on the initiative of singer Kharlamphy Savaneli, pianists Aloizy Mizandari and Konstantin Alikhanov, the first musical school in Georgia was founded in Tbilisi. The Tbilisi Musical School was reorganised into the Tbilisi Branch of the Russian Royal Musical Society with the statue of a musical college. This was carried out with the active assistance of Mikhail Mikhailovich Ippolitov-Ivanov, a well-known Russian composer, conductor and educationalist (worked in Tbilisi in (1882–1893).
Zakaria Paliashvili's cherished dream came true only in 1891 when he was admitted to the french horn class under F.F. Parizek. A year later, when Parizek left the school, Zakaria continued to study under A.I. Mosko. Paliashvili graduated from the French horn class in 1895 and in the same year was admitted to the musical theory class which was conducted by Nikolai Semenovich Klenovsky, a Russian conductor, composer and teacher. Apart from this, Zakaria studied with Ippolitov-Ivanov and music critic Vasili Davidovich Korganov.
While studying in Klenovsky's class Paliashvili wrote several piecevs and this aroused in him an indomitable desire for further composition.
Following and exchange of letters with Sergei Ivanovich Taneyev (1856–1915), a Russian composer and teacher, Zakaria Paliashvili went to Moscow
Moscow
Moscow is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, scientific, religious, financial, educational, and transportation centre of Russia and the continent...
towards the end of August 1900. After taking his entry examinations he became a pupil in the class of counterpoint at the Moscow Conservatorie. Three years of study with Professor Taneyev, an expert in polyphony, enriched Paliashvili with fundamental knowlage and facilitated his maturing into a professional composer.
Of great importance for the broadening of his musical outlook was his favourite composers: Glinka
Mikhail Glinka
Mikhail Ivanovich Glinka , was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music...
, Borodin
Alexander Borodin
Alexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music...
, Rimsky-Korsakov and Tchaikovsky as well as listening to operas at the Bolshoi theatre
Bolshoi Theatre
The Bolshoi Theatre is a historic theatre in Moscow, Russia, designed by architect Joseph Bové, which holds performances of ballet and opera. The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world...
and symphonic concerts at the Conservatorie, the Club of the Nobility and other concert halls. He studiet with great interest the compositions of the great masters of the world musical culture: Mozart, Beethoven, Schubert, Chopin, Verdi, Grieg and later wrote fundamental articles on them.
As a pupil of the Moscow Conservatory in 1901, Zakaria Paliashvili made his first trip through Georgia to collect folksong material. He recorded remarkable speciments of Georgian songs. This work laid the foundation for Paliashvili's folklorist activity.
Towards the end of June 1903 Paliashvili completed his studies under Taneyev. Together with his young wife Julia Mikhailovna Utkina, Zakaria Paliashvili returned to Georgia to put into practice the knowlage gained in Russia. In autumn of 1903, Paliashvili began teaching at the Tbilisi High School for the nobility, where he had a singing class and also conducted the choir and orchestra, founded by him. Zakaria was a strict and uncompromising teacher. He demanded full accuracy of intonation and precision of rhythm for every pupil-member of his choir or orchestra. He made such big progress in this field, that the school choir and orchestra soon began giving public concerts. The press called this "a triumph of the gifted maestro" and said, tha the "choir and orchestra were brought to an evinous standard even for a musical school". It should be noted, that a number of personalities who later on distinguished themselves in the Georgian Soviet musical culture (Composers: I. Tuskia, G Kiladze, S. Taktakishvili, V. Gokiely, A. Andriashvili; music critics: S. Aslanishvili, G. Chkhikvadze; Violinist L. Yashvili and others) had their first inspiring contact with music in this school, attending Z. Paliashvili's class. Violinist Andrei Karashvili and composer Zakaria Chkhikvadze worked at the same high school, where they conducted musical classes.
In 1906, using a piano piece by A. Karashvili ("Sazandary") as a point of departure, Paliashvili composed a profoundly patriotic song "Samshoblo", which became popular throughout Georgia.
In 1904 Paliashvili was invited to head the teaching of theoretical subjects at the Tbilisi Musical Collage. Besides instructing classes in solfeggio, harmony and orchestration, he conducted pupils' choir and orchestra, the public performances of which were invaribly successful.
Progressive Georgians before the revolution had regarded collecting, recording and elaboration of folklore material as an essential element, contributing to the spiritual life of the nation. Apart from the practical application - the use of folklore material as the basis of literary and musical work - a large scale propaganda of remarkable folk poetry and songs formed a major instrument for stimulating the Georgian people's patriotic sentiments. Many contemporaries of Paliashvili have been engaged in folklorist work: Meliton Balanchivadze
Meliton Balanchivadze
Meliton Balanchivadze was a Georgian composer and one of the founders of Georgian classical music. His two sons, George Balanchine and Andria Balanchivadze, had illustrious careers, the former as a leading choreographer in the United States, and the latter as Soviet Georgia’s foremost classical...
(father of well-known Soviet composer Andria Balanchivadze
Andria Balanchivadze
Andria Balanachivadze was a Georgian composer. He was the son of Meliton Balanchivadze, the composer, and brother of George Balanchine, the famous Georgian-American choreographer....
and of George Balanchine
George Balanchine
George Balanchine , born Giorgi Balanchivadze in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's most famous choreographers, a developer of ballet in the United States, co-founder and balletmaster of New York City Ballet...
, an American choreographer), Dimitri Arakishvili
Dimitri Arakishvili
Dimitri Arakishvili was a Georgian composer and ethnomusicologist considered as one of the founding fathers of modern Georgian music...
, Filimon Koridze, Zakaria Chkhikvadze, Kote Potskhverashvili and others.
In the summer of 1903, Zakaria Paliashvili and A.S. Khakhashvili (Khakhanov), professor at the University of Moscow and specialist in the history of Georgian literature, made a tour of Svanetia (a high-attetude area in western Georgia). where they recorded some very rare old Georgian folk songs. Paliashvili described the trip to his favourite teacher, S.I. Taneyev. in 1903-1908 with the same goal in view Paliashvili toured such districts as Racha, where he recorded local folk singers, and in particular a mestvire (Bag-piper); Guria
Guria
Guria is a region in Georgia, in the western part of the country, bordered by the eastern end of the Black Sea. The region has a population of 143,357 and Ozurgeti is a regional capital.-Geography:...
(Ozurgeti
Ozurgeti
Ozurgeti is a town and the regional administrative centre of Western Georgian province of Guria, former Macharadze or Makharadze . Population of Ozurgeti: 21,009...
), Imereti
Imereti
Imereti is a province in Georgia situated along the middle and upper reaches of the Rioni river. It consists of the following Georgian administrative-territorial units:#Kutaisi #Baghdati region#Vani region#Zestafoni region...
, Kartli
Kartli
Kartli is a historical region in central-to-eastern Georgia traversed by the river Mtkvari , on which Georgia's capital, Tbilisi, is situated. Known to the Classical authors as Iberia, Kartli played a crucial role in ethnic and political consolidation of the Georgians in the Middle Ages...
and Kakheti
Kakheti
Kakheti is a historical province in Eastern Georgia inhabited by Kakhetians who speak a local dialect of Georgian. It is bordered by the small mountainous province of Tusheti and the Greater Caucasus mountain range to the north, Russian Federation to the Northeast, Azerbaijan to the Southeast, and...
. Part of the songs, recorded by Zakaria Paliashvili were published in Moscow as a collection in 1910. The publication was financed by Georgian Philarmonic Society. These are Forty Georgian Folk Songs recorded by Z. Paliashvili and Eight Folk songs rendered for choir and orchestra. Paliashvili, however, did not rest content. Whenever he had the least opportunity, he included folk songs elaborated by him in the concert programme of his choirs. K. Kvitka, the husband of Lesya Ukrainka
Lesya Ukrainka
Larysa Petrivna Kosach-Kvitka better known under her literary pseudonym Lesya Ukrainka , was one of Ukraine's best-known poets and writers and the foremost woman writer in Ukrainian literature. She also was a political, civil, and female activist....
, a distinguished Ukrainian poetess, sang in one of these choirs. Paliashvili was a good friend of this talanted daughter of the Ukrainian people and of her husband till Lesya Ukraininka's death.
Alongside secular music, Georgia, which adopdet Christianity in 337, had old traditions in chorals, mostly centred in monasteries and cathedrals. The development of Georgian hymnography dates back to the end of 9th century, as is evident from the big collection of chorals complited by Mikel Modrekili (10th century) and recorded in ingenious Georgian neumatic signs. The peak of development of chorals and of secular music in medieval Georgia came in XII-XIII cc. Then came the devastating invasions of the Mongols, Turks and Persians, which had retarded the progress of Georgian culture for a long time.
When Georgia joined Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
, the autocephaly of the Georgian Orthodox Church was avikusged. This endangered the national music, which is based upon a well-developed polyphony. The first notations of chorals, on the suggestion of the Georgian clergy was carried out by M.M. Ipolitov-Ivanov. His Collection on Georgian Chorals from the Liturgy of St. John the Golden Mouthed formed the basis for the Collection of 22 Georgian Chorals, compiled by Paliashvili and published in Moscow in 1910, together with his collection of folk songs.
An illustrative and creative elaboration for the rich traditions of Georgian folk and church singing are the remarkable choral compositions by Niko Sulkhanishvili, a gifted composer and Zakaria's friend. These pieces are distinguished by profound content, variety of form and a well expressed national idiom and have became a part of the golden fund of Georgian classical music.
In 1908, on his initiative, a music school was opened under the Philharmonic Society. As the Society was short of funds, Paliashvili headed the school for several years without receiving any payment. Theoretical subjects were taught by Giorgi Natadze, one of Paliashvili's closest friends and a graduate of Moscow Conservatorie. Ilya (Ia) Kargareteli, a prominent musician, singer and composer, initiated the Association of staging operas in Georgian, which soon began to work under the patronage of the Georgian Philharmonic Society. The efforts of Kargareteli, Paliashvili and Niko Kartvelishvili led to the first ever performances in the Georgian language, of Gounod's
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
"Faust"
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
's "Demon", Rossini's "The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
", Verdi's "Aida" and Bizet's "Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
" in the Tbilisi opera house. The conductors were Z. Paliashvili and N. Kartvelishvili.
From early 20th century no solemn gathering, devoted to prominent national figures, where held without Zakaria Paliashvili. A year later, Paliashvili again recorded folk songs at Kartalinia. In Khove he visited his friend Ivane Javakhishvili
Ivane Javakhishvili
Ivane Javakhishvili was a Georgian historian whose voluminous works heavily influenced the modern scholarship of the history and culture of Georgia...
, an outstanding schoar of history who highly valued Zakaria's perseverance, talent and dedication to the vital issues of national musical culture. By the end of the first decade of 20th century Paliashvili had become sufficiently mature to commence composing an opera. A folk legend - Eteriany published in the Paskunji magazine (the fire bird, 1908) and rendered in the form of an opera libretto by Petre Mirianashvili, a teacher, writer and public personality, gave Zakaria the impetus to compose "Absalom and Etery". The plot of the opera is based on a story of a prince who falss in love with a beautiful village girl, Believing in the sincerity of Absalom's feelings Etery marries him, At the same time, Murman, the closest friend of the prince and his visier also falls in love with Etery. Through malicious intrigues Murman destroys the happiness of the young couple, Parted from Etery Absalom falls ill and dies. Etery does not wish to live without Absalom and stabs herself to death.
The opening night of this opera took place on February 21, 1919. It was produced by A. Tsutsunava and conducted by the author. The leading parts were performed by B. Zapliski (Absalom), who was soon substituted by Vano Sarajishvili; O. Bakutashvili-Shulgina (Etery) and Sandro Inashvili (Murman).
Paliashvili dedicated his work of genius to his only son Irakly, whose untimely death ha had suffered deeply.
Two weeks before this event, on February 5, 1919, the Georgian public had warmly welcomed the first presentation of "Saga of Shota Rustaveli", an opera by Dimitri Arakishvili
Dimitri Arakishvili
Dimitri Arakishvili was a Georgian composer and ethnomusicologist considered as one of the founding fathers of modern Georgian music...
, a classical composer of Georgian music. There were also successful performances of excerpts from a Georgian opera "Gulnara" and pieces for piano by composer Irakly Djabadari. The premiere of "Abesalom and Eteri" which had received a standing ovation resolved into a grand popular festival. There were numerous articles and reviews published in connection with the first presentation of "Abesalom and Eteri", The article by literary critic Ilya Zurabishvili was distinguished by depth of penetration in the opera's musical dramaturgy and by valid professional comment. In may 1917, the Tbilisi Musical College was reorganised into the Tbilisi Conservatorie. The post of the director was offered to pianist and teacher N. Nikolayev, and that of inspector to Z. Paliashvili. In 1918, when Nokolayev left Georgia, Paliashvili became the director of the Conservatorie. in 1919 he was awarded a professor's degree. Paliashvili continued to conduct classes in theoretical subjects at the Conservatorie. The rousing success of his first opera had inspired Paliashvili to compose another - a lyrical-drama - "Daisi" ("Twilight" or "Sunset") founded on the libretto by Valerian Gunia, a well-known stage art personality, actor and playwright. The drama of love and jealousy in "Daisi" is shown against the background of national gerne scenes. Maro, a beautiful young girl is betrothed by the will of her parents to Kiazo, who is brave and ambitious. The girl, however, loves her childhood friend Malkhaz, a young warrior. Tsangal, the village jester, tells Kiazo about this, and the latter challenges Malkhaz. At this time the country is attacked by enemies. The people are alarmed, but the adversaries, forgetting their duty to their Motherland, continue duelling and Malkhaz is mortally wounded. The people sternly censure the man who failed to restrain his passions on the day of trial to the country. Maro grieves over the death of her sweetheart. Thus, twilight falls prematurely on the life of the three young people.
The first showing of "Daisi" was held on December 19, 1923. It was produced and directed by Kote Marjanishvili
Kote Marjanishvili
Konstantine "Kote" Marjanishvili also known by the Russified name Konstantin Aleksandrovich Mardzhanov was a Georgian theater director regarded as an important contributor to the pre- and post-revolutionary evolution of Georgian, Russian and Soviet stages...
, the sets were designed by V. Sidamon-Eristavi, the conductor was I. Paliashvili. The leading parts were performed by V. Sarajishvili (Malkhaz), E. Popova (Maro) and Krzhizhanovsky (Kiazko). When Sarajishvili died in November 1924 the part of Malkhaz was performed by a number of remarkable singers: N. Kumsiashvili, D. Andguladze, D. Badridze and M. Kvarelashvili.
Zakaria Paliashvili's third opera "Latavra" after the libretto by Sandro Shanshiashvili appeared five years later (the first showing was on March 16, 1928). Subsequent revisions (in 1950, particularly) noticeably improved the shortcomings of this opera which were mainly of an ideological character. "Daisi" and Latavra", a romance "who do I love? to words by Ilia Chavchavadze and "lullaby" to the words of Mikhail Lermontov
Mikhail Lermontov
Mikhail Yuryevich Lermontov , a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", became the most important Russian poet after Alexander Pushkin's death in 1837. Lermontov is considered the supreme poet of Russian literature alongside Pushkin and the greatest...
and several chamber pieces were dedicated to Nadejda Ivanovna Buzogly (Abashidze), a close friend of the composer, a merited artist of the Georgian Republic, professor of the Chair of Solo Singing of the Tbilisi Conservatorie. candidate of sciences (arts); and the "Collection of Ten Georgian and Russian folk songs" was dedicated by Paliashvili to Buzogly's sons Mikhail and Alexy. Zakaria Paliashvili always enjoyed real friendship and respect of his talent in the family of the well-known civil engineer Mikhail Buzogly and his wife.
Early in 1929 Paliashvili was invited to the Ukraine to conduct two concerts of Georgian music in Kharkov, then the capital of Ukrainian Soviet Republic. The concerts were held on January 28 and 29 and were very successful. The Ukrainian musical world warmly greeted the great Georgian composer. The reception in honor of Paliashvili was attended by distinguished representatives of Ukrainian culture and also by Henri Barbusse
Henri Barbusse
Henri Barbusse was a French novelist and a member of the French Communist Party.-Life:...
, a French writer who was on a visit to the Soviet Union at that time. He warmly thanked Zakharia Paliashvili for the aesthetic pleasure and for the discovery he had made “of a new world of musical Georgia”. It was there that the idea came to produce in Kharkov “Absalom and Eteri” and in Tbilisi “Taras Bulba
Taras Bulba (opera)
Taras Bulba is an opera in four acts by the Ukrainian composer Mykola Lysenko. The libretto was written by Mykhailo Starytsky after the novel Taras Bulba by Nikolai Gogol. The opera, which was unrevised at the time of the composer's death in 1912, was first performed in 1924...
”, an Ukrainian classical opera by Nikolay Lysenko. Both were produced as suggested, the former in Kharkov on October 18, 1931 (Director – A. Pagava, décor – S. Nadareishvili), and the latter in Tbilisi in the winter of 1933. “Absalom and Eteri” was produced in Ukrainian by Konstantin Tsagareli, a gifted lawyer and close friend of the composer, jointly with O. Varava.
In the summer of 1929, Zakaria Paliashvili made his second visit to Azerbaijan
Azerbaijan
Azerbaijan , officially the Republic of Azerbaijan is the largest country in the Caucasus region of Eurasia. Located at the crossroads of Western Asia and Eastern Europe, it is bounded by the Caspian Sea to the east, Russia to the north, Georgia to the northwest, Armenia to the west, and Iran to...
. Two symphonic concerts were given in Baku
Baku
Baku , sometimes spelled as Baki or Bakou, is the capital and largest city of Azerbaijan, as well as the largest city on the Caspian Sea and of the Caucasus region. It is located on the southern shore of the Absheron Peninsula, which projects into the Caspian Sea. The city consists of two principal...
, the capital of the republic, on July 23 and 24. The program was made up of Paliashvili’s works and the author conducted the orchestra.
Sickness and Death
Since the beginning of the thirties, Zakaria was frequently unwell. His illness was diagnosed as sarcomaSarcoma
A sarcoma is a cancer that arises from transformed cells in one of a number of tissues that develop from embryonic mesoderm. Thus, sarcomas include tumors of bone, cartilage, fat, muscle, vascular, and hematopoietic tissues...
of the adrenal gland
Adrenal gland
In mammals, the adrenal glands are endocrine glands that sit atop the kidneys; in humans, the right suprarenal gland is triangular shaped, while the left suprarenal gland is semilunar shaped...
. Anton and Nikoloz Paliashvili, the composer’s brothers took Zakaria to Leningrad
Leningrad
Leningrad is the former name of Saint Petersburg, Russia.Leningrad may also refer to:- Places :* Leningrad Oblast, a federal subject of Russia, around Saint Petersburg* Leningrad, Tajikistan, capital of Muminobod district in Khatlon Province...
to see a friend of theirs, Yustin Djanilidze, a famous Soviet surgeon. The latter operated on Paliashvili, but when he saw that surgical interference would do no good, he stopped the operation and sewed up the wound. In regard to Paliashvili’s health he said: “There is no hope. He will live not more than two or three months.” And so it proved to be. Zakaria Paliashvili was bedridden during the summer months of 1933.His condition continually deteriorated. The new season began at the Tbilisi Opera House. Several days before his death, Zakaria said to his relatives “before I die, I want to hear my Absalom once again.” The radio was switched on. Paliashvili strained to listen and at first his face was happy but soon it was contorted with severe pain. At 5 p.m. on October 6, 1933, Zakaria Paliashvili died.
He was buried on October 10 in the garden of the opera house next to the grave of his friend Vano Sarajishvili, known as the “Georgian nightingale”
By a decree of the Georgian Government the Tbilisi Second Musical School, the Tbilisi Ten-Year Musical School, the Batumi Musical School and a street in Tbilisi were named after Zakaria Paliashvili. Later, a street in Moscow was also named after him.
Valuable materials relating to the life and work of this great national composer have been gathered at the Home-Museum of Z. Paliashvili. In 1959, the entire second storey of house no.10 in Barnov Street, where Paliashvili lived from 1915 to 1933, was set aside as his Home-Museum. In October 8, 1962, a special ceremony marked the opening of a permanent exhibition at this museum. The director of the museum was Vazha Chinchaladze, a journalist, philologist and publicist, a merited worker in culture. Another permanent exhibition dedicated mainly to the childhood and youth of the composer was opened in Kutaisi, in the house were Z. Paliashvili was born. There is a special place for exhibits on Paliashvili’s life and work at the M. I. Glinka All-Union museum of Musical Culture in Moscow.