Boy player
Encyclopedia
Boy player is a common term for the adolescent males employed by Medieval
and English Renaissance
playing companies. Some boy players worked for the mainstream companies and performed the female roles, as women did not perform on the English stage in this period. Others worked for "children's companies," in which all roles, not just the female ones, were played by boys.
of adult actors, boys were the performers of female roles, in an age when it was considered unacceptable for women to act. Female roles were performed by boys from the beginnings of professional English theatre (in the 1560s) to the closure of the theatres in 1642. Upon the restoration of theatre in 1660
, boys were initially utilized, but women were permitted to act on the stage beginning in December 1661
.
There was no law against women on stage: English Renaissance audiences seem to have simply considered it unthinkable, since no one ever argued in favor of it in the period. The social assumptions and biases involved were so strong as to go unquestioned at the time. Pre-pubescent boys were used because their high-pitched voices sound more like women.
Boy actors in adult companies apparently served as apprentices, in ways comparable to the practices of other guilds and trades of the age, though for shorter terms — perhaps two or three years instead of the usual seven. (The companies of adult actors were, in Elizabethan legal terms, retainers in noble households, and thus not subject to the legal statutes governing apprentices.) They performed female roles (and, of course, roles of male children if required) alongside adult male actors playing men. In reference to Shakespeare's
company, variously the Lord Chamberlain's Men
(1594–1603) or the King's Men
(1603 and after): Augustine Phillips
left bequests to an apprentice, James Sands
, and a former apprentice, Samuel Gilburne
, in his will, read after his death in 1605; company members William Ostler
, John Underwood
, Nathan Field, and John Rice
had all started their acting careers as Children of the Chapel
at the Blackfriars Theatre
.
One question has persisted: did boys play all female roles in English Renaissance theatre
, or were some roles, the most demanding ones, played by adult males? Some literary critics and some ordinary readers have found it incredible that the most formidable and complex female roles created by Shakespeare
and Webster
could have been played by "children." The available evidence is incomplete and occasionally ambiguous; however, the overall implication is that even the largest roles were played by boys or young men, not mature adults. In a recent detailed survey of the evidence for the ages of boy actors and their roles, scholar David Kathman concludes that "No significant evidence supports the idea that such roles were played by adult sharers but a wealth of specific evidence demonstrates that they were played by adolescent boys no older than about twenty-one". There are only two possible examples of adult actors playing female roles. The first appears in the cast list for John Fletcher
's The Wild Goose Chase
, in which the veteran comedian John Shank
is listed; the entry reads "Petella, their waiting-woman. Their Servant Mr. Shanck." However, Kathman argues that this refers to two roles, not one: Shank did not play Petella, but a comic servant who appears later in the play. The second example is the cast list for Thomas Heywood
's The Fair Maid of the West
, in which Anthony Turner
apparently played the tiny role of a kitchen maid. Kathman suspects this is merely a misprint, but concludes that even if Turner did play this role, there remains no evidence for adults playing leading roles.
Many boy actors filled female roles for a few years, then switched to male roles. An example: John Honyman
started playing female roles for the King's Men
at the age of 13, in 1626
, in Philip Massinger
's The Roman Actor
. He played females for the next three years, through the King's Men's productions of Lodowick Carlell
's The Deserving Favourite
and Massinger's The Picture (both in 1629
). Yet in 1630, at the age of 17, Honyman switched to male roles and never returned to female roles. Other boy players with the King's Men, John Thompson
and Richard Sharpe
, appear to have played women for a decade or more, to the point at which they must have been "young men" rather than "boys." Theophilus Bird
played a woman when he was in his early 20s; but then he too switched to male roles.
Audience members occasionally recorded positive impressions of the quality of the acting of boy players. When one Henry Jackson saw the King's Men perform Othello
at Oxford in 1610, he wrote of the cast's Desdemona in his diary, "She [sic] always acted the matter very well, in her death moved us still more greatly; when lying in bed she implored the pity of those watching with her countenance alone." The mere fact that Jackson referred to the boy as "she," when he certainly knew better rationally, may in itself testify to the strength of the illusion.
and Jacobean
periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare
's Hamlet
, in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii,339); the term "eyas" means an unfledged hawk
.
The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages
. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London
since the 12th century was in the 16th century molded into a company of child actors, the Children of Paul's
. Similar groups of boy actors were connected with other institutions, including Eton
, the Merchant Taylors
School, and the ecclesiastical college at Windsor
.
The boys were generally in the range of 8–12 years old (prepubescent boys are chosen as choirboys precisely because their voices have not yet "broken" with puberty). They were musically talented, strictly disciplined, educated in the trivium (grammar, logic, rhetoric), and sometimes fluent in Latin; add in a certain "cuteness factor," and the boys amounted to formidable competition for the companies of adult actors in Elizabethan England. Between 1558 and 1576 (the year James Burbage
built The Theatre
in London and the age of popular Elizabethan drama began), companies of boy actors performed 46 times at Court, versus only 32 times for companies of adult actors in the same period. The playwright John Lyly
earned fame when his "Euphuistic" plays were acted at Court by the Children of Paul's in the 1580s.
The practice of children acting was never free of controversy, however (see Responses, below). In 1590
theatrical performances by the Children of Paul's were suppressed, largely due to Lyly's involvement in the Marprelate controversy
. Companies of child actors went out of fashion, and did not return for a decade.
In 1600
, however, the practice saw a resurgence: the Children of the Chapel
performed at the private Blackfriars Theatre
for much of the first decade of the 17th century. Their performances of the plays of Ben Jonson
were especially popular, inspiring Shakespeare's lines about how the boys "carry it away...Hercules and his load too" in Hamlet, II, ii,360-2. (The Globe Theatre
was decorated with a statue of Hercules
, the playhouse's symbol.) The Children of Paul's were also acting publicly once again at this time.
The children probably attained their greatest notoriety during the Poetomachia or War of the Theatres
(1599
–1601
). Two troupes were intimately involved on the competing sides: the Children of Paul's acted John Marston
's Jack Drum's Entertainment
(1600) and What You Will
(1601) and Thomas Dekker's Satiromastix
(1601), while the Children of the Chapel had Jonson's Cynthia's Revels
(1600) and The Poetaster
(1601).
The boys' troupes were strongly associated with the satirical comedy of Jonson, Marston, and Thomas Middleton
, which has sometimes been described as a coterie drama for gentleman "wits," in contrast to the popular drama of writers like Shakespeare and Thomas Heywood
that was performed at the Globe and the other large public theatres. Yet the boys also played serious tragedies and contemporary histories, notably the works of George Chapman
— Bussy D'Ambois
, The Revenge of Bussy D'Ambois
, and the double play The Conspiracy and Tragedy of Charles, Duke of Byron
. Modern readers and theatergoers can only wonder what these productions were like.
The brand of coterie drama practiced by Jonson and others was often controversial, however; the official displeasure that greeted the play Eastward Ho, which landed two of its authors in jail, also fell upon the boys who performed it. By 1606
the Children of Paul's had ceased performing, and the Children of the Chapel were no longer associated with the Royal Chapel and had lost royal patronage; they became merely the Children of the Blackfriars. The boys' troupes had ceased public dramatic performance and the fashion died out by about 1615. The Lady Elizabeth's Men
was a new company granted a patent on April 27, 1615
, under the patronage of King James' daughter Princess Elizabeth
; it was composed, to some significant degree, of veterans of the children's companies, now grown to manhood.
While controversial in their time, the children's companies had been effective in funnelling talented, educated, and experienced young actors into the adult companies. To recapture this influence, Richard Gunnell
attempted to start a children's company with 14 boys and several adults when he built the Salisbury Court Theatre
in 1629
. The enterprise was not a success, because of a long closure of the theatres due to plague soon after its inception; but it did produce Stephen Hammerton
, who went on to act with the King's Men, and became an early matinee idol
among young women in the audience for his romantic leads.
A limited renewal of the practice of children's companies came in 1637
, when Christopher Beeston
established, under royal warrant, the King and Queen's Young Company, colloquially called Beeston's Boys
. The intent was in part to have a structure for training young actors — much as the choirs of the previous century had provided educated and capable talent (though the actors in Beeston's company tended to be older than the boys of the earlier troupes). After the elder Beeston's death in 1638, his son William Beeston
continued the company, with uneven success, till the theatres closed in 1642; he even managed to re-form Beeston's Boys for a time once the theatres re-opened in the Restoration
.
preachers, who hated the theatre in general, were outraged by the use of boy players, which they believed encouraged homosexual lust. In 1583
, Philip Stubbes complained that plays were full of "such wanton gestures, such bawdy speeches...such kissing and bussing" that playgoers would go home together "very friendly...and play the sodomites, or worse." John Rainolds warned of the "filthy sparkles of lust to that vice the putting of women's attire on men may kindle in unclean affections."
In response to such comments, the actor-playwright Thomas Heywood
protested that audiences were capable of distancing themselves: "To see our youths attired in the habit of women, who knows not what their intents be? Who cannot distinguish them by their names, assuredly knowing they are but to represent such a lady, at such a time appointed?"
Medieval theatre
Medieval theatre refers to the theatre of Europe between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D...
and English Renaissance
English Renaissance theatre
English Renaissance theatre, also known as early modern English theatre, refers to the theatre of England, largely based in London, which occurred between the Reformation and the closure of the theatres in 1642...
playing companies. Some boy players worked for the mainstream companies and performed the female roles, as women did not perform on the English stage in this period. Others worked for "children's companies," in which all roles, not just the female ones, were played by boys.
Boys in adult companies
In playing companiesPlaying company
In Renaissance London, playing company was the usual term for a company of actors. These companies were organized around a group of ten or so shareholders , who performed in the plays but were also responsible for management. The sharers employed "hired men" — that is, the minor actors and...
of adult actors, boys were the performers of female roles, in an age when it was considered unacceptable for women to act. Female roles were performed by boys from the beginnings of professional English theatre (in the 1560s) to the closure of the theatres in 1642. Upon the restoration of theatre in 1660
1660 in literature
The year 1660 in literature involved some significant events.-Events:* January 1 - Samuel Pepys starts his diary.* February - John Rhodes reopens the old Cockpit Theatre in London, forms a company of young actors and begins to stage plays...
, boys were initially utilized, but women were permitted to act on the stage beginning in December 1661
1661 in literature
The year 1661 in literature involved some significant events.-Events:* The Book of Kells is presented to Trinity College, Dublin.* Controversial author James Harrington is arrested on a charge of conspiracy....
.
There was no law against women on stage: English Renaissance audiences seem to have simply considered it unthinkable, since no one ever argued in favor of it in the period. The social assumptions and biases involved were so strong as to go unquestioned at the time. Pre-pubescent boys were used because their high-pitched voices sound more like women.
Boy actors in adult companies apparently served as apprentices, in ways comparable to the practices of other guilds and trades of the age, though for shorter terms — perhaps two or three years instead of the usual seven. (The companies of adult actors were, in Elizabethan legal terms, retainers in noble households, and thus not subject to the legal statutes governing apprentices.) They performed female roles (and, of course, roles of male children if required) alongside adult male actors playing men. In reference to Shakespeare's
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
company, variously the Lord Chamberlain's Men
Lord Chamberlain's Men
The Lord Chamberlain's Men was a playing company for whom Shakespeare worked for most of his career. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronised by James I.It was...
(1594–1603) or the King's Men
King's Men (playing company)
The King's Men was the company of actors to which William Shakespeare belonged through most of his career. Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth, it became The King's Men in 1603 when King James ascended the throne and became the company's patron.The...
(1603 and after): Augustine Phillips
Augustine Phillips
Augustine Phillips was an Elizabethan actor who performed in troupes with Edward Alleyn and William Shakespeare. He was one of the first generation of English actors to achieve wealth and a degree of social status by means of his trade....
left bequests to an apprentice, James Sands
King's Men personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642...
, and a former apprentice, Samuel Gilburne
King's Men personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642...
, in his will, read after his death in 1605; company members William Ostler
William Ostler
William Ostler was an actor in English Renaissance theatre, a member of the King's Men, the company of William Shakespeare....
, John Underwood
John Underwood (actor)
John Underwood was an early 17th century actor, a member of the King's Men, the company of William Shakespeare.-Career:Underwood began as a boy player with the Children of the Chapel, and was cast in that company's productions of Ben Jonson's Cynthia's Revels and The Poetaster...
, Nathan Field, and John Rice
King's Men personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642...
had all started their acting careers as Children of the Chapel
Children of the Chapel
The Children of the Chapel were the boys with unbroken voices, choristers, who formed part of the Chapel Royal, the body of singers and priests serving the spiritual needs of their sovereign wherever they were called upon to do so....
at the Blackfriars Theatre
Blackfriars Theatre
Blackfriars Theatre was the name of a theatre in the Blackfriars district of the City of London during the Renaissance. The theatre began as a venue for child actors associated with the Queen's chapel choirs; in this function, the theatre hosted some of the most innovative drama of Elizabeth and...
.
One question has persisted: did boys play all female roles in English Renaissance theatre
English Renaissance theatre
English Renaissance theatre, also known as early modern English theatre, refers to the theatre of England, largely based in London, which occurred between the Reformation and the closure of the theatres in 1642...
, or were some roles, the most demanding ones, played by adult males? Some literary critics and some ordinary readers have found it incredible that the most formidable and complex female roles created by Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
and Webster
John Webster
John Webster was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often regarded as masterpieces of the early 17th-century English stage. He was a contemporary of William Shakespeare.- Biography :Webster's life is obscure, and the dates...
could have been played by "children." The available evidence is incomplete and occasionally ambiguous; however, the overall implication is that even the largest roles were played by boys or young men, not mature adults. In a recent detailed survey of the evidence for the ages of boy actors and their roles, scholar David Kathman concludes that "No significant evidence supports the idea that such roles were played by adult sharers but a wealth of specific evidence demonstrates that they were played by adolescent boys no older than about twenty-one". There are only two possible examples of adult actors playing female roles. The first appears in the cast list for John Fletcher
John Fletcher
John Fletcher may refer to:*Sir John Aubrey-Fletcher, 7th Baronet , British soldier and cricketer*John Gould Fletcher , Pulitzer Prize winner*John Fletcher Hurst , Methodist bishop...
's The Wild Goose Chase
The Wild Goose Chase
The Wild Goose Chase is a late Jacobean stage play, a comedy written by John Fletcher, first published in 1621. It is often classed among Fletcher's most effective and best-constructed plays; Edmund Gosse called it "one of the brightest and most coherent of Fletcher's comedies, a play which it is...
, in which the veteran comedian John Shank
John Shank
John Shank was an actor in English Renaissance theatre, a leading comedian in the King's Men during the 1620s and 1630s.-Early career:...
is listed; the entry reads "Petella, their waiting-woman. Their Servant Mr. Shanck." However, Kathman argues that this refers to two roles, not one: Shank did not play Petella, but a comic servant who appears later in the play. The second example is the cast list for Thomas Heywood
Thomas Heywood
Thomas Heywood was a prominent English playwright, actor, and author whose peak period of activity falls between late Elizabethan and early Jacobean theatre.-Early years:...
's The Fair Maid of the West
The Fair Maid of the West
The Fair Maid of the West, or a Girl Worth Gold, Parts 1 and 2 is a work of English Renaissance drama, a two-part play written by Thomas Heywood that was first published in 1631.-Date:...
, in which Anthony Turner
Anthony Turner
Anthony Turner was a noted English actor in the Caroline era. For most of his career he worked with Queen Henrietta's Men, one of the leading theatre companies of the time....
apparently played the tiny role of a kitchen maid. Kathman suspects this is merely a misprint, but concludes that even if Turner did play this role, there remains no evidence for adults playing leading roles.
Many boy actors filled female roles for a few years, then switched to male roles. An example: John Honyman
John Honyman
John Honyman , also Honeyman, Honiman, Honnyman, or other variants, was an English actor of the Caroline era. He was a member of the King's Men, the most prominent playing company of its era, best known as the company of William Shakespeare and Richard Burbage.Honyman belonged to the generation...
started playing female roles for the King's Men
King's Men (playing company)
The King's Men was the company of actors to which William Shakespeare belonged through most of his career. Formerly known as The Lord Chamberlain's Men during the reign of Queen Elizabeth, it became The King's Men in 1603 when King James ascended the throne and became the company's patron.The...
at the age of 13, in 1626
1626 in literature
The year 1626 in literature involved some significant events.-Events:*Izaak Walton marries Rachel Floud.*John Beaumont is made a baronet.-New books:*Francis Bacon - The New Atlantis*Robert Fludd - Philosophia Sacra...
, in Philip Massinger
Philip Massinger
Philip Massinger was an English dramatist. His finely plotted plays, including A New Way to Pay Old Debts, The City Madam and The Roman Actor, are noted for their satire and realism, and their political and social themes.-Early life:The son of Arthur Massinger or Messenger, he was baptized at St....
's The Roman Actor
The Roman Actor
The Roman Actor is a Caroline era stage play, a tragedy written by Philip Massinger; it was first performed in 1626, and first published in 1629...
. He played females for the next three years, through the King's Men's productions of Lodowick Carlell
Lodowick Carlell
Lodowick Carlell , also Carliell or Carlile, was a seventeenth-century English playwright, active mainly during the Caroline era and the Commonwealth period.-Courtier:...
's The Deserving Favourite
The Deserving Favourite
The Deserving Favourite is a Caroline era stage play, a tragicomedy written by Lodowick Carlell that was first published in 1629. The earliest of Carlell's plays "and also the best," it is notable for its influence on other plays of the Caroline era....
and Massinger's The Picture (both in 1629
1629 in literature
The year 1629 in literature involved some significant events.-Events:*April 6 - Tommaso Campanella is released from custody in Rome, and gains the confidence of Pope Urban IV....
). Yet in 1630, at the age of 17, Honyman switched to male roles and never returned to female roles. Other boy players with the King's Men, John Thompson
John Thompson (actor)
John Thompson was a noted boy player acting women's roles in English Renaissance theatre. He served in the King's Men, the acting troupe formerly of William Shakespeare and Richard Burbage.Thompson's career is notable for his length...
and Richard Sharpe
Richard Sharpe (actor)
Richard Sharpe was an actor with the King's Men, the leading theatre troupe of its time and the company of William Shakespeare and Richard Burbage...
, appear to have played women for a decade or more, to the point at which they must have been "young men" rather than "boys." Theophilus Bird
Theophilus Bird
Theophilus Bird, or Bourne, was a seventeenth-century English actor. Bird began his stage career in the Stuart era of English Renaissance theatre, and ended it in the Restoration period; he was one of the relatively few actors who managed to resume their careers after the eighteen-year enforced...
played a woman when he was in his early 20s; but then he too switched to male roles.
Audience members occasionally recorded positive impressions of the quality of the acting of boy players. When one Henry Jackson saw the King's Men perform Othello
Othello
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story "Un Capitano Moro" by Cinthio, a disciple of Boccaccio, first published in 1565...
at Oxford in 1610, he wrote of the cast's Desdemona in his diary, "She [sic] always acted the matter very well, in her death moved us still more greatly; when lying in bed she implored the pity of those watching with her countenance alone." The mere fact that Jackson referred to the boy as "she," when he certainly knew better rationally, may in itself testify to the strength of the illusion.
Children's companies
In the ElizabethanElizabethan era
The Elizabethan era was the epoch in English history of Queen Elizabeth I's reign . Historians often depict it as the golden age in English history...
and Jacobean
Jacobean era
The Jacobean era refers to the period in English and Scottish history that coincides with the reign of King James VI of Scotland, who also inherited the crown of England in 1603 as James I...
periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
's Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
, in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii,339); the term "eyas" means an unfledged hawk
Hawk
The term hawk can be used in several ways:* In strict usage in Australia and Africa, to mean any of the species in the subfamily Accipitrinae, which comprises the genera Accipiter, Micronisus, Melierax, Urotriorchis and Megatriorchis. The large and widespread Accipiter genus includes goshawks,...
.
The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
since the 12th century was in the 16th century molded into a company of child actors, the Children of Paul's
Children of Paul's
The Children of Paul's was the name of a troupe of boy actors in Elizabethan and Jacobean London. Along with the Children of the Chapel, the Children of Paul's were the most important of the companies of boy players that constituted a distinctive feature of English Renaissance theatre.St...
. Similar groups of boy actors were connected with other institutions, including Eton
Eton College
Eton College, often referred to simply as Eton, is a British independent school for boys aged 13 to 18. It was founded in 1440 by King Henry VI as "The King's College of Our Lady of Eton besides Wyndsor"....
, the Merchant Taylors
Worshipful Company of Merchant Taylors
The Worshipful Company of Merchant Taylors is one of the 108 Livery Companies of the City of London.The Company, originally known as the Guild and Fraternity of St...
School, and the ecclesiastical college at Windsor
Windsor, Berkshire
Windsor is an affluent suburban town and unparished area in the Royal Borough of Windsor and Maidenhead in Berkshire, England. It is widely known as the site of Windsor Castle, one of the official residences of the British Royal Family....
.
The boys were generally in the range of 8–12 years old (prepubescent boys are chosen as choirboys precisely because their voices have not yet "broken" with puberty). They were musically talented, strictly disciplined, educated in the trivium (grammar, logic, rhetoric), and sometimes fluent in Latin; add in a certain "cuteness factor," and the boys amounted to formidable competition for the companies of adult actors in Elizabethan England. Between 1558 and 1576 (the year James Burbage
James Burbage
James Burbage was an English actor, theatre impresario, and theatre builder in the English Renaissance theatre. He built The Theatre, the facility famous as the first permanent dedicated theatre built in England since Roman times...
built The Theatre
The Theatre
The Theatre was an Elizabethan playhouse located in Shoreditch , just outside the City of London. It was the second permanent theatre ever built in England, after the Red Lion, and the first successful one...
in London and the age of popular Elizabethan drama began), companies of boy actors performed 46 times at Court, versus only 32 times for companies of adult actors in the same period. The playwright John Lyly
John Lyly
John Lyly was an English writer, best known for his books Euphues,The Anatomy of Wit and Euphues and His England. Lyly's linguistic style, originating in his first books, is known as Euphuism.-Biography:John Lyly was born in Kent, England, in 1553/1554...
earned fame when his "Euphuistic" plays were acted at Court by the Children of Paul's in the 1580s.
The practice of children acting was never free of controversy, however (see Responses, below). In 1590
1590 in literature
-Events:*The Children of Paul's perform at Court twice in the first week of January; one of the plays they acted may have been John Lyly's Midas. Later in the year, however, they are banned from performing because of the involvement of their chief script-writer, Lyly, in the Marprelate...
theatrical performances by the Children of Paul's were suppressed, largely due to Lyly's involvement in the Marprelate controversy
Marprelate Controversy
The Marprelate Controversy was a war of pamphlets waged in England and Wales in 1588 and 1589, between a puritan writer who employed the pseudonym Martin Marprelate, and defenders of the Established Church....
. Companies of child actors went out of fashion, and did not return for a decade.
In 1600
1600 in literature
The year 1600 in literature involved some significant events.-Events:*January 1 - The Admiral's Men perform Dekker's The Shoemaker's Holiday at Court....
, however, the practice saw a resurgence: the Children of the Chapel
Children of the Chapel
The Children of the Chapel were the boys with unbroken voices, choristers, who formed part of the Chapel Royal, the body of singers and priests serving the spiritual needs of their sovereign wherever they were called upon to do so....
performed at the private Blackfriars Theatre
Blackfriars Theatre
Blackfriars Theatre was the name of a theatre in the Blackfriars district of the City of London during the Renaissance. The theatre began as a venue for child actors associated with the Queen's chapel choirs; in this function, the theatre hosted some of the most innovative drama of Elizabeth and...
for much of the first decade of the 17th century. Their performances of the plays of Ben Jonson
Ben Jonson
Benjamin Jonson was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems...
were especially popular, inspiring Shakespeare's lines about how the boys "carry it away...Hercules and his load too" in Hamlet, II, ii,360-2. (The Globe Theatre
Globe Theatre
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, and was destroyed by fire on 29 June 1613...
was decorated with a statue of Hercules
Hercules
Hercules is the Roman name for Greek demigod Heracles, son of Zeus , and the mortal Alcmene...
, the playhouse's symbol.) The Children of Paul's were also acting publicly once again at this time.
The children probably attained their greatest notoriety during the Poetomachia or War of the Theatres
War of the Theatres
The War of the Theatres is the name commonly applied to a controversy from the later Elizabethan theatre; Thomas Dekker termed it the Poetomachia....
(1599
1599 in literature
-Events:* Undated - Opening of the Globe Theatre.*June 4 - Middleton's Microcynicon and Marston's Scourge of Villainy are publicly burned, as ecclesiastical authorities crack down on the craze for satire of the past year. The Bishop of London and the Archbishop of Canterbury tighten their...
–1601
1601 in literature
The year 1601 in literature involved some significant events.-Events:*February 7 - The Lord Chamberlain's Men stage a performance of Shakespeare's Richard II at the Globe Theatre. The performance is specially commissioned by the plotters in the Earl of Essex's rebellion of the following day...
). Two troupes were intimately involved on the competing sides: the Children of Paul's acted John Marston
John Marston
John Marston was an English poet, playwright and satirist during the late Elizabethan and Jacobean periods...
's Jack Drum's Entertainment
Jack Drum's Entertainment
Jack Drum's Entertainment is a late Elizabethan play written by the dramatist and satirist John Marston c. 1599–1600. It was first performed by the Children of Paul's, one of the troupes of boy actors popular in that era....
(1600) and What You Will
What You Will
What You Will is a late Elizabethan comedy by John Marston, written in 1601 and probably performed by the Children of Paul's, one of the companies of boy actors popular in that period....
(1601) and Thomas Dekker's Satiromastix
Satiromastix
Satiromastix, or The Untrussing of the Humorous Poet is a late Elizabethan stage play by Thomas Dekker, one of the plays involved in the Poetomachia or War of the Theatres....
(1601), while the Children of the Chapel had Jonson's Cynthia's Revels
Cynthia's Revels
Cynthia's Revels, or The Fountain of Self-Love is a late Elizabethan stage play, a satire written by Ben Jonson, The play was one element in the so-called Poetomachia or War of the Theatres between Jonson and rival playrwights John Marston and Thomas Dekker.-Performance:The play was first performed...
(1600) and The Poetaster
The Poetaster
The Poetaster is a late Elizabethan stage play, a satire written by Ben Jonson, and first performed in 1601. The play formed one element in the back-and-forth exchange between Jonson and his rivals John Marston and Thomas Dekker in the so-called Poetomachia or War of the Theatres of...
(1601).
The boys' troupes were strongly associated with the satirical comedy of Jonson, Marston, and Thomas Middleton
Thomas Middleton
Thomas Middleton was an English Jacobean playwright and poet. Middleton stands with John Fletcher and Ben Jonson as among the most successful and prolific of playwrights who wrote their best plays during the Jacobean period. He was one of the few Renaissance dramatists to achieve equal success in...
, which has sometimes been described as a coterie drama for gentleman "wits," in contrast to the popular drama of writers like Shakespeare and Thomas Heywood
Thomas Heywood
Thomas Heywood was a prominent English playwright, actor, and author whose peak period of activity falls between late Elizabethan and early Jacobean theatre.-Early years:...
that was performed at the Globe and the other large public theatres. Yet the boys also played serious tragedies and contemporary histories, notably the works of George Chapman
George Chapman
George Chapman was an English dramatist, translator, and poet. He was a classical scholar, and his work shows the influence of Stoicism. Chapman has been identified as the Rival Poet of Shakespeare's Sonnets by William Minto, and as an anticipator of the Metaphysical Poets...
— Bussy D'Ambois
Bussy D'Ambois
The Tragedy of Bussy D'Ambois is a Jacobean stage play written by George Chapman. Classified as either a tragedy or "contemporary history," Bussy D'Ambois is widely considered Chapman's greatest play, and is the earliest in a series of plays that Chapman wrote about the French political scene in...
, The Revenge of Bussy D'Ambois
The Revenge of Bussy D'Ambois
The Revenge of Bussy D'Ambois is a Jacobean revenge tragedy written by George Chapman. The Revenge is a sequel to his earlier Bussy D'Ambois, and was first published in 1613.-Genre and source:...
, and the double play The Conspiracy and Tragedy of Charles, Duke of Byron
The Conspiracy and Tragedy of Charles, Duke of Byron
The Conspiracy and Tragedy of Charles, Duke of Byron, Marshall of France is a Jacobean tragedy by George Chapman, a two-part play or double play first performed and published in 1608...
. Modern readers and theatergoers can only wonder what these productions were like.
The brand of coterie drama practiced by Jonson and others was often controversial, however; the official displeasure that greeted the play Eastward Ho, which landed two of its authors in jail, also fell upon the boys who performed it. By 1606
1606 in literature
The year 1606 in literature involved some significant events.-Events:*May 27 - The English Parliament passes An Act to Restrain Abuses of Players, which tightens the censorship controls on public theatre performances, most notably on the question of profane oaths.*December 26 - Shakespeare's King...
the Children of Paul's had ceased performing, and the Children of the Chapel were no longer associated with the Royal Chapel and had lost royal patronage; they became merely the Children of the Blackfriars. The boys' troupes had ceased public dramatic performance and the fashion died out by about 1615. The Lady Elizabeth's Men
Lady Elizabeth's Men
The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had...
was a new company granted a patent on April 27, 1615
1611 in literature
The year 1611 in literature involved some significant events.-Events:*January 1 - Oberon, the Faery Prince, a masque written by Ben Jonson and designed by Inigo Jones, is performed at Whitehall Palace....
, under the patronage of King James' daughter Princess Elizabeth
Elizabeth of Bohemia
Elizabeth of Bohemia was the eldest daughter of King James VI and I, King of Scotland, England, Ireland, and Anne of Denmark. As the wife of Frederick V, Elector Palatine, she was Electress Palatine and briefly Queen of Bohemia...
; it was composed, to some significant degree, of veterans of the children's companies, now grown to manhood.
While controversial in their time, the children's companies had been effective in funnelling talented, educated, and experienced young actors into the adult companies. To recapture this influence, Richard Gunnell
Richard Gunnell
Richard Gunnell was an actor, playwright, and theatre manager in Jacobean and Caroline era London. He is best remembered for his role in the founding of the Salisbury Court Theatre.-Actor and playwright:...
attempted to start a children's company with 14 boys and several adults when he built the Salisbury Court Theatre
Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was located in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salibury Court was acquired by Richard Sackville in 1564; when Thomas Sackville was created Earl of Dorset...
in 1629
1629 in literature
The year 1629 in literature involved some significant events.-Events:*April 6 - Tommaso Campanella is released from custody in Rome, and gains the confidence of Pope Urban IV....
. The enterprise was not a success, because of a long closure of the theatres due to plague soon after its inception; but it did produce Stephen Hammerton
Stephen Hammerton
Stephen Hammerton was a boy player or child actor in English Renaissance theatre, one of the young performers who specialized in female roles in the period before women appeared on the stage...
, who went on to act with the King's Men, and became an early matinee idol
Matinee idol
Matinée idol is a term used mainly to describe film or theatre stars who are adored to the point of adulation by their fans.The term almost exclusively refers to male actors. Invariably the adulation was fixated on the actor's looks rather than performance...
among young women in the audience for his romantic leads.
A limited renewal of the practice of children's companies came in 1637
1637 in literature
The year 1637 in literature involved some significant events.-Events:*January 24 - Hamlet is performed before King Charles I and Queen Henrietta Maria at Hampton Court Palace....
, when Christopher Beeston
Christopher Beeston
Christopher Beeston was a successful actor and a powerful theatrical impresario in early 17th century London. He was associated with a number of playwrights, particularly Thomas Heywood.-Early life:...
established, under royal warrant, the King and Queen's Young Company, colloquially called Beeston's Boys
Beeston's Boys
Beeston's Boys was the popular and colloquial name of The King and Queen's Young Company, a troupe of boy actors of the Caroline period, active mainly in the years 1637–1642.-Origin:...
. The intent was in part to have a structure for training young actors — much as the choirs of the previous century had provided educated and capable talent (though the actors in Beeston's company tended to be older than the boys of the earlier troupes). After the elder Beeston's death in 1638, his son William Beeston
William Beeston
William Beeston was a 17th century actor and theatre manager, the son and successor to the more famous Christopher Beeston.-Early phase:...
continued the company, with uneven success, till the theatres closed in 1642; he even managed to re-form Beeston's Boys for a time once the theatres re-opened in the Restoration
Restoration comedy
Restoration comedy refers to English comedies written and performed in the Restoration period from 1660 to 1710. After public stage performances had been banned for 18 years by the Puritan regime, the re-opening of the theatres in 1660 signalled a renaissance of English drama...
.
Responses
Many PuritanPuritan
The Puritans were a significant grouping of English Protestants in the 16th and 17th centuries. Puritanism in this sense was founded by some Marian exiles from the clergy shortly after the accession of Elizabeth I of England in 1558, as an activist movement within the Church of England...
preachers, who hated the theatre in general, were outraged by the use of boy players, which they believed encouraged homosexual lust. In 1583
1583 in literature
-Events:*June 11 - Rivales, another Latin play by Gager, is acted by the students of Christ Church, Oxford. Rivales, criticized for its "filth," was never printed and does not survive; but was revived for two performances in 1592, one before Queen Elizabeth I of England.*June 12 - Dido, a play in...
, Philip Stubbes complained that plays were full of "such wanton gestures, such bawdy speeches...such kissing and bussing" that playgoers would go home together "very friendly...and play the sodomites, or worse." John Rainolds warned of the "filthy sparkles of lust to that vice the putting of women's attire on men may kindle in unclean affections."
In response to such comments, the actor-playwright Thomas Heywood
Thomas Heywood
Thomas Heywood was a prominent English playwright, actor, and author whose peak period of activity falls between late Elizabethan and early Jacobean theatre.-Early years:...
protested that audiences were capable of distancing themselves: "To see our youths attired in the habit of women, who knows not what their intents be? Who cannot distinguish them by their names, assuredly knowing they are but to represent such a lady, at such a time appointed?"
Famous boy players
- Christopher BeestonChristopher BeestonChristopher Beeston was a successful actor and a powerful theatrical impresario in early 17th century London. He was associated with a number of playwrights, particularly Thomas Heywood.-Early life:...
was perhaps the greatest success story among the child actors (at least in worldly terms). He continued his acting career into his maturity, became a theatre manager, and by the 1620s and '30s was arguably the most influential man in the world of London theatre. - Nathan Field was another success story of the children's companies. In Bartholomew Fair, Jonson hailed him as the "best" of the young actors ("Which is your best actor, your Field?"). As an adult, Field acted with the King's Men, and wrote creditable plays as well.
- Solomon Pavy became one of the Children of the Chapel in 1600, at the age of ten. He acted in Jonson's Cynthia's Revels and The Poetaster. When he died prematurely in 1603, Jonson wrote an epitaph for him, praising Pavy's talent for playing old men.
- Alexander CookeAlexander CookeAlexander Cooke was an actor in the King's Men, the acting company of William Shakespeare and Richard Burbage.Edmond Malone introduced the hypothesis, still current though far from certain, that Cooke originated Shakespeare's principal female roles...
was the boy who is thought to have created many of Shakespeare's heroines on stage. He remained with the King's Men as an adult actor. - Joseph TaylorJoseph Taylor (17th-century actor)Joseph Taylor was a 17th-century actor. As the successor of Richard Burbage with the King's Men, he was arguably the most important actor in the later Jacobean and the Caroline eras....
graduated from the Children of the Chapel, via Lady Elizabeth's MenLady Elizabeth's MenThe Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had...
and the Duke of York's/Prince Charles' Men, to replace the late Richard BurbageRichard BurbageRichard Burbage was an English actor and theatre owner. He was the younger brother of Cuthbert Burbage. They were both actors in drama....
as the leading man of the King's Men. He played Hamlet, Othello, and all the major Shakespearean roles. - Stephen HammertonStephen HammertonStephen Hammerton was a boy player or child actor in English Renaissance theatre, one of the young performers who specialized in female roles in the period before women appeared on the stage...
was a prominent boy actor with the King's Men in the last decade of English Renaissance theatre, 1632–42. - Hugh ClarkHugh ClarkHugh Clark was a prominent English actor of the Caroline era. He worked in both of the main theatre companies of his time, Queen Henrietta's Men and the King's Men....
was a noted boy player in the 1625–30 period. - Charles HartCharles Hart (17th-century actor)Charles Hart was a prominent British Restoration actor.A Charles Hart was christened on 11 December 1625, in the parish of St. Giles Cripplegate, in London. It is not absolutely certain that this was the actor, though the name was not common at the time...
started out as a boy player with the King's Men, earning fame for his portrayal of the Duchess in Shirley'sJames ShirleyJames Shirley was an English dramatist.He belonged to the great period of English dramatic literature, but, in Lamb's words, he "claims a place among the worthies of this period, not so much for any transcendent genius in himself, as that he was the last of a great race, all of whom spoke nearly...
The CardinalThe Cardinal (play)The Cardinal is a Caroline era stage play, a tragedy by James Shirley. It was licensed for performance by Sir Henry Herbert, the Master of the Revels, on November 25, 1641, and first published in 1653. Nineteenth-century critics like Edmund Gosse, and twentieth-century critics like Fredson Bowers,...
(16411641 in literatureThe year 1641 in literature involved some significant events.-Events:*Pierre Corneille marries Marie de Lampérière.*Sir William Davenant is convicted of high treason.*Edward Hyde, 1st Earl of Clarendon becomes an advisor to King Charles I of England....
). He became a leading man and a star of the stage during the Restoration. - Theophilus BirdTheophilus BirdTheophilus Bird, or Bourne, was a seventeenth-century English actor. Bird began his stage career in the Stuart era of English Renaissance theatre, and ended it in the Restoration period; he was one of the relatively few actors who managed to resume their careers after the eighteen-year enforced...
started as a boy player; like Hart he resumed his career as an adult actor when the theatres re-opened in 1660. - Edward KynastonEdward KynastonEdward Kynaston was an English actor, one of the last Restoration "boy players," young male actors who played women's roles.-Career:...
was the last prominent boy actor; he worked during the RestorationRestoration comedyRestoration comedy refers to English comedies written and performed in the Restoration period from 1660 to 1710. After public stage performances had been banned for 18 years by the Puritan regime, the re-opening of the theatres in 1660 signalled a renaissance of English drama...
.
In film, literature and theatre
The boy player has been a popular subject in literary, theatrical and cinematic representations of the Elizabethan theatre.- The film Shakespeare in LoveShakespeare in LoveShakespeare in Love is a 1998 British-American comedy film directed by John Madden and written by Marc Norman and playwright Tom Stoppard....
features a boy player (played by Daniel BrocklebankDaniel BrocklebankDaniel Brocklebank is an award-winning British actor. He received a Screen Actors Guild Award for his performance in the multi-award–winning movie Shakespeare in Love...
) who performs Juliet in Romeo and JulietRomeo and JulietRomeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young star-crossed lovers whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular archetypal stories of young, teenage lovers.Romeo and Juliet belongs to a...
before being ousted by Gwyneth PaltrowGwyneth PaltrowGwyneth Kate Paltrow is an American actress and singer. She made her acting debut on stage in 1990 and started appearing in films in 1991. After appearing in several films throughout the decade, Paltrow gained early notice for her work in films such as Se7en and Emma...
's character (who is disguised as a man). - Nicholas WrightNicholas WrightNicholas or Nick Wright may refer to:* Sir Nicholas Wright , English academic* Nick Wright , English footballer* Nick Wright , English footballer...
's play Cressida is set in the 1630s and depicts the friendship between an elderly former boy player and the historical boy player Stephen HammertonStephen HammertonStephen Hammerton was a boy player or child actor in English Renaissance theatre, one of the young performers who specialized in female roles in the period before women appeared on the stage...
. - The play and film Stage BeautyStage BeautyStage Beauty is a 2004 British-American-German romantic period drama directed by Richard Eyre. The screenplay by Jeffrey Hatcher is based on his play Compleat Female Stage Beauty, which was inspired by references to 17th century actor Edward Kynaston made in the detailed private diary kept by...
are about the Restoration boy player Edward KynastonEdward KynastonEdward Kynaston was an English actor, one of the last Restoration "boy players," young male actors who played women's roles.-Career:...
and the transition to female acting. - Anthony BurgessAnthony BurgessJohn Burgess Wilson – who published under the pen name Anthony Burgess – was an English author, poet, playwright, composer, linguist, translator and critic. The dystopian satire A Clockwork Orange is Burgess's most famous novel, though he dismissed it as one of his lesser works...
's novel about Christopher Marlowe, A Dead Man in DeptfordA Dead Man in DeptfordA Dead Man in Deptford was written late in Anthony Burgess's life, and is the last of his novels to be published during his lifetime.It depicts the life and character of Christopher Marlowe, one of the greatest playwrights of the Elizabethan era....
, is narrated by a boy player. - Tom StoppardTom StoppardSir Tom Stoppard OM, CBE, FRSL is a British playwright, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and...
's film of Rosencrantz & Guildenstern Are DeadRosencrantz & Guildenstern Are DeadRosencrantz and Guildenstern Are Dead is an absurdist, existentialist tragicomedy by Tom Stoppard, first staged at the Edinburgh Festival Fringe in 1966. The play expands upon the exploits of two minor characters from Shakespeare's Hamlet, the courtiers Rosencrantz and Guildenstern...
features a scene in which the eponymous duo are briefly convinced of the femininity of a boy player. - Susan CooperSusan CooperSusan Mary Cooper is an English author best known for The Dark Is Rising, an award-winning five-volume saga set in and around England and Wales. The books incorporate traditional British mythology, such as Arthurian and other Welsh elements with original material ; these books were adapted into a...
's novel King of ShadowsKing of ShadowsKing of Shadows is a children's novel by Susan Cooper published in 1999 by Penguin. The book was shortlisted for the Carnegie Medal.Only in the world of the stage can Nat Field find an escape from the tragedies that have shadowed his young life...
deals with boy actors including Nathan Field.