Charles Santley
Encyclopedia
Sir Charles Santley was an English-born opera
and oratorio
star with a bravuraFrom the Italian verb bravare, to show off. A florid, ostentatious style or a passage of music requiring technical skill technique who became the most eminent English baritone
and male concert singer of the Victorian era
. His has been called 'the longest, most distinguished and most versatile vocal career which history records.'
Santley appeared in many major opera and oratorio productions in Great Britain and North America, giving numerous recitals as well. Having made his debut in Italy in 1857 after undertaking vocal studies in that country, he elected to base himself in England for the remainder of his life, apart from occasional trips overseas. One of the highlights of his stage career occurred in 1870 when he led the cast in the first Wagner opera to be performed in London, Der fliegende Holländer, at the Theatre Royal, Drury Lane
. Santley retired from opera during the 1870s in order to concentrate on the lucrative concert circuit.
Santley also wrote books on vocal technique and two sets of memoirs.
in northern England. His sister, Kate Santley
, became a famous singer-actress and comedienne and a London theatre manager. He was educated at the Liverpool Institute High School, and as a boy sang alto in the choir of a local Unitarian
church. Following musical lessons from his father, he passed the examination for admission to the second tenors (later transferring to the basses) of the Liverpool Philharmonic Society on his fifteenth birthday, and in the same year took part in the concerts at the opening of the Philharmonic Hall. Santley was apprenticed to the provision trade. He enlisted, however, as a violinist in the Festival Choral Society and the Società Armonica, and as a chorus member, with his father and sister, he sang in a performance of Haydn
's The Creation at the Collegiate Institution, Liverpool, in which Jenny Lind
was a soloist. Soon afterwards he was in a hand-picked choir for Handel
's Messiah
, where the tenor Sims Reeves
headed the soloists, at the Eisteddfod at Rhuddlan Castle
, and was in the chorus for Elijah
and Rossini's Stabat Mater
under Julius Benedict
at the Liverpool Festival. He heard Pauline Viardot, Luigi Lablache
and Mario
there. While acting as accompanist to his sister at St. Anne's Catholic Church, Edge Hill, Liverpool
, he sang 'Et incarnatus est' from Haydn's Second Mass, reading from the same score as Julius Stockhausen
, as a trial, and obtained a place as bass soloist, modelling himself upon the style of the Austrian bass Josef Staudigl
(1807–1861), and of the German bass Karl Formes
(1815–1889) (whom he heard as Sarastro in London).
In 1855, Santley went to Italy to study as a singer, with advice from Sims Reeves to visit Lamperti
in Milan
. However he chose to study under Gaetano Nava, who became his lifelong friend. Nava taught him buffo
roles in Rossini's La Cenerentola
, L'italiana in Algeri
and Il Turco in Italia
, and in Mercadante
's operas, laying the basis of sound vocal technique. He also taught him Italian speech. Santley studied duets from Bellini
's Zaira
and Rossini's Semiramide
and The Siege of Corinth. He was a frequent guest at concerts and conversaziones of the Marani family. At the theatres he heard Antonio Giuglini
, Scheggi, Marini and Enrico delle Sedie
, and saw Ristori in Maria Stuarda
, attending La Scala
, Milan, and the Carcano Theatre. He made his stage debut on 1 January 1857 in Pavia
as Dr Grenvill in La traviata
(later in the same run singing Germont père), and Don Silva in Ernani
. Other minor engagements followed, After a thin summer, however, Henry Fothergill Chorley
visited and urged his return to England.
and elsewhere, under Chorley's guidance, and at a Chorley party he met Gertrude Kemble, who became his wife a year later. Through her he was introduced to the salon of Henry Greville, at whose musical parties he joined company with Mario, Giulia Grisi
, Italo Gardoni
, Ciro Pinsuti
and others.
After an audition with Michael Costa
, he sang in Mendelssohn
's St. Paul
in Manchester under Charles Hallé
, and in March 1858 he first sang Mendelssohn's Elijah (at Exeter Hall, Liverpool), of which he became the supreme interpreter for over 50 years. From the first, he was given firm encouragement by Sims Reeves and Clara Novello
, and by Mario and Grisi, with whom he sang on various occasions. At the inauguration of the original Leeds Festival
of autumn 1858 he was the star performer (with Willoughby Weiss) in Rossini's Stabat Mater . In the autumn of 1859 he was singing items from St Paul, Judas Maccabaeus and Messiah
at the Bradford
Festival, shortly before embarking on his initial operatic season.
In 1861 he sang Elijah in his first appearance at the Birmingham Triennial Music Festival
. In July of the following year, at St James's Hall
Piccadilly, he appeared in the Philharmonic Society's
50th Jubilee Concert, singing an item from Hummel
's Mathilde of Guise, and With Joy the Impatient Husbandman from Haydn's The Seasons. On that occasion he shared a platform (though in separate performance) with Jenny Lind
, the pianist Lucy Anderson
(her last public appearance), Therese Tietjens, and Alfredo Piatti the cellist, under the direction of William Sterndale Bennett
. Bennett had just drilled a new orchestra to a level of high efficiency, creating a sensation before a huge audience. In 1862 Santley appeared at the Handel
Festival at the Crystal Palace
.
The year 1863 saw his first appearance at the Worcester
and Norwich
festivals: at Worcester he sang in Schachner's new work Israel's return from Babylon, and at Norwich he introduced Julius Benedict
's Richard Coeur de Lion, a great success. In April 1864 he sang in Handel's Messiah, and in a miscellaneous concert, at Stratford-upon-Avon
for the Shakespeare centenary festival. At the Hereford
Festival he sang the second part of The Creation, an English version of Rossini's Stabat Mater and Benedict's Richard. At the Birmingham festival of 1864 was given Michael Costa
's new work Naaman, where (as Elisha) he sang opposite Sims Reeves and the young Adelina Patti
(then making her first appearance in oratorio). Santley also appeared there in Messiah and Arthur Sullivan
's The Masque at Kenilworth
.
The autumn of 1865 witnessed his debut appearance at the Gloucester
Festival, where he sang Elijah, the first part of St. Paul
, part of Messiah, and Mendelssohn's First Walpurgis Night. In 1866 he was at Worcester Festival, and then at Norwich, where Costa's Naaman was given again, in the presence of the Prince and Princess of Wales, and Benedict's new cantata St. Cecilia (libretto by Chorley) was introduced. At Hereford in 1867 the main event for Santley was singing with the famous soprano Jenny Lind
for the first time, in the oratorio Ruth by Otto Goldschmidt
. There, and at Birmingham festival, Willoughby Weiss took most of the sacred bass or baritone roles. Santley sang bass arias from the Messiah, Gounod's Mass, Benedict's St. Cecilia and J. F. Barnett's The Ancient Mariner.
Returning to the Birmingham Festival in 1867 he was a soloist in the premiere of William Sterndale Bennett's oratorio The Woman of Samaria
At the Handel Festival in June 1868 he sang the Messiah solos, and on the selection day, 'O voi dell'Erebo' from La Resurrezione and 'O ruddier than the cherry' from Acis and Galatea. He also sang 'The Lord is a Man of War' with Signor Foli. At Hereford he sang Dr Wesley
's anthem The Wilderness, and under Dr Wesley, Elijah, with Louisa Pyne
. In 1869 a Rossini festival took place at the Crystal Palace, with a chorus and orchestra of about 3,000, in which he sang in the Stabat Mater, and appeared in the scene of the 'Blessing of the Banners' from The Siege of Corinth. In mid-May he sang in the first performance in England of Rossini's Petite Messe Solennelle
, with the dramatic soprano Therese Tietjens, Pietro Mongini and the mezzo-soprano Sofia Scalchi
. It was also performed that year at the Worcester and Norwich festivals. At Worcester, Reeves, Santley, Trebelli
and Tietjens gave the first performance of Sullivan's The Prodigal Son, under the composer's baton. At Norwich there was also Hugo Pierson's oratorio Hezekiah.
At the close of the 1868-69 season of the Philharmonic Society of London Santley, Tietjens and Nilsson took part in the final supernumerary concert, held at St James's Hall
for the first time before the Society moved there permanently in the next season. These three singers were among the original ten recipients to be awarded the Society's Gold Medal at its first presentation in 1871.
In early 1870, as his departure from the theatre was approaching, Santley sang at concerts in London and at Exeter Hall. Then, under the management of George Wood, he made a six-week concert tour of the provinces. The touring company included Clarice Sinico, the violinist August Wilhelmj
and the pianist Arabella Goddard
(later joined by Ernst Pauer
). Santley's concert singing reached a high point of acclaim during his subsequent United States and Canadian tour of 1871-72. In such songs as "To Anthea", "Simon the Cellarer" and the "Maid of Athens", he was viewed as being unapproachable, and his oratorio
singing was praised for perpetuating the finest traditions of the art form. In 1872, he took part in a joint recital with Pauline Rita
at St James's Hall
, London.
and Giovanni Belletti, at parties held by the influential critic H. F. Chorley. In 1859 he made his debut at Covent Garden
as Hoel in Meyerbeer's opera Dinorah. In the same season he sang in the English Il trovatore
(Di Luna), The Rose of Castille
, Satanella, La sonnambula
, and in Wallace
's Lurline, with William Harrison and Louisa Pyne
. Dinorah also received a royal command performance before Queen Victoria and Prince Albert.> He was also able to fit in performances of Gluck's Iphigénie en Tauride
in Manchester, with Sims Reeves
and Catherine Hayes
, for Charles Hallé.< These were twice repeated at the residence of Lord Ward in Park Lane
, London.
Santley appeared in English opera for Mapleson
at Her Majesty's Theatre
in the 1860-61 season. Mapleson mounted a new opera, George Macfarren
's Robin Hood, featuring a cast led by Sims Reeves and stage-debutante Helen Lemmens-Sherrington
, under the direction of Charles Hallé
. In the same season Santley sang (for Pyne and Harrison) Fra Diavolo
, La Reine Topaze, The Bohemian Girl
(with Mme Parepa
), Il trovatore and Wallace's The Amber Witch, which later transferred to Drury Lane
. He was announced to sing in Verdi's Macbeth
with Giulia Grisi in 1861, but the promotion collapsed.
For the season of 1861-62, Santley returned to Covent Garden, opening in Howard Glover's Ruy Blas (as Don Sallust, Harrison as Ruy Blas), then in a re-cast version of Robin Hood, and finally in Balfe's The Puritan's Daughter. He also created the role of 'Danny Man' in Julius Benedict
's The Lily of Killarney
, which was performed nightly for five or six weeks. Worn out by this busy season, Santley decided to turn his attention to Italian opera, and, armed with a letter from Michael Costa, paid a visit to Rossini in Paris. This meeting proved disappointing; but he agreed (without a contract) to sing Il trovatore at Covent Garden for Gye, with the English soprano Fanny Gordosa, Constance Nantier-Didiée, the Italian dramatic tenor Enrico Tamberlik
and the Franco-Italian bass-baritone Joseph Tagliafico. Santley's performances were received rapturously by the Covent Garden audience.
(as Di Luna), The Marriage of Figaro
(as Almaviva) and Les Huguenots
(as de Nevers). He returned to Covent Garden for the English Opera, however, appearing in the Lily of Killarney
, Dinorah
, and Balfe's The Armourer of Nantes. In defence of his decision to move to Italian opera, Santley notes that since 1859-60 he had been singing about 110 opera performances per season, in addition to fulfilling concurrent concert engagements.
With Mapleson's Italian Opera he joined some of the 19th century's most celebrated singers, including Therese Tietjens, Marietta Alboni
, Antonio Giuglini
and Zelia Trebelli
. Once the 1862-63 season was over, Santley paid a visit to Paris and saw Mme Carvalho
perform in Gounod's Faust
, which Mapleson had obtained for the 1863 season in London. In the new season (begun with Il trovatore), Carvalho and Santley appeared together in the premiere of Schira's Niccolo de' Lapi, Santley creating the title-role. He also played the elder Germont in La traviata.
The first performance of Faust in England followed. It was given in a problematic English translation by Henry Fothergill Chorley
, which nevertheless remained the standard translation until well into the 20th century. Santley appeared as Valentine. The other cast members were Tietjens (as Marguerite), Trebelli (Siebel), Antonio Giuglini
(Faust) and Edouard Gassier (Mephisto). In July 1863 the company performed Weber
's Oberon
with Reeves, Tietjens, Alboni and Alessandro Bettini. Santley appeared as Scherasmin. In the autumn, after the Worcester and Norwich festivals, Santley joined the Mapleson company's annual tour, beginning in Dublin. Sims Reeves had joined the company to perform the roles of Edgardo, Huon and Faust (with Tietjens and Trebelli as his partners).
After hearing Santley's Valentine, Gounod composed the aria Even bravest heart expressly for him to an original English text by Chorley (now, ironically, better known in French translation as Avant de quitter or in Italian as Dio possente) and this was introduced in London in January 1864 at the opening of the spring session. Also appearing in this production were Reeves, Lemmens-Sherrington and Salvatore Marchesi (the latter as Mephisto). Late in the run, however, Santley took on the role of Mephisto, in an 'abominable red costume'. Faust was later produced with Tietjens, Gardoni, Trebelli, and Signor Junca, with Santley resuming his place. In the same season he appeared in the English premiere of Nicolai's Die Lustigen Weiber von Windsor and in Gounod's Mireille
(with Giuglini and Tietjens). He appeared, too, as Plunkett in Martha
, as the Duke in Lucrezia Borgia
, and as the Minister in Fidelio
.
, where he was booked for a three month season at the Liceu
. His Di Luna was warmly received, and he followed with his first Rigoletto
, and La traviata. He also played Enrico in Lucia, Obertal in Le Prophète
, and Renato in Un ballo in maschera
. He arrived back in Britain to join Mapleson's spring tour at Dublin, on the same day stepping in at Tietjens's insistence to save a failing production of Lucrezia Borgia. During this tour he also performed Carlo Quinto in Ernani for the first time and sang at the Theatre Royal at Liverpool, the fulfilment of a childhood ambition.
In the spring of 1865, Giuglini left the company, and the Croatian diva Ilma de Murska joined it, appearing in Lucia di Lammermoor. Santley took on three new roles: Papageno in Mozart's (Magic Flute, Creonte in Cherubini's Médée
and Pizarro in Beethoven's Fidelio (opposite Tietjens). In September there was a short touring season, in which he played Don Giovanni
(with Mario
for the first time, at Manchester. He also sang Caspar in Der Freischütz
in London in October. Santley then went on to appear in a season at La Scala, Milan, where Il trovatore was staged, as well as Nicolai's Il Templario (in which he sang the role of Brian the Templar). Returning to London in March 1866, Santley appeared in the spring season with Tietjens, Gardoni and Gassier in Iphigénie en Tauride. He also sang in Dinorah (with de Murska and Gardoni) and Ernani (with Tietjens, Tasca and Gassier). During the autumn, he performed as Leporello in Don Giovanni at Her Majesty's.
The year 1867 brought the engagement of Sweden's Christine Nilsson, and Santley appeared with her in La traviata and I Lombardi. La forza del destino was also given, along with Don Giovanni, Dinorah, Fidelio, Oberon, Medea, Der Freischütz and Les Huguenots. After the autumn tour with Alessandro Bettini in Les Huguenots, the November session opened with Faust, followed by La traviata and Martha, and Linda di Chamounix, in which Santley first sang the part of Antonio. Don Giovanni, with Clara Louise Kellogg
as Zerlina and Santley as Leporello, proved to be the final operatic performance of that season: Santley had been due to play Pizarro, when the news came to him, while he was appearing in concert in Brighton
, that Her Majesty's Theatre
had been burnt to the ground. Santley had sung the last notes ever to be heard in that theatre.
with Kellogg, Trebelli, Bettini and Foli, and the title tole in Rigoletto with Kellogg and the prominent tenor Gaetano Fraschini
. Also produced at Drury Lane that season were Les Huguenots, Le nozze di Figaro, La Figlia del Reggimento and Faust (with Nilsson as Marguerite). At Nilsson's benefit concert, Santley played the final scene of I Due Foscari
, and his Doge was compared favourably to Ronconi's.
In July Santley appeared in Le Nozze at the Crystal Palace. The London autumn season was held at Covent Garden, with Santley's old hero Karl Formes joining the tour cast. The American soprano Minnie Hauk
also appeared (in La Sonnambula). During the ensuing tour, Santley sang Tom Tug in Charles Dibdin
's The Waterman for the first time, at Leeds
. The next season, he sang it twice more in Leeds, and once each in Sheffield
and Bradford
. The airs from The Waterman 'The jolly young waterman' and 'Then farewell, my trim-built wherry' were sung by Santley to acclaim.
Her Majesty's remained closed, and in 1869 Mapleson was drawn into a merger with the Royal Italian Opera. With the merged company, Santley performed in Rigoletto with Vanzini, Scalchi, Mongini and Foli, in Norma and Fidelio, in Linda di Chamounix with di Murska and in Il trovatore. La Gazza Ladra was also staged with Santley appearing opposite Trebelli, Bettini and Patti. Santley led the cast, with Nilsson as his Ophelia, in the London premiere of Hamlet
by Ambroise Thomas
. He enjoyed the role, which was sung in Italian, apart from the 'Brindisi'. He also played Hoel in Dinorah opposite Patti, and although a planned partnership with her in L'Etoile du Nord did not occur, they did perform Rigoletto together for Patti's benefit. Santley's Hamlet was repeated in the autumn, with de Murska replacing Nilsson, and with Karl Formes as the ghost.
Early in 1870 the company made an operatic tour of Scotland
, during which Santley sang Don Giovanni. At Drury Lane, in the following Italian season managed by George Wood, Santley sang The Dutchman in The Flying Dutchman
(in Italian, as L'Ollandese Dannato), opposite di Murska. This was the first presentation of a Wagner opera in London. It took place in July 1870. But several other promised productions either did not occur (Macbeth
, Cherubini's Les Deux Journees, Rossini's Tancredi
) or the baritone role in them was given to another artist. (Lothario in Thomas' Mignon
, for example, was assigned not to Santley but to the French baritone Jean-Baptiste Faure
).
, working with the theatre's music director and conductor, Meyer Lutz
. In autumn 1870 he launched a successful nine-week run at the Gaiety with Hérold's Zampa
. He refused to sing Don Giovanni but he did stage Fra Diavolo (with himself in title role), and, in the lead-up to Christmas, The Waterman. Performances of Fra Diavolo continued through February 1871, while Lortzing's Czar und Zimmerman (as Peter the Shipwright) was staged for Easter. This production proved a success but Santley could not persuade the Gaiety's manager, John Hollingshead
, to produce Auber's Le Cheval de bronze as a follow-up. Feeling that his long-cherished project of an English lyric theatre could never be accomplished, he decided to turn his back on the stage altogether. Instead, in 1872-1873, he set out on a concert tour of in the United States and Canada.
in March 1872; but he joined them first for the English season to play Zampa and Fra Diavolo, at Baltimore
, Philadelphia, Newark
and elsewhere. He played Valentin in Faust at Philadelphia. In the Italian season, from mid-March to the end of April, he was with Mme Parepa-Rosa
, Adelaide Phillips
and the tenor Theodore Wachtel (1823–1893), and with Karl Formes, who sang Marcel in Les Huguenots with Santley (Saint-Bris), at the Academy of Music in New York under Adolph Neuendorff. Santley was also particularly proud to have sung once in that season with his friend and idol, Giorgio Ronconi, who was Leporello to Santley's Don Giovanni. The company also played Il trovatore, Rigoletto, Lucrezia Borgia, Martha and Guglielmo Tell. The houses and receipts were enormous, and they sailed to England well pleased in early May 1872.
In 1873 Carl Rosa invited Santley to appear as Telramund in a planned English Lohengrin
at Drury Lane. Santley accepted, but the project failed with the untimely death of Mme Parepa-Rosa. (Lohengrin was not heard in London until 1875). Santley's wish to play Wolfram in Tannhäuser
also remained unrealised. He disliked the prominence of the Wagnerian orchestra and regretted the innovation which saw orchestral players being relegated to a pit beneath the opera stage.
However in 1875 Carl Rosa tempted him back to the stage for a season at the Princess's Theatre, London, in which he played in Le nozze di Figaro, Il trovatore, The Siege of Rochelle (as Michel), Cherubini's The Water Carrier
(Mikelì) and The Porter of Havre (Martin). In Figaro he was cast as Almaviva, but was transferred to the role of Figaro, singing with Sig. Campobello (Almaviva), Aynsley Cook (Bartolo), Charles Lyall (Basilio), Ostava Torriani (Contessa), Rose Hersee
(Susanna), Josephine York (Cherubino) and Mrs Aynsley Cook (Marcellina). This received a special performance for the Prince and Princess of Wales. There was a provincial tour in the autumn.
In autumn 1876 at the Lyceum Theatre, again with Carl Rosa, Santley revived his Flying Dutchman, this time in English, with Ostava Torriani as Senta. Between the London season and the provincial tour which followed they performed it 50 times. In the same season they undertook a work new to him, Nicolo's Joconde
, and he played Zampa and The Porter of Havre again. The final work was a new opera with a role (Claude Melnotte) written especially for him, the Pauline
of F. H. Cowen: the work was not successful. The tour took them to Dublin, Sheffield, Hanley and Birmingham
. That, apart from two appearances as Sir Harry in The School for Scandal
at Drury Lane benefits, and his eventual farewell appearance at Covent Garden in 1911, was the end of his stage career.
String Quartet and Mme Clara Schumann
. He settled down to concert and oratorio work in England. He converted to Roman Catholicism in 1880, and in 1887 Pope Leo XIII
created him a Knight Commander of St Gregory the Great. He married twice, first (in 1858) to Gertrude Kemble (granddaughter of Charles Kemble
), who before her marriage had a professional career as a soprano singer. Their daughter Edith also became a concert singer. Gertrude died in 1882. The couple had five children. Santley's second wife was Elizabeth Mary Rose-Innes.
Santley, to whom European travel had been a holiday routine for many years, toured in Australia and New Zealand in 1889-1890, to the United States and Canada in 1891 and South Africa in 1893 and again in 1903. He sang last at the Birmingham festival in 1891 after an unbroken series of thirty years of appearances there. George Bernard Shaw
, describing Santley as the hero of the 1894 Handel Festival, remarked especially on his Honour and Arms and Nasce al Bosco. 'Santley's singing of the division of Selection Day was, humanly speaking, perfect. It tested the middle of his voice from C to C exhaustively; and that octave came out of the test hall-marked; there was not a scrape on its fine surface, not a break or a weak link in the chain anywhere; while the vocal touch was impeccably light and steady, and the florid execution accurate as clockwork.' In these two arias his entire compass from low G to top E flat, and in Nasce al Bosco the top E natural and F, were exhibited 'in such a way as made it impossible for him to conceal any blemish, if there had been one.'
In January 1894 he was with Clara Butt
, Edward Lloyd
, Antoinette Sterling
and other singers at the first of the Chappell's Ballad Concerts, when they were transferred from St James's Hall
to Queen's Hall
. From 1894 Santley devoted his time increasingly to teaching: between 1903 and 1907 he trained the Australian baritone Peter Dawson, taking him meticulously through Messiah, The Creation and Elijah. Indeed, in 1904 he brought Dawson in on a tour of the West Country, beginning at Plymouth
, led by Emma Albani
, with William Green (tenor), Giulia Ravogli, Johannes Wolf
, Adele Verne and Theodore Flint.
In January 1907 he sang Elijah at Manchester Town Hall
, having sung Messiah and Elijah every year there since 1858. He celebrated the jubilee of his singing career in the company of many of his musician friends at a grand benefit concert held at the Royal Albert Hall
on 1 May 1907. He was knighted (the first singer to receive this honour) in December of that year, after singing at Bristol
, and sang Elijah at Hanley two days later. Over the next months he gave short recitals at Liverpool and sang Elijah at Edinburgh
. He made his Covent Garden farewell in 1911 as Tom Tug in Charles Dibdin
's The Waterman. In 1915, at the request of London's Lady Mayoress, he sang at the Mansion House
concert for Belgian refugees, when the accurate intonation, fine quality and vigour of his voice were still apparent.
George Bernard Shaw
, who first saw him on stage as Di Luna in Il trovatore, considered that Santley's dramatic powers were 'blunt, unpractised, and prone to fall back on a good-humoured nonchalance in his relations with the audience, which was highly popular, but which destroyed all dramatic illusion. He was always Santley, the good fellow with no nonsense about him, and a splendid singer.... The nonchalance was really diffidence....' He played Valentin, in Faust, 'in an unfinished, hail-fellow-well-met way.' Later on, as Vanderdecken, etc., 'his dramatic grip was much surer; and at the present moment [1892], on the verge of his sixtieth year, he is a more thorough artist than ever.'
(His Master's Voice) in 1903. Although the voice lacks much of its former brilliant resonance due to age it remains firm and steady. His most famous record preserves his remarkably vivid and lively rendering of 'Non piu andrai' (Figaro), employing a portamento (notably on the word 'narcisetto', usually broken by modern interpreters) that is fit to satisfy Garcia himself. He did not commit any souvenirs of his Handel performances to disc. His 1903 discs are:
Several years later he cut a group of ballad titles for the Columbia label. Hatton
's 'To Anthea' and 'Simon the Cellarer' are characteristic of Santley's earlier ballad repertoire, and are repeated in the Columbia series, which also includes Ethelbert Nevin's 'My Rosary', C.V. Stanford's 'Father O'Flynn,' Sullivan's 'Thou'rt passing hence, my brother,' and other titles.
Of the volumes of reminiscences, Student and Singer deals with his career up to circa 1870, and Reminiscences of My Life includes material for the later period.
Santley also composed a number of songs under the pseudonym of Ralph Betterton.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
and oratorio
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
star with a bravuraFrom the Italian verb bravare, to show off. A florid, ostentatious style or a passage of music requiring technical skill technique who became the most eminent English baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
and male concert singer of the Victorian era
Victorian era
The Victorian era of British history was the period of Queen Victoria's reign from 20 June 1837 until her death on 22 January 1901. It was a long period of peace, prosperity, refined sensibilities and national self-confidence...
. His has been called 'the longest, most distinguished and most versatile vocal career which history records.'
Santley appeared in many major opera and oratorio productions in Great Britain and North America, giving numerous recitals as well. Having made his debut in Italy in 1857 after undertaking vocal studies in that country, he elected to base himself in England for the remainder of his life, apart from occasional trips overseas. One of the highlights of his stage career occurred in 1870 when he led the cast in the first Wagner opera to be performed in London, Der fliegende Holländer, at the Theatre Royal, Drury Lane
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
. Santley retired from opera during the 1870s in order to concentrate on the lucrative concert circuit.
Santley also wrote books on vocal technique and two sets of memoirs.
Early training
Santley was the elder son of William Santley, a journeyman bookbinder, organist and music teacher of LiverpoolLiverpool
Liverpool is a city and metropolitan borough of Merseyside, England, along the eastern side of the Mersey Estuary. It was founded as a borough in 1207 and was granted city status in 1880...
in northern England. His sister, Kate Santley
Kate Santley
Kate Santley was an American-born English actress, singer, comedienne, and theatre manager. Her brother was the English baritone, Sir Charles Santley, famous in Wagner's Flying Dutchman among other roles.-Musical theatre career:...
, became a famous singer-actress and comedienne and a London theatre manager. He was educated at the Liverpool Institute High School, and as a boy sang alto in the choir of a local Unitarian
Unitarianism
Unitarianism is a Christian theological movement, named for its understanding of God as one person, in direct contrast to Trinitarianism which defines God as three persons coexisting consubstantially as one in being....
church. Following musical lessons from his father, he passed the examination for admission to the second tenors (later transferring to the basses) of the Liverpool Philharmonic Society on his fifteenth birthday, and in the same year took part in the concerts at the opening of the Philharmonic Hall. Santley was apprenticed to the provision trade. He enlisted, however, as a violinist in the Festival Choral Society and the Società Armonica, and as a chorus member, with his father and sister, he sang in a performance of Haydn
Joseph Haydn
Franz Joseph Haydn , known as Joseph Haydn , was an Austrian composer, one of the most prolific and prominent composers of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms...
's The Creation at the Collegiate Institution, Liverpool, in which Jenny Lind
Jenny Lind
Johanna Maria Lind , better known as Jenny Lind, was a Swedish opera singer, often known as the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she is known for her performances in soprano roles in opera in Sweden and across Europe, and for an extraordinarily...
was a soloist. Soon afterwards he was in a hand-picked choir for Handel
George Frideric Handel
George Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...
's Messiah
Messiah (Handel)
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible and the Book of Common Prayer. It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later...
, where the tenor Sims Reeves
Sims Reeves
John Sims Reeves , usually called simply Sims Reeves, was the foremost English operatic, oratorio and ballad tenor vocalist of the mid-Victorian era....
headed the soloists, at the Eisteddfod at Rhuddlan Castle
Rhuddlan Castle
Rhuddlan Castle is a castle located in Rhuddlan, Denbighshire, Wales. It was erected by Edward I in 1277 following the First Welsh War.-Construction:Rhuddlan was planned as a concentric castle...
, and was in the chorus for Elijah
Elijah (oratorio)
Elijah, in German: Elias, is an oratorio written by Felix Mendelssohn in 1846 for the Birmingham Festival. It depicts various events in the life of the Biblical prophet Elijah, taken from the books 1 Kings and 2 Kings in the Old Testament....
and Rossini's Stabat Mater
Stabat Mater (Rossini)
Rossini composed his Stabat Mater late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841.-Composition:...
under Julius Benedict
Julius Benedict
Sir Julius Benedict was a German-born composer and conductor, resident in England for most of his career.-Life:...
at the Liverpool Festival. He heard Pauline Viardot, Luigi Lablache
Luigi Lablache
Luigi Lablache was an Italian opera singer of French and Irish heritage. He was most noted for his comic performances, possessing a powerful and agile bass voice, a wide range, and adroit acting skills: Leporello in Don Giovanni was one of his signature roles.-Biography:Luigi Lablache was born in...
and Mario
Mario (tenor)
Giovanni Matteo "Mario" was an Italian opera singer. The most celebrated tenor of his era, he was lionized by audiences in Paris and London.-Early life:...
there. While acting as accompanist to his sister at St. Anne's Catholic Church, Edge Hill, Liverpool
Liverpool
Liverpool is a city and metropolitan borough of Merseyside, England, along the eastern side of the Mersey Estuary. It was founded as a borough in 1207 and was granted city status in 1880...
, he sang 'Et incarnatus est' from Haydn's Second Mass, reading from the same score as Julius Stockhausen
Julius Stockhausen
Julius Christian Stockhausen was a German singer and singing master.- Life :Stockhausens' parents, Franz Stockhausen Sr...
, as a trial, and obtained a place as bass soloist, modelling himself upon the style of the Austrian bass Josef Staudigl
Josef Staudigl
Josef Staudigl was an Austrian bass singer.- Life :Staudigl attended the school in Wiener Neustadt and, from 1825, was a novice in the Benedictine monastery of Stift Melk. In 1827 he went to Vienna to study surgery there...
(1807–1861), and of the German bass Karl Formes
Karl Formes
Karl Johann Franz Formes , also called Charles John Formes, was a German bass opera and oratorio singer who had a long international career especially in Germany, London and New York...
(1815–1889) (whom he heard as Sarastro in London).
In 1855, Santley went to Italy to study as a singer, with advice from Sims Reeves to visit Lamperti
Francesco Lamperti
Francesco Lamperti was an Italian singing teacher.A native of Savona, Lamperti attended the Milan Conservatory where, beginning in 1850, he taught for a quarter of a century. He was director at the Teatro Filodrammatico in Lodi. In 1875 he left the school and began to teach as a private tutor...
in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
. However he chose to study under Gaetano Nava, who became his lifelong friend. Nava taught him buffo
Opera buffa
Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ‘commedia in musica’, ‘commedia per musica’, ‘dramma bernesco’, ‘dramma comico’, ‘divertimento giocoso' etc...
roles in Rossini's La Cenerentola
La Cenerentola
La Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
, L'italiana in Algeri
L'italiana in Algeri
L'italiana in Algeri is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca...
and Il Turco in Italia
Il turco in Italia
Il turco in Italia is an opera in two acts by Gioachino Rossini. The Italian-language libretto was written by Felice Romani...
, and in Mercadante
Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works as either; and his development of...
's operas, laying the basis of sound vocal technique. He also taught him Italian speech. Santley studied duets from Bellini
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer. His greatest works are I Capuleti ed i Montecchi , La sonnambula , Norma , Beatrice di Tenda , and I puritani...
's Zaira
Zaira (opera)
Zaira is a tragedia lirica, or tragic opera in two acts by Vincenzo Bellini set to a libretto by Felice Romani which was based on Voltaire's 1732 tragedy, Zaïre. The story takes place in the time of the Crusades and the opera's plot involves the heroine, Zaira, struggling between her Christian...
and Rossini's Semiramide
Semiramide
Semiramide is an opera in two acts by Gioachino Rossini.The libretto by Gaetano Rossi is based on Voltaire's tragedy Semiramis, which in turn was based on the legend of Semiramis of Babylon...
and The Siege of Corinth. He was a frequent guest at concerts and conversaziones of the Marani family. At the theatres he heard Antonio Giuglini
Antonio Giuglini
Antonio Giuglini was an Italian operatic tenor. During the last eight years of his life, before he developed signs of mental instability, he earned renown as one of the leading stars of the operatic scene in London...
, Scheggi, Marini and Enrico delle Sedie
Enrico Delle Sedie
Enrico Augusto Delle Sedie was an Italian operatic baritone who sang extensively in Europe, performing the bel canto repertoire and in works by Verdi....
, and saw Ristori in Maria Stuarda
Maria Stuarda
Maria Stuarda is a tragic opera, , in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Friedrich Schiller's 1800 play Maria Stuart....
, attending La Scala
La Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...
, Milan, and the Carcano Theatre. He made his stage debut on 1 January 1857 in Pavia
Pavia
Pavia , the ancient Ticinum, is a town and comune of south-western Lombardy, northern Italy, 35 km south of Milan on the lower Ticino river near its confluence with the Po. It is the capital of the province of Pavia. It has a population of c. 71,000...
as Dr Grenvill in La traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
(later in the same run singing Germont père), and Don Silva in Ernani
Ernani
Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. The first production took place at La Fenice Theatre, Venice on 9 March 1844...
. Other minor engagements followed, After a thin summer, however, Henry Fothergill Chorley
Henry Fothergill Chorley
Henry Fothergill Chorley was an English literary, art and music critic and editor. He was also an author of novels, drama, poetry and lyrics....
visited and urged his return to England.
Oratorio, 1857-1872
In 1857 Santley returned to London, and made his first appearance (November 16) for John Hullah in the role of Adam in Haydn's Creation at St Martin's Hall. Manuel Garcia, who heard him, offered training which Santley accepted gratefully. There were a few concerts at the Crystal PalaceThe Crystal Palace
The Crystal Palace was a cast-iron and glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's of exhibition space to display examples of the latest technology developed in...
and elsewhere, under Chorley's guidance, and at a Chorley party he met Gertrude Kemble, who became his wife a year later. Through her he was introduced to the salon of Henry Greville, at whose musical parties he joined company with Mario, Giulia Grisi
Giulia Grisi
Giulia Grisi, also known as Madame De Candia was an Italian opera singer...
, Italo Gardoni
Italo Gardoni
Italo Gardoni was a leading operatic tenore di grazia singer from Italy who enjoyed a major international career during the middle decades of the 19th century...
, Ciro Pinsuti
Ciro Pinsuti
Ciro Pinsuti was an Anglo-Italian composer.He was born in Sinalunga , Italy, and educated in music, for a career as a pianist, partly in London and partly at Bologna, where he was a pupil of Rossini. From 1848 he made his home in England, where he became a teacher of singing, and in 1856 he was...
and others.
After an audition with Michael Costa
Michael Costa (conductor)
Sir Michael Andrew Angus Costa was an Italian-born conductor and composer who achieved success in England.-Biography:He was born in Naples as Michaele Andrea Agniello Costa, to a family, according to some, of Sephardic stock...
, he sang in Mendelssohn
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Barthóldy , use the form 'Mendelssohn' and not 'Mendelssohn Bartholdy'. The Grove Dictionary of Music and Musicians gives ' Felix Mendelssohn' as the entry, with 'Mendelssohn' used in the body text...
's St. Paul
St. Paul (oratorio)
St. Paul , Op. 36, is an oratorio by Felix Mendelssohn.The libretto was begun in 1832 by the composer with Pastor Julius Schubring, a childhood friend, pulling together passages from the New Testament and Old Testament...
in Manchester under Charles Hallé
Charles Hallé
Sir Charles Hallé was an Anglo-German pianist and conductor, and founder of The Hallé orchestra in 1858.-Life:Hallé was born in Hagen, Westphalia, Germany who after settling in England changed his name from Karl Halle...
, and in March 1858 he first sang Mendelssohn's Elijah (at Exeter Hall, Liverpool), of which he became the supreme interpreter for over 50 years. From the first, he was given firm encouragement by Sims Reeves and Clara Novello
Clara Novello
Clara Anastasia Novello was an acclaimed soprano, the fourth daughter of Vincent Novello, a musician and music publisher, and his wife, Mary Sabilla Hehl....
, and by Mario and Grisi, with whom he sang on various occasions. At the inauguration of the original Leeds Festival
Leeds Festival (classical music)
The Leeds Festival was a classical music festival which took place between 1858 and 1985 in Leeds, West Yorkshire, England.The first festival celebrated the opening of Leeds Town Hall by Queen Victoria on 7 September 1858...
of autumn 1858 he was the star performer (with Willoughby Weiss) in Rossini's Stabat Mater . In the autumn of 1859 he was singing items from St Paul, Judas Maccabaeus and Messiah
Messiah (Handel)
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible and the Book of Common Prayer. It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later...
at the Bradford
Bradford
Bradford lies at the heart of the City of Bradford, a metropolitan borough of West Yorkshire, in Northern England. It is situated in the foothills of the Pennines, west of Leeds, and northwest of Wakefield. Bradford became a municipal borough in 1847, and received its charter as a city in 1897...
Festival, shortly before embarking on his initial operatic season.
In 1861 he sang Elijah in his first appearance at the Birmingham Triennial Music Festival
Birmingham Triennial Music Festival
The Birmingham Triennial Musical Festival, in Birmingham, England, founded in 1784, was the longest-running classical music festival of its kind. Its last performance was in 1912.-History:...
. In July of the following year, at St James's Hall
St James's Hall
St. James's Hall was a concert hall in London that opened on 25 March 1858, designed by architect and artist Owen Jones, who had decorated the interior of the Crystal Palace. It was situated between the Quadrant in Regent Street and Piccadilly, and Vine Street and George Court. There was a...
Piccadilly, he appeared in the Philharmonic Society's
Royal Philharmonic Society
The Royal Philharmonic Society is a British music society, formed in 1813. It was originally formed in London to promote performances of instrumental music there. Many distinguished composers and performers have taken part in its concerts...
50th Jubilee Concert, singing an item from Hummel
Johann Nepomuk Hummel
Johann Nepomuk Hummel or Jan Nepomuk Hummel was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era.- Life :...
's Mathilde of Guise, and With Joy the Impatient Husbandman from Haydn's The Seasons. On that occasion he shared a platform (though in separate performance) with Jenny Lind
Jenny Lind
Johanna Maria Lind , better known as Jenny Lind, was a Swedish opera singer, often known as the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she is known for her performances in soprano roles in opera in Sweden and across Europe, and for an extraordinarily...
, the pianist Lucy Anderson
Lucy Anderson
Lucy Anderson was the most eminent of the English pianists of the early Victorian era. She is mentioned in the same breath as English pianists of the calibre of William Sterndale Bennett....
(her last public appearance), Therese Tietjens, and Alfredo Piatti the cellist, under the direction of William Sterndale Bennett
William Sterndale Bennett
Sir William Sterndale Bennett was an English composer. He ranks as the most distinguished English composer of the Romantic school-Biography:...
. Bennett had just drilled a new orchestra to a level of high efficiency, creating a sensation before a huge audience. In 1862 Santley appeared at the Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
Festival at the Crystal Palace
The Crystal Palace
The Crystal Palace was a cast-iron and glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's of exhibition space to display examples of the latest technology developed in...
.
The year 1863 saw his first appearance at the Worcester
Worcester
The City of Worcester, commonly known as Worcester, , is a city and county town of Worcestershire in the West Midlands of England. Worcester is situated some southwest of Birmingham and north of Gloucester, and has an approximate population of 94,000 people. The River Severn runs through the...
and Norwich
Norwich
Norwich is a city in England. It is the regional administrative centre and county town of Norfolk. During the 11th century, Norwich was the largest city in England after London, and one of the most important places in the kingdom...
festivals: at Worcester he sang in Schachner's new work Israel's return from Babylon, and at Norwich he introduced Julius Benedict
Julius Benedict
Sir Julius Benedict was a German-born composer and conductor, resident in England for most of his career.-Life:...
's Richard Coeur de Lion, a great success. In April 1864 he sang in Handel's Messiah, and in a miscellaneous concert, at Stratford-upon-Avon
Stratford-upon-Avon
Stratford-upon-Avon is a market town and civil parish in south Warwickshire, England. It lies on the River Avon, south east of Birmingham and south west of Warwick. It is the largest and most populous town of the District of Stratford-on-Avon, which uses the term "on" to indicate that it covers...
for the Shakespeare centenary festival. At the Hereford
Hereford
Hereford is a cathedral city, civil parish and county town of Herefordshire, England. It lies on the River Wye, approximately east of the border with Wales, southwest of Worcester, and northwest of Gloucester...
Festival he sang the second part of The Creation, an English version of Rossini's Stabat Mater and Benedict's Richard. At the Birmingham festival of 1864 was given Michael Costa
Michael Costa (conductor)
Sir Michael Andrew Angus Costa was an Italian-born conductor and composer who achieved success in England.-Biography:He was born in Naples as Michaele Andrea Agniello Costa, to a family, according to some, of Sephardic stock...
's new work Naaman, where (as Elisha) he sang opposite Sims Reeves and the young Adelina Patti
Adelina Patti
Adelina Patti was a highly acclaimed 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851 and gave her last performance before an audience in 1914...
(then making her first appearance in oratorio). Santley also appeared there in Messiah and Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
's The Masque at Kenilworth
The Masque at Kenilworth
Kenilworth, A Masque of the Days of Queen Elizabeth , is a cantata with music by Arthur Sullivan and words by Henry Fothergill Chorley that premiered at the Birmingham Festival on 8 September 1864.In 1575, Queen Elizabeth visited Robert Dudley at Kenilworth Castle, where he presented her with...
.
The autumn of 1865 witnessed his debut appearance at the Gloucester
Gloucester
Gloucester is a city, district and county town of Gloucestershire in the South West region of England. Gloucester lies close to the Welsh border, and on the River Severn, approximately north-east of Bristol, and south-southwest of Birmingham....
Festival, where he sang Elijah, the first part of St. Paul
St. Paul (oratorio)
St. Paul , Op. 36, is an oratorio by Felix Mendelssohn.The libretto was begun in 1832 by the composer with Pastor Julius Schubring, a childhood friend, pulling together passages from the New Testament and Old Testament...
, part of Messiah, and Mendelssohn's First Walpurgis Night. In 1866 he was at Worcester Festival, and then at Norwich, where Costa's Naaman was given again, in the presence of the Prince and Princess of Wales, and Benedict's new cantata St. Cecilia (libretto by Chorley) was introduced. At Hereford in 1867 the main event for Santley was singing with the famous soprano Jenny Lind
Jenny Lind
Johanna Maria Lind , better known as Jenny Lind, was a Swedish opera singer, often known as the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she is known for her performances in soprano roles in opera in Sweden and across Europe, and for an extraordinarily...
for the first time, in the oratorio Ruth by Otto Goldschmidt
Otto Goldschmidt
Otto Moritz David Goldschmidt was a German composer, conductor and pianist, known for his piano concertos and other piano pieces...
. There, and at Birmingham festival, Willoughby Weiss took most of the sacred bass or baritone roles. Santley sang bass arias from the Messiah, Gounod's Mass, Benedict's St. Cecilia and J. F. Barnett's The Ancient Mariner.
Returning to the Birmingham Festival in 1867 he was a soloist in the premiere of William Sterndale Bennett's oratorio The Woman of Samaria
At the Handel Festival in June 1868 he sang the Messiah solos, and on the selection day, 'O voi dell'Erebo' from La Resurrezione and 'O ruddier than the cherry' from Acis and Galatea. He also sang 'The Lord is a Man of War' with Signor Foli. At Hereford he sang Dr Wesley
Samuel Sebastian Wesley
Samuel Sebastian Wesley was an English organist and composer.-Biography:Born in London, he was the eldest child in the composer Samuel Wesley's second family, which he formed with Sarah Suter having separated from his wife Charlotte. Samuel Sebastian was the grandson of Charles Wesley...
's anthem The Wilderness, and under Dr Wesley, Elijah, with Louisa Pyne
Louisa Pyne
Louisa Bodda-Pyne was an English soprano and opera company manager.She was born Louisa Fanny Pyne in 1832, the youngest daughter of the alto George Pyne...
. In 1869 a Rossini festival took place at the Crystal Palace, with a chorus and orchestra of about 3,000, in which he sang in the Stabat Mater, and appeared in the scene of the 'Blessing of the Banners' from The Siege of Corinth. In mid-May he sang in the first performance in England of Rossini's Petite Messe Solennelle
Petite Messe Solennelle
Gioachino Rossini's Petite Messe Solennelle was written in 1863, "the last", the composer called it, "of my péchés de vieillesse" .....
, with the dramatic soprano Therese Tietjens, Pietro Mongini and the mezzo-soprano Sofia Scalchi
Sofia Scalchi
Sofia Scalchi was an Italian operatic contralto who could also sing in the mezzo-soprano range. Her career was international, and she appeared at leading theatres in both Europe and America.-Singing career:...
. It was also performed that year at the Worcester and Norwich festivals. At Worcester, Reeves, Santley, Trebelli
Zelia Trebelli-Bettini
Zelia Trebelli-Bettini , also known as Zelia Gilbert or by her stage name Trebelli, was a French opera singer.Mme Trebelli's artistry was greatly admired by George Bernard Shaw, who wrote about her a number of times in his various reviews...
and Tietjens gave the first performance of Sullivan's The Prodigal Son, under the composer's baton. At Norwich there was also Hugo Pierson's oratorio Hezekiah.
At the close of the 1868-69 season of the Philharmonic Society of London Santley, Tietjens and Nilsson took part in the final supernumerary concert, held at St James's Hall
St James's Hall
St. James's Hall was a concert hall in London that opened on 25 March 1858, designed by architect and artist Owen Jones, who had decorated the interior of the Crystal Palace. It was situated between the Quadrant in Regent Street and Piccadilly, and Vine Street and George Court. There was a...
for the first time before the Society moved there permanently in the next season. These three singers were among the original ten recipients to be awarded the Society's Gold Medal at its first presentation in 1871.
In early 1870, as his departure from the theatre was approaching, Santley sang at concerts in London and at Exeter Hall. Then, under the management of George Wood, he made a six-week concert tour of the provinces. The touring company included Clarice Sinico, the violinist August Wilhelmj
August Wilhelmj
August Wilhelmj was a German violinist and teacher.Wilhelmj was a child prodigy. When Henriette Sontag heard him in 1852, when he was seven, she said "You will be the German Paganini"...
and the pianist Arabella Goddard
Arabella Goddard
Arabella Goddard was an English pianist of great renown in the middle to late 19th century.She was born and died in France. Her parents, Thomas Goddard, an heir to a Salisbury cutlery firm, and Arabella née Ingles, were part of an English community of expatriates living in Saint-Servan near...
(later joined by Ernst Pauer
Ernst Pauer
Ernst Pauer was an Austrian pianist, composer and educator.Pauer formed a direct link with great Viennese traditions: he was born in Vienna, his mother was a member of the famous Streicher family of piano makers, and for a time he was a piano pupil of Mozart's son, F. X. W. Mozart and a...
). Santley's concert singing reached a high point of acclaim during his subsequent United States and Canadian tour of 1871-72. In such songs as "To Anthea", "Simon the Cellarer" and the "Maid of Athens", he was viewed as being unapproachable, and his oratorio
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
singing was praised for perpetuating the finest traditions of the art form. In 1872, he took part in a joint recital with Pauline Rita
Pauline Rita
Pauline Rita was an English soprano and actress. During her early career, she was best known known for her performances in operettas and comic operas at the Opera Comique and was associated with impresario Richard D'Oyly Carte...
at St James's Hall
St James's Hall
St. James's Hall was a concert hall in London that opened on 25 March 1858, designed by architect and artist Owen Jones, who had decorated the interior of the Crystal Palace. It was situated between the Quadrant in Regent Street and Piccadilly, and Vine Street and George Court. There was a...
, London.
The early years
In the first years after his return to England, Santley used often to sing buffo duets (for example 'Che l'antipatica vostra figura' from Ricci's Chiara di Rosemberg) with Giorgio RonconiGiorgio Ronconi
Giorgio Ronconi was an Italian operatic baritone celebrated for his brilliant acting and compelling stage presence. In 1842, he created the title-role in Giuseppe Verdi's Nabucco at La Scala, Milan.-Career:...
and Giovanni Belletti, at parties held by the influential critic H. F. Chorley. In 1859 he made his debut at Covent Garden
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
as Hoel in Meyerbeer's opera Dinorah. In the same season he sang in the English Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
(Di Luna), The Rose of Castille
The Rose of Castille
The Rose of Castille is an opera in three acts, with music by Michael William Balfe to an English-language libretto by Augustus Glossop Harris and Edmund Falconer, after the libretto by Adolphe d'Ennery and Clairville for Adolphe Adam's Le muletier de Tolède...
, Satanella, La sonnambula
La sonnambula
La sonnambula is an opera semiseria in two acts, with music in the bel canto tradition by Vincenzo Bellini to an Italian libretto by Felice Romani, based on a scenario for a ballet-pantomime by Eugène Scribe and Jean-Pierre Aumer called La somnambule, ou L'arrivée d'un nouveau seigneur.The first...
, and in Wallace
William Vincent Wallace
William Vincent Wallace was an Irish composer and musician.-Early life:Wallace was born at Colbeck Street, Waterford, Ireland. Both parents were Irish, his father, of County Mayo, was a regimental bandmaster....
's Lurline, with William Harrison and Louisa Pyne
Louisa Pyne
Louisa Bodda-Pyne was an English soprano and opera company manager.She was born Louisa Fanny Pyne in 1832, the youngest daughter of the alto George Pyne...
. Dinorah also received a royal command performance before Queen Victoria and Prince Albert.> He was also able to fit in performances of Gluck's Iphigénie en Tauride
Iphigénie en Tauride
Iphigénie en Tauride is an opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard....
in Manchester, with Sims Reeves
Sims Reeves
John Sims Reeves , usually called simply Sims Reeves, was the foremost English operatic, oratorio and ballad tenor vocalist of the mid-Victorian era....
and Catherine Hayes
Catherine Hayes
Catherine Hayes [married name Bushnell] was the first Irish-born opera diva to achieve international acclaim....
, for Charles Hallé.< These were twice repeated at the residence of Lord Ward in Park Lane
Park Lane (road)
Park Lane is a major road in the City of Westminster, in Central London.-History:Originally a country lane running north-south along what is now the eastern boundary of Hyde Park, it became a fashionable residential address from the eighteenth century onwards, offering both views across Hyde Park...
, London.
Santley appeared in English opera for Mapleson
James Henry Mapleson
James Henry Mapleson was an English opera impresario, probably the leading figure instrumental in the development of opera production, and of the careers of singers, in London and New York City in the second half of the 19th century.-Life and career:Mapleson was born in London, England...
at Her Majesty's Theatre
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre, in Haymarket, City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre...
in the 1860-61 season. Mapleson mounted a new opera, George Macfarren
George Macfarren
George Macfarren was a playwright and the father of composer George Alexander Macfarren. Macfarren's first play, Ah! What a Pity, or, The Dark Knight and the Fair Lady, was produced on 28 September 1818 at the English Opera House; for the next several decades, a Macfarren play was produced...
's Robin Hood, featuring a cast led by Sims Reeves and stage-debutante Helen Lemmens-Sherrington
Helen Lemmens-Sherrington
Helen Lemmens-Sherrington was the leading English concert and operatic soprano of the 1860s.- Early life :Born in Preston, England, in 1834, Helen Sherrington studied singing at Rotterdam and Brussels...
, under the direction of Charles Hallé
Charles Hallé
Sir Charles Hallé was an Anglo-German pianist and conductor, and founder of The Hallé orchestra in 1858.-Life:Hallé was born in Hagen, Westphalia, Germany who after settling in England changed his name from Karl Halle...
. In the same season Santley sang (for Pyne and Harrison) Fra Diavolo
Fra Diavolo (opera)
Fra Diavolo, ou L'hôtellerie de Terracine is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe...
, La Reine Topaze, The Bohemian Girl
The Bohemian Girl
The Bohemian Girl is an opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Cervantes tale, La Gitanilla.The opera was first produced in London at the Drury Lane Theatre on November 27, 1843...
(with Mme Parepa
Euphrosyne Parepa-Rosa
Euphrosyne Parepa-Rosa was a British operatic soprano who established the Carl Rosa Opera Company together with second husband Carl Rosa...
), Il trovatore and Wallace's The Amber Witch, which later transferred to Drury Lane
Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster....
. He was announced to sing in Verdi's Macbeth
Macbeth (opera)
Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on Shakespeare's play of the same name...
with Giulia Grisi in 1861, but the promotion collapsed.
For the season of 1861-62, Santley returned to Covent Garden, opening in Howard Glover's Ruy Blas (as Don Sallust, Harrison as Ruy Blas), then in a re-cast version of Robin Hood, and finally in Balfe's The Puritan's Daughter. He also created the role of 'Danny Man' in Julius Benedict
Julius Benedict
Sir Julius Benedict was a German-born composer and conductor, resident in England for most of his career.-Life:...
's The Lily of Killarney
The Lily of Killarney
The Lily of Killarney is an opera in three acts by Julius Benedict. The libretto, by John Oxenford and Dion Boucicault, is based on Boucicault's own play The Colleen Bawn. The opera received its premiere at Covent Garden Theatre, London on Monday 10 February 1862.-Background:The Lily of Killarney...
, which was performed nightly for five or six weeks. Worn out by this busy season, Santley decided to turn his attention to Italian opera, and, armed with a letter from Michael Costa, paid a visit to Rossini in Paris. This meeting proved disappointing; but he agreed (without a contract) to sing Il trovatore at Covent Garden for Gye, with the English soprano Fanny Gordosa, Constance Nantier-Didiée, the Italian dramatic tenor Enrico Tamberlik
Enrico Tamberlik
Enrico Tamberlik was an Italian tenor who sang to great acclaim at Europe and America's leading opera venues. He excelled in the heroic roles of the Italian and French repertories and was renowned for his powerful declamation and clarion high notes.-Career:Born in Rome, some sources claim that...
and the Franco-Italian bass-baritone Joseph Tagliafico. Santley's performances were received rapturously by the Covent Garden audience.
Mapleson's Italian Opera
Mapleson won Santley back for his own Italian opera company, and in the 1862-63 season at Majesty's, he performed in Il trovatoreIl trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
(as Di Luna), The Marriage of Figaro
The Marriage of Figaro
Le nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...
(as Almaviva) and Les Huguenots
Les Huguenots
Les Huguenots is a French opera by Giacomo Meyerbeer, one of the most popular and spectacular examples of the style of grand opera. The opera is in five acts and premiered in Paris in 1836. The libretto was written by Eugène Scribe and Émile Deschamps....
(as de Nevers). He returned to Covent Garden for the English Opera, however, appearing in the Lily of Killarney
The Lily of Killarney
The Lily of Killarney is an opera in three acts by Julius Benedict. The libretto, by John Oxenford and Dion Boucicault, is based on Boucicault's own play The Colleen Bawn. The opera received its premiere at Covent Garden Theatre, London on Monday 10 February 1862.-Background:The Lily of Killarney...
, Dinorah
Dinorah
Dinorah, originally Le pardon de Ploërmel , is an 1859 French opéra comique in three acts with music by Giacomo Meyerbeer and a libretto by Jules Barbier and Michel Carré...
, and Balfe's The Armourer of Nantes. In defence of his decision to move to Italian opera, Santley notes that since 1859-60 he had been singing about 110 opera performances per season, in addition to fulfilling concurrent concert engagements.
With Mapleson's Italian Opera he joined some of the 19th century's most celebrated singers, including Therese Tietjens, Marietta Alboni
Marietta Alboni
Marietta Alboni was a renowned Italian contralto opera singer. Together with the charismatic Maria Malibran, she was considered the greatest deeper-voiced female singer of the nineteenth century.-Biography:...
, Antonio Giuglini
Antonio Giuglini
Antonio Giuglini was an Italian operatic tenor. During the last eight years of his life, before he developed signs of mental instability, he earned renown as one of the leading stars of the operatic scene in London...
and Zelia Trebelli
Zelia Trebelli-Bettini
Zelia Trebelli-Bettini , also known as Zelia Gilbert or by her stage name Trebelli, was a French opera singer.Mme Trebelli's artistry was greatly admired by George Bernard Shaw, who wrote about her a number of times in his various reviews...
. Once the 1862-63 season was over, Santley paid a visit to Paris and saw Mme Carvalho
Marie Caroline Miolan-Carvalho
Marie Caroline Miolan-Carvalho was a famed French operatic soprano, particularly associated with light lyric and coloratura roles....
perform in Gounod's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, which Mapleson had obtained for the 1863 season in London. In the new season (begun with Il trovatore), Carvalho and Santley appeared together in the premiere of Schira's Niccolo de' Lapi, Santley creating the title-role. He also played the elder Germont in La traviata.
The first performance of Faust in England followed. It was given in a problematic English translation by Henry Fothergill Chorley
Henry Fothergill Chorley
Henry Fothergill Chorley was an English literary, art and music critic and editor. He was also an author of novels, drama, poetry and lyrics....
, which nevertheless remained the standard translation until well into the 20th century. Santley appeared as Valentine. The other cast members were Tietjens (as Marguerite), Trebelli (Siebel), Antonio Giuglini
Antonio Giuglini
Antonio Giuglini was an Italian operatic tenor. During the last eight years of his life, before he developed signs of mental instability, he earned renown as one of the leading stars of the operatic scene in London...
(Faust) and Edouard Gassier (Mephisto). In July 1863 the company performed Weber
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school....
's Oberon
Oberon (opera)
Oberon, or The Elf King's Oath is a 3-act romantic opera in English with spoken dialogue and music by Carl Maria von Weber. The libretto by James Robinson Planche was based on a German poem, Oberon, by Christoph Martin Wieland, which itself was based on the epic romance Huon de Bordeaux, a French...
with Reeves, Tietjens, Alboni and Alessandro Bettini. Santley appeared as Scherasmin. In the autumn, after the Worcester and Norwich festivals, Santley joined the Mapleson company's annual tour, beginning in Dublin. Sims Reeves had joined the company to perform the roles of Edgardo, Huon and Faust (with Tietjens and Trebelli as his partners).
After hearing Santley's Valentine, Gounod composed the aria Even bravest heart expressly for him to an original English text by Chorley (now, ironically, better known in French translation as Avant de quitter or in Italian as Dio possente) and this was introduced in London in January 1864 at the opening of the spring session. Also appearing in this production were Reeves, Lemmens-Sherrington and Salvatore Marchesi (the latter as Mephisto). Late in the run, however, Santley took on the role of Mephisto, in an 'abominable red costume'. Faust was later produced with Tietjens, Gardoni, Trebelli, and Signor Junca, with Santley resuming his place. In the same season he appeared in the English premiere of Nicolai's Die Lustigen Weiber von Windsor and in Gounod's Mireille
Mireille (opera)
Mireille is an opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mireio.-Composition history:...
(with Giuglini and Tietjens). He appeared, too, as Plunkett in Martha
Martha (opera)
Martha, oder Der Markt zu Richmond is a 'romantic comic' opera in four acts by Friedrich von Flotow, set to a German libretto by Friedrich Wilhelm Riese and based on a story by Jules-Henri Vernoy de Saint-Georges....
, as the Duke in Lucrezia Borgia
Lucrezia Borgia (opera)
Lucrezia Borgia is a melodramma, or opera, in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play by Victor Hugo, in its turn after the legend of Lucrezia Borgia. Lucrezia Borgia was first performed on 26 December 1833 at La Scala, Milan with...
, and as the Minister in Fidelio
Fidelio
Fidelio is a German opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The German libretto is by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly which had been used for the 1798 opera Léonore, ou L’amour conjugal by Pierre Gaveaux, and for the 1804 opera Leonora...
.
The company in transition
After the festival season, Santley toured in Mapleson's company during the autumn (with Italo Gardoni as lead tenor), appearing in Faust, Oberon and Mireille, In November 1864 he set off for BarcelonaBarcelona
Barcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
, where he was booked for a three month season at the Liceu
Liceu
The Gran Teatre del Liceu , or simply Liceu in Catalan and Liceo in Spanish, is an opera house on La Rambla in Barcelona, Catalonia, Spain...
. His Di Luna was warmly received, and he followed with his first Rigoletto
Rigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
, and La traviata. He also played Enrico in Lucia, Obertal in Le Prophète
Le prophète
Le prophète is an opera in five acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe.-Performance history:...
, and Renato in Un ballo in maschera
Un ballo in maschera
Un ballo in maschera , is an opera in three acts by Giuseppe Verdi with text by Antonio Somma. The libretto is loosely based on an 1833 play, Gustave III, by French playwright Eugène Scribe who wrote about the historical assassination of King Gustav III of Sweden...
. He arrived back in Britain to join Mapleson's spring tour at Dublin, on the same day stepping in at Tietjens's insistence to save a failing production of Lucrezia Borgia. During this tour he also performed Carlo Quinto in Ernani for the first time and sang at the Theatre Royal at Liverpool, the fulfilment of a childhood ambition.
In the spring of 1865, Giuglini left the company, and the Croatian diva Ilma de Murska joined it, appearing in Lucia di Lammermoor. Santley took on three new roles: Papageno in Mozart's (Magic Flute, Creonte in Cherubini's Médée
Médée (Cherubini)
Médée is a French language opéra-comique by Luigi Cherubini.The libretto by François-Benoît Hoffmann was based on Euripides' tragedy of Medea and Pierre Corneille's play Médée....
and Pizarro in Beethoven's Fidelio (opposite Tietjens). In September there was a short touring season, in which he played Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
(with Mario
Mario
is a fictional character in his video game series, created by Japanese video game designer Shigeru Miyamoto. Serving as Nintendo's mascot and the main protagonist of the series, Mario has appeared in over 200 video games since his creation...
for the first time, at Manchester. He also sang Caspar in Der Freischütz
Der Freischütz
Der Freischütz is an opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin...
in London in October. Santley then went on to appear in a season at La Scala, Milan, where Il trovatore was staged, as well as Nicolai's Il Templario (in which he sang the role of Brian the Templar). Returning to London in March 1866, Santley appeared in the spring season with Tietjens, Gardoni and Gassier in Iphigénie en Tauride. He also sang in Dinorah (with de Murska and Gardoni) and Ernani (with Tietjens, Tasca and Gassier). During the autumn, he performed as Leporello in Don Giovanni at Her Majesty's.
The year 1867 brought the engagement of Sweden's Christine Nilsson, and Santley appeared with her in La traviata and I Lombardi. La forza del destino was also given, along with Don Giovanni, Dinorah, Fidelio, Oberon, Medea, Der Freischütz and Les Huguenots. After the autumn tour with Alessandro Bettini in Les Huguenots, the November session opened with Faust, followed by La traviata and Martha, and Linda di Chamounix, in which Santley first sang the part of Antonio. Don Giovanni, with Clara Louise Kellogg
Clara Louise Kellogg
Clara Louise Kellogg was an American singer.She was a daughter of George Kellogg and Jane Elizabeth , born at Sumterville, South Carolina, and was educated in New York for the musical profession, singing first in opera there in 1861. Her fine soprano voice and artistic gifts soon made her famous...
as Zerlina and Santley as Leporello, proved to be the final operatic performance of that season: Santley had been due to play Pizarro, when the news came to him, while he was appearing in concert in Brighton
Brighton
Brighton is the major part of the city of Brighton and Hove in East Sussex, England on the south coast of Great Britain...
, that Her Majesty's Theatre
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre, in Haymarket, City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre...
had been burnt to the ground. Santley had sung the last notes ever to be heard in that theatre.
After the fire
The company presented a fresh season, commencing in March 1868 at Drury Lane. In it, Santley sang Fernando in La Gazza LadraLa gazza ladra
La gazza ladra is a melodramma or opera semiseria in two acts by Gioachino Rossini. The libretto was by Giovanni Gherardini after La pie voleuse by JMT Badouin d'Aubigny and Louis-Charles Caigniez....
with Kellogg, Trebelli, Bettini and Foli, and the title tole in Rigoletto with Kellogg and the prominent tenor Gaetano Fraschini
Gaetano Fraschini
Gaetano Fraschini was an Italian tenor. He created many roles in 19th century operas, including five composed by Giuseppe Verdi. His voice was "heroic ... with a baritonal quality, .....
. Also produced at Drury Lane that season were Les Huguenots, Le nozze di Figaro, La Figlia del Reggimento and Faust (with Nilsson as Marguerite). At Nilsson's benefit concert, Santley played the final scene of I Due Foscari
I due Foscari
I due Foscari is an opera in three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on a historical play, The Two Foscari by Lord Byron....
, and his Doge was compared favourably to Ronconi's.
In July Santley appeared in Le Nozze at the Crystal Palace. The London autumn season was held at Covent Garden, with Santley's old hero Karl Formes joining the tour cast. The American soprano Minnie Hauk
Minnie Hauk
thumb|Minnie Hauk in a [[cabinet card]] photograph, ca. 1880Amalia Mignon Hauck , was an American operatic soprano....
also appeared (in La Sonnambula). During the ensuing tour, Santley sang Tom Tug in Charles Dibdin
Charles Dibdin
Charles Dibdin was a British musician, dramatist, novelist, actor and songwriter. The son of a parish clerk, he was born in Southampton on or before 4 March 1745, and was the youngest of a family of 18....
's The Waterman for the first time, at Leeds
Leeds
Leeds is a city and metropolitan borough in West Yorkshire, England. In 2001 Leeds' main urban subdivision had a population of 443,247, while the entire city has a population of 798,800 , making it the 30th-most populous city in the European Union.Leeds is the cultural, financial and commercial...
. The next season, he sang it twice more in Leeds, and once each in Sheffield
Sheffield
Sheffield is a city and metropolitan borough of South Yorkshire, England. Its name derives from the River Sheaf, which runs through the city. Historically a part of the West Riding of Yorkshire, and with some of its southern suburbs annexed from Derbyshire, the city has grown from its largely...
and Bradford
Bradford
Bradford lies at the heart of the City of Bradford, a metropolitan borough of West Yorkshire, in Northern England. It is situated in the foothills of the Pennines, west of Leeds, and northwest of Wakefield. Bradford became a municipal borough in 1847, and received its charter as a city in 1897...
. The airs from The Waterman 'The jolly young waterman' and 'Then farewell, my trim-built wherry' were sung by Santley to acclaim.
Her Majesty's remained closed, and in 1869 Mapleson was drawn into a merger with the Royal Italian Opera. With the merged company, Santley performed in Rigoletto with Vanzini, Scalchi, Mongini and Foli, in Norma and Fidelio, in Linda di Chamounix with di Murska and in Il trovatore. La Gazza Ladra was also staged with Santley appearing opposite Trebelli, Bettini and Patti. Santley led the cast, with Nilsson as his Ophelia, in the London premiere of Hamlet
Hamlet (opera)
Hamlet is an opéra in five acts by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père and Paul Meurice of Shakespeare's play Hamlet.- Ophelia mania in Paris:...
by Ambroise Thomas
Ambroise Thomas
Charles Louis Ambroise Thomas was a French composer, best known for his operas Mignon and Hamlet and as Director of the Conservatoire de Paris from 1871 till his death.-Biography:"There is good music, there is bad music, and then there is Ambroise Thomas."- Emmanuel Chabrier-Early life...
. He enjoyed the role, which was sung in Italian, apart from the 'Brindisi'. He also played Hoel in Dinorah opposite Patti, and although a planned partnership with her in L'Etoile du Nord did not occur, they did perform Rigoletto together for Patti's benefit. Santley's Hamlet was repeated in the autumn, with de Murska replacing Nilsson, and with Karl Formes as the ghost.
Early in 1870 the company made an operatic tour of Scotland
Scotland
Scotland is a country that is part of the United Kingdom. Occupying the northern third of the island of Great Britain, it shares a border with England to the south and is bounded by the North Sea to the east, the Atlantic Ocean to the north and west, and the North Channel and Irish Sea to the...
, during which Santley sang Don Giovanni. At Drury Lane, in the following Italian season managed by George Wood, Santley sang The Dutchman in The Flying Dutchman
The Flying Dutchman (opera)
Der fliegende Holländer is an opera, with music and libretto by Richard Wagner.Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write "The Flying Dutchman" following a stormy sea crossing he made from Riga to London in July and August 1839, but in his 1843...
(in Italian, as L'Ollandese Dannato), opposite di Murska. This was the first presentation of a Wagner opera in London. It took place in July 1870. But several other promised productions either did not occur (Macbeth
Macbeth (opera)
Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on Shakespeare's play of the same name...
, Cherubini's Les Deux Journees, Rossini's Tancredi
Tancredi
Tancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano Rossi, based on Voltaire's play Tancrède...
) or the baritone role in them was given to another artist. (Lothario in Thomas' Mignon
Mignon
Mignon is an opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's The Dead,...
, for example, was assigned not to Santley but to the French baritone Jean-Baptiste Faure
Jean-Baptiste Faure
Jean-Baptiste Faure was a celebrated French operatic baritone and an art collector of great significance. He also composed a number of classical songs.-Singing career:Faure was born in Moulins...
).
Attempt to found an English lyric theatre
Rather than accept another season with the joint company, Santley decided to establish a new English Opera enterprise at the Gaiety TheatreGaiety Theatre, London
The Gaiety Theatre, London was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was established as the Strand Musick Hall , in 1864 on the former site of the Lyceum Theatre. It was rebuilt several times, but closed from the beginning of World War II...
, working with the theatre's music director and conductor, Meyer Lutz
Meyer Lutz
Wilhelm Meyer Lutz was a German-born English composer and conductor who is best known for light music, musical theatre and burlesques of well-known works....
. In autumn 1870 he launched a successful nine-week run at the Gaiety with Hérold's Zampa
Zampa
Zampa, ou La fiancée de marbre is an opéra comique in three acts by French composer Louis Joseph Ferdinand Hérold...
. He refused to sing Don Giovanni but he did stage Fra Diavolo (with himself in title role), and, in the lead-up to Christmas, The Waterman. Performances of Fra Diavolo continued through February 1871, while Lortzing's Czar und Zimmerman (as Peter the Shipwright) was staged for Easter. This production proved a success but Santley could not persuade the Gaiety's manager, John Hollingshead
John Hollingshead
John Hollingshead was an English theatrical impresario, journalist and writer during the latter half of the 19th century. He is best remembered as the first manager of the Gaiety Theatre, London...
, to produce Auber's Le Cheval de bronze as a follow-up. Feeling that his long-cherished project of an English lyric theatre could never be accomplished, he decided to turn his back on the stage altogether. Instead, in 1872-1873, he set out on a concert tour of in the United States and Canada.
With Carl Rosa's company
The concert tour itself was not a financial success. Santley therefore entered into an agreement with Carl Rosa to join his Italian season in New YorkNew York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
in March 1872; but he joined them first for the English season to play Zampa and Fra Diavolo, at Baltimore
Baltimore
Baltimore is the largest independent city in the United States and the largest city and cultural center of the US state of Maryland. The city is located in central Maryland along the tidal portion of the Patapsco River, an arm of the Chesapeake Bay. Baltimore is sometimes referred to as Baltimore...
, Philadelphia, Newark
Newark, New Jersey
Newark is the largest city in the American state of New Jersey, and the seat of Essex County. As of the 2010 United States Census, Newark had a population of 277,140, maintaining its status as the largest municipality in New Jersey. It is the 68th largest city in the U.S...
and elsewhere. He played Valentin in Faust at Philadelphia. In the Italian season, from mid-March to the end of April, he was with Mme Parepa-Rosa
Euphrosyne Parepa-Rosa
Euphrosyne Parepa-Rosa was a British operatic soprano who established the Carl Rosa Opera Company together with second husband Carl Rosa...
, Adelaide Phillips
Adelaide Phillips
Adelaide Phillips , American contralto singer, was born at Stratford-upon-Avon, England, her family emigrating to America in 1840. Her mother taught dancing, and Adelaide began a career on the Boston stage at ten years old...
and the tenor Theodore Wachtel (1823–1893), and with Karl Formes, who sang Marcel in Les Huguenots with Santley (Saint-Bris), at the Academy of Music in New York under Adolph Neuendorff. Santley was also particularly proud to have sung once in that season with his friend and idol, Giorgio Ronconi, who was Leporello to Santley's Don Giovanni. The company also played Il trovatore, Rigoletto, Lucrezia Borgia, Martha and Guglielmo Tell. The houses and receipts were enormous, and they sailed to England well pleased in early May 1872.
In 1873 Carl Rosa invited Santley to appear as Telramund in a planned English Lohengrin
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
at Drury Lane. Santley accepted, but the project failed with the untimely death of Mme Parepa-Rosa. (Lohengrin was not heard in London until 1875). Santley's wish to play Wolfram in Tannhäuser
Tannhäuser (opera)
Tannhäuser is an opera in three acts, music and text by Richard Wagner, based on the two German legends of Tannhäuser and the song contest at Wartburg...
also remained unrealised. He disliked the prominence of the Wagnerian orchestra and regretted the innovation which saw orchestral players being relegated to a pit beneath the opera stage.
However in 1875 Carl Rosa tempted him back to the stage for a season at the Princess's Theatre, London, in which he played in Le nozze di Figaro, Il trovatore, The Siege of Rochelle (as Michel), Cherubini's The Water Carrier
Les deux journées
Les deux journées, ou Le porteur d'eau is an opera in three acts by Luigi Cherubini with a libretto by Jean-Nicolas Bouilly. It takes the form of an opéra comique, meaning not that the subject matter is humorous, but that the piece is a mixture of spoken dialogue and musical numbers...
(Mikelì) and The Porter of Havre (Martin). In Figaro he was cast as Almaviva, but was transferred to the role of Figaro, singing with Sig. Campobello (Almaviva), Aynsley Cook (Bartolo), Charles Lyall (Basilio), Ostava Torriani (Contessa), Rose Hersee
Rose Hersee
Rose Hersee was an English operatic soprano. She was a founder-member of the Carl Rosa Opera Company and later formed and performed in the Rose Hersee Opera Company.-Biography:...
(Susanna), Josephine York (Cherubino) and Mrs Aynsley Cook (Marcellina). This received a special performance for the Prince and Princess of Wales. There was a provincial tour in the autumn.
In autumn 1876 at the Lyceum Theatre, again with Carl Rosa, Santley revived his Flying Dutchman, this time in English, with Ostava Torriani as Senta. Between the London season and the provincial tour which followed they performed it 50 times. In the same season they undertook a work new to him, Nicolo's Joconde
Joconde
Joconde is the central database, now mostly available online, for objects in the collections of the state museums of France, maintained by the French Ministry of Culture. "La Joconde" is the French name of the Mona Lisa, which like almost all the collections of the Louvre, is included in the...
, and he played Zampa and The Porter of Havre again. The final work was a new opera with a role (Claude Melnotte) written especially for him, the Pauline
Pauline (opera)
Pauline is an opera in four acts with music by the British composer Frederic H. Cowen to a libretto by Henry Hersee after The Lady of Lyons by Edward Bulwer-Lytton, 1st Baron Lytton, first performed 22 September 1876 at the Lyceum Theatre, London....
of F. H. Cowen: the work was not successful. The tour took them to Dublin, Sheffield, Hanley and Birmingham
Birmingham
Birmingham is a city and metropolitan borough in the West Midlands of England. It is the most populous British city outside the capital London, with a population of 1,036,900 , and lies at the heart of the West Midlands conurbation, the second most populous urban area in the United Kingdom with a...
. That, apart from two appearances as Sir Harry in The School for Scandal
The School for Scandal
The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on May 8, 1777.The prologue, written by David Garrick, commends the play, its subject, and its author to the audience...
at Drury Lane benefits, and his eventual farewell appearance at Covent Garden in 1911, was the end of his stage career.
Later years
Santley gave recitals at the Monday Popular Concerts, and appeared with the JoachimJoseph Joachim
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.-Origins:...
String Quartet and Mme Clara Schumann
Clara Schumann
Clara Schumann was a German musician and composer, considered one of the most distinguished pianists of the Romantic era...
. He settled down to concert and oratorio work in England. He converted to Roman Catholicism in 1880, and in 1887 Pope Leo XIII
Pope Leo XIII
Pope Leo XIII , born Vincenzo Gioacchino Raffaele Luigi Pecci to an Italian comital family, was the 256th Pope of the Roman Catholic Church, reigning from 1878 to 1903...
created him a Knight Commander of St Gregory the Great. He married twice, first (in 1858) to Gertrude Kemble (granddaughter of Charles Kemble
Charles Kemble
Charles Kemble was a British actor.-Life:The youngest son of Roger Kemble, and younger brother of John Philip Kemble, Stephen Kemble and Sarah Siddons, he was born at Brecon, South Wales. Like John Philip, he was educated at Douai...
), who before her marriage had a professional career as a soprano singer. Their daughter Edith also became a concert singer. Gertrude died in 1882. The couple had five children. Santley's second wife was Elizabeth Mary Rose-Innes.
Santley, to whom European travel had been a holiday routine for many years, toured in Australia and New Zealand in 1889-1890, to the United States and Canada in 1891 and South Africa in 1893 and again in 1903. He sang last at the Birmingham festival in 1891 after an unbroken series of thirty years of appearances there. George Bernard Shaw
George Bernard Shaw
George Bernard Shaw was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60...
, describing Santley as the hero of the 1894 Handel Festival, remarked especially on his Honour and Arms and Nasce al Bosco. 'Santley's singing of the division of Selection Day was, humanly speaking, perfect. It tested the middle of his voice from C to C exhaustively; and that octave came out of the test hall-marked; there was not a scrape on its fine surface, not a break or a weak link in the chain anywhere; while the vocal touch was impeccably light and steady, and the florid execution accurate as clockwork.' In these two arias his entire compass from low G to top E flat, and in Nasce al Bosco the top E natural and F, were exhibited 'in such a way as made it impossible for him to conceal any blemish, if there had been one.'
In January 1894 he was with Clara Butt
Clara Butt
Dame Clara Ellen Butt DBE , sometimes called Clara Butt-Rumford after her marriage, was an English contralto with a remarkably imposing voice and a surprisingly agile singing technique. Her main career was as a recitalist and concert singer.-Early life and career:Clara Butt was born in Southwick,...
, Edward Lloyd
Edward Lloyd (tenor)
Edward Lloyd was a British tenor singer who excelled in concert and oratorio performance, and was recognised as a legitimate successor of John Sims Reeves as the foremost tenor exponent of that genre during the last quarter of the nineteenth century.- Early training in choral tradition :Edward...
, Antoinette Sterling
Antoinette Sterling
Antoinette Sterling was an Anglo-American vocalist born in Sterlingville, a community in the Town of Philadelphia in Jefferson County, New York....
and other singers at the first of the Chappell's Ballad Concerts, when they were transferred from St James's Hall
St James's Hall
St. James's Hall was a concert hall in London that opened on 25 March 1858, designed by architect and artist Owen Jones, who had decorated the interior of the Crystal Palace. It was situated between the Quadrant in Regent Street and Piccadilly, and Vine Street and George Court. There was a...
to Queen's Hall
Queen's Hall
The Queen's Hall was a concert hall in Langham Place, London, opened in 1893. Designed by the architect T.E. Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. From 1895 until 1941, it was the home of the promenade concerts founded by Robert...
. From 1894 Santley devoted his time increasingly to teaching: between 1903 and 1907 he trained the Australian baritone Peter Dawson, taking him meticulously through Messiah, The Creation and Elijah. Indeed, in 1904 he brought Dawson in on a tour of the West Country, beginning at Plymouth
Plymouth
Plymouth is a city and unitary authority area on the coast of Devon, England, about south-west of London. It is built between the mouths of the rivers Plym to the east and Tamar to the west, where they join Plymouth Sound...
, led by Emma Albani
Emma Albani
Dame Emma Albani DBE was a leading soprano of the 19th century and early 20th century, and the first Canadian singer to become an international star. Her repertoire focused on the operas of Mozart, Rossini, Donizetti, Bellini and Wagner...
, with William Green (tenor), Giulia Ravogli, Johannes Wolf
Johannes Wolf
Johannes Wolf was a Swiss Reformed theologian .- Life :Johannes Wolf was born in Zurich around the year 1521. He became the chaplain of the Zurich hospital in 1544. He received a ministerial position of at the Zurich Fraumünster in 1551. In 1565 He became theology professor at the Zurich...
, Adele Verne and Theodore Flint.
In January 1907 he sang Elijah at Manchester Town Hall
Manchester Town Hall
Manchester Town Hall is a Victorian-era, Neo-gothic municipal building in Manchester, England. The building functions as the ceremonial headquarters of Manchester City Council and houses a number of local government departments....
, having sung Messiah and Elijah every year there since 1858. He celebrated the jubilee of his singing career in the company of many of his musician friends at a grand benefit concert held at the Royal Albert Hall
Royal Albert Hall
The Royal Albert Hall is a concert hall situated on the northern edge of the South Kensington area, in the City of Westminster, London, England, best known for holding the annual summer Proms concerts since 1941....
on 1 May 1907. He was knighted (the first singer to receive this honour) in December of that year, after singing at Bristol
Bristol
Bristol is a city, unitary authority area and ceremonial county in South West England, with an estimated population of 433,100 for the unitary authority in 2009, and a surrounding Larger Urban Zone with an estimated 1,070,000 residents in 2007...
, and sang Elijah at Hanley two days later. Over the next months he gave short recitals at Liverpool and sang Elijah at Edinburgh
Edinburgh
Edinburgh is the capital city of Scotland, the second largest city in Scotland, and the eighth most populous in the United Kingdom. The City of Edinburgh Council governs one of Scotland's 32 local government council areas. The council area includes urban Edinburgh and a rural area...
. He made his Covent Garden farewell in 1911 as Tom Tug in Charles Dibdin
Charles Dibdin
Charles Dibdin was a British musician, dramatist, novelist, actor and songwriter. The son of a parish clerk, he was born in Southampton on or before 4 March 1745, and was the youngest of a family of 18....
's The Waterman. In 1915, at the request of London's Lady Mayoress, he sang at the Mansion House
Mansion House, London
Mansion House is the official residence of the Lord Mayor of the City of London in London, England. It is used for some of the City of London's official functions, including an annual dinner, hosted by the Lord Mayor, at which the Chancellor of the Exchequer customarily gives a speech – his...
concert for Belgian refugees, when the accurate intonation, fine quality and vigour of his voice were still apparent.
Vocal character
In addition to a 'haunting' beauty of timbre, Santley's technique and musicianship made him a master in the singing of Handel or Mozart, where a fresh and accurate management of rhythm and roulade created an effect of spontaneity, vigour and ideal phrasing. His ensemble singing was also noted, for example, as Figaro and in Fidelio. Henry J. Wood observed that his compass ranged from the bass E-flat to the baritone top G, and was exceptionally even throughout. 'All his low F's told – even to the remotest corners of the largest concert-hall while his top F's were as a silver trumpet.' His clarity and freedom from strain enabled him to continue singing with remarkable freshness throughout a career lasting more than 60 years, perhaps partly because he had not over-taxed his voice by remaining for too long on the operatic stage.George Bernard Shaw
George Bernard Shaw
George Bernard Shaw was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60...
, who first saw him on stage as Di Luna in Il trovatore, considered that Santley's dramatic powers were 'blunt, unpractised, and prone to fall back on a good-humoured nonchalance in his relations with the audience, which was highly popular, but which destroyed all dramatic illusion. He was always Santley, the good fellow with no nonsense about him, and a splendid singer.... The nonchalance was really diffidence....' He played Valentin, in Faust, 'in an unfinished, hail-fellow-well-met way.' Later on, as Vanderdecken, etc., 'his dramatic grip was much surer; and at the present moment [1892], on the verge of his sixtieth year, he is a more thorough artist than ever.'
Recordings
Charles Santley made a few recordings, mostly of ballads. His earlier series was made for the Gramophone CompanyGramophone Company
The Gramophone Company, based in the United Kingdom, was one of the early recording companies, and was the parent organization for the famous "His Master's Voice" label...
(His Master's Voice) in 1903. Although the voice lacks much of its former brilliant resonance due to age it remains firm and steady. His most famous record preserves his remarkably vivid and lively rendering of 'Non piu andrai' (Figaro), employing a portamento (notably on the word 'narcisetto', usually broken by modern interpreters) that is fit to satisfy Garcia himself. He did not commit any souvenirs of his Handel performances to disc. His 1903 discs are:
- 2-2862 Simon the Cellarer (Hatton) (10")
- 2-2863 The vicar of Bray (10")
- 2-2864 To Anthea (Hatton) (10")
- 02015 Thou'rt passing hence, my brother (Sullivan) (12")
- 052000 Ehi capitano/Non piu andrai (Figaro - Mozart) (12")
Several years later he cut a group of ballad titles for the Columbia label. Hatton
John Liptrot Hatton
John Liptrot Hatton was an English musical composer, conductor, pianist and singer.-Biography:...
's 'To Anthea' and 'Simon the Cellarer' are characteristic of Santley's earlier ballad repertoire, and are repeated in the Columbia series, which also includes Ethelbert Nevin's 'My Rosary', C.V. Stanford's 'Father O'Flynn,' Sullivan's 'Thou'rt passing hence, my brother,' and other titles.
Books
Santley's publications include the following:- Method of Instruction for a Baritone Voice, edited by G. Nava (London, c 1872)
- Student and Singer, Reminiscences of Charles Santley (Macmillan, London 1893)
- The Singing Master (1900)
- The Art of Singing and Vocal Declamation (1908)
- Reminiscences of my Life (Isaac Pitman, London 1909)
Of the volumes of reminiscences, Student and Singer deals with his career up to circa 1870, and Reminiscences of My Life includes material for the later period.
Compositions
- Mass in A flat
- Ave Maria, Berceuse for Orchestra
Santley also composed a number of songs under the pseudonym of Ralph Betterton.