Courtice Pounds
Encyclopedia
Charles Courtice Pounds (30 May 1862 – 21 December 1927), better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor
roles of the Savoy Operas with the D'Oyly Carte Opera Company
and his later roles in Shakespeare plays and Edwardian musical comedies.
As a young member of D'Oyly Carte, Pounds played tenor leads in New York and on tour in Britain and continental Europe. After being promoted to principal tenor at the Savoy Theatre
, he created the principal tenor roles in The Yeomen of the Guard
, The Gondoliers
, The Nautch Girl
and Haddon Hall
. After leaving the D'Oyly Carte company, Pounds was a prominent performer during the transition of light musical theatre from comic opera
to musical comedy
, creating roles in the West End
in both genres between the 1890s and the 1920s. The new musical comedies in which he starred included the hits Chu Chin Chow
and Lilac Time
.
, London, the son of Charles Pounds, a builder, and his wife Mary Curtice, a well-known singer. He was educated at St. Mark's College, Chelsea. Pounds was a choirboy at St. Saviour's Church, Pimlico, and also sang at St. Stephen's Church, Kensington
, and the Italian Church, Hatton Garden
. When his voice broke, he went to work for his father, but continued to study music. He studied at the Royal Academy of Music
and returned to St. Stephen's as tenor soloist. He also sang in variety
at the Royal Aquarium
theatre.
in 1881 in the chorus of the original production of Gilbert and Sullivan
's Patience
, understudying the company's principal tenor, Durward Lely
, for whom he went on in November 1881 at the new Savoy Theatre
. The theatrical newspaper The Era
, and The Morning Post both singled him out as "a young tenor of high promise." He soon played the role of Mr. Wranglebury in the curtain raiser Mock Turtles
. Arthur Sullivan
recognised Pounds's talent and persuaded him to remain with D'Oyly Carte rather than join Christy's Minstrels
, from whom he had received an offer. At the end of 1882, Pounds began touring in Iolanthe
in the leading tenor role of Earl Tolloller. In 1884, he toured as Prince Hilarion in the first provincial production of Princess Ida
, and in 1885 he toured as the Defendant in Trial by Jury
, a role he later played in numerous benefit performances in London and elsewhere. He also toured in the role of Ralph in H.M.S. Pinafore
.
In 1885, Pounds travelled to New York to play Nanki-Poo, in D'Oyly Carte's first American production of The Mikado
, in a cast that included George Thorne
(Ko-Ko), Geraldine Ulmar
(Yum-Yum) and Fred Billington
(Pooh-Bah). After that, he toured in Germany and Austria as Nanki-Poo. In 1886, he returned to the Savoy to fill in for Lely for two weeks as Nanki-Poo, then rejoined the European touring company in Vienna.
Pounds then joined the company of John Stetson, the American manager, playing Hilarion and Nanki-Poo in authorised productions in New York. The Era wrote, "Mr Courtice Pounds sang the part of Hilarion in a very nice voice, acted it in a very nice way, looked nice enough to capture all the girls' hearts and was a very nice young man altogether." In 1887 he played Grosvenor in Patience in Boston. He then returned to England to rehearse Gilbert and Sullivan's new opera, Ruddygore, performing in two matinee performances as Richard Dauntless, before sailing for New York again to play Richard there. Pounds stayed in New York to appear in Paul Lacome
's The Marquis and Charles Lecocq's Madelon.
In May 1888, Pounds returned to England to create the part of Colonel Fairfax in The Yeomen of the Guard
. His notices were excellent. The Times
called him "a better actor and a better tenor than any of his predecessors." and The Era judged him "the most efficient tenor the Savoy has had … a pure tenor voice, artistic and pleasing … clever acting and a good stage appearance." The Observer
called him "that rara avis, a tenor able to act." He created several more lead roles at the Savoy: Marco in The Gondoliers
in 1889; Indru in The Nautch Girl
in 1891; the Rev. Henry Sandford in The Vicar of Bray
in 1892; and John Manners in Haddon Hall
later that year.
Pounds left the D'Oyly Carte company in 1892. He appeared for other West End
managements as Vincent in Ma Mie Rosette, by Paul Lacome
and Ivan Caryll
, also starring Jessie Bond
(1892); as Ange Pitout in La fille de Madame Angot
with Decima Moore
(1893); as Connor Kennedy in Haydn Parry's Miami with Bond and Richard Temple (1893); and as Mark Mainstay in Howard Talbot
's Wapping Old Stairs (1894).
Returning to D'Oyly Carte in 1894, Pounds played Picorin in Mirette
and created the role of Count Vasquez de Gonzago in The Chieftain
late in 1894. The Morning Post described him in this role as "the jeune premier par excellence of the operatic stage." In 1895 he went on tour briefly with D'Oyly Carte as Picorin, Vasquez, and the Rev. Henry Sandford before leaving D'Oyly Carte again. He then travelled to Australia, appearing in the first half of 1896 with J. C. Williamson
's opera company in Yeomen, The Gondoliers, Miss Decima, The Vicar of Bray, and Ma Mie Rosette.
in January 1897, appearing at the Palace Theatre of Varieties
, topping the bill on a cast that included Gus Elen
. He also sang in concert at St. James's Hall with Marie Tempest
and Ben Davies
. In February, Pounds returned to the West End, playing Lancelot in Edmond Audran
's La Poupée
, which ran until September 1898. Lancelot, a comic role, marked the beginning of Pounds's transition from juvenile leads to character and comedy parts in both straight and musical theatre. This was succeeded by two more comic operas, both by Justin Clérice: The Royal Star, in which Pounds played Jack Horton, and The Coquette, in which he played Michele.
Pounds continued to perform in comic opera and musicals. In 1900 he starred in a revival of Dorothy
. In 1903 he took the title role in Hervé
's opéra bouffe
Chilpéric
, and in 1905 he starred in The Blue Moon
. In 1912, he played the title role in Herbert Beerbohm Tree
's production of Jacques Offenbach
's Orpheus in the Underground
. In 1916 he appeared as Harry Benn in the premiere of Ethel Smyth
's comic opera The Boatswain's Mate
, described by The Manchester Guardian
as "something of a triumph for Miss Rosina Buckman
and Mr. Courtice Pounds as well as for Dr. Ethel Smyth."
. He established himself as a popular Shakespearean character actor with Tree's company, as the clown Feste in Twelfth Night (1901), the preposterous Sir Hugh Evans in The Merry Wives of Windsor
, and Touchstone in As You Like It
(1907), of which The Times said he "acts even better than he sings, which is, of course, saying a good deal." The Manchester Guardian wrote of him, "Courtice Pounds had all that Shakespeare asked of his clowns – the gift of song and a robustness of comedy that could change at will to a tender and poignant moment."
From the 1900s onwards, Pounds was also known for his performances in musical comedies
. The first of these was Ivan Caryll's The Cherry Girl (1903), presented by Seymour Hicks
, in which Pounds played Starlight. Prominent among his musical comedy roles were Papillon in The Duchess of Dantzic
(1903), which he created in both London and New York; Hugh Meredith in The Belle of Mayfair
(1906) by Basil Hood
and Leslie Stuart
, with his sister Louie
in the cast; Ali Baba in the long-running Chu Chin Chow
(beginning in 1916, he starred in the role for over 2,000 performances); and Franz Schubert
in Lilac Time
(1922–1924). Of the last, The Times commented, "Pounds is delightful as the moping composer". The musical theatre authority Kurt Gänzl
writes that Pounds's performance in these roles proved him "the most complete and versatile singing actor of his age."
Pounds returned occasionally to variety, including a 1905 appearance at the London Coliseum
on a bill that also starred Rutland Barrington
. In 1910 Pounds branched out into production, mounting a musical comedy, A Modern Othello in Birmingham
.
, Evelyn Laye
, Huntley Wright
, Walter Passmore
, Derek Oldham
, Gertrude Lawrence
, and Geoffrey Toye
. More than £3,000 was raised.
Four of Pounds' sisters (Lily, Louie – a very successful actress in her own right – Nancy, and Rosy) appeared with the D'Oyly Carte Opera Company, and he was married to D'Oyly Carte performers Jessie Louise Murray (m. 1883) and, later, Millicent Pyne. The W. S. Gilbert
scholar Brian Jones states that Pounds "seems to have had a roving eye". In an 1895 divorce case, evidence was introduced that the respondent Mary Hardie Lewis had had an affair with Pounds.
Pounds died in Kingston upon Thames
, aged 65.
during World War I
. With Rosina Buckman and Frederick Ranalow, he sang the trio "The first thing to do is to get rid of the body", from The Boatwain's Mate, accompanied by the composer. From the same opera, he recorded the ballad "When rocked on the billows". His other recordings of this period were Balfe
's setting of Tennyson's "Come into the garden, Maud", "When a Pullet is Plump", from Chu Chin Chow, "Song of the Bowl", from My Lady Frayle, and, with Violet Essex, "Any time's kissing time", from Chu Chin Chow. In 1923 he recorded four numbers from Lilac Time for Vocalion ("Dream Enthralling"; "I want to carve your name"; "The Golden Song"; and "Underneath the lilac bough") with Clara Butterworth and Percy Heming. His only Gilbert and Sullivan recording ("Is Life a Boon?", 1916) was never issued.
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
roles of the Savoy Operas with the D'Oyly Carte Opera Company
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
and his later roles in Shakespeare plays and Edwardian musical comedies.
As a young member of D'Oyly Carte, Pounds played tenor leads in New York and on tour in Britain and continental Europe. After being promoted to principal tenor at the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
, he created the principal tenor roles in The Yeomen of the Guard
The Yeomen of the Guard
The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances...
, The Gondoliers
The Gondoliers
The Gondoliers; or, The King of Barataria is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances , closing on 30 June 1891...
, The Nautch Girl
The Nautch Girl
thumb|right|250px|Solomon , with Gilbert and Sullivan irate at his success at the SavoyThe Nautch Girl, or, The Rajah of Chutneypore is a comic opera in two acts, with a book by George Dance, lyrics by Dance and Frank Desprez and music by Edward Solomon...
and Haddon Hall
Haddon Hall (opera)
Haddon Hall is an English light opera with music by Arthur Sullivan and a libretto by Sydney Grundy. It premiered at the Savoy Theatre on September 24, 1892 for a modestly successful run of 204 performances...
. After leaving the D'Oyly Carte company, Pounds was a prominent performer during the transition of light musical theatre from comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
to musical comedy
Edwardian Musical Comedy
Edwardian musical comedies were British musical theatre shows from the period between the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following World War I.Between...
, creating roles in the West End
West End theatre
West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English speaking...
in both genres between the 1890s and the 1920s. The new musical comedies in which he starred included the hits Chu Chin Chow
Chu Chin Chow
Chu Chin Chow is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based on the story of Ali Baba and the 40 Thieves...
and Lilac Time
Das Dreimäderlhaus
Das Dreimäderlhaus , adapted into English language versions as Blossom Time and Lilac Time, is a Viennese pastiche 'operetta' with music by Franz Schubert, rearranged by Hungarian Heinrich Berté , and a libretto by Alfred Maria Willner and Heinz Reichert...
.
Early years
Pounds was born in PimlicoPimlico
Pimlico is a small area of central London in the City of Westminster. Like Belgravia, to which it was built as a southern extension, Pimlico is known for its grand garden squares and impressive Regency architecture....
, London, the son of Charles Pounds, a builder, and his wife Mary Curtice, a well-known singer. He was educated at St. Mark's College, Chelsea. Pounds was a choirboy at St. Saviour's Church, Pimlico, and also sang at St. Stephen's Church, Kensington
Kensington
Kensington is a district of west and central London, England within the Royal Borough of Kensington and Chelsea. An affluent and densely-populated area, its commercial heart is Kensington High Street, and it contains the well-known museum district of South Kensington.To the north, Kensington is...
, and the Italian Church, Hatton Garden
Hatton Garden
Hatton Garden is a street and area near Holborn in London, England. It is most famous for being London’s jewellery quarter and centre of the UK diamond trade, but the area is also now home to a diverse range of media and creative businesses....
. When his voice broke, he went to work for his father, but continued to study music. He studied at the Royal Academy of Music
Royal Academy of Music
The Royal Academy of Music in London, England, is a conservatoire, Britain's oldest degree-granting music school and a constituent college of the University of London since 1999. The Academy was founded by Lord Burghersh in 1822 with the help and ideas of the French harpist and composer Nicolas...
and returned to St. Stephen's as tenor soloist. He also sang in variety
Music hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
at the Royal Aquarium
Royal Aquarium
The Royal Aquarium and Winter Garden was a Westminster, London place of amusement opened in 1876. The building was demolished in 1903. It was located immediately to the west of Westminster Abbey on Tothill Street. The building was designed by Alfred Bedborough in a highly ornamental style faced...
theatre.
D'Oyly Carte years
Pounds joined the D'Oyly Carte Opera CompanyD'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
in 1881 in the chorus of the original production of Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
's Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
, understudying the company's principal tenor, Durward Lely
Durward Lely
Durward Lely was a Scottish opera singer primarily known as the creator of five tenor roles in Gilbert and Sullivan's comic operas, including Nanki-Poo in The Mikado....
, for whom he went on in November 1881 at the new Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
. The theatrical newspaper The Era
The Era (newspaper)
The Era was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content.-History:...
, and The Morning Post both singled him out as "a young tenor of high promise." He soon played the role of Mr. Wranglebury in the curtain raiser Mock Turtles
Mock Turtles (opera)
Mock Turtles is a one-act comic opera with a libretto by Frank Desprez and music by Eaton Faning. It was first produced at the Savoy Theatre on 11 October 1881 as a curtain raiser to Patience, then from 26 November 1882 to 30 March 1883 with Iolanthe. The piece also toured from December 1881...
. Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
recognised Pounds's talent and persuaded him to remain with D'Oyly Carte rather than join Christy's Minstrels
Christy's Minstrels
Christy's Minstrels, sometimes referred to as the Christy Minstrels, were a blackface group formed by Edwin Pearce Christy, a well-known ballad singer, in 1843, in Buffalo, New York. They were instrumental in the solidification of the minstrel show into a fixed three-act form...
, from whom he had received an offer. At the end of 1882, Pounds began touring in Iolanthe
Iolanthe
Iolanthe; or, The Peer and the Peri is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy operas and is the seventh collaboration of the fourteen between Gilbert and Sullivan....
in the leading tenor role of Earl Tolloller. In 1884, he toured as Prince Hilarion in the first provincial production of Princess Ida
Princess Ida
Princess Ida; or, Castle Adamant is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. Princess Ida opened at the Savoy Theatre on January 5, 1884, for a run of 246 performances...
, and in 1885 he toured as the Defendant in Trial by Jury
Trial by Jury
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its...
, a role he later played in numerous benefit performances in London and elsewhere. He also toured in the role of Ralph in H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
.
In 1885, Pounds travelled to New York to play Nanki-Poo, in D'Oyly Carte's first American production of The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
, in a cast that included George Thorne
George Thorne
George Thorne, was an English singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company, especially on tour and in the original New York City productions...
(Ko-Ko), Geraldine Ulmar
Geraldine Ulmar
Geraldine Ulmar was an American singer and actress, best known for her performances in soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.-Life and career:...
(Yum-Yum) and Fred Billington
Fred Billington
Fred Billington was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company...
(Pooh-Bah). After that, he toured in Germany and Austria as Nanki-Poo. In 1886, he returned to the Savoy to fill in for Lely for two weeks as Nanki-Poo, then rejoined the European touring company in Vienna.
Pounds then joined the company of John Stetson, the American manager, playing Hilarion and Nanki-Poo in authorised productions in New York. The Era wrote, "Mr Courtice Pounds sang the part of Hilarion in a very nice voice, acted it in a very nice way, looked nice enough to capture all the girls' hearts and was a very nice young man altogether." In 1887 he played Grosvenor in Patience in Boston. He then returned to England to rehearse Gilbert and Sullivan's new opera, Ruddygore, performing in two matinee performances as Richard Dauntless, before sailing for New York again to play Richard there. Pounds stayed in New York to appear in Paul Lacome
Paul Lacome
Paul-Jean-Jacques Lacome d'Estalenx was a French composer. Between 1870 and the turn of the century he produced a series of operettas and operas-bouffes that were popular both in France and abroad...
's The Marquis and Charles Lecocq's Madelon.
In May 1888, Pounds returned to England to create the part of Colonel Fairfax in The Yeomen of the Guard
The Yeomen of the Guard
The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances...
. His notices were excellent. The Times
The Times
The Times is a British daily national newspaper, first published in London in 1785 under the title The Daily Universal Register . The Times and its sister paper The Sunday Times are published by Times Newspapers Limited, a subsidiary since 1981 of News International...
called him "a better actor and a better tenor than any of his predecessors." and The Era judged him "the most efficient tenor the Savoy has had … a pure tenor voice, artistic and pleasing … clever acting and a good stage appearance." The Observer
The Observer
The Observer is a British newspaper, published on Sundays. In the same place on the political spectrum as its daily sister paper The Guardian, which acquired it in 1993, it takes a liberal or social democratic line on most issues. It is the world's oldest Sunday newspaper.-Origins:The first issue,...
called him "that rara avis, a tenor able to act." He created several more lead roles at the Savoy: Marco in The Gondoliers
The Gondoliers
The Gondoliers; or, The King of Barataria is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances , closing on 30 June 1891...
in 1889; Indru in The Nautch Girl
The Nautch Girl
thumb|right|250px|Solomon , with Gilbert and Sullivan irate at his success at the SavoyThe Nautch Girl, or, The Rajah of Chutneypore is a comic opera in two acts, with a book by George Dance, lyrics by Dance and Frank Desprez and music by Edward Solomon...
in 1891; the Rev. Henry Sandford in The Vicar of Bray
The Vicar of Bray (opera)
The Vicar of Bray is a comic opera by Edward Solomon with a libretto by Sydney Grundy which opened at the Globe Theatre, in London, on 22 July 1882, for a run of only 69 performances. The public was not amused at a clergyman's being made the subject of ridicule, and the opera was regarded by some...
in 1892; and John Manners in Haddon Hall
Haddon Hall (opera)
Haddon Hall is an English light opera with music by Arthur Sullivan and a libretto by Sydney Grundy. It premiered at the Savoy Theatre on September 24, 1892 for a modestly successful run of 204 performances...
later that year.
Pounds left the D'Oyly Carte company in 1892. He appeared for other West End
West End theatre
West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English speaking...
managements as Vincent in Ma Mie Rosette, by Paul Lacome
Paul Lacome
Paul-Jean-Jacques Lacome d'Estalenx was a French composer. Between 1870 and the turn of the century he produced a series of operettas and operas-bouffes that were popular both in France and abroad...
and Ivan Caryll
Ivan Caryll
Félix Marie Henri Tilkin , better known by his pen name Ivan Caryll, was a Belgian composer of operettas and Edwardian musical comedies in the English language...
, also starring Jessie Bond
Jessie Bond
Jessie Bond was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company.Musical from an early age, Bond began a concert singing...
(1892); as Ange Pitout in La fille de Madame Angot
La fille de Madame Angot
La fille de Madame Angot is an opéra comique in three acts by Charles Lecocq. The French text was by Clairville, Paul Siraudin and Victor Koning.-Performance history:...
with Decima Moore
Decima Moore
Lilian Decima, Lady Moore-Guggisberg, CBE , better known by her stage name Decima Moore, was an English singer and actress, known for her performances in soprano roles with the D'Oyly Carte Opera Company and in musical comedies. She was the youngest of ten siblings...
(1893); as Connor Kennedy in Haydn Parry's Miami with Bond and Richard Temple (1893); and as Mark Mainstay in Howard Talbot
Howard Talbot
Richard Lansdale Munkittrick, better known as Howard Talbot , was an American-born, English-raised conductor and composer of Irish descent...
's Wapping Old Stairs (1894).
Returning to D'Oyly Carte in 1894, Pounds played Picorin in Mirette
Mirette (opera)
Mirette is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894.Mirette exists in two distinct versions. The first version of the libretto was written in French by Michel Carré but this was never performed. English lyrics were...
and created the role of Count Vasquez de Gonzago in The Chieftain
The Chieftain
The Chieftain is a two-act comic opera by Arthur Sullivan and F. C. Burnand based on their 1867 opera, The Contrabandista. It consists of substantially the same first act as the 1867 work with a completely new second act...
late in 1894. The Morning Post described him in this role as "the jeune premier par excellence of the operatic stage." In 1895 he went on tour briefly with D'Oyly Carte as Picorin, Vasquez, and the Rev. Henry Sandford before leaving D'Oyly Carte again. He then travelled to Australia, appearing in the first half of 1896 with J. C. Williamson
J. C. Williamson
James Cassius Williamson was an American actor and later Australia's foremost theatrical manager, founding J. C. Williamson Ltd....
's opera company in Yeomen, The Gondoliers, Miss Decima, The Vicar of Bray, and Ma Mie Rosette.
West End leads
In June 1896, Pounds returned to Britain. He toured as Mr. Shepherd in the musical comedy Belinda during the latter part of that year, and briefly played in music hallMusic hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
in January 1897, appearing at the Palace Theatre of Varieties
Palace Theatre, London
The Palace Theatre is a West End theatre in the City of Westminster in London. It is an imposing red-brick building that dominates the west side of Cambridge Circus and is located near the intersection of Shaftesbury Avenue and Charing Cross Road...
, topping the bill on a cast that included Gus Elen
Gus Elen
Ernest Augustus Elen was an English music hall singer and comedian. He achieved success from 1891, performing cockney songs including Arf a Pint of Ale, It's a Great Big Shame, Down the Road and If It Wasn't for the 'Ouses in Between in a career lasting over thirty years.Born in Pimlico, London,...
. He also sang in concert at St. James's Hall with Marie Tempest
Marie Tempest
Dame Marie Tempest DBE was an English singer and actress known as the "queen of her profession".Tempest became the most famous soprano in late Victorian light opera and Edwardian musical comedies. Later, she became a leading comic actress and toured widely in North America and elsewhere...
and Ben Davies
Ben Davies
Benjamin or Ben Davies may refer to:*Benjamin Davies , British actor *Ben Davies , Australian rules footballer*Ben Davies , English footballer...
. In February, Pounds returned to the West End, playing Lancelot in Edmond Audran
Edmond Audran
Achille Edmond Audran was a French composer best known for several internationally successful operettas, including Les noces d'Olivette , La mascotte , Gillette de Narbonne , La cigale et la fourmi , Miss Helyett , and La poupée .After Audran's initial success in Paris, his works also became a...
's La Poupée
La poupée
La poupée is an opéra comique in a prelude and three acts composed by Edmond Audran with a libretto by Maurice Ordonneau. It opened at the Théâtre de la Gaîté, Montparnasse, Paris on 31 October 1896. Along with Miss Helyett La poupée was one of Audran's late successes. The libretto was based on...
, which ran until September 1898. Lancelot, a comic role, marked the beginning of Pounds's transition from juvenile leads to character and comedy parts in both straight and musical theatre. This was succeeded by two more comic operas, both by Justin Clérice: The Royal Star, in which Pounds played Jack Horton, and The Coquette, in which he played Michele.
Pounds continued to perform in comic opera and musicals. In 1900 he starred in a revival of Dorothy
Dorothy (opera)
Dorothy is a comic opera in three acts with music by Alfred Cellier and a libretto by B. C. Stephenson. The story involves a rake who falls in love with his disguised fiancée.It was first produced at the Gaiety Theatre in London on in 1886...
. In 1903 he took the title role in Hervé
Hervé (composer)
Hervé , real name Louis Auguste Florimond Ronger, was a French singer, composer, librettist, conductor and scene painter, whom Ernest Newman, following Reynaldo Hahn, credited with inventing the genre of operetta in Paris.-Life:Hervé was born in Houdain near Arras...
's opéra bouffe
Opéra bouffe
Opéra bouffe is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens that gave its name to the form....
Chilpéric
Chilpéric (operetta)
Chilpéric is an opéra bouffe with libretto and music by Hervé, first produced in Paris on 24 October 1868 at the Théâtre des Folies-Dramatique in Paris...
, and in 1905 he starred in The Blue Moon
The Blue Moon (musical)
The Blue Moon is an Edwardian musical comedy with music composed by Howard Talbot and Paul Rubens, lyrics by Percy Greenbank and Rubens and a book by Harold Ellis and by Alexander M. Thompson...
. In 1912, he played the title role in Herbert Beerbohm Tree
Herbert Beerbohm Tree
Sir Herbert Beerbohm Tree was an English actor and theatre manager.Tree began performing in the 1870s. By 1887, he was managing the Haymarket Theatre, winning praise for adventurous programming and lavish productions, and starring in many of its productions. In 1899, he helped fund the...
's production of Jacques Offenbach
Jacques Offenbach
Jacques Offenbach was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr....
's Orpheus in the Underground
Orpheus in the Underworld
Orphée aux enfers is an opéra bouffon , or opéra féerie in its revised version, by Jacques Offenbach. The French text was written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux....
. In 1916 he appeared as Harry Benn in the premiere of Ethel Smyth
Ethel Smyth
Dame Ethel Mary Smyth, DBE was an English composer and a leader of the women's suffrage movement.- Early career :...
's comic opera The Boatswain's Mate
The Boatswain's Mate
The Boatswain's Mate is an opera in one act written by British composer and suffragette Ethel Smyth in 1913–14. It was Smyth's fourth and most unabashedly feminist opera...
, described by The Manchester Guardian
The Guardian
The Guardian, formerly known as The Manchester Guardian , is a British national daily newspaper in the Berliner format...
as "something of a triumph for Miss Rosina Buckman
Rosina Buckman
Rosina Buckman was a New Zealand soprano, and a professor of singing at the Royal Academy of Music. She was born in Blenheim, and studied in England at the Birmingham School of Music. She then returned to New Zealand, toured Australia and debut in London with La boheme at Covent Garden...
and Mr. Courtice Pounds as well as for Dr. Ethel Smyth."
Shakespeare clowns and musical comedy leads
In the first quarter of the 20th century, Pounds appeared regularly in London in a variety of roles ranging from Shakespeare to varietyMusic hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
. He established himself as a popular Shakespearean character actor with Tree's company, as the clown Feste in Twelfth Night (1901), the preposterous Sir Hugh Evans in The Merry Wives of Windsor
The Merry Wives of Windsor
The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life...
, and Touchstone in As You Like It
As You Like It
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 or early 1600 and first published in the folio of 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility...
(1907), of which The Times said he "acts even better than he sings, which is, of course, saying a good deal." The Manchester Guardian wrote of him, "Courtice Pounds had all that Shakespeare asked of his clowns – the gift of song and a robustness of comedy that could change at will to a tender and poignant moment."
From the 1900s onwards, Pounds was also known for his performances in musical comedies
Edwardian Musical Comedy
Edwardian musical comedies were British musical theatre shows from the period between the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following World War I.Between...
. The first of these was Ivan Caryll's The Cherry Girl (1903), presented by Seymour Hicks
Seymour Hicks
Sir Arthur Seymour Hicks , better known as Seymour Hicks, was a British actor, music hall performer, playwright, screenwriter, theatre manager and producer. He married the actress Ellaline Terriss in 1893...
, in which Pounds played Starlight. Prominent among his musical comedy roles were Papillon in The Duchess of Dantzic
The Duchess of Dantzic
The Duchess of Dantzic is a comic opera in three acts, set in Paris, with music by Ivan Caryll and a book and lyrics by Henry Hamilton, based on the play Madame Sans-Gêne by Victorien Sardou and Emile Moreau. Additional lyrics by Adrian Ross...
(1903), which he created in both London and New York; Hugh Meredith in The Belle of Mayfair
The Belle of Mayfair
The Belle of Mayfair is a musical comedy composed by Leslie Stuart with a book by Basil Hood, Charles Brookfield and Cosmo Hamilton. The story is inspired by the Shakespeare play Romeo and Juliet....
(1906) by Basil Hood
Basil Hood
Basil Willett Charles Hood was a British librettist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including The Merry Widow. He embarked on a career in the British army, writing theatrical pieces in his spare...
and Leslie Stuart
Leslie Stuart
Leslie Stuart was an English composer of early musical theatre, best known for the hit show Florodora and many popular songs. Stuart began writing songs in the late 1870s, including songs for blackface performers, such as "Lily of Laguna"; songs for musical theatre; and ballads such as "Soldiers...
, with his sister Louie
Louie Pounds
Louisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company....
in the cast; Ali Baba in the long-running Chu Chin Chow
Chu Chin Chow
Chu Chin Chow is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based on the story of Ali Baba and the 40 Thieves...
(beginning in 1916, he starred in the role for over 2,000 performances); and Franz Schubert
Franz Schubert
Franz Peter Schubert was an Austrian composer.Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies , liturgical music, operas, some incidental music, and a large body of chamber and solo piano music...
in Lilac Time
Das Dreimäderlhaus
Das Dreimäderlhaus , adapted into English language versions as Blossom Time and Lilac Time, is a Viennese pastiche 'operetta' with music by Franz Schubert, rearranged by Hungarian Heinrich Berté , and a libretto by Alfred Maria Willner and Heinz Reichert...
(1922–1924). Of the last, The Times commented, "Pounds is delightful as the moping composer". The musical theatre authority Kurt Gänzl
Kurt Gänzl
Kurt Gänzl is an award-winning writer, musicologist, casting director and singer best known for his books about musical theatre....
writes that Pounds's performance in these roles proved him "the most complete and versatile singing actor of his age."
Pounds returned occasionally to variety, including a 1905 appearance at the London Coliseum
Coliseum Theatre
The London Coliseum is an opera house and major performing venue on St. Martin's Lane, central London. It is one of London's largest and best equipped theatres and opened in 1904, designed by theatrical architect Frank Matcham , for impresario Oswald Stoll...
on a bill that also starred Rutland Barrington
Rutland Barrington
Rutland Barrington was an English singer, actor, comedian, and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades...
. In 1910 Pounds branched out into production, mounting a musical comedy, A Modern Othello in Birmingham
Birmingham
Birmingham is a city and metropolitan borough in the West Midlands of England. It is the most populous British city outside the capital London, with a population of 1,036,900 , and lies at the heart of the West Midlands conurbation, the second most populous urban area in the United Kingdom with a...
.
Family, personal life and death
In 1927, Pounds's health gave way, and he was unable to perform. A fund was set up to provide for him, and fellow-artists giving their services in fund-raising included Seymour Hicks and his wife Ellaline TerrissEllaline Terriss
Ellaline Terriss, born Ellaline Lewin , was a popular English actress and singer, best known for her performances in Edwardian musical comedies...
, Evelyn Laye
Evelyn Laye
Evelyn Laye, CBE was an English theatre and film actress.-Early years and career:Born as Elsie Evelyn Lay in Bloomsbury, London, Laye made her first stage appearance in August 1915 at the Theatre Royal, Brighton as Nang-Ping in Mr...
, Huntley Wright
Huntley Wright
Huntley Wright was an English stage and film actor, comedian, dancer and singer, best known for creating roles in many important Edwardian musical comedies....
, Walter Passmore
Walter Passmore
Walter Henry Passmore was an English singer and actor best known as the first successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas with the D'Oyly Carte Opera Company....
, Derek Oldham
Derek Oldham
Derek Oldham was an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company....
, Gertrude Lawrence
Gertrude Lawrence
Gertrude Lawrence was an English actress, singer and musical comedy performer known for her stage appearances in the West End theatre district of London and on Broadway.-Early life:...
, and Geoffrey Toye
Geoffrey Toye
Edward Geoffrey Toye , better known as Geoffrey Toye, was an English conductor, composer and opera producer....
. More than £3,000 was raised.
Four of Pounds' sisters (Lily, Louie – a very successful actress in her own right – Nancy, and Rosy) appeared with the D'Oyly Carte Opera Company, and he was married to D'Oyly Carte performers Jessie Louise Murray (m. 1883) and, later, Millicent Pyne. The W. S. Gilbert
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
scholar Brian Jones states that Pounds "seems to have had a roving eye". In an 1895 divorce case, evidence was introduced that the respondent Mary Hardie Lewis had had an affair with Pounds.
Pounds died in Kingston upon Thames
Kingston upon Thames
Kingston upon Thames is the principal settlement of the Royal Borough of Kingston upon Thames in southwest London. It was the ancient market town where Saxon kings were crowned and is now a suburb situated south west of Charing Cross. It is one of the major metropolitan centres identified in the...
, aged 65.
Recordings
Pounds recorded several discs for HMVHMV
His Master's Voice is a trademark in the music business, and for many years was the name of a large record label. The name was coined in 1899 as the title of a painting of the dog Nipper listening to a wind-up gramophone...
during World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
. With Rosina Buckman and Frederick Ranalow, he sang the trio "The first thing to do is to get rid of the body", from The Boatwain's Mate, accompanied by the composer. From the same opera, he recorded the ballad "When rocked on the billows". His other recordings of this period were Balfe
Michael William Balfe
Michael William Balfe was an Irish composer, best-remembered for his opera The Bohemian Girl.After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed 38 operas, almost 250 songs and other works...
's setting of Tennyson's "Come into the garden, Maud", "When a Pullet is Plump", from Chu Chin Chow, "Song of the Bowl", from My Lady Frayle, and, with Violet Essex, "Any time's kissing time", from Chu Chin Chow. In 1923 he recorded four numbers from Lilac Time for Vocalion ("Dream Enthralling"; "I want to carve your name"; "The Golden Song"; and "Underneath the lilac bough") with Clara Butterworth and Percy Heming. His only Gilbert and Sullivan recording ("Is Life a Boon?", 1916) was never issued.