Rutland Barrington
Encyclopedia
Rutland Barrington was an English
singer, actor
, comedian, and Edwardian musical comedy
star. Best remembered for originating the lyric baritone
roles in the Gilbert and Sullivan
operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage.
After two years with a comic touring company, Barrington joined Richard D'Oyly Carte
's opera company and, over the next two decades, created a number of memorable comic opera
roles, including Captain Corcoran in H.M.S. Pinafore
(1878), the Sergeant of Police in The Pirates of Penzance
(1880), and Pooh Bah in The Mikado
(1885), among many others. Failing in an 1888 attempt to become a theatrical manager, Barrington refocused his energies on acting and occasional playwriting.
Beginning in 1896 and continuing for ten years, Barrington played in a series of very successful musical comedies under the management of George Edwardes
at Daly's Theatre
, specialising in comic portrayals of pompous rulers or other persons of authority. One of the most popular features of his performances was his insertion of topical songs, or verses of songs, into these musical comedies. After leaving Daly's he continued to appear in musical comedy roles and performed in music hall
. He also essayed a few Shakespeare and other dramatic roles and appeared in a few silent films. His career ended in 1918, after which he suffered a stroke and lived the last few years of his life in poverty.
, England, the fourth son of John George Fleet (1818–1902), a wholesale sugar dealer in London. His mother was the former Esther Faithfull (1823–1908) of Headley, Surrey
, England. He was educated at Headley rectory and then at the Merchant Taylors' School
in London. His five brothers included Indologist John Faithfull Fleet
(1847–1917), Vice-Admiral Herbert Cecil Fleet (born 1851) and actor Duncan Fleet (born 1860). He also had two sisters. Barrington was employed in a bank for eighteen months as a young man, but had no enthusiasm for such work, as he had ambitions to be an actor. Barrington's father did not want his son to go on the stage and forbade him to do so until he came of age. His aunt, activist and dramatic reader Emily Faithfull
, helped him to make his first connections in the theatre.
In 1880, Barrington married Ellen Louisa Jane Stainer (1851–1918), from Woolwich
in Kent
, the daughter of William Stainer and the former Lucy Mary Wheeler. Barrington and his wife had no children.
's company at the Olympic Theatre
in 1874, playing the role of Sir George Barclay in Tom Taylor
's Lady Clancarty, and then in The Ticket-of-Leave Man (by Taylor) and The Two Orphans, among others. The next year, he was hired to appear in the touring company of Mr and Mrs Howard Paul. The company played a hectic schedule of entertainments.
In 1877, producer Richard D'Oyly Carte
approached Mrs Paul to play the part of Lady Sangazure in the new Gilbert and Sullivan
opera that Carte was producing, The Sorcerer
. She conditioned her acceptance on her 24-year-old protégé, Barrington, being given a part, and so Barrington was cast in the role of Dr Daly, the vicar. When Barrington auditioned before W. S. Gilbert
, the young actor questioned his own suitability for comic opera
, but Gilbert, who required that his actors play their sometimes-absurd lines in all earnestness, explained the casting choice: "He's a staid, solid swine, and that's what I want."
In his 1908 autobiography, Barrington repeats a line from a first night review of his performance as Dr Daly in The Sorcerer: "Mr Barrington is wonderful. He always manages to sing one-sixteenth of a tone flat; it's so like a vicar." Barrington went on to say that producer Richard D'Oyly Carte later came to see him, saying, "...what's the matter? ...some one has just come out of the stalls to tell me you are singing in tune. It will never do." Barrington said that "This pleased me so much that I have never sung flat since, except, of course, when I wished...." Several contemporaries did find Barrington's singing occasionally flat, including Francois Cellier
. Many years later, in her memoir, Ellaline Terriss
wrote: "...dear old Rutland scarcely ever did sing in tune – but how grand he was.... He had a beautifully clear diction and a marvellous sense of timing – and was one of the finest singers of the then popular topical songs that our stage ever knew." Percy Hetherington Fitzgerald wrote of Barrington in his 1899 book, The Savoy Opera, "His peculiar tranquil or impassive style has always exactly suited the characters allotted to him, and it would now be difficult to imagine a Savoy opera without him. However, Barrington's performance as Dr Daly impressed the critics and audiences, and he won a permanent place in D'Oyly Carte's company.
, creating comic lyric baritone roles in all of Gilbert and Sullivan's new operas with the exception of The Yeomen of the Guard
(1888). In 1878, Rutland created the role of Lord Chamberlain in Albery
's and Cellier's
curtain raiser
, The Spectre Knight
, played the Counsel for the Plaintiff in the revival of Trial by Jury
, and created the role of Captain Corcoran in Gilbert and Sullivan's first smash hit, H.M.S. Pinafore
. Barrington was a big man, which led to one of Gilbert's famous quips in a rehearsal for Pinafore. Gilbert asked Barrington to sit "pensively" on one of the ship's skylights. Barrington lowered himself into position, and the hastily sewn set piece collapsed under his weight. Gilbert remarked, "No, That's ex-pensively."
Barrington also created the role of Pennyfather in Desprez
and Cellier's curtain raiser, After All!
(1878). Barrington played Mr. Cox in Carte's revival of Cox and Box
(1879) and created the role of the Sergeant of Police in The Pirates of Penzance
in London (1880). Barrington was proud that the Sergeant's song generally received two encores. Eventually, he asked Gilbert to write an "encore verse" for the song. Gilbert replied that "encore" means "sing it again." Also around this time, Barrington's short play entitled Quid Pro Quo, written with Cunningham Bridgeman and composed by Wilfred Bendall, was first produced.
The next role that Barrington created was Archibald Grosvenor in Patience
(1881). Casting the large Barrington as the "perfect" and "infallible" incarnation of manly beauty mirrored a joke in Gilbert's earlier A Sensation Novel
, in which he cast the large, ungainly Corney Grain
, in a similar role. This was followed by the role of Earl Mountararat in Iolanthe
(1882; he also appeared in Margate
, Kent
in an 1882 Christmas pantomime
of Robin Hood written by George Thorne
), and King Hildebrand in Princess Ida
(1884). This role was Barrington's least favourite of the series, and he attributed Idas relatively short run, at least in part, to the lack of prominence of this role in the opera. During the run of Princess Ida, a comedy written by Barrington and called Bartonmere Towers was first presented at a matinee.
After Princess Ida closed, Barrington reprised his role of Dr Daly and also played the Learned Judge in the revival of The Sorcerer and Trial (1884—over the years, Barrington frequently played the Judge in D'Oyly Carte's and various "benefit" performances of Trial). He also played Dr Dozey in Sydney Grundy
's The Silver Shield (1885). In 1885, he created his most famous role, that of Pooh-Bah in The Mikado
. The Theatres review was typical of the critics' unanimous praise: "The Pooh-Bah of Mr. Barrington is a masterpiece of pompous stolidity – nothing could possibly be better of its kind – and this popular comedian provided his many admirers with an agreeable surprise by singing every note of the music allotted to him in perfect tune." In June 1885, he played together with Eric Lewis
(Grossmith's understudy) in an afternoon "musical dialogue," Mad to Act, with words by Barrington and music by Wilfred Bendall, at the Japanese Village in Knightsbridge
.
Next, Barrington created the role of Sir Despard Murgatroyd in Ruddigore
and then reprised his original roles in revivals of Pinafore, Pirates and The Mikado in (1887–88). During rehearsals for Ruddigore, and after discussions with other cast members on the subject, Barrington complained to Gilbert about the guests that Gilbert frequently invited to rehearsals, saying that he didn't wish to be taught the stage business "before a row of ...strangers." Gilbert forgave Barrington for the outburst and even discontinued the invitations. However, if anyone sat in the stalls during later rehearsals awaiting their cue, Gilbert would expostulate, "You mustn't sit here; Barrington won't like it."
The Times
said of Barrington's performances, "His strength lay in his quietness of voice and movement... in perfect contrast to the restlessness of George Grossmith
. No one could be so ridiculously pompous... he moved with effect. There was a native drollery in his lightly rolling dance, a comic dignity in his rotund and placid, yet twinklingly intelligent face. He always gave the impression of thoroughly enjoying whatever he did...." In its review of Ruddigore, The Theatre wrote, "Better comic acting than his, or more highly finished, I have never seen and never wish to see."
, missing the chance to create the role of Wilfred in Yeomen, to try his hand at theatrical management, leasing the St. James's Theatre. The Illustrated Sporting and Dramatic News
lamented Barrington's departure, suggesting that he was irreplaceable in the Savoy Opera
s: "He is the typical embodiment... of that British Philistinism, the pachydermatous hide of which Mr. Gilbert has so long striven to penetrate by the process of holding up its own image before it." In March 1888, Barrington played Chrysos in a benefit performance of Gilbert's Pygmalion and Galatea, a role that he would reprise at a number of "benefit" performances over the years. Later in the year, at the St. James's, Barrington produced The Dean's Daughter by Grundy and F. C. Phillips, also playing the Very Reverend Augustus St. Aubyn, Dean of Southwark. Though the piece was unsuccessful, Barrington's performance was praised, and it launched several theatrical careers, including Olga Nethersole
's. Gilbert's Brantinghame Hall
(an abject failure), starred Barrington as Mr. Thursby, as well as his younger brother, Duncan Fleet, Julia Neilson
and Lewis Waller
(the latter two in their professional stage debuts). Its companion piece was A Patron Saint. This experiment in management proved to be a financial disaster for Barrington, and he was bankrupt after only five months.
After Brantinghame Hall closed, he again played Chrysos in a revival of Pygmalion and Galatea at the Lyceum Theatre and played Mr Barnes in his own play, To the Death, at the Olympic Theatre. He then appeared at the Comedy Theatre under Charles Hawtrey in Pickwick (1889), a successful one-act musical play by F. C. Burnand and Edward Solomon
based on an episode in The Pickwick Papers
, which Barrington ended up directing and in which he alternated in the roles of Pickwick and Baker. He then created the role of Lt. Col. Cadbury in a Grundy farce called Merry Margate and then played Tosser in a comic opera by Solomon and George P. Hawtrey called Penelope. He also played a number of other roles in other theatres throughout 1889 until he rejoined D'Oyly Carte to create the role of Giuseppe in The Gondoliers
in December 1889, remaining for the long run of that last Gilbert and Sullivan hit.
After The Gondoliers closed in 1891, Gilbert and Sullivan were estranged for a time. Barrington appeared in a few more roles at other theatres, including as Robert Plushly in his own piece, A Swarry Dansong, a duologue with music by Solomon. He then returned to the Savoy to star as Punka, the Rajah of Chutneypore, in Dance
, Desprez
, and Solomon's The Nautch Girl
. In August 1891, Barrington and Jessie Bond
took a leave of absence from that show to tour a series of "musical duologues" (written by Barrington and composed by Edward Solomon
) throughout Britain, returning to the Savoy in November. In 1892, Barrington played the title role of the Reverend William Barlow, in Grundy and Solomon's The Vicar of Bray
and then toured with that show. In September 1892, he created the role of Rupert Vernon in Grundy and Sullivan's Haddon Hall
, making a critical splash. For example, The Figaro wrote: "Barrington... kept the audience in shouts of laughter the whole time [he was] on the stage." In 1893, he created the role of the Proctor in J. M. Barrie
, Arthur Conan Doyle
, and Ernest Ford
's Jane Annie
, which was unsuccessful at the Savoy but ran more successfully on tour. Barrington, a life-long golf enthusiast, speculated that one reason for the failure of Jane Annie in London was that the game of golf was not yet popular there. Despite the failure of the piece, Barrington was singled out for critical praise. Barrington next created the role of King Paramount I in Gilbert and Sullivan's Utopia, Limited
, opening in October of that year. Barrington's comedy, Bartonmere Towers, was also produced at a matinee at the Savoy in 1893, with Barrington playing Sir James Hanbury.
Barrington left the company again when Utopia closed, taking over the role of Dr Montague Brierly in the Hall
, Greenbank
and Jones
musical, A Gaiety Girl
(in 1894) produced at Daly's Theatre
by George Edwardes
and on tour. Next, he appeared in Gilbert and Carr's His Excellency
(1894–95) creating the role of the Regent. The stage was dominated by a heroic-size statue of him in the role. Barrington also wrote and directed a one-act operetta, A Knight Errant, with music by Alfred Caldicott, which played as a companion piece with His Excellency at the Lyric Theatre
. At Toole's Theatre, he played John Rimple in Thoroughbred, by Ralph R. Lumley, in early 1895. J. L. Toole had originated the role but took ill and was forced to retire. Barrington also played in some German Reed Entertainments, including a revival of Happy Arcadia
at St. George's Hall
in 1895, starring Fanny Holland
, and toured with the German Reeds.
In November 1895, Barrington returned to the Savoy as Pooh-Bah in another revival of The Mikado. In March 1896 he created the role of Ludwig in Gilbert and Sullivan's last opera, The Grand Duke
. In his 1908 memoir, Barrington wrote of some difficulty in getting along with his co-star, Ilka Pálmay
, who was cast in the role of Julia. As usual, the critics were pleased with Barrington, "on whom... falls the chief burden of the piece, is intensely funny as Ludwig, more especially in the absurd costume of the second act...." After another revival of The Mikado, Barrington again left the Savoy.
at Daly's Theatre
, first taking over the role of the Marquis Imari in The Geisha
(1896), and then creating roles in a number of other Edwardian musical comedy
hits, including Marcus Pomponius in A Greek Slave
(1898), Yen How in San Toy
(1899), The Rajah of Bhong in A Country Girl
(1902), and Boobhamba in The Cingalee
(1904), among others.
In these roles, he had more freedom to add "gags" than Gilbert had given him at the Savoy, and he often wrote topical verses to Adrian Ross
's songs. However, Barrington complained that, in these musical comedies, the plot was nearly eliminated during rehearsals. During this time, Barrington often reprised his role as the Judge at benefit matinees. Also during this period, several of Barrington's stage works were produced by Arthur Bourchier
at the Garrick Theatre
, including Barrington's popular children's "fairy play" called Water Babies, based on Charles Kingsley
's 1863 book
, with music by Frederick Rosse, Albert Fox and Alfred Cellier
(1902). Barrington directed Water Babies. Another Barrington play, Little Black Sambo and Little White Barbara, with music by Wilfred Bendall, enjoyed 31 matinees at the Garrick in 1904.
Barrington appeared between 1905 and 1907 in several musical comedies, including The White Chrysanthemum
(1905), as Admiral Sir Horatio Armitage, K.C.B. (with Isabel Jay
, Louie Pounds
and Henry Lytton
). He also played Barnabas Goodeve in a revival of the farce The Candidate by Justin Huntly McCarthy at Wyndham's Theatre
with Charles Wyndham
. He then briefly played his old role in a revival of The Geisha in 1906, after which he created the role of the Pharaoh of Egypt in the successful comic opera Amasis (1906), by Philip Michael Faraday
and Frederick Fenn, both in London (where it ran for over 200 performances) and on extended tours.
During this period, Barrington performed his own solo music hall sketches at the Coliseum and produced various tours, performing standard topical songs of the day, including the only song that he recorded, "The Moody Mariner" (1905). This was based on a story in Many Cargoes by Jacobs, with lyrics by Barrington and music by Walter Slaughter
. Other such sketches and songs included "Man the Lifeboat" (1907), written by Leedham Bantock (starring also William Terriss
) "Across the Silent Way" and "The Tramp" by Barrington and Slaughter, and Mummydom (1907), which he had written in 1903 with Wilfrid Bendall (Sullivan's former secretary) based on his play of the same name that had been produced some years earlier at Penley's Theatre. He also wrote a Rip van Winkle sketch for Courtice Pounds and a one-act musical drama, No. 442, His Escape (1907), with music by H. M. Higgs. Barrington became known for writing topical verses on short notice. In his 1908 memoir, he tells the following story:
Barrington returned to the D'Oyly Carte Opera Company in 1908 for the second of the London repertory seasons, playing Pooh-Bah, Captain Corcoran, Mountararat, and the Sergeant of Police once again, and adding the roles of Wilfred Shadbolt in Yeomen (finally completing his cycle of the extant Gilbert and Sullivan operas), and Don Alhambra in The Gondoliers to his Savoy repertoire. He then played in more music hall sketches and toured in musicals, including in A Member of Tattersall's, an adaptation by Adrian Ross of Leo Fall
's Die Geschtedene Frau (1909, repeated in London in 1911); as the Marquis of Steyne in The Walls of Jericho (1909); and as Judge Tucker in The Bigamist (1910). In 1910, he created the role of Lucas van Tromp in The Girl in the Train
at the Vaudeville Theatre
.
at His Majesty's Theatre
in 1911; in several other roles from 1911 to 1913; on tour in Other People's Babies, by Lechmere Worrall, in 1913; as Lord Leonard Alcar in the highly successful The Great Adventure by Arnold Bennett
(1913-14; based on Bennett's 1908 novel, Buried Alive); as Max Somossy in The Joy-Ride Lady, by Arthur Anderson and Hartley Carrick at the New Theatre (1914); and Polonius in Hamlet
and Christopher Sly in The Taming of the Shrew
at His Majesty's in 1916, among other roles. He continued to perform in London and in the provinces until 1918, from 1916 under the management of John Martin-Harvey
. One of his later successes was as the kindly bookmaker in A Member of Tattersall's. His last role was Claus in The Burgomaster of Stilemonde, by Count Maurice Maeterlinck
, at the Lyceum Theatre, Edinburgh, beginning in October 1918.
Barrington wrote horse racing columns for Punch
magazine under the pseudonym Lady Gay and also wrote two volumes of reminiscences, in 1908 and 1911. He also appeared in four silent films: "San Toy" (1900); as Mr. Texel in "The Great Adventure" (1915); as Septimus Beaumont in "The Girl Who Loves A Soldier" (1916); and as Mr. Potter in "Still Waters Run Deep" (1916). In addition to his avid interest in several sports, which he describes at length in his memoirs, Barrington was a skilled watercolourist.
After Barrington suffered a paralytic stroke in early 1919, he was unable to perform. He spent the rest of his life in poverty, although benefits were held and other efforts made to help him. He died in 1922 in the St. James's Infirmary, Balham
, in South London
, at the age of 69 and is buried in Lower Morden Lane at the Morden
Cemetery, also known as Battersea New Cemetery, in Surrey
. On the 75th anniversary of Barrington's death, a granite monument with a photoplaque of Barrington as Pooh-Bah was dedicated to him at the Morden Cemetery, by members of the Gilbert and Sullivan Society, the Sir Arthur Sullivan Society and others.
English people
The English are a nation and ethnic group native to England, who speak English. The English identity is of early mediaeval origin, when they were known in Old English as the Anglecynn. England is now a country of the United Kingdom, and the majority of English people in England are British Citizens...
singer, actor
Actor
An actor is a person who acts in a dramatic production and who works in film, television, theatre, or radio in that capacity...
, comedian, and Edwardian musical comedy
Edwardian Musical Comedy
Edwardian musical comedies were British musical theatre shows from the period between the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following World War I.Between...
star. Best remembered for originating the lyric baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
roles in the Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage.
After two years with a comic touring company, Barrington joined Richard D'Oyly Carte
Richard D'Oyly Carte
Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer and hotelier during the latter half of the Victorian era...
's opera company and, over the next two decades, created a number of memorable comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
roles, including Captain Corcoran in H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
(1878), the Sergeant of Police in The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
(1880), and Pooh Bah in The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
(1885), among many others. Failing in an 1888 attempt to become a theatrical manager, Barrington refocused his energies on acting and occasional playwriting.
Beginning in 1896 and continuing for ten years, Barrington played in a series of very successful musical comedies under the management of George Edwardes
George Edwardes
George Joseph Edwardes was an English theatre manager of Irish ancestry who brought a new era in musical theatre to the British stage and beyond....
at Daly's Theatre
Daly's Theatre
Daly's Theatre was a theatre in the City of Westminster. It was located at 2 Cranbourn Street, just off Leicester Square. It opened on 27 June 1893, and was demolished in 1937.-Early years:...
, specialising in comic portrayals of pompous rulers or other persons of authority. One of the most popular features of his performances was his insertion of topical songs, or verses of songs, into these musical comedies. After leaving Daly's he continued to appear in musical comedy roles and performed in music hall
Music hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
. He also essayed a few Shakespeare and other dramatic roles and appeared in a few silent films. His career ended in 1918, after which he suffered a stroke and lived the last few years of his life in poverty.
Life and career
Barrington was born George Rutland Fleet at PengePenge
Penge is a suburb of London in the London Borough of Bromley. It is located south east of Charing Cross.-History:Penge was once a small town, which was recorded under the name Penceat in a Saxon deed dating from 957...
, England, the fourth son of John George Fleet (1818–1902), a wholesale sugar dealer in London. His mother was the former Esther Faithfull (1823–1908) of Headley, Surrey
Headley, Surrey
Headley is a small village and civil parish in Surrey, England covering 675 hectares.The village is bordered to its west by Leatherhead, to the north by Ashtead and Langley Vale, Walton-on-the-Hill to the east and to its south by Box Hill. It is just outside the M25 motorway encircling...
, England. He was educated at Headley rectory and then at the Merchant Taylors' School
Merchant Taylors' School, Northwood
Merchant Taylors' School is a British independent day school for boys, originally located in the City of London. Since 1933 it has been located at Sandy Lodge in the Three Rivers district of Hertfordshire ....
in London. His five brothers included Indologist John Faithfull Fleet
John Faithfull Fleet
John Faithfull Fleet C.I.E was an English civil servant with the Indian Civil Services and became known as a historian, epigraphist and linguist...
(1847–1917), Vice-Admiral Herbert Cecil Fleet (born 1851) and actor Duncan Fleet (born 1860). He also had two sisters. Barrington was employed in a bank for eighteen months as a young man, but had no enthusiasm for such work, as he had ambitions to be an actor. Barrington's father did not want his son to go on the stage and forbade him to do so until he came of age. His aunt, activist and dramatic reader Emily Faithfull
Emily Faithfull
Emily Faithfull was an English women's rights activist.-Biography:She was the youngest daughter of the Rev. Ferdinand Faithfull,and was born at Headley Rectory, Surrey. She took agreat interest in the conditions of working-women...
, helped him to make his first connections in the theatre.
In 1880, Barrington married Ellen Louisa Jane Stainer (1851–1918), from Woolwich
Woolwich
Woolwich is a district in south London, England, located in the London Borough of Greenwich. The area is identified in the London Plan as one of 35 major centres in Greater London.Woolwich formed part of Kent until 1889 when the County of London was created...
in Kent
Kent
Kent is a county in southeast England, and is one of the home counties. It borders East Sussex, Surrey and Greater London and has a defined boundary with Essex in the middle of the Thames Estuary. The ceremonial county boundaries of Kent include the shire county of Kent and the unitary borough of...
, the daughter of William Stainer and the former Lucy Mary Wheeler. Barrington and his wife had no children.
Early career; joining D'Oyly Carte's company
Barrington made his professional debut with Henry NevilleHenry Gartside Neville
Thomas Henry Gartside Neville was an English actor, dramatist, teacher and theatre manager. He began his career playing dashing juvenile leads, later specialising in Shakespearean roles, modern comedy and melodrama. His most famous role was as Bob Brierley in Tom Taylor's The Ticket-of-Leave Man...
's company at the Olympic Theatre
Olympic Theatre
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street, and Newcastle Street. The theatre specialised in comedies throughout much of its existence...
in 1874, playing the role of Sir George Barclay in Tom Taylor
Tom Taylor
Tom Taylor was an English dramatist, critic, biographer, public servant, and editor of Punch magazine...
's Lady Clancarty, and then in The Ticket-of-Leave Man (by Taylor) and The Two Orphans, among others. The next year, he was hired to appear in the touring company of Mr and Mrs Howard Paul. The company played a hectic schedule of entertainments.
In 1877, producer Richard D'Oyly Carte
Richard D'Oyly Carte
Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer and hotelier during the latter half of the Victorian era...
approached Mrs Paul to play the part of Lady Sangazure in the new Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
opera that Carte was producing, The Sorcerer
The Sorcerer
The Sorcerer is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of The Sorcerer is based on a Christmas story, An Elixir of Love, that Gilbert wrote for The Graphic magazine in 1876...
. She conditioned her acceptance on her 24-year-old protégé, Barrington, being given a part, and so Barrington was cast in the role of Dr Daly, the vicar. When Barrington auditioned before W. S. Gilbert
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
, the young actor questioned his own suitability for comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
, but Gilbert, who required that his actors play their sometimes-absurd lines in all earnestness, explained the casting choice: "He's a staid, solid swine, and that's what I want."
In his 1908 autobiography, Barrington repeats a line from a first night review of his performance as Dr Daly in The Sorcerer: "Mr Barrington is wonderful. He always manages to sing one-sixteenth of a tone flat; it's so like a vicar." Barrington went on to say that producer Richard D'Oyly Carte later came to see him, saying, "...what's the matter? ...some one has just come out of the stalls to tell me you are singing in tune. It will never do." Barrington said that "This pleased me so much that I have never sung flat since, except, of course, when I wished...." Several contemporaries did find Barrington's singing occasionally flat, including Francois Cellier
François Cellier
François Arsène Cellier , often called Frank, was an English conductor and composer. He is best known for his tenure as music director and conductor of the D'Oyly Carte Opera Company during the original runs and early revivals of the Savoy operas.-Life and career:Cellier was born in South Hackney,...
. Many years later, in her memoir, Ellaline Terriss
Ellaline Terriss
Ellaline Terriss, born Ellaline Lewin , was a popular English actress and singer, best known for her performances in Edwardian musical comedies...
wrote: "...dear old Rutland scarcely ever did sing in tune – but how grand he was.... He had a beautifully clear diction and a marvellous sense of timing – and was one of the finest singers of the then popular topical songs that our stage ever knew." Percy Hetherington Fitzgerald wrote of Barrington in his 1899 book, The Savoy Opera, "His peculiar tranquil or impassive style has always exactly suited the characters allotted to him, and it would now be difficult to imagine a Savoy opera without him. However, Barrington's performance as Dr Daly impressed the critics and audiences, and he won a permanent place in D'Oyly Carte's company.
Pinafore to Ruddigore
From 1877 to 1894, except for a foray into the business of theatrical management in 1888–89, Barrington remained with the D'Oyly Carte Opera CompanyD'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
, creating comic lyric baritone roles in all of Gilbert and Sullivan's new operas with the exception of The Yeomen of the Guard
The Yeomen of the Guard
The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances...
(1888). In 1878, Rutland created the role of Lord Chamberlain in Albery
James Albery
James Albery was an English dramatist.-Life and career:Albery was born in London. On leaving school Albery entered an architect's office, and started to write plays. His farce A Pretty Piece of Chiselling was given its first production by the Ingoldsby Club in 1864...
's and Cellier's
Alfred Cellier
Alfred Cellier was an English composer, orchestrator and conductor.In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and...
curtain raiser
Curtain raiser
*A United States Air Force missile combat competition called Curtain Raiser, held in 1967*Curtain raiser - A short play or entertainment given before the main entertainment or event to fill out the bill or programme....
, The Spectre Knight
The Spectre Knight
The Spectre Knight is a one-act "fanciful operetta" with a libretto by James Albery and music by Alfred Cellier. It was first performed on 9 February 1878 at the Opera Comique by the Comedy Opera Company as a companion piece to The Sorcerer...
, played the Counsel for the Plaintiff in the revival of Trial by Jury
Trial by Jury
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its...
, and created the role of Captain Corcoran in Gilbert and Sullivan's first smash hit, H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
. Barrington was a big man, which led to one of Gilbert's famous quips in a rehearsal for Pinafore. Gilbert asked Barrington to sit "pensively" on one of the ship's skylights. Barrington lowered himself into position, and the hastily sewn set piece collapsed under his weight. Gilbert remarked, "No, That's ex-pensively."
Barrington also created the role of Pennyfather in Desprez
Frank Desprez
Frank Desprez was an English playwright, essayist, and poet. He wrote more than twenty pieces for the theatre, as well as numerous shorter works, including his famous poem, Lasca.-Life and career:...
and Cellier's curtain raiser, After All!
After All!
After All! is a one-act comic opera with a libretto by Frank Desprez and music by Alfred Cellier. It was first performed at the Savoy Theatre under the management of Richard D'Oyly Carte, along with H.M.S...
(1878). Barrington played Mr. Cox in Carte's revival of Cox and Box
Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two...
(1879) and created the role of the Sergeant of Police in The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
in London (1880). Barrington was proud that the Sergeant's song generally received two encores. Eventually, he asked Gilbert to write an "encore verse" for the song. Gilbert replied that "encore" means "sing it again." Also around this time, Barrington's short play entitled Quid Pro Quo, written with Cunningham Bridgeman and composed by Wilfred Bendall, was first produced.
The next role that Barrington created was Archibald Grosvenor in Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
(1881). Casting the large Barrington as the "perfect" and "infallible" incarnation of manly beauty mirrored a joke in Gilbert's earlier A Sensation Novel
A Sensation Novel
A Sensation Novel is a comic musical play in three acts written by librettist W. S. Gilbert and composer Thomas German Reed. It was first performed on 31 January 1871 at the Royal Gallery of Illustration...
, in which he cast the large, ungainly Corney Grain
Richard Corney Grain
Richard Corney Grain , known by his stage name Corney Grain, was an entertainer and songwriter of the late Victorian era.-Biography:...
, in a similar role. This was followed by the role of Earl Mountararat in Iolanthe
Iolanthe
Iolanthe; or, The Peer and the Peri is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy operas and is the seventh collaboration of the fourteen between Gilbert and Sullivan....
(1882; he also appeared in Margate
Margate
-Demography:As of the 2001 UK census, Margate had a population of 40,386.The ethnicity of the town was 97.1% white, 1.0% mixed race, 0.5% black, 0.8% Asian, 0.6% Chinese or other ethnicity....
, Kent
Kent
Kent is a county in southeast England, and is one of the home counties. It borders East Sussex, Surrey and Greater London and has a defined boundary with Essex in the middle of the Thames Estuary. The ceremonial county boundaries of Kent include the shire county of Kent and the unitary borough of...
in an 1882 Christmas pantomime
Pantomime
Pantomime — not to be confused with a mime artist, a theatrical performer of mime—is a musical-comedy theatrical production traditionally found in the United Kingdom, Australia, New Zealand, Canada, Jamaica, South Africa, India, Ireland, Gibraltar and Malta, and is mostly performed during the...
of Robin Hood written by George Thorne
George Thorne
George Thorne, was an English singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company, especially on tour and in the original New York City productions...
), and King Hildebrand in Princess Ida
Princess Ida
Princess Ida; or, Castle Adamant is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. Princess Ida opened at the Savoy Theatre on January 5, 1884, for a run of 246 performances...
(1884). This role was Barrington's least favourite of the series, and he attributed Idas relatively short run, at least in part, to the lack of prominence of this role in the opera. During the run of Princess Ida, a comedy written by Barrington and called Bartonmere Towers was first presented at a matinee.
After Princess Ida closed, Barrington reprised his role of Dr Daly and also played the Learned Judge in the revival of The Sorcerer and Trial (1884—over the years, Barrington frequently played the Judge in D'Oyly Carte's and various "benefit" performances of Trial). He also played Dr Dozey in Sydney Grundy
Sydney Grundy
Sydney Grundy was an English dramatist. Most of his works were adaptations of European plays, and many became successful enough to tour throughout the English-speaking world...
's The Silver Shield (1885). In 1885, he created his most famous role, that of Pooh-Bah in The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
. The Theatres review was typical of the critics' unanimous praise: "The Pooh-Bah of Mr. Barrington is a masterpiece of pompous stolidity – nothing could possibly be better of its kind – and this popular comedian provided his many admirers with an agreeable surprise by singing every note of the music allotted to him in perfect tune." In June 1885, he played together with Eric Lewis
Eric Lewis (actor)
Frederic Lewis Tuffley , better known by his stage name, Eric Lewis, was an English comedian, actor and singer...
(Grossmith's understudy) in an afternoon "musical dialogue," Mad to Act, with words by Barrington and music by Wilfred Bendall, at the Japanese Village in Knightsbridge
Knightsbridge
Knightsbridge is a road which gives its name to an exclusive district lying to the west of central London. The road runs along the south side of Hyde Park, west from Hyde Park Corner, spanning the City of Westminster and the Royal Borough of Kensington and Chelsea...
.
Next, Barrington created the role of Sir Despard Murgatroyd in Ruddigore
Ruddigore
Ruddigore; or, The Witch's Curse, originally called Ruddygore, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan...
and then reprised his original roles in revivals of Pinafore, Pirates and The Mikado in (1887–88). During rehearsals for Ruddigore, and after discussions with other cast members on the subject, Barrington complained to Gilbert about the guests that Gilbert frequently invited to rehearsals, saying that he didn't wish to be taught the stage business "before a row of ...strangers." Gilbert forgave Barrington for the outburst and even discontinued the invitations. However, if anyone sat in the stalls during later rehearsals awaiting their cue, Gilbert would expostulate, "You mustn't sit here; Barrington won't like it."
The Times
The Times
The Times is a British daily national newspaper, first published in London in 1785 under the title The Daily Universal Register . The Times and its sister paper The Sunday Times are published by Times Newspapers Limited, a subsidiary since 1981 of News International...
said of Barrington's performances, "His strength lay in his quietness of voice and movement... in perfect contrast to the restlessness of George Grossmith
George Grossmith
George Grossmith was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades...
. No one could be so ridiculously pompous... he moved with effect. There was a native drollery in his lightly rolling dance, a comic dignity in his rotund and placid, yet twinklingly intelligent face. He always gave the impression of thoroughly enjoying whatever he did...." In its review of Ruddigore, The Theatre wrote, "Better comic acting than his, or more highly finished, I have never seen and never wish to see."
Theatrical management experiment and later Savoy roles
In 1888, Barrington left the D'Oyly Carte organisation and the Savoy TheatreSavoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
, missing the chance to create the role of Wilfred in Yeomen, to try his hand at theatrical management, leasing the St. James's Theatre. The Illustrated Sporting and Dramatic News
Illustrated Sporting and Dramatic News
The Illustrated Sporting and Dramatic News was an English weekly magazine founded in 1874 and published in London. In 1945 it changed its name to the Sport and Country, and in 1957 to the Farm and Country, before closing in 1970....
lamented Barrington's departure, suggesting that he was irreplaceable in the Savoy Opera
Savoy opera
The Savoy Operas denote a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house...
s: "He is the typical embodiment... of that British Philistinism, the pachydermatous hide of which Mr. Gilbert has so long striven to penetrate by the process of holding up its own image before it." In March 1888, Barrington played Chrysos in a benefit performance of Gilbert's Pygmalion and Galatea, a role that he would reprise at a number of "benefit" performances over the years. Later in the year, at the St. James's, Barrington produced The Dean's Daughter by Grundy and F. C. Phillips, also playing the Very Reverend Augustus St. Aubyn, Dean of Southwark. Though the piece was unsuccessful, Barrington's performance was praised, and it launched several theatrical careers, including Olga Nethersole
Olga Nethersole
Olga Isabella Nethersole, CBE, RRC was an English actress, theatre producer, and wartime nurse/health educator.-Biography:...
's. Gilbert's Brantinghame Hall
Brantinghame Hall
Brantinghame Hall is a play in four acts written by W. S. Gilbert for his friend Rutland Barrington, who was then leasing the St. James's Theatre. The play opened on 29 November 1888 and closed on 29 December, after about 27 performances. It starred Barrington, his younger brother, Duncan Fleet,...
(an abject failure), starred Barrington as Mr. Thursby, as well as his younger brother, Duncan Fleet, Julia Neilson
Julia Neilson
Julia Neilson was an English actress best known for her numerous performances as Lady Blakeney in The Scarlet Pimpernel, for her roles in many tragedies and historical romances, and for her portrayal of Rosalind in a long-running production of As You Like It.After establishing her reputation in a...
and Lewis Waller
Lewis Waller
William Lewis Waller was an English actor and theatre manager. His father was a civil engineer.Born in Spain, he first appeared on the London stage in 1883, at Tooles, and for some years added to his reputation as a capable actor...
(the latter two in their professional stage debuts). Its companion piece was A Patron Saint. This experiment in management proved to be a financial disaster for Barrington, and he was bankrupt after only five months.
After Brantinghame Hall closed, he again played Chrysos in a revival of Pygmalion and Galatea at the Lyceum Theatre and played Mr Barnes in his own play, To the Death, at the Olympic Theatre. He then appeared at the Comedy Theatre under Charles Hawtrey in Pickwick (1889), a successful one-act musical play by F. C. Burnand and Edward Solomon
Edward Solomon
Edward Solomon was a prolific English composer, as well as a conductor, orchestrator and pianist. Though he died before his fortieth birthday, he wrote dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, such as The Nautch Girl, among others.-Early...
based on an episode in The Pickwick Papers
The Pickwick Papers
The Posthumous Papers of the Pickwick Club is the first novel by Charles Dickens. After the publication, the widow of the illustrator Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any...
, which Barrington ended up directing and in which he alternated in the roles of Pickwick and Baker. He then created the role of Lt. Col. Cadbury in a Grundy farce called Merry Margate and then played Tosser in a comic opera by Solomon and George P. Hawtrey called Penelope. He also played a number of other roles in other theatres throughout 1889 until he rejoined D'Oyly Carte to create the role of Giuseppe in The Gondoliers
The Gondoliers
The Gondoliers; or, The King of Barataria is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances , closing on 30 June 1891...
in December 1889, remaining for the long run of that last Gilbert and Sullivan hit.
After The Gondoliers closed in 1891, Gilbert and Sullivan were estranged for a time. Barrington appeared in a few more roles at other theatres, including as Robert Plushly in his own piece, A Swarry Dansong, a duologue with music by Solomon. He then returned to the Savoy to star as Punka, the Rajah of Chutneypore, in Dance
George Dance (dramatist)
George Dance was an English lyricist and librettist in the 1890s and an important theatrical manager at the beginning of the 20th century....
, Desprez
Frank Desprez
Frank Desprez was an English playwright, essayist, and poet. He wrote more than twenty pieces for the theatre, as well as numerous shorter works, including his famous poem, Lasca.-Life and career:...
, and Solomon's The Nautch Girl
The Nautch Girl
thumb|right|250px|Solomon , with Gilbert and Sullivan irate at his success at the SavoyThe Nautch Girl, or, The Rajah of Chutneypore is a comic opera in two acts, with a book by George Dance, lyrics by Dance and Frank Desprez and music by Edward Solomon...
. In August 1891, Barrington and Jessie Bond
Jessie Bond
Jessie Bond was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company.Musical from an early age, Bond began a concert singing...
took a leave of absence from that show to tour a series of "musical duologues" (written by Barrington and composed by Edward Solomon
Edward Solomon
Edward Solomon was a prolific English composer, as well as a conductor, orchestrator and pianist. Though he died before his fortieth birthday, he wrote dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, such as The Nautch Girl, among others.-Early...
) throughout Britain, returning to the Savoy in November. In 1892, Barrington played the title role of the Reverend William Barlow, in Grundy and Solomon's The Vicar of Bray
The Vicar of Bray (opera)
The Vicar of Bray is a comic opera by Edward Solomon with a libretto by Sydney Grundy which opened at the Globe Theatre, in London, on 22 July 1882, for a run of only 69 performances. The public was not amused at a clergyman's being made the subject of ridicule, and the opera was regarded by some...
and then toured with that show. In September 1892, he created the role of Rupert Vernon in Grundy and Sullivan's Haddon Hall
Haddon Hall (opera)
Haddon Hall is an English light opera with music by Arthur Sullivan and a libretto by Sydney Grundy. It premiered at the Savoy Theatre on September 24, 1892 for a modestly successful run of 204 performances...
, making a critical splash. For example, The Figaro wrote: "Barrington... kept the audience in shouts of laughter the whole time [he was] on the stage." In 1893, he created the role of the Proctor in J. M. Barrie
J. M. Barrie
Sir James Matthew Barrie, 1st Baronet, OM was a Scottish author and dramatist, best remembered today as the creator of Peter Pan. The child of a family of small-town weavers, he was educated in Scotland. He moved to London, where he developed a career as a novelist and playwright...
, Arthur Conan Doyle
Arthur Conan Doyle
Sir Arthur Ignatius Conan Doyle DL was a Scottish physician and writer, most noted for his stories about the detective Sherlock Holmes, generally considered a milestone in the field of crime fiction, and for the adventures of Professor Challenger...
, and Ernest Ford
Ernest Ford
Ernest A. Claire Ford was an English composer of operas and ballet music and a conductor.-Life and career:Ford was born in Warminster, Wiltshire, England, the son of the vestry clerk and organist there. From 1868-73, he sang in the chorus at Salisbury Cathedral...
's Jane Annie
Jane Annie
Jane Annie, or The Good Conduct Prize is an opera written in 1893 by J. M. Barrie and Arthur Conan Doyle, with music by Ernest Ford, a conductor and occasional composer....
, which was unsuccessful at the Savoy but ran more successfully on tour. Barrington, a life-long golf enthusiast, speculated that one reason for the failure of Jane Annie in London was that the game of golf was not yet popular there. Despite the failure of the piece, Barrington was singled out for critical praise. Barrington next created the role of King Paramount I in Gilbert and Sullivan's Utopia, Limited
Utopia, Limited
Utopia, Limited; or, The Flowers of Progress, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances...
, opening in October of that year. Barrington's comedy, Bartonmere Towers, was also produced at a matinee at the Savoy in 1893, with Barrington playing Sir James Hanbury.
Barrington left the company again when Utopia closed, taking over the role of Dr Montague Brierly in the Hall
Owen Hall
Owen Hall was the pen name of the Irish-born 19th and early 20th century theatre writer and theatre critic James Davis when writing for the stage...
, Greenbank
Harry Greenbank
Harry Greenbank was an English author and dramatist best known for contributing lyrics to the successful series musicals produced at Daly's Theatre by George Edwardes in the 1890s.-Life and career:...
and Jones
Sidney Jones
James Sidney Jones , usually credited as Sidney Jones, was an English conductor and composer, most famous for producing the musical scores for a series of musical comedy hits in the late Victorian and Edwardian periods....
musical, A Gaiety Girl
A Gaiety Girl
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall , Harry Greenbank and Sidney Jones . It opened at Prince of Wales Theatre in London, produced by George Edwardes, on 14 October 1893 and ran for 413 performances. The show starred C...
(in 1894) produced at Daly's Theatre
Daly's Theatre
Daly's Theatre was a theatre in the City of Westminster. It was located at 2 Cranbourn Street, just off Leicester Square. It opened on 27 June 1893, and was demolished in 1937.-Early years:...
by George Edwardes
George Edwardes
George Joseph Edwardes was an English theatre manager of Irish ancestry who brought a new era in musical theatre to the British stage and beyond....
and on tour. Next, he appeared in Gilbert and Carr's His Excellency
His Excellency (opera)
His Excellency is a two-act comic opera with a libretto by W. S. Gilbert and music by F. Osmond Carr. The piece concerns a practical-joking governor whose pranks threaten to make everyone miserable, until the Prince Regent kindly foils the governor's plans...
(1894–95) creating the role of the Regent. The stage was dominated by a heroic-size statue of him in the role. Barrington also wrote and directed a one-act operetta, A Knight Errant, with music by Alfred Caldicott, which played as a companion piece with His Excellency at the Lyric Theatre
Lyric Theatre (London)
The Lyric Theatre is a West End theatre on Shaftesbury Avenue in the City of Westminster.Designed by architect C. J. Phipps, it was built by producer Henry Leslie with profits from the Alfred Cellier and B. C. Stephenson hit, Dorothy, which he transferred from the Prince of Wales Theatre to open...
. At Toole's Theatre, he played John Rimple in Thoroughbred, by Ralph R. Lumley, in early 1895. J. L. Toole had originated the role but took ill and was forced to retire. Barrington also played in some German Reed Entertainments, including a revival of Happy Arcadia
Happy Arcadia
Happy Arcadia is a musical entertainment with a libretto by W. S. Gilbert and music originally by Frederic Clay that premiered on 28 October 1872 at the Royal Gallery of Illustration. It was one of four collaborations between Gilbert and Clay between 1869 and 1876. The music is lost...
at St. George's Hall
St. George's Hall (London)
St. George's Hall was a theatre located in Langham Place, Regent Street in London, built in 1867, which closed in 1966. The hall could accommodate between 800 and 900 persons, or up to 1,500 persons including the galleries...
in 1895, starring Fanny Holland
Fanny Holland
Fanny Holland was an English singer and comic actress primarily known as the creator of principal soprano roles in numerous German Reed Entertainments.-Life and career:...
, and toured with the German Reeds.
In November 1895, Barrington returned to the Savoy as Pooh-Bah in another revival of The Mikado. In March 1896 he created the role of Ludwig in Gilbert and Sullivan's last opera, The Grand Duke
The Grand Duke
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
. In his 1908 memoir, Barrington wrote of some difficulty in getting along with his co-star, Ilka Pálmay
Ilka Pálmay
Ilka Pálmay 21 September 1859 – 17 February 1945), born Ilona Petráss, was a Hungarian-born singer and actress. Pálmay began her stage career in Hungary by 1880, and by the early 1890s, she was creating leading roles in opera and operetta at the Theater an der Wien in Vienna...
, who was cast in the role of Julia. As usual, the critics were pleased with Barrington, "on whom... falls the chief burden of the piece, is intensely funny as Ludwig, more especially in the absurd costume of the second act...." After another revival of The Mikado, Barrington again left the Savoy.
Musical comedy and music hall
Beginning in 1896, Barrington spent ten very successful years under the management of George EdwardesGeorge Edwardes
George Joseph Edwardes was an English theatre manager of Irish ancestry who brought a new era in musical theatre to the British stage and beyond....
at Daly's Theatre
Daly's Theatre
Daly's Theatre was a theatre in the City of Westminster. It was located at 2 Cranbourn Street, just off Leicester Square. It opened on 27 June 1893, and was demolished in 1937.-Early years:...
, first taking over the role of the Marquis Imari in The Geisha
The Geisha
The Geisha, a story of a tea house is an Edwardian Musical Comedy in two acts. The score was composed by Sidney Jones to a libretto by Owen Hall, with lyrics by Harry Greenbank. Additional songs were written by Lionel Monckton and James Philip....
(1896), and then creating roles in a number of other Edwardian musical comedy
Edwardian Musical Comedy
Edwardian musical comedies were British musical theatre shows from the period between the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following World War I.Between...
hits, including Marcus Pomponius in A Greek Slave
A Greek Slave
A Greek Slave is a musical comedy in two acts, first performed on 8 June 1898 at Daly's Theatre in London, produced by George Edwardes and ran for 349 performances. The score was composed by Sidney Jones with additional songs by Lionel Monckton and lyrics by Harry Greenbank and Adrian Ross. The...
(1898), Yen How in San Toy
San Toy
San Toy, or The Emperor's Own is a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899, and ran for 768 performances...
(1899), The Rajah of Bhong in A Country Girl
A Country Girl
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens....
(1902), and Boobhamba in The Cingalee
The Cingalee
The Cingalee, or Sunny Ceylon is a musical play in two acts by James T. Tanner, with music by Lionel Monckton, lyrics by Adrian Ross and Percy Greenbank, and additional material by Paul Rubens. It opened at Daly's Theatre in London, managed by George Edwardes, on March 5, 1904 and ran until March...
(1904), among others.
In these roles, he had more freedom to add "gags" than Gilbert had given him at the Savoy, and he often wrote topical verses to Adrian Ross
Adrian Ross
For the NFL player see Adrian Ross Arthur Reed Ropes , better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries...
's songs. However, Barrington complained that, in these musical comedies, the plot was nearly eliminated during rehearsals. During this time, Barrington often reprised his role as the Judge at benefit matinees. Also during this period, several of Barrington's stage works were produced by Arthur Bourchier
Arthur Bourchier
Arthur Bourchier was an English actor and theatre manager. He married and later divorced the actress Violet Vanbrugh....
at the Garrick Theatre
Garrick Theatre
The Garrick Theatre is a West End theatre, located on Charing Cross Road, in the City of Westminster. It opened on 24 April 1889 with The Profligate, a play by Arthur Wing Pinero. In its early years, it appears to have specialised in the performance of melodrama, and today the theatre is a...
, including Barrington's popular children's "fairy play" called Water Babies, based on Charles Kingsley
Charles Kingsley
Charles Kingsley was an English priest of the Church of England, university professor, historian and novelist, particularly associated with the West Country and northeast Hampshire.-Life and character:...
's 1863 book
The Water-Babies, A Fairy Tale for a Land Baby
The Water-Babies, A Fairy Tale for a Land Baby is a children's novel by the Reverend Charles Kingsley. Written in 1862–1863 as a serial for Macmillan's Magazine, it was first published in its entirety in 1863...
, with music by Frederick Rosse, Albert Fox and Alfred Cellier
Alfred Cellier
Alfred Cellier was an English composer, orchestrator and conductor.In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and...
(1902). Barrington directed Water Babies. Another Barrington play, Little Black Sambo and Little White Barbara, with music by Wilfred Bendall, enjoyed 31 matinees at the Garrick in 1904.
Barrington appeared between 1905 and 1907 in several musical comedies, including The White Chrysanthemum
The White Chrysanthemum
The White Chrysanthemum is an English musical in three acts by Arthur Anderson and Leedham Bantock, with lyrics by Anderson and music by Howard Talbot). It opened at the Criterion Theatre, produced by Frank Curzon, on 31 August 1905 and ran for 179 performances, closing on 10 February 1906...
(1905), as Admiral Sir Horatio Armitage, K.C.B. (with Isabel Jay
Isabel Jay
Isabel Jay was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company and in musical comedies...
, Louie Pounds
Louie Pounds
Louisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company....
and Henry Lytton
Henry Lytton
Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century...
). He also played Barnabas Goodeve in a revival of the farce The Candidate by Justin Huntly McCarthy at Wyndham's Theatre
Wyndham's Theatre
Wyndham's Theatre is a West End theatre, one of two opened by the actor/manager Charles Wyndham . Located on Charing Cross Road, in the City of Westminster, it was designed by W.G.R. Sprague about 1898, the architect of six other London theatres between then and 1916...
with Charles Wyndham
Charles Wyndham
Sir Charles Wyndham was an English actor-manager, born as Charles Culverwell in Liverpool, the son of a doctor. He was educated abroad, at King's College London and at the College of Surgeons and the Peter Street Anatomical School, Dublin...
. He then briefly played his old role in a revival of The Geisha in 1906, after which he created the role of the Pharaoh of Egypt in the successful comic opera Amasis (1906), by Philip Michael Faraday
Philip Michael Faraday
Philip Michael Faraday was an English lawyer, surveyor, composer, organist and theatrical producer. He composed one of the last Savoy operas, staged several long-running shows in the West End of London, and wrote a book about local taxation that was for many years the standard work on the subject...
and Frederick Fenn, both in London (where it ran for over 200 performances) and on extended tours.
During this period, Barrington performed his own solo music hall sketches at the Coliseum and produced various tours, performing standard topical songs of the day, including the only song that he recorded, "The Moody Mariner" (1905). This was based on a story in Many Cargoes by Jacobs, with lyrics by Barrington and music by Walter Slaughter
Walter Slaughter
Walter Alfred Slaughter was an English conductor and composer of musical comedy, comic opera and children's shows. He was engaged in the West End as a composer and musical director from 1883 to 1904.-Life and career:...
. Other such sketches and songs included "Man the Lifeboat" (1907), written by Leedham Bantock (starring also William Terriss
William Terriss
William Terriss was an English actor, known for his swashbuckling hero roles, such as Robin Hood, and in Shakespeare plays, and for his murder outside a London theatre. His daughter was the Edwardian musical comedy star Ellaline Terriss.-Life and career:Terriss's real name was William Charles...
) "Across the Silent Way" and "The Tramp" by Barrington and Slaughter, and Mummydom (1907), which he had written in 1903 with Wilfrid Bendall (Sullivan's former secretary) based on his play of the same name that had been produced some years earlier at Penley's Theatre. He also wrote a Rip van Winkle sketch for Courtice Pounds and a one-act musical drama, No. 442, His Escape (1907), with music by H. M. Higgs. Barrington became known for writing topical verses on short notice. In his 1908 memoir, he tells the following story:
Barrington returned to the D'Oyly Carte Opera Company in 1908 for the second of the London repertory seasons, playing Pooh-Bah, Captain Corcoran, Mountararat, and the Sergeant of Police once again, and adding the roles of Wilfred Shadbolt in Yeomen (finally completing his cycle of the extant Gilbert and Sullivan operas), and Don Alhambra in The Gondoliers to his Savoy repertoire. He then played in more music hall sketches and toured in musicals, including in A Member of Tattersall's, an adaptation by Adrian Ross of Leo Fall
Leo Fall
Leo Fall was an Austrian composer of operettas.-Life:Born in Olmütz , Leo Fall was taught by his father Moritz Fall , a bandmaster and composer, who settled in Berlin. The younger Fall studied at the Vienna Conservatory before rejoining his father in Berlin...
's Die Geschtedene Frau (1909, repeated in London in 1911); as the Marquis of Steyne in The Walls of Jericho (1909); and as Judge Tucker in The Bigamist (1910). In 1910, he created the role of Lucas van Tromp in The Girl in the Train
The Girl in the Train
Die geschiedene Frau , is an operetta in three acts by Leo Fall with a libretto by Victor Léon, after Victorien Sardou's Divorçons!...
at the Vaudeville Theatre
Vaudeville Theatre
The Vaudeville Theatre is a West End theatre on The Strand in the City of Westminster. As the name suggests, the theatre held mostly vaudeville shows and musical revues in its early days. It opened in 1870 and was rebuilt twice, although each new building retained elements of the previous...
.
Last years
Barrington also established himself on the legitimate stage, playing Falstaff in The Merry Wives of WindsorThe Merry Wives of Windsor
The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life...
at His Majesty's Theatre
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre, in Haymarket, City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre...
in 1911; in several other roles from 1911 to 1913; on tour in Other People's Babies, by Lechmere Worrall, in 1913; as Lord Leonard Alcar in the highly successful The Great Adventure by Arnold Bennett
Arnold Bennett
- Early life :Bennett was born in a modest house in Hanley in the Potteries district of Staffordshire. Hanley is one of a conurbation of six towns which joined together at the beginning of the twentieth century as Stoke-on-Trent. Enoch Bennett, his father, qualified as a solicitor in 1876, and the...
(1913-14; based on Bennett's 1908 novel, Buried Alive); as Max Somossy in The Joy-Ride Lady, by Arthur Anderson and Hartley Carrick at the New Theatre (1914); and Polonius in Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
and Christopher Sly in The Taming of the Shrew
The Taming of the Shrew
The Taming of the Shrew is a comedy by William Shakespeare, believed to have been written between 1590 and 1591.The play begins with a framing device, often referred to as the Induction, in which a mischievous nobleman tricks a drunken tinker named Sly into believing he is actually a nobleman himself...
at His Majesty's in 1916, among other roles. He continued to perform in London and in the provinces until 1918, from 1916 under the management of John Martin-Harvey
John Martin-Harvey
John Martin Harvey , known after his knighthood in 1921 as Sir John Martin-Harvey, was a romantic actor of the English theatre....
. One of his later successes was as the kindly bookmaker in A Member of Tattersall's. His last role was Claus in The Burgomaster of Stilemonde, by Count Maurice Maeterlinck
Maurice Maeterlinck
Maurice Polydore Marie Bernard Maeterlinck, also called Comte Maeterlinck from 1932, was a Belgian playwright, poet, and essayist who wrote in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life...
, at the Lyceum Theatre, Edinburgh, beginning in October 1918.
Barrington wrote horse racing columns for Punch
Punch (magazine)
Punch, or the London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 50s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration...
magazine under the pseudonym Lady Gay and also wrote two volumes of reminiscences, in 1908 and 1911. He also appeared in four silent films: "San Toy" (1900); as Mr. Texel in "The Great Adventure" (1915); as Septimus Beaumont in "The Girl Who Loves A Soldier" (1916); and as Mr. Potter in "Still Waters Run Deep" (1916). In addition to his avid interest in several sports, which he describes at length in his memoirs, Barrington was a skilled watercolourist.
After Barrington suffered a paralytic stroke in early 1919, he was unable to perform. He spent the rest of his life in poverty, although benefits were held and other efforts made to help him. He died in 1922 in the St. James's Infirmary, Balham
Balham, London
Balham is a neighbourhood of south London, England, and is part of the London Borough of Wandsworth and the London Borough of Lambeth.-History:...
, in South London
South London
South London is the southern part of London, England, United Kingdom.According to the 2011 official Boundary Commission for England definition, South London includes the London boroughs of Bexley, Bromley, Croydon, Greenwich, Kingston, Lambeth, Lewisham, Merton, Southwark, Sutton and...
, at the age of 69 and is buried in Lower Morden Lane at the Morden
Morden
Morden is a district in the London Borough of Merton. It is located approximately South-southwest of central London between Merton Park , Mitcham , Sutton and Worcester Park .- Origin of name :...
Cemetery, also known as Battersea New Cemetery, in Surrey
Surrey
Surrey is a county in the South East of England and is one of the Home Counties. The county borders Greater London, Kent, East Sussex, West Sussex, Hampshire and Berkshire. The historic county town is Guildford. Surrey County Council sits at Kingston upon Thames, although this has been part of...
. On the 75th anniversary of Barrington's death, a granite monument with a photoplaque of Barrington as Pooh-Bah was dedicated to him at the Morden Cemetery, by members of the Gilbert and Sullivan Society, the Sir Arthur Sullivan Society and others.
External links
- Profile of Barrington at the "Memories of the D'Oyly Carte" site
- Programme covers and brief descriptions of various productions in which Barrington appeared
- Cast and crew information about several productions in which Barrington appeared
- Reviews of Barrington in The Grand Duke
- Photo of Barrington as King Paramount