The Gondoliers
Encyclopedia
The Gondoliers; or, The King of Barataria is a Savoy Opera
, with music by Arthur Sullivan
and libretto by W. S. Gilbert
. It premiered at the Savoy Theatre
on 7 December 1889 and ran for a very successful 554 performances (at that time the fifth longest-running piece of musical theatre in history), closing on 30 June 1891. This was the twelfth comic opera
collaboration of fourteen between Gilbert and Sullivan
.
The story of the opera concerns the young bride of the heir to the throne of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria
has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives to claim her husband, she finds that the two gondoliers have both recently married local girls. A last complicating factor is that she, herself, is in love with another man.
The Gondoliers was Gilbert and Sullivan's last great success. In this opera, Gilbert returns to the satire of class distinctions figuring in many of his earlier librettos. The libretto also reflects Gilbert's fascination with the "Stock Company Act
", highlighting the absurd convergence of natural persons and legal entities, which plays an even larger part in the next opera, Utopia Limited. As in several of their earlier operas, by setting the work comfortably far away from England, Gilbert was emboldened to direct sharper criticism at the nobility and the institution of the monarchy itself.
collaborations, The Yeomen of the Guard
. On 9 January 1889, three months into that opera's fourteen-month run, Sullivan informed the librettist that he "wanted to do some dramatic work on a larger musical scale", that he "wished to get rid of the strongly marked rhythm, and rhymed couplets, and have words that would have a chance of developing musical effects." Gilbert counselled strongly that the partnership should continue on its former course:
On March 12, Sullivan responded, "I have lost the liking for writing comic opera, and entertain very grave doubts as to my power of doing it.... You say that in a serious opera, you must more or less sacrifice yourself. I say that this is just what I have been doing in all our joint pieces, and, what is more, must continue to do in comic opera to make it successful."
A series of increasingly acrimonious letters followed over the ensuing weeks, with Sullivan laying down new terms for the collaboration, and Gilbert insisting that he had always bent over backwards to comply with the composer's musical requirements. Gilbert tried to encourage his collaborator:
Gilbert offered a compromise that Sullivan ultimately accepted — that the composer would write a light opera for the Savoy, and a grand opera (Ivanhoe
) for a new theatre that Carte was constructing for that purpose. Sullivan's acceptance came with the proviso that "we are thoroughly agreed upon the subject." Gilbert suggested an opera based on a theatrical company, which Sullivan rejected (though a version of it would be resurrected in 1896 as The Grand Duke
), but he accepted an idea "connected with Venice and Venetian life, and this seemed to me to hold out great chances of bright colour and taking music. Can you not develop this with something we can both go into with warmth and enthusiasm and thus give me a subject in which (like the Mikado and Patience) we can both be interested....?"
Gilbert set to work on the new libretto by the early summer of 1889, and by the mid-summer Sullivan had started composing Act I. Gilbert provided Sullivan with alternative lyrics for many passages, allowing the composer to choose which ones he preferred. The long opening number (more than fifteen minutes of continuous music) was the librettist's idea, and it gave Sullivan the opportunity to establish the mood of the work through music. The costumes were designed by Percy Anderson
, with choreography by Willie Warde
.
They worked all summer and autumn, with a successful opening on 7 December 1889. Press accounts were almost entirely favourable, and the opera enjoyed a run longer than any of their other joint works except for H.M.S. Pinafore
, Patience
and The Mikado
. Sullivan's old collaborator on Cox and Box
(and the editor of Punch
), F. C. Burnand
, wrote, "Magnificento! ... I envy you and W.S.G. being able to place a piece like this on the stage in so complete a fashion."
, from Spain the Andalusian cachucha, from Italy the saltarello
and the tarantella
, and from Venice itself the Venetian barcarolle
'."
Of Gilbert's contribution, the Illustrated London News
reported, "Mr. W. S. Gilbert has returned to the Gilbert of the past, and everyone is delighted. He is himself again. The Gilbert of The Bab Ballads
, the Gilbert of whimsical conceit, inoffensive cynicism, subtle satire, and playful paradox; the Gilbert who invented a school of his own, who in it was schoolmaster and pupil, who has never taught anybody but himself, and is never likely to have any imitator—this is the Gilbert the public want to see, and this is the Gilbert who on Saturday night was cheered till the audience was weary of cheering any more."
There was a command performance
of The Gondoliers for Queen Victoria and the royal family at Windsor Castle
on 6 March 1891, the first performance of a Gilbert and Sullivan opera to be so honoured and the first theatrical entertainment to take place at Windsor since the death of Prince Albert thirty years earlier.
produced every Gilbert and Sullivan opera and had built the Savoy Theatre
specifically for productions of their shows. However, on several occasions during the 1880s the relationship among Gilbert, Sullivan and Carte had been strained.
In April 1890, during the run of The Gondoliers, Gilbert discovered that maintenance expenses for the theatre, including a new £500 carpet for the front lobby of the theatre, were being charged to the partnership instead of borne by Carte. Gilbert confronted Carte, but the producer refused to reconsider the accounts. Gilbert stormed out and wrote to Sullivan that "I left him with the remark that it was a mistake to kick down the ladder by which he had risen". Helen D'Oyly Carte
wrote that Gilbert had addressed Carte "in a way that I should not have thought you would have used to an offending menial." As scholar Andrew Crowther has explained:
Sullivan supported Carte, and Gilbert felt betrayed. Sullivan felt that Gilbert was questioning his good faith, and in any event, Sullivan had other reasons to stay in Carte's good graces: Carte was building a new theatre, the Royal English Opera House, to produce Sullivan's only grand opera
, Ivanhoe
. On 5 May 1890, Gilbert had written to Sullivan: "The time for putting an end to our collaboration has at last arrived." Gilbert brought suit, and after The Gondoliers closed in 1891, he withdrew the performance rights to his libretti and vowed to write no more operas for the Savoy.
Gilbert's aggressive, though successful, legal action had embittered Sullivan and Carte. But the partnership had been so profitable that Carte eventually sought to reunite the dramatist and composer. After many failed attempts by Carte and his wife, Gilbert and Sullivan reunited through the efforts of Tom Chappell
, who published the sheet music to their operas. In 1893, they produced their penultimate collaboration, Utopia, Limited
. But The Gondoliers would prove to be Gilbert and Sullivan's last big hit. Utopia was only a modest success, and their final collaboration, The Grand Duke
, in 1896, was a failure. The two would never collaborate again.
with twenty-four young maidens declaring their passionate love for a pair of gondoliers, Marco and Giuseppe Palmieri. These two gondoliers are so gallant and peerless in their manly beauty that the maidens are waiting for them to select brides before they can consider other suitors. The male chorus of merry gondoliers enters, saying that they adore the young ladies, but the ladies explain that the two brothers must choose first. When the Palmieri brothers enter, the ladies present them with flowers. The two gondoliers amiably offer to pick their two brides in a game of blind man's buff. "As all are young and fair, and amiable besides", they feel it would be unfair to show any favouritism. They appear to be cheating by peeking out from under their blindfolds, however. Eventually, from the crowd of twenty-four maidens, Giuseppe picks Tessa, and Marco picks Gianetta – "Just the very girl I wanted!" (although the two then politely offer to switch girls). All leave to go to church for the double wedding.
His Grace the Duke of Plaza Toro (Count Matadoro, Baron Picadoro), Her Grace the Duchess, their beautiful daughter Casilda, and their drummer boy, Luiz, now arrive in Venice from Spain. They have come to meet Don Alhambra del Bolero, the Grand Inquisitor
of Spain, who has summoned them to Venice. As Luiz goes to announce the Duke's presence, the Duke and Duchess tell their daughter a secret that they have kept for twenty years – when she was only six months old, she was married to the infant son and heir of the King of Barataria (a fictional island kingdom – in Don Quixote, Sancho becomes the governor of an island called Barataria). She is indignant, since the union was conducted without her knowledge. Also, as we soon discover, she is secretly in love with Luiz. However, the infant prince was stolen from his home by the Grand Inquisitor after the king of Barataria became a Wesleyan Methodist
"of the most bigoted and persecuting type", and taken to Venice. The King of Barataria was recently killed in an insurrection, and the lost prince is now king. As the wife of the new king, Casilda is now the reigning queen of Barataria, and her parents have brought her to meet with the Grand Inquisitor to be introduced to her husband. Left alone together, Casilda breaks this news to Luiz, and they resign themselves to a life forever apart, with only their happy memories to comfort them.
When the Grand Inquisitor enters, he explains that the prince was raised incognito by Baptisto Palmieri, a humble gondolier, who had a young son of his own about the same age. The gondolier was a drunkard and eventually forgot which boy was his own son and which boy was the prince of Barataria. The two boys (Marco and Giuseppe) grew up and now are both gondoliers themselves. Fortunately, the nurse who took care of the infant prince (and who happens to be Luiz's mother), is now living in the mountains, married to "a highly respectable brigand". Don Alhambra says that he has located her and that she will be able to reveal which of the two gondoliers is the lost prince. If not, he says, "then the persuasive influence of the torture chamber will jog her memory."
In the next scene, the two gondoliers have married Tessa and Gianetta, and as they are extolling the virtues of marriage, Don Alhambra arrives and informs them that one of them is the King of Barataria, but no one knows which. Despite being Republicans, the gondoliers and their new wives are delighted, and agree to go to Barataria at once, acting as one individual until the actual king is identified. The Grand Inquisitor tells them, however, that ladies are not admitted until the actual king is identified, and then each couple can be reunited. The Grand Inquisitor neglects to mention that the King is married to Casilda, fearing that it would cause the men to refuse to leave their new wives. As the two wives are imagining what it will be like to be a queen, their friends enter, and Marco and Giuseppe announce their discovery and promise to reign in a Republican fashion. They announce that in their kingdom, "All shall equal be" and will create new posts such as "the Lord High Coachman on the Box, the Lord High Vagabond in the Stocks". All the men then set sail for Barataria, leaving their wives behind in Venice.
. The gondoliers attempt to console their wives, who are distraught to discover that neither one will be queen, and that one is married to someone who was already married.
The Duke and Duchess of Plaza Toro soon arrive with the beautiful Casilda. They are now dressed in style, and the Duke explains how he was applied for by the public under the Limited Liability Company Act, and how they now earn a very good living. Appalled, however, at the lack of pomp and ceremony with which they were received, he attempts to educate the two monarchs in proper royal behaviour. After a lesson in etiquette, the two Palmieri brothers are left alone with Casilda. She agrees to be an obedient wife, but warns them that she is "over head and ears in love with someone else." Seizing this opportunity, the two men introduce their wives. The three ladies and two men sing a quintet about their unprecedented predicament.
Don Alhambra brings in the nurse who had tended the infant prince of Barataria twenty years ago. She reveals that when the Grand Inquisitor came to steal the prince, she had loyally hidden him away, and given Don Alhambra her own young son instead. Thus, the king is neither Marco nor Giuseppe, but her own son, Luiz. This resolves the romantic entanglements to everyone's satisfaction. Casilda finds that she is already married to the man she loves, Luiz. The two gondoliers surrender their crown to Luiz and, though a bit disappointed that neither will be a king, they can return happily to Venice with their wives. There is a final dance for the full company, reprising the gondoliers' Act I duet and the cachucha.
Act I
Act II
, H.M.S. Pinafore
and Patience
). It earned more money than any other Savoy opera in its original run. 20,000 copies of the published score were sold on publication, and over 70,000 copies of various arrangements were sold within a few days. D'Oyly Carte's "E" Company mounted the first provincial production on 19 February 1890 in Preston. From then on, it was never absent from the touring repertory until it was omitted from the final two seasons (September 1980–February 1982) before the closing of the D'Oyly Carte Opera Company
.
The opera fared less well in New York. It opened at the New Park Theatre on 7 January 1890 and was immediately panned. Gilbert "refused to indorse [sic] the company sent to New York ... because he considered the company a 'scratch' one." Carte came to New York to investigate and closed the production on 13 February. He brought in replacements for most of the cast, and remounted the production at Palmer's Theatre on 18 February. However, the damage was done, and the production ran for just 103 performances in total. The New York press dubbed the opera "the gone-dollars." The first production on the European continent was given at the Theater an der Wien
, Vienna
(as Die Gondoliere) on 20 September 1890. In Australia, its first authorised performance was on 25 October 1890 at the Princess Theatre, Melbourne
, produced by J. C. Williamson
.
A new production, with costumes designed by Charles Ricketts
, was prepared for the opening of the renovated Savoy Theatre on 21 October 1929. The critic Ernest Newman
wrote: "It was a subtle stroke to open with The Gondoliers; there is a peculiar richness of blood in the music of this work that makes the new theatre and the new designs and dresses by Mr. Charles Ricketts particularly appropriate...." The performance was conducted by Malcolm Sargent
, and the theatre's only box was occupied by Lady Gilbert. Another notable new production was staged by the company in 1958 at the Princes Theatre with costumes by Peter Goffin
.
The first non-D'Oyly Carte professional production in the United Kingdom was given by Scottish Opera
on 12 December 1968, with Ian Wallace
as the Duke. There was also a production by the New Sadler's Wells Opera in February 1984, with John Fryatt
as the Duke and Donald Adams
as Don Alhambra. A Mafia-themed adaptation of the opera, by John Doyle
and Sarah Travis
, was given at the Watermill Theatre
and transferred to the Apollo Theatre
in the West End
in 2001. The production utilised Doyle's signature conceit of the actors playing their own orchestra instruments.
The following table shows the history of the D'Oyly Carte productions in Gilbert's lifetime:
The International Gilbert and Sullivan Festival
offers various video recordings of the opera, including its 2004 professional G&S Opera Company video.
Selected recordings
Savoy opera
The Savoy Operas denote a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house...
, with music by Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
and libretto by W. S. Gilbert
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
. It premiered at the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
on 7 December 1889 and ran for a very successful 554 performances (at that time the fifth longest-running piece of musical theatre in history), closing on 30 June 1891. This was the twelfth comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
collaboration of fourteen between Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
.
The story of the opera concerns the young bride of the heir to the throne of Barataria who arrives in Venice to join her husband. It turns out, however, that he cannot be identified, since he was entrusted to the care of a drunken gondolier who mixed up the prince with his own son. To complicate matters, the King of Barataria
Barataria
-Places:Trinidad and Tobago*Barataria, Trinidad and TobagoUnited States*Barataria, Louisiana*Barataria Bay , Louisiana*The Barataria Preserve, part of Jean Lafitte National Historical Park and Preserve, Louisiana-In fiction:...
has just been killed. The two young gondoliers must now jointly rule the kingdom until the nurse of the prince can be brought in to determine which of them is the rightful king. Moreover, when the young queen arrives to claim her husband, she finds that the two gondoliers have both recently married local girls. A last complicating factor is that she, herself, is in love with another man.
The Gondoliers was Gilbert and Sullivan's last great success. In this opera, Gilbert returns to the satire of class distinctions figuring in many of his earlier librettos. The libretto also reflects Gilbert's fascination with the "Stock Company Act
Joint Stock Companies Act 1844
The Joint Stock Companies Act 1844 was an Act of the Parliament of the United Kingdom that expanded access to the incorporation of joint-stock companies....
", highlighting the absurd convergence of natural persons and legal entities, which plays an even larger part in the next opera, Utopia Limited. As in several of their earlier operas, by setting the work comfortably far away from England, Gilbert was emboldened to direct sharper criticism at the nobility and the institution of the monarchy itself.
Genesis of the opera
The Gondoliers was preceded by the most serious of the Gilbert and SullivanGilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
collaborations, The Yeomen of the Guard
The Yeomen of the Guard
The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances...
. On 9 January 1889, three months into that opera's fourteen-month run, Sullivan informed the librettist that he "wanted to do some dramatic work on a larger musical scale", that he "wished to get rid of the strongly marked rhythm, and rhymed couplets, and have words that would have a chance of developing musical effects." Gilbert counselled strongly that the partnership should continue on its former course:
On March 12, Sullivan responded, "I have lost the liking for writing comic opera, and entertain very grave doubts as to my power of doing it.... You say that in a serious opera, you must more or less sacrifice yourself. I say that this is just what I have been doing in all our joint pieces, and, what is more, must continue to do in comic opera to make it successful."
A series of increasingly acrimonious letters followed over the ensuing weeks, with Sullivan laying down new terms for the collaboration, and Gilbert insisting that he had always bent over backwards to comply with the composer's musical requirements. Gilbert tried to encourage his collaborator:
Gilbert offered a compromise that Sullivan ultimately accepted — that the composer would write a light opera for the Savoy, and a grand opera (Ivanhoe
Ivanhoe (opera)
Ivanhoe is a romantic opera in three acts based on the novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, unheard of for a grand opera...
) for a new theatre that Carte was constructing for that purpose. Sullivan's acceptance came with the proviso that "we are thoroughly agreed upon the subject." Gilbert suggested an opera based on a theatrical company, which Sullivan rejected (though a version of it would be resurrected in 1896 as The Grand Duke
The Grand Duke
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
), but he accepted an idea "connected with Venice and Venetian life, and this seemed to me to hold out great chances of bright colour and taking music. Can you not develop this with something we can both go into with warmth and enthusiasm and thus give me a subject in which (like the Mikado and Patience) we can both be interested....?"
Gilbert set to work on the new libretto by the early summer of 1889, and by the mid-summer Sullivan had started composing Act I. Gilbert provided Sullivan with alternative lyrics for many passages, allowing the composer to choose which ones he preferred. The long opening number (more than fifteen minutes of continuous music) was the librettist's idea, and it gave Sullivan the opportunity to establish the mood of the work through music. The costumes were designed by Percy Anderson
Percy Anderson
Percy Anderson was an English stage designer and painter, best known for his work for the D'Oyly Carte Opera Company, Sir Herbert Beerbohm Tree's company at His Majesty’s Theatre and Edwardian musical comedies.-Life and career:...
, with choreography by Willie Warde
Willie Warde
Willie Warde was an English actor, dancer, singer and choreographer. The son of a dancer, his first theatre work was with a dance company. He was engaged to arrange dances for London productions and was later cast as a comic actor in musical theatre...
.
They worked all summer and autumn, with a successful opening on 7 December 1889. Press accounts were almost entirely favourable, and the opera enjoyed a run longer than any of their other joint works except for H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
, Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
and The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
. Sullivan's old collaborator on Cox and Box
Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two...
(and the editor of Punch
Punch (magazine)
Punch, or the London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 50s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration...
), F. C. Burnand
Francis Burnand
Sir Francis Cowley Burnand , often credited as F. C. Burnand, was an English comic writer and dramatist....
, wrote, "Magnificento! ... I envy you and W.S.G. being able to place a piece like this on the stage in so complete a fashion."
Reaction of the press and public
Leslie Baily notes, "The bubbling, champagne-quality of the libretto brought out the gayest Sullivan, and the Italian setting called up a warm, southern response from his own ancestry. The Graphic (14 December 1889) pointed out that the music contains not only an English idiom but 'the composer has borrowed from France the stately gavotteGavotte
The gavotte originated as a French folk dance, taking its name from the Gavot people of the Pays de Gap region of Dauphiné, where the dance originated. It is notated in 4/4 or 2/2 time and is of moderate tempo...
, from Spain the Andalusian cachucha, from Italy the saltarello
Saltarello
The saltarello was a lively, merry dance first mentioned in Naples during the 13th century. The music survives, but no early instructions for the actual dance are known. It was played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare .-History:The...
and the tarantella
Tarantella
The term tarantella groups a number of different southern Italian couple folk dances characterized by a fast upbeat tempo, usually in 6/8 time , accompanied by tambourines. It is among the most recognized of traditional Italian music. The specific dance name varies with every region, for instance...
, and from Venice itself the Venetian barcarolle
Barcarolle
A barcarole is a folk song sung by Venetian gondoliers, or a piece of music composed in that style...
'."
Of Gilbert's contribution, the Illustrated London News
Illustrated London News
The Illustrated London News was the world's first illustrated weekly newspaper; the first issue appeared on Saturday 14 May 1842. It was published weekly until 1971 and then increasingly less frequently until publication ceased in 2003.-History:...
reported, "Mr. W. S. Gilbert has returned to the Gilbert of the past, and everyone is delighted. He is himself again. The Gilbert of The Bab Ballads
Bab Ballads
The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings. Gilbert wrote the Ballads before he became famous for his comic opera librettos with Arthur Sullivan...
, the Gilbert of whimsical conceit, inoffensive cynicism, subtle satire, and playful paradox; the Gilbert who invented a school of his own, who in it was schoolmaster and pupil, who has never taught anybody but himself, and is never likely to have any imitator—this is the Gilbert the public want to see, and this is the Gilbert who on Saturday night was cheered till the audience was weary of cheering any more."
There was a command performance
Royal Command Performance
For the annual Royal Variety Performance performed in Britain for the benefit of the Entertainment Artistes' Benevolent Fund, see Royal Variety Performance...
of The Gondoliers for Queen Victoria and the royal family at Windsor Castle
Windsor Castle
Windsor Castle is a medieval castle and royal residence in Windsor in the English county of Berkshire, notable for its long association with the British royal family and its architecture. The original castle was built after the Norman invasion by William the Conqueror. Since the time of Henry I it...
on 6 March 1891, the first performance of a Gilbert and Sullivan opera to be so honoured and the first theatrical entertainment to take place at Windsor since the death of Prince Albert thirty years earlier.
The Carpet Quarrel
With the exception of their first opera, Richard D'Oyly CarteRichard D'Oyly Carte
Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer and hotelier during the latter half of the Victorian era...
produced every Gilbert and Sullivan opera and had built the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
specifically for productions of their shows. However, on several occasions during the 1880s the relationship among Gilbert, Sullivan and Carte had been strained.
In April 1890, during the run of The Gondoliers, Gilbert discovered that maintenance expenses for the theatre, including a new £500 carpet for the front lobby of the theatre, were being charged to the partnership instead of borne by Carte. Gilbert confronted Carte, but the producer refused to reconsider the accounts. Gilbert stormed out and wrote to Sullivan that "I left him with the remark that it was a mistake to kick down the ladder by which he had risen". Helen D'Oyly Carte
Helen D'Oyly Carte
Helen Carte or Helen Lenoir was the second wife of impresario and hotelier Richard D'Oyly Carte. She is best known for her stewardship of the D'Oyly Carte Opera Company and Savoy Hotel from the end of the 19th Century and into the early 20th century.Born in Wigtown, Scotland, Helen attended the...
wrote that Gilbert had addressed Carte "in a way that I should not have thought you would have used to an offending menial." As scholar Andrew Crowther has explained:
Sullivan supported Carte, and Gilbert felt betrayed. Sullivan felt that Gilbert was questioning his good faith, and in any event, Sullivan had other reasons to stay in Carte's good graces: Carte was building a new theatre, the Royal English Opera House, to produce Sullivan's only grand opera
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterised by large-scale casts and orchestras, and lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events...
, Ivanhoe
Ivanhoe (opera)
Ivanhoe is a romantic opera in three acts based on the novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, unheard of for a grand opera...
. On 5 May 1890, Gilbert had written to Sullivan: "The time for putting an end to our collaboration has at last arrived." Gilbert brought suit, and after The Gondoliers closed in 1891, he withdrew the performance rights to his libretti and vowed to write no more operas for the Savoy.
Gilbert's aggressive, though successful, legal action had embittered Sullivan and Carte. But the partnership had been so profitable that Carte eventually sought to reunite the dramatist and composer. After many failed attempts by Carte and his wife, Gilbert and Sullivan reunited through the efforts of Tom Chappell
Chappell & Co.
Chappell & Co. was an English company that published music and manufactured pianos.-History:It was founded in 1810 by Samuel Chappell in partnership with music professors Francis Tatton Latour and Johann Baptist Cramer. Cramer was also a well-known London composer, teacher and pianist...
, who published the sheet music to their operas. In 1893, they produced their penultimate collaboration, Utopia, Limited
Utopia, Limited
Utopia, Limited; or, The Flowers of Progress, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances...
. But The Gondoliers would prove to be Gilbert and Sullivan's last big hit. Utopia was only a modest success, and their final collaboration, The Grand Duke
The Grand Duke
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
, in 1896, was a failure. The two would never collaborate again.
Roles
- The Duke of Plaza-Toro, A Grandee of Spain (comic baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
) - Luiz, his Attendant (lyric baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
or tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
) - Don Alhambra del Bolero, the Grand Inquisitor (bass-baritoneBass-baritoneA bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the Dutchman in Der fliegende...
) - Marco Palmieri, Venetian Gondolier (tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
) - Giuseppe Palmieri, Venetian Gondolier (baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
) - Antonio, Venetian Gondolier (baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
) - Francesco, Venetian Gondolier (tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
) - Giorgio, Venetian Gondolier (bass)
- Annibale, Venetian Gondolier (speaking role/chorus)
- The Duchess of Plaza-Toro (contraltoContraltoContralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
) - Casilda, her Daughter (sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
) - Gianetta, Contadina (sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
) - Tessa, Contadina (mezzo-sopranoMezzo-sopranoA mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
) - Fiametta, Contadina (sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
) - Vittoria, Contadina (mezzo-sopranoMezzo-sopranoA mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
) - Giulia, Contadina (mezzo-sopranoMezzo-sopranoA mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
) - Inez, the King's Foster-mother (contraltoContraltoContralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
)
- Chorus of Gondoliers and Contadine, Men-at-Arms, Heralds and Pages
Act I
The scene opens in VeniceVenice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
with twenty-four young maidens declaring their passionate love for a pair of gondoliers, Marco and Giuseppe Palmieri. These two gondoliers are so gallant and peerless in their manly beauty that the maidens are waiting for them to select brides before they can consider other suitors. The male chorus of merry gondoliers enters, saying that they adore the young ladies, but the ladies explain that the two brothers must choose first. When the Palmieri brothers enter, the ladies present them with flowers. The two gondoliers amiably offer to pick their two brides in a game of blind man's buff. "As all are young and fair, and amiable besides", they feel it would be unfair to show any favouritism. They appear to be cheating by peeking out from under their blindfolds, however. Eventually, from the crowd of twenty-four maidens, Giuseppe picks Tessa, and Marco picks Gianetta – "Just the very girl I wanted!" (although the two then politely offer to switch girls). All leave to go to church for the double wedding.
His Grace the Duke of Plaza Toro (Count Matadoro, Baron Picadoro), Her Grace the Duchess, their beautiful daughter Casilda, and their drummer boy, Luiz, now arrive in Venice from Spain. They have come to meet Don Alhambra del Bolero, the Grand Inquisitor
Grand Inquisitor
Grand Inquisitor is the lead official of an Inquisition. The most famous Inquisitor General is the Spanish Dominican Tomás de Torquemada, who spearheaded the Spanish Inquisition.-List of Spanish Grand Inquisitors:-Castile:-Aragon:...
of Spain, who has summoned them to Venice. As Luiz goes to announce the Duke's presence, the Duke and Duchess tell their daughter a secret that they have kept for twenty years – when she was only six months old, she was married to the infant son and heir of the King of Barataria (a fictional island kingdom – in Don Quixote, Sancho becomes the governor of an island called Barataria). She is indignant, since the union was conducted without her knowledge. Also, as we soon discover, she is secretly in love with Luiz. However, the infant prince was stolen from his home by the Grand Inquisitor after the king of Barataria became a Wesleyan Methodist
Methodist Church of Great Britain
The Methodist Church of Great Britain is the largest Wesleyan Methodist body in the United Kingdom, with congregations across Great Britain . It is the United Kingdom's fourth largest Christian denomination, with around 300,000 members and 6,000 churches...
"of the most bigoted and persecuting type", and taken to Venice. The King of Barataria was recently killed in an insurrection, and the lost prince is now king. As the wife of the new king, Casilda is now the reigning queen of Barataria, and her parents have brought her to meet with the Grand Inquisitor to be introduced to her husband. Left alone together, Casilda breaks this news to Luiz, and they resign themselves to a life forever apart, with only their happy memories to comfort them.
When the Grand Inquisitor enters, he explains that the prince was raised incognito by Baptisto Palmieri, a humble gondolier, who had a young son of his own about the same age. The gondolier was a drunkard and eventually forgot which boy was his own son and which boy was the prince of Barataria. The two boys (Marco and Giuseppe) grew up and now are both gondoliers themselves. Fortunately, the nurse who took care of the infant prince (and who happens to be Luiz's mother), is now living in the mountains, married to "a highly respectable brigand". Don Alhambra says that he has located her and that she will be able to reveal which of the two gondoliers is the lost prince. If not, he says, "then the persuasive influence of the torture chamber will jog her memory."
In the next scene, the two gondoliers have married Tessa and Gianetta, and as they are extolling the virtues of marriage, Don Alhambra arrives and informs them that one of them is the King of Barataria, but no one knows which. Despite being Republicans, the gondoliers and their new wives are delighted, and agree to go to Barataria at once, acting as one individual until the actual king is identified. The Grand Inquisitor tells them, however, that ladies are not admitted until the actual king is identified, and then each couple can be reunited. The Grand Inquisitor neglects to mention that the King is married to Casilda, fearing that it would cause the men to refuse to leave their new wives. As the two wives are imagining what it will be like to be a queen, their friends enter, and Marco and Giuseppe announce their discovery and promise to reign in a Republican fashion. They announce that in their kingdom, "All shall equal be" and will create new posts such as "the Lord High Coachman on the Box, the Lord High Vagabond in the Stocks". All the men then set sail for Barataria, leaving their wives behind in Venice.
Act II
In Barataria, the chorus of gondoliers are enjoying living under "a monarchy that's tempered with Republican equality". It turns out that Marco and Giuseppe have in fact been doing all the work around the palace for the past three months - it is the privilege of royalty! They are happy enough with this arrangement, except that they are worried about having to share a single portion of rations between the two of them, and they miss their wives. Soon, however, all the ladies arrive, having risked the long sea voyage from Venice – they could no longer stand the separation. In delight, the reunited couples have a magnificent banquet and a dance (a cachucha). The Grand Inquisitor arrives at the ball and inquires why he saw unimportant servants dancing. Realising that the Republican gondoliers have promoted everyone to the nobility, he explains that there must be a distinction between commoners and those of rank, because "when everyone is somebody, then no-one's anybody". He then breaks the news that one of the gondoliers had married Casilda when a baby and therefore is an unintentional bigamistBigamy
In cultures that practice marital monogamy, bigamy is the act of entering into a marriage with one person while still legally married to another. Bigamy is a crime in most western countries, and when it occurs in this context often neither the first nor second spouse is aware of the other...
. The gondoliers attempt to console their wives, who are distraught to discover that neither one will be queen, and that one is married to someone who was already married.
The Duke and Duchess of Plaza Toro soon arrive with the beautiful Casilda. They are now dressed in style, and the Duke explains how he was applied for by the public under the Limited Liability Company Act, and how they now earn a very good living. Appalled, however, at the lack of pomp and ceremony with which they were received, he attempts to educate the two monarchs in proper royal behaviour. After a lesson in etiquette, the two Palmieri brothers are left alone with Casilda. She agrees to be an obedient wife, but warns them that she is "over head and ears in love with someone else." Seizing this opportunity, the two men introduce their wives. The three ladies and two men sing a quintet about their unprecedented predicament.
Don Alhambra brings in the nurse who had tended the infant prince of Barataria twenty years ago. She reveals that when the Grand Inquisitor came to steal the prince, she had loyally hidden him away, and given Don Alhambra her own young son instead. Thus, the king is neither Marco nor Giuseppe, but her own son, Luiz. This resolves the romantic entanglements to everyone's satisfaction. Casilda finds that she is already married to the man she loves, Luiz. The two gondoliers surrender their crown to Luiz and, though a bit disappointed that neither will be a king, they can return happily to Venice with their wives. There is a final dance for the full company, reprising the gondoliers' Act I duet and the cachucha.
Musical numbers
- Overture
Act I
- 1. "List and learn" (Gondoliers, Antonio, Marco, Giuseppe, and Chorus of Contadine)
- 2. "From the sunny Spanish shore" (Duke, Duchess, Casilda, and Luiz)
- 3. "In enterprise of martial kind" (Duke with Duchess, Casilda, and Luiz)
- 4. "O rapture, when alone together" (Casilda and Luiz)
- 5. "There was a time" (Casilda and Luiz)
- 6. "I stole the prince" (Don Alhambra with Duke, Duchess, Casilda, and Luiz)
- 7. "But, bless my heart" (Casilda and Don Alhambra)
- 8. "Try we life-long" (Duke, Duchess, Casilda, Luiz, and Don Alhambra)
- 9. "Bridegroom and bride" (Chorus)
- 9a. "When a merry maiden marries" (Tessa)
- 10. "Kind sir, you cannot have the heart" (Gianetta)
- 10a. "Then one of us will be a Queen" (Marco, Giuseppe, Gianetta, and Tessa)
Act II
- 11. "Of happiness the very pith" (Marco, Giuseppe, and Chorus of Men)
- 12. "Rising early in the morning" (Giuseppe with Chorus)
- 13. "Take a pair of sparkling eyes" (Marco)
- 14. "Here we are at the risk of our lives" (Giuseppe, Tessa, Gianetta, Marco, and Chorus)
- 15. "Dance a cachuchaCachucaCachucha is a Spanish solo dance in 3/4 to 3/8 of the time similar to Bolero. Cachucha is danced to an Andalusian national song with castanet accompaniment.- Etymology :From Spanish cachucha, small boat...
" (Chorus and Dance) - 16. "There lived a king" (Don Alhambra with Marco and Giuseppe)
- 17. "In a contemplative fashion" (Marco, Giuseppe, Gianetta, and Tessa)
- 18. "With ducal pomp" (Chorus of Men with Duke and Duchess)
- 19. "On the day when I was wedded" (Duchess)
- 20. "To help unhappy commoners" (Duke and Duchess)
- 21. "I am a courtier grave and serious" (Duke, Duchess, Casilda, Marco, and Giuseppe)
- 22. "Here is a case unprecedented" (Marco, Giuseppe, Casilda, Gianetta, Tessa, and Chorus)
Productions
The Gondoliers was immediately a hit in London, playing for 554 performances, the fourth longest of the series (after The MikadoThe Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
, H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
and Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
). It earned more money than any other Savoy opera in its original run. 20,000 copies of the published score were sold on publication, and over 70,000 copies of various arrangements were sold within a few days. D'Oyly Carte's "E" Company mounted the first provincial production on 19 February 1890 in Preston. From then on, it was never absent from the touring repertory until it was omitted from the final two seasons (September 1980–February 1982) before the closing of the D'Oyly Carte Opera Company
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
.
The opera fared less well in New York. It opened at the New Park Theatre on 7 January 1890 and was immediately panned. Gilbert "refused to indorse [sic] the company sent to New York ... because he considered the company a 'scratch' one." Carte came to New York to investigate and closed the production on 13 February. He brought in replacements for most of the cast, and remounted the production at Palmer's Theatre on 18 February. However, the damage was done, and the production ran for just 103 performances in total. The New York press dubbed the opera "the gone-dollars." The first production on the European continent was given at the Theater an der Wien
Theater an der Wien
The Theater an der Wien is a historic theatre on the Left Wienzeile in the Mariahilf district of Vienna. Completed in 1801, it has seen the premieres of many celebrated works of theatre, opera, and symphonic music...
, Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
(as Die Gondoliere) on 20 September 1890. In Australia, its first authorised performance was on 25 October 1890 at the Princess Theatre, Melbourne
Melbourne
Melbourne is the capital and most populous city in the state of Victoria, and the second most populous city in Australia. The Melbourne City Centre is the hub of the greater metropolitan area and the Census statistical division—of which "Melbourne" is the common name. As of June 2009, the greater...
, produced by J. C. Williamson
J. C. Williamson
James Cassius Williamson was an American actor and later Australia's foremost theatrical manager, founding J. C. Williamson Ltd....
.
A new production, with costumes designed by Charles Ricketts
Charles Ricketts
Charles de Sousy Ricketts was a versatile English artist, illustrator, author and printer, and is best known for his work as book designer and typographer from 1896 to 1904 with the Vale Press, and his work in the theatre as a set and costume designer.-Life and career:Ricketts was born in Geneva...
, was prepared for the opening of the renovated Savoy Theatre on 21 October 1929. The critic Ernest Newman
Ernest Newman
Ernest Newman was an English music critic and musicologist. Grove's Dictionary of Music and Musicians describes him as "the most celebrated British music critic in the first half of the 20th century." His style of criticism, aiming at intellectual objectivity in contrast to the more subjective...
wrote: "It was a subtle stroke to open with The Gondoliers; there is a peculiar richness of blood in the music of this work that makes the new theatre and the new designs and dresses by Mr. Charles Ricketts particularly appropriate...." The performance was conducted by Malcolm Sargent
Malcolm Sargent
Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works...
, and the theatre's only box was occupied by Lady Gilbert. Another notable new production was staged by the company in 1958 at the Princes Theatre with costumes by Peter Goffin
Peter Goffin
Peter Goffin F.R.S.A. , was an English set and costume designer and stage manager, known for his work with the D'Oyly Carte Opera Company.-Biography:...
.
The first non-D'Oyly Carte professional production in the United Kingdom was given by Scottish Opera
Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies funded by the Scottish Government...
on 12 December 1968, with Ian Wallace
Ian Wallace (singer)
Ian Bryce Wallace OBE was a British bass-baritone opera and concert singer, actor and broadcaster of Scottish extraction....
as the Duke. There was also a production by the New Sadler's Wells Opera in February 1984, with John Fryatt
John Fryatt
John James Fryatt was an English actor and opera singer best known for his performance in comic character roles....
as the Duke and Donald Adams
Donald Adams
Charles Donald Adams was an English opera singer and actor, best known for his performances in bass-baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company and his own company, Gilbert and Sullivan for All.Adams began his career with the BBC Repertory Company in 1944...
as Don Alhambra. A Mafia-themed adaptation of the opera, by John Doyle
John Doyle (director)
John Doyle is a Tony Award winning Scottish stage director for musicals and plays, as well as operas. He has served as artistic director at several regional theatres in the United Kingdom, where he has staged more than 200 professional productions during his career spanning 30...
and Sarah Travis
Sarah Travis
Sarah Travis is a British orchestrator and musical supervisor for theatre and film. She received the Tony Award for Best Orchestrations and the Drama Desk Award for Outstanding Orchestrations for the 2005 revival of Stephen Sondheim's Sweeney Todd.-Career:...
, was given at the Watermill Theatre
Watermill Theatre
The Watermill Theatre is an award -winning, professional repertory theatre with charitable status. It is a converted watermill with gardens beside the River Lambourn, in Bagnor, near Newbury, Berkshire, England...
and transferred to the Apollo Theatre
Apollo Theatre
The Apollo Theatre is a Grade II listed West End theatre, on Shaftesbury Avenue in the City of Westminster. Designed by architect Lewin Sharp for owner Henry Lowenfield, and the fourth legitimate theatre to be constructed on the street, its doors opened on 21 February 1901 with the American...
in the West End
West End theatre
West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English speaking...
in 2001. The production utilised Doyle's signature conceit of the actors playing their own orchestra instruments.
The following table shows the history of the D'Oyly Carte productions in Gilbert's lifetime:
Theatre | Opening Date | Closing Date | Perfs. | Details |
---|---|---|---|---|
Savoy Theatre | 7 December 1889 | 20 June 1891 | 554 | First London run. |
New Park Theatre, New York | 7 January 1890 | 13 February 1890 | 103 | Authorised American production. |
Palmer's Theatre, New York | 18 February 1890 | 19 April 1890 | ||
Savoy Theatre | 22 March 1898 | 21 May 1898 | 62 | First London Revival; interrupted for the production of The Beauty Stone The Beauty Stone The Beauty Stone is an opera, billed as a "romantic musical drama" in three acts, composed by Arthur Sullivan to a libretto by Arthur Wing Pinero and J. Comyns Carr. The medieval Faustian story concerns an ugly, crippled girl, who dreams of being beautiful and meeting a handsome prince. The Devil... from 28 May – 16 July 1898. |
17 July 1898 | 17 September 1898 | 63 | ||
Savoy Theatre | 22 January 1907 | 24 August 1907 | 75 | First Savoy repertory season; played with three other operas (closing date shown is of the entire season). |
Savoy Theatre | 18 January 1909 | 27 March 1909 | 22 | Second Savoy repertory season; played with five other operas (closing date shown is of the entire season). |
Historical casting
The following tables show the casts of the principal early productions and D'Oyly Carte Opera Company touring repertory at various times through to the company's 1982 closure. The roles of Ottavio and the Drummer Boy were credited only in the original production. Notable casting substitutions are shown for the first New York production; otherwise, only first-night casts are shown.Role | Savoy Theatre 1889 | New Park Theatre 1890 | Savoy Theatre 1898 | Savoy Theatre 1906 | Savoy Theatre 1909 |
---|---|---|---|---|---|
Duke | Frank Wyatt Frank Wyatt (singer) Frank Wyatt was an English actor, singer, theatre manager and playwright.In a two-decade career on stage, Wyatt is best remembered for his roles with the D'Oyly Carte Opera Company from 1889 to 1891, and in particular for creating the role of the Duke of Plaza-Toro in Gilbert and Sullivan's hit... |
George Temple | William Elton | Charles H. Workman Charles H. Workman Charles H. Workman was a singer and actor best known as a successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas. He was sometimes credited as C. Herbert Workman or C. H... |
Charles H. Workman Charles H. Workman Charles H. Workman was a singer and actor best known as a successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas. He was sometimes credited as C. Herbert Workman or C. H... |
Luiz | Wallace Brownlow Wallace Brownlow Wallace Brownlow was an opera singer of the Victorian era best known for baritone roles in the operas of Gilbert and Sullivan.-D'Oyly Carte Opera Company:... |
Arthur Marcel | Jones Hewson Jones Hewson John Jones Hewson , credited as Jones Hewson, was a Welsh singer and actor known for his creation and portrayal of baritone roles with the D'Oyly Carte Opera Company from 1896 to 1901.... |
Alec Johnstone | Leo Sheffield Leo Sheffield Leo Sheffield was an English singer and actor best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Don Alhambra | W. H. Denny W. H. Denny W. H. Denny was an English singer and actor best remembered for his portrayal of baritone roles in the Savoy Operas.-Early years:... |
John A. Muir | Walter Passmore Walter Passmore Walter Henry Passmore was an English singer and actor best known as the first successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.... |
John Clulow | Rutland Barrington Rutland Barrington Rutland Barrington was an English singer, actor, comedian, and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades... |
Marco | Courtice Pounds Courtice Pounds Charles Courtice Pounds , better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies.As a young member... |
Richard Clarke | Charles Kenningham Charles Kenningham Charles Kenningham was an English opera singer best remembered for his roles in the 1890s with the D’Oyly Carte Opera Company.... |
Pacie Ripple | Henry Herbert |
Giuseppe | Rutland Barrington Rutland Barrington Rutland Barrington was an English singer, actor, comedian, and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades... |
Duncan Barrington | Henry Lytton Henry Lytton Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century... |
Richard Green | Henry Lytton Henry Lytton Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century... |
Antonio | A. Medcalf | Helier Le Maistre | Leonard Russell | Overton Moyle | Fred Hewett |
Francesco | Charles Rose | Mr. McCarthy | Cory James | Henry Burnand | Ernest Leeman |
Giorgio | George de Pledge | Alec Lee | H. G. Gordon | Tom Redmond | Cecil Curtis |
Annibale | J. Wilbraham | Percy Charles | Charles Childerstone | Leo Sheffield Leo Sheffield Leo Sheffield was an English singer and actor best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
A. Laurence Legge |
Ottavio | Charles Gilbert | role eliminated | |||
Drummer Boy | Arthur Mansfield | role eliminated | |||
Duchess | Rosina Brandram Rosina Brandram Rosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.... |
Kate Talby | Rosina Brandram Rosina Brandram Rosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.... |
Louie René Louie René Louie René was an English singer and actress best remembered for her performances with the D'Oyly Carte Opera Company in the Gilbert and Sullivan contralto roles at the turn of the 20th century.... |
Louie René Louie René Louie René was an English singer and actress best remembered for her performances with the D'Oyly Carte Opera Company in the Gilbert and Sullivan contralto roles at the turn of the 20th century.... |
Casilda | Decima Moore Decima Moore Lilian Decima, Lady Moore-Guggisberg, CBE , better known by her stage name Decima Moore, was an English singer and actress, known for her performances in soprano roles with the D'Oyly Carte Opera Company and in musical comedies. She was the youngest of ten siblings... |
Agnes McFarland | Ruth Vincent Ruth Vincent Ruth Vincent was an English opera singer and actress, best remembered for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company in the 1890s and her roles in the West End during the first decade of the 20th century, particularly her role as Sophia in Tom... |
Marie Wilson | Dorothy Court |
Gianetta | Geraldine Ulmar Geraldine Ulmar Geraldine Ulmar was an American singer and actress, best known for her performances in soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.-Life and career:... |
Esther Palliser | Emmie Owen Emmie Owen Emmie Owen was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company... |
Lilian Coomber | Elsie Spain |
Tessa | Jessie Bond Jessie Bond Jessie Bond was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company.Musical from an early age, Bond began a concert singing... |
Mary Duggan | Louie Henri Louie Henri Louie Henri was an English singer and actress, best known for her many roles in the Savoy Operas with the D'Oyly Carte Opera Company. She married Henry Lytton, who eventually became the company's longstanding principal comedian.Henri's career got off to an early start when she joined Florence St... |
Jessie Rose | Jessie Rose |
Fiametta | Nellie Lawrence | A. Watts | Ethel Jackson | Violette Londa | Ethel Lewis |
Vittoria | Annie Cole | Miss Sadger | Jessie Rose | Norah McLeod | Beatrice Boarer |
Giulia | Norah Phyllis | Grace Pyne | Madge Moyse | Clara Dow Clara Dow Clara Millington Dow was an English operatic soprano of the early twentieth century. After a concert career, she appeared at the Savoy Theatre in the first repertory seasons of Gilbert and Sullivan operas mounted by the D'Oyly Carte Opera Company in 1906-09, under the direction of the author... |
Adrienne Andean |
Inez | Annie Bernard | Marie Rochfort | Jessie Pounds | Ethel Morrison | Amy Royston |
Role | D'Oyly Carte 1920 Tour | D'Oyly Carte 1930 Tour | D'Oyly Carte 1939 Tour | D'Oyly Carte 1945 Tour | D'Oyly Carte 1951 Tour |
Duke | Henry Lytton Henry Lytton Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century... |
Henry Lytton Henry Lytton Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century... |
Martyn Green Martyn Green William Martyn-Green , better known as Martyn Green, was an English actor and singer. He is best known for his work as principal comedian in the Gilbert & Sullivan comic operas, which he performed and recorded with the D'Oyly Carte Opera Company and other troupes.After army service in World War I,... |
Grahame Clifford Grahame Clifford For the film editor with a similar name, see Graeme Clifford.Grahame Clifford , was an English opera singer and actor primarily known for his work in the Gilbert and Sullivan comic operas with the D'Oyly Carte Opera Company and as principal baritone of the Royal Opera Company, Covent Garden.-Life... |
Martyn Green Martyn Green William Martyn-Green , better known as Martyn Green, was an English actor and singer. He is best known for his work as principal comedian in the Gilbert & Sullivan comic operas, which he performed and recorded with the D'Oyly Carte Opera Company and other troupes.After army service in World War I,... |
Luiz | Sydney Granville Sydney Granville Sydney Granville was an English singer and actor, best known for his performances in the Savoy Operas with the D'Oyly Carte Opera Company.... |
John Dean John Dean (singer) John Dean was an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.-Life and career:... |
Richard Dunn | Herbert Garry | Henry Goodier |
Don Alhambra | Leo Sheffield Leo Sheffield Leo Sheffield was an English singer and actor best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Sydney Granville Sydney Granville Sydney Granville was an English singer and actor, best known for his performances in the Savoy Operas with the D'Oyly Carte Opera Company.... |
Sydney Granville Sydney Granville Sydney Granville was an English singer and actor, best known for his performances in the Savoy Operas with the D'Oyly Carte Opera Company.... |
Richard Walker Richard Walker (singer) Richard Walker, was an English opera singer and actor, best known for his performances in the baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Between 1932 and 1939 Walker was married to D'Oyly Carte chorister Ena Martin... |
Richard Watson Richard Watson (singer) Richard Charles Watson was an Australian bass opera and concert singer and actor. He is probably best remembered as a long-time principal with the D'Oyly Carte Opera Company who sang the comic bass-baritone roles of the Savoy Operas, but he appeared in a wide range of operas at the Royal Opera... |
Marco | Derek Oldham Derek Oldham Derek Oldham was an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Charles Goulding Charles Goulding Charles Goulding was an English operatic tenor best known for his performances with the D'Oyly Carte Opera Company in the Gilbert and Sullivan repertory.-Early years:... |
John Dudley | John Dean John Dean (singer) John Dean was an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.-Life and career:... |
Leonard Osborn Leonard Osborn Leonard Osborn was an English opera singer, best known for his portrayal of the tenor roles in the Savoy Operas with the D'Oyly Carte Opera Company. An accomplished actor and dancer, he later became a stage director for the company.-Life and career:Leonard Alfred George Osborn was born in... |
Giuseppe | Frederick Hobbs Frederick Hobbs (singer) Frederick Hobbs was a New Zealand-born singer, actor and theatre manager. After performing as a concert singer in New Zealand and Australia and in opera and musicals in Britain, he joined the D'Oyly Carte Opera Company in 1914. There he played the baritone and bass-baritone roles of the Gilbert... |
Leslie Rands Leslie Rands Leslie Rands was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte soprano Marjorie Eyre in 1926.-Life and career:... |
Leslie Rands Leslie Rands Leslie Rands was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte soprano Marjorie Eyre in 1926.-Life and career:... |
Leslie Rands Leslie Rands Leslie Rands was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte soprano Marjorie Eyre in 1926.-Life and career:... |
Alan Styler Alan Styler Alan Styler was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married former D'Oyly Carte chorister Vera Ryan.-Life and career:... |
Antonio | Harry Arnold | Richard Walker Richard Walker (singer) Richard Walker, was an English opera singer and actor, best known for his performances in the baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Between 1932 and 1939 Walker was married to D'Oyly Carte chorister Ena Martin... |
Richard Walker Richard Walker (singer) Richard Walker, was an English opera singer and actor, best known for his performances in the baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Between 1932 and 1939 Walker was married to D'Oyly Carte chorister Ena Martin... |
Wynn Dyson | Peter Pratt Peter Pratt Peter Pratt was an English actor and singer who is best remembered for his comic roles in the Gilbert and Sullivan comic operas.... |
Francesco | J. W. Turnbull | Herbert Aitken | Leonard Osborn Leonard Osborn Leonard Osborn was an English opera singer, best known for his portrayal of the tenor roles in the Savoy Operas with the D'Oyly Carte Opera Company. An accomplished actor and dancer, he later became a stage director for the company.-Life and career:Leonard Alfred George Osborn was born in... |
C. William Morgan | Thomas Hancock |
Giorgio | Allen Morris | L. Radley Flynn L. Radley Flynn L. Radley "Rad" Flynn was an English singer and actor, best known for his performances in bass roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte contralto Ella Halman in 1940.... |
L. Radley Flynn L. Radley Flynn L. Radley "Rad" Flynn was an English singer and actor, best known for his performances in bass roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte contralto Ella Halman in 1940.... |
L. Radley Flynn L. Radley Flynn L. Radley "Rad" Flynn was an English singer and actor, best known for his performances in bass roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte contralto Ella Halman in 1940.... |
L. Radley Flynn L. Radley Flynn L. Radley "Rad" Flynn was an English singer and actor, best known for his performances in bass roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married D'Oyly Carte contralto Ella Halman in 1940.... |
Annibale | Hugh Enes Blackmore Hugh Enes Blackmore Hugh Enes Blackmore was a British opera and concert singer. Known as the 'Iron-Throated Tenor', he is best remembered for his performances of tenor roles with the D'Oyly Carte Opera Company... |
T. Penry Hughes | T. Penry Hughes | Hilton Layland | Stanley Youngman |
Duchess | Bertha Lewis Bertha Lewis Bertha Lewis was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert & Sullivan comic operas with the D'Oyly Carte Opera Company.-Early life and career:... |
Bertha Lewis Bertha Lewis Bertha Lewis was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert & Sullivan comic operas with the D'Oyly Carte Opera Company.-Early life and career:... |
Evelyn Gardiner | Ella Halman Ella Halman Ella Louise Halman was an English opera singer, best known for her performances in the contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company. She married another D'Oyly Carte performer, L. Radley Flynn, in 1940.-Life and career:Halman was born in Ealing, Middlesex... |
Ella Halman Ella Halman Ella Louise Halman was an English opera singer, best known for her performances in the contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company. She married another D'Oyly Carte performer, L. Radley Flynn, in 1940.-Life and career:Halman was born in Ealing, Middlesex... |
Casilda | Sylvia Cecil Sylvia Cecil Sylvia Cecil was an English singer and actress. She began her career in the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. She soon moved on to musical comedy, including the musicals of Ivor Novello and Noël Coward, as well as variety and radio. Her career spanned at least... |
Winifred Lawson Winifred Lawson Winifred Lawson was an opera and concert singer in the first half of the 20th century. She is best remembered for her performances in the soprano roles in the Gilbert and Sullivan operas as a member of the D'Oyly Carte Opera Company.-Life and career:Lawson was born in Wolverhampton, England... |
Margery Abbott | Margery Abbott | Margaret Mitchell |
Gianetta | Elsie Griffin Elsie Griffin Elsie Griffin was an English opera singer, best known for her performances in the soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Sylvia Cecil Sylvia Cecil Sylvia Cecil was an English singer and actress. She began her career in the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. She soon moved on to musical comedy, including the musicals of Ivor Novello and Noël Coward, as well as variety and radio. Her career spanned at least... |
Helen Roberts Helen Roberts Helen Florence Roberts , later known by her married name, Betty Walker, was an English singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Helen Roberts Helen Roberts Helen Florence Roberts , later known by her married name, Betty Walker, was an English singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Muriel Harding |
Tessa | Nellie Briercliffe Nellie Briercliffe Nellie Briercliffe was an English singer and actress best known for her performances in the mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Nellie Briercliffe Nellie Briercliffe Nellie Briercliffe was an English singer and actress best known for her performances in the mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Marjorie Eyre Marjorie Eyre Marjorie Eyre was an English opera singer, best known for her performances in the soprano and mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company... |
Marjorie Eyre Marjorie Eyre Marjorie Eyre was an English opera singer, best known for her performances in the soprano and mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company... |
Joan Gillingham |
Fiametta | Elsie Chantler | Sybil Gordon Sybil Gordon Sybil Gordon was a British singer. She is best remembered for her performances in Gilbert and Sullivan roles with the D'Oyly Carte Opera Company from 1926 to 1931. Gordon started out as a concert singer. After her career with the D'Oyly Carte company, she moved to Canada, where she broadcast on... |
Marjorie Flinn | Ann Nicholson | Enid Walsh |
Vittoria | Winifred Downing | Beatrice Elburn | Ivy Sanders | Ivy Sanders | Ceinwen Jones |
Giulia | Winifred Williamson | Murielle Barron | Maysie Dean | Laura Crombie | Joyce Wright Joyce Wright Joyce Wright is an English singer and actress, best known for her performances in the mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company. She was married for a time to another D'Oyly Carte performer, Peter Pratt.... |
Inez | Anna Bethell Anna Bethell Anna Bethell was an English actress, singer and stage director. She is best known for her performances in the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. After playing other small mezzo-soprano parts, she played the role of Mrs. Partlett in The Sorcerer for many years. She... |
Marguerite Hylder | Ella Halman Ella Halman Ella Louise Halman was an English opera singer, best known for her performances in the contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company. She married another D'Oyly Carte performer, L. Radley Flynn, in 1940.-Life and career:Halman was born in Ealing, Middlesex... |
Caryl Fane | Caryl Fane |
Role | D'Oyly Carte 1959 Tour | D'Oyly Carte 1968 Tour | D'Oyly Carte 1975 Tour | D'Oyly Carte 1980 Tour |
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Duke | Peter Pratt Peter Pratt Peter Pratt was an English actor and singer who is best remembered for his comic roles in the Gilbert and Sullivan comic operas.... |
John Reed John Reed (actor) John Lamb Reed, OBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company... |
John Reed John Reed (actor) John Lamb Reed, OBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company... |
James Conroy-Ward James Conroy-Ward James Conroy-Ward is a music publisher and retired English actor and singer best known for performing the Gilbert and Sullivan principal comic roles with the D'Oyly Carte Opera Company.-Biography:... |
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Luiz | John Fryatt John Fryatt John James Fryatt was an English actor and opera singer best known for his performance in comic character roles.... |
Philip Potter Philip Potter Philip Potter is a retired English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.-Early life and career:Philip White Potter was born in Leicester... |
Colin Wright | Harold Sharples | |
Don Alhambra | Kenneth Sandford Kenneth Sandford Kenneth Sandford was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan.... |
Kenneth Sandford Kenneth Sandford Kenneth Sandford was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan.... |
Kenneth Sandford Kenneth Sandford Kenneth Sandford was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan.... |
Kenneth Sandford Kenneth Sandford Kenneth Sandford was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan.... |
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Marco | Thomas Round Thomas Round Thomas Round is a retired English opera singer and actor, best known for his performances in the tenor roles of the Savoy Operas and in grand opera.... |
Ralph Mason | Meston Reid Meston Reid Alexander Meston Reid , better known as Meston Reid, was a Scottish opera singer, best known for his performances in tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.-Life and career:... |
Meston Reid Meston Reid Alexander Meston Reid , better known as Meston Reid, was a Scottish opera singer, best known for his performances in tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.-Life and career:... |
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Giuseppe | Alan Styler Alan Styler Alan Styler was an English opera singer, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. He married former D'Oyly Carte chorister Vera Ryan.-Life and career:... |
Thomas Lawlor | Michael Rayner | Peter Lyon | |
Antonio | John Reed John Reed (actor) John Lamb Reed, OBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company... |
Howard Williamson | James Conroy-Ward James Conroy-Ward James Conroy-Ward is a music publisher and retired English actor and singer best known for performing the Gilbert and Sullivan principal comic roles with the D'Oyly Carte Opera Company.-Biography:... |
Alan Spencer | |
Francesco | Frederick Sinden | David Young | Jeffrey Cresswell | Barry Clark Barry Clark (singer) Barry Clark is an English opera singer. Beginning in the 1970s, Clark played tenor roles in the Savoy Operas for over a decade with the D'Oyly Carte Opera Company. He then sang in various opera companies, including New Sadler's Wells and Scottish Opera, and played in musicals on the West End... |
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Giorgio | George Cook | George Cook | John Broad | Michael Buchan | |
Annibale | John Reed John Reed (actor) John Lamb Reed, OBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company... |
Howard Williamson | James Conroy-Ward James Conroy-Ward James Conroy-Ward is a music publisher and retired English actor and singer best known for performing the Gilbert and Sullivan principal comic roles with the D'Oyly Carte Opera Company.-Biography:... |
Alistair Donkin | |
Duchess | Ann Drummond-Grant Ann Drummond-Grant Ann Drummond-Grant was a British singer and actress, best known for her performances in contralto roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.Drummond-Grant began her career as a soprano... |
Christene Palmer | Lyndsie Holland | Patricia Leonard Patricia Leonard Patricia Leonard was an English opera singer, best known for her performances in mezzo-soprano and contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
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Casilda | Jennifer Toye | Valerie Masterson Valerie Masterson Margaret Valerie Masterson , is a retired English opera singer, a lecturer and Vice-President of British Youth Opera. After study in Italy, she began to sing opera in Europe... |
Julia Goss Julia Goss Julia Goss , is an English singer and actress best known for her performances in the principal soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company... |
Evette Davis | |
Gianetta | Jean Hindmarsh Jean Hindmarsh Jean Hindmarsh is a retired singer and actress. She is best known as a principal soprano with the D'Oyly Carte Opera Company in the 1950s and 1960s.-Biography:HIndmarsh was born in Leeds and educated at Lawnswood High School... |
Susan Jackson | Pamela Field | Barbara Lilley | |
Tessa | Joyce Wright Joyce Wright Joyce Wright is an English singer and actress, best known for her performances in the mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company. She was married for a time to another D'Oyly Carte performer, Peter Pratt.... |
Pauline Wales Pauline Wales Pauline Wales is an English singer and actress best known for her performances in the mezzo-soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.-Life and career:... |
Judi Merri | Lorraine Daniels | |
Fiametta | Mary Sansom | Anne Sessions | Marjorie Williams | Suzanne O'Keeffe | |
Vittoria | Ceinwen Jones | Marian Martin | Patricia Leonard Patricia Leonard Patricia Leonard was an English opera singer, best known for her performances in mezzo-soprano and contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company.... |
Helene Witcombe | |
Giulia | Anne Sessions | Julia Goss Julia Goss Julia Goss , is an English singer and actress best known for her performances in the principal soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company... |
Anne Egglestone | Jane Stanford | |
Inez | Beti Lloyd-Jones | Beti Lloyd-Jones | Beti Lloyd-Jones | Jill Pert |
Recordings
The 1927 Gondoliers is admired for its excellent cast. The 1961 D'Oyly Carte recording is a good stereo recording and includes complete dialogue. The 1957 Sargent/Glyndebourne and 1991 New D'Oyly Carte recordings are both musically well regarded.The International Gilbert and Sullivan Festival
International Gilbert and Sullivan Festival
The International Gilbert and Sullivan Festival is held every summer at the Opera House in Buxton, Derbyshire, England. The three-week Festival of Gilbert and Sullivan performances and fringe events attracts thousands of visitors, including performers, supporters, and G&S enthusiasts from all...
offers various video recordings of the opera, including its 2004 professional G&S Opera Company video.
Selected recordings
- 1927 D'Oyly Carte – Conductor: Harry NorrisHarry Norris (conductor)Harry Norris was a New Zealand-born conductor best remembered as musical director of the D'Oyly Carte Opera Company between 1919 and 1929. After leaving that company, Norris emigrated to Canada to teach but returned to retire in England in the 1960s.-Life and career:Norris was born in...
- 1950 D'Oyly Carte – New Promenade Orchestra, Conductor: Isidore GodfreyIsidore GodfreyIsidore Godfrey was musical director of the D'Oyly Carte Opera Company for 39 years, from 1929 to 1968...
- 1957 Sargent/Glyndebourne – Pro Arte OrchestraPro Arte Orchestra-Background:The Pro Arte Orchestra was founded as a limited company chaired by the double-bass player Eugene Cruft; directors also included Archie Camden and Antony English. The initial aim was to perform "the finest of the lighter classics in orchestral music"...
, Glyndebourne Festival Chorus, Conductor: Sir Malcolm SargentMalcolm SargentSir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works... - 1961 D'Oyly Carte (with dialogue) – New Symphony Orchestra of London, Conductor: Isidore Godfrey
- 1972 G&S For All (video; abridged) – G&S Festival Chorus & Orchestra, Conductor: Peter Murray
- 1977 D'Oyly Carte (with dialogue) – Royal Philharmonic Orchestra, Conductor: Royston NashRoyston NashRoyston Hulbert Nash is an English-born conductor, best known as a music director of the D'Oyly Carte Opera Company, who is now living in the U.S.-Life and career:...
- 1982 Brent Walker Productions (video) – Ambrosian Opera Chorus, London Symphony Orchestra, Conductor: Alexander FarisAlexander FarisAlexander "Sandy" Faris is an Irish composer, conductor and writer, known for his television theme tunes. He has composed and recorded many operas and musicals, and has composed film scores and orchestral works.-Life and career:...
; Stage Director: Peter Wood - 1991 New D'Oyly Carte – Conductor: John Pryce-Jones
External links
- The Gondoliers at The Gilbert & Sullivan Archive
- The Gondoliers at The Gilbert & Sullivan Discography
- Gilbert & Sullivan song parodies, including some from The Gondoliers
- List of longest-running theatre pieces in London and New York
- Biographies of the people listed in the historical casting chart
- Bab illustrations of lyrics from The Gondoliers
- Programme from the original run