Henry Lytton
Encyclopedia
Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter
-baritone
roles in Gilbert and Sullivan
operas in the early part of the twentieth century. His career in these Savoy operas with the D'Oyly Carte Opera Company
spanned 50 years, and he is the only person ever knight
ed for achievements as a Gilbert and Sullivan performer.
Lytton began his career singing in operettas and plays, also doing odd jobs in the early 1880s. His wife, Louie Henri
, performed with him and helped him get started in theatre, also serving as his music and acting coach. Lytton joined the D'Oyly Carte Opera Company on tour in 1884 and, after various tours, performed with the company at the Savoy Theatre
in London in 1886 and 1887. After this, he played almost continuously with D'Oyly Carte touring companies for a decade as principal comedian, performing roles like Sir Joseph Porter in H.M.S. Pinafore
, Major-General Stanley in The Pirates of Penzance
and Ko-Ko in The Mikado
. He returned to the Savoy Theatre from 1897 to 1903, where he created a number of roles and played a large variety of roles with D'Oyly Carte, although not the principal comedian roles.
When the D'Oyly Carte company left the Savoy Theatre in 1903, Lytton left the company. He then starred in a number of successful Edwardian musical comedies for the next four years, including The Earl and the Girl
, The Spring Chicken
, The Little Michus
and Billee Taylor
. He also performed in music hall
. During the D'Oyly Carte repertory seasons at the Savoy between 1906 and 1909, Lytton rejoined the company, again playing a variety of roles, but mostly not the principal comedian roles. From 1909 to 1934, Lytton performed on tour and in London with the D'Oyly Carte Opera Company as its principal comedian.
, London, England, the son of Henry Jones, a jeweller, and Martha Lavinia Harris. He was attended St Mark's School, Chelsea
, where he took part in amateur theatricals and boxing. He wrote that he was also a boy soloist in the choir of St. Philip's Church, Kensington
, London. Biographer Brian Jones concludes that Lytton tells a number of untruths about his teenage years and early career in his 1922 memoir, Secrets of a Savoyard. In fact, at the age of fourteen Lytton left school and was apprenticed to the young artist William Henry Hamilton Trood, to study painting and sculpture, around 1880. Lytton's father hoped that he would outgrow his interest in the theatre. Lytton probably met his future wife, Louisa Webber, later known on stage as Louie Henri
, at St. Philip's.
's operetta
company but left to help Lytton begin his acting career. In 1881, they joined the Philharmonic Theatre, Islington
, appearing in several plays, including The Obstinate Bretons and The Shaughraun
by Dion Boucicault
, and then, with Kate Santley
, played at the Royalty Theatre
. There they appeared in Ixion, or the Man at the Wheel by F. C. Burnand, but the theatre closed soon afterwards. Henri rejoined St. John's company, where she played in several operettas and had a small role in Olivette at the Avenue Theatre. She then rejoined Santley's company in 1883, but Lytton was out of acting work all this time and was forced to take a variety of odd jobs. Henri then played in the lavish Christmas pantomime
of Cinderella
at the Theatre Royal, Drury Lane
. They married in early 1884, both aged 19, at St. Mary Abbot's Church, Kensington
. Lytton was estranged from his father, who disapproved of Lytton's and Henri's profession, and neither family attended the ceremony.
Henri left the Drury Lane to join the D'Oyly Carte Opera Company
to play the small role of Ada in the first provincial tour of Gilbert and Sullivan
's Princess Ida
, beginning in February 1884, in which Courtice Pounds
played Hilarion and Fred Billington
played Hildebrand. She obtained an audition for Lytton, claiming that he was her brother, and he was also engaged in the chorus and small parts, and immediately as the understudy for the principal comic role of King Gama in Princess Ida. The Ida tour continued for almost a year, and then the couple toured in additional D'Oyly Carte productions, interspersed with other engagements until May 1885. Also, in January 1885, Henri gave birth to the couple's first child, Ida Louise Jones, taking off only a few weeks before returning to the stage.
After this, they joined with other out-of-work actors and travelled from town to town in Surrey
for three months, performing a drama called All of Her, a comedy entitled Masters and Servants, and an operetta, Tom Tug the Waterman. The plays were augmented by songs and dances. The income provided by this work was not adequate, and the struggling young actors experienced hunger. In the autumn of 1885, Lytton and Henri joined a D'Oyly Carte tour, playing in Trial by Jury
(with Henri as the Plaintiff), The Sorcerer
, Patience
and The Pirates of Penzance
. The two then played in the Christmas pantomime of Cinderella at the Theatre Royal, Manchester. In the summer of 1886, Lytton and Henri joined the chorus of Erminie
and The Lily of Leoville by Ivan Caryll
and Clement Scott
, at the Comedy Theatre, and then toured in Erminie into the latter months of that year. Whenever out of work, Lytton took more odd jobs, putting his artist training to use part of the time by painting decorative plaques. At the end of the year, Lytton was engaged in the chorus of The Mikado
, which was nearing the end of its original run at the Savoy Theatre
.
Not only did Henri help Lytton get started in the theatre world and nurture his career, but since Lytton was nearly musically illiterate, Henri played the piano for him to prepare him for his roles, as well as coaching him in acting.
, who had been understudying George Grossmith
in the comic "patter" roles, resigned from the company in frustration that Grossmith had rarely taken ill in four years. Lytton, luckily in the right place at the right time, was appointed understudy, and a week later Grossmith did fall ill, giving Lytton, at the age of 22, the chance to appear as Robin Oakapple for more than two weeks in the original run of Ruddigore
. When Grossmith returned, Lytton returned to the chorus in Ruddigore. After his success at the Savoy, Lytton was sent on tour in April 1887 playing Robin and earning good notices. Early in his career, Lytton was credited on stage as "H. A. Henri" (to match Louie Henri's stage name), but on this 1887 tour, he changed his stage name to H. A. Lytton at the suggestion of W. S. Gilbert, in memory of Gilbert's old friend Marie Litton and the author-playwright-politician Edward Bulwer-Lytton
.
Lytton continued to serve almost continuously in D'Oyly Carte touring companies as principal comedian until 1897. On tour, by the end of 1888, Lytton had played several more of the Gilbert and Sullivan principal comic roles. In addition to Robin, he began to play Ko-Ko in The Mikado, Major-General Stanley in The Pirates of Penzance, Sir Joseph Porter in H.M.S. Pinafore
, and Jack Point the jester in The Yeomen of the Guard
, which became his favourite role. Unlike Grossmith, who gave the opera a comic ending, Lytton's Jack Point, following the example of George Thorne
(another D'Oyly Carte touring artist), died of a broken heart at the end. Carte and Gilbert blessed the departure from Grossmith's interpretation. In subsequent years, he portrayed these and the other principal comic Gilbert and Sullivan roles played by the D'Oyly Carte touring companies in which he played.
In 1890, Lytton was called to New York City
along with other D'Oyly Carte principals, to bolster the weak cast of the original New York production of The Gondoliers
as the Duke of Plaza-Toro. Thereafter, he played the Rev. William Barlow in The Vicar of Bray
, the McCrankie in Haddon Hall
, and Captain Flapper in Billee Taylor
, as well as the Gilbert and Sullivan roles. In late 1893, he added to his repertoire the role of King Paramount in the original touring company of Utopia, Limited
. In 1895, the tour included non-G&S pieces mounted by the company at the Savoy, and Lytton played Bobinet in Mirette
and Peter Grigg in The Chieftain
. In 1896, he played Ludwig in the first provincial tour of The Grand Duke
.
, who had returned to the stage after many years, only to fail in the role. Walter Passmore
had taken over the principal comedian parts in the Gilbert and Sullivan operas at the Savoy Theatre
when Grossmith retired. Therefore, when Lytton returned to the Savoy, over the next half dozen years, he played other baritone
roles in the Gilbert and Sullivan revivals (except that he did play the Major General in Pirates in 1890). These included Wilfred Shadbolt in Yeomen, Giuseppe in The Gondoliers, the Learned Judge in Trial, Dr. Daly in The Sorcerer, Captain Corcoran in Pinafore, Archibald Grosvenor in Patience, and Strephon in Iolanthe
. He also created roles in a number of additional non-Gilbert and Sullivan operas, including Prince Paul in The Grand Duchess of Gerolstein
(1897-98), Simon Limal in The Beauty Stone
(1898), Baron Tabasco in The Lucky Star
(1899), Sultan Mahmoud in The Rose of Persia
and Charlie Brown in the curtain raiser, Pretty Polly
(1899-90), Ib's Father in Ib and Little Christina
(1901), Pat Murphy in The Emerald Isle
(1901), the Earl of Essex in Merrie England
(1902), and William Jelf in A Princess of Kensington
(1903).
Lytton was stung financially by two attempts at theatrical management. He and some partners leased the Criterion Theatre
in 1899 to produce The Wild Rabbit, a farce
by George Arliss
, who later became a famous actor in America. The production opened during a heat wave and played for only three weeks in London (after more successful tryouts out of town), sustaining over £1,000 in losses, a serious loss for Lytton this early in his career. Later, Lytton bailed out some friends who had run out of money while producing a tour of Melnotte, an operatic version of the comedy, The Lady of Lyons. This also lost money.
Beginning in 1903, Lytton took a four year break from D'Oyly Carte, starring in a number of successful West End
musicals, including in the title role in The Earl and the Girl
(1903-04), as Lieut. Reggie Drummond in The Talk of the Town (1905, a Seymour Hicks
production), as Lieut. Reginald Armitage in The White Chrysanthemum
(1905), as Boniface in The Spring Chicken
(1905), as Aristide in The Little Michus
(1905), as Captain Flapper in Billee Taylor
(revival, c. 1906), as the Hon. Jack Hylton in My Darling (1907, also a Hicks production), and in the title role in The Amateur Raffles (1907) Lytton performed in music hall
between these engagements, performing in comic sketches with Connie Ediss for a time.
He also returned to the Savoy Theatre, during this period, for some guest appearances and appeared in the D'Oyly Carte repertory seasons in 1906–07 and 1908-09, where C. H. Workman had been engaged as the principal comedian. Lytton's roles during those seasons were the title role in The Mikado, Dick Deadeye in Pinafore, Strephon in Iolanthe, the Pirate King in Pirates, Giuseppe in The Gondoliers, and briefly, Ko-Ko in The Mikado and Sir Joseph in Pinafore. He also wrote lyrics for a number of operettas, including Knights of the Road, with a book by Richard Turpin and music by Alexander Mackenzie
, which played at the Palace Theatre
.
wrote to Workman in 1919, after Gilbert's death, asking Workman to return to the D'Oyly Carte company as principal comedian, instead of Lytton, but Workman declined.
During his five decade tenure with the company, Lytton played an unprecedented range of roles (exceeded only by Richard Walker
), including Counsel and the Learned Judge in Trial by Jury, Dr. Daly and John Wellington Wells in The Sorcerer, Captain Corcoran, Dick Deadeye and Sir Joseph Porter in H.M.S. Pinafore, the Pirate King and Major-General Stanley in Pirates, Bunthorne and Grosvenor in Patience, Strephon and the Lord Chancellor in Iolanthe
, King Gama in Princess Ida, Ko-Ko and The Mikado in The Mikado, Robin in Ruddigore, Jack Point and Wilfred Shadbolt in The Yeomen of the Guard
, Giuseppe and the Duke of Plaza-Toro in The Gondoliers, King Paramount in Utopia Limited, and Ludwig in The Grand Duke
, as well as roles in many non-Gilbert and Sullivan pieces.
Although Lytton had played lyric baritone roles in his earlier years, by the 1920s his voice had deteriorated to the point that he was not included in most of the D'Oyly Carte recordings of the period. As The Times noted in its 20 September 1926 review of the refurbished Mikado production, Lytton "shows more respect for Gilbert's words than for Sullivan's notes, though he still manages to give the gist even of the latter." Lytton was knight
ed in 1930, the only person to receive the accolade for achievements as a Gilbert and Sullivan performer.
In 1931, Lytton was injured in a car accident in which D'Oyly Carte principal contralto
Bertha Lewis
was killed; Lytton was the driver. Martyn Green
, his understudy and eventual successor, took over Lytton's roles until Lytton's return a few months later. Green took over two of the roles, Robin Oakapple and the Major General, in 1932. Lytton's final London appearance was as Ko-Ko in The Mikado at the Savoy Theatre in January 1933. He then toured with the D'Oyly Carte Opera Company until June 1934, when he played Jack Point in Yeomen at the Gaiety Theatre, Dublin. He made his last stage appearance as the Emperor of China in Aladdin in the Birmingham
Prince of Wales Theatre's Christmas season of pantomime in 1934–35.
Lytton died at his home in Earls Court
, London, survived by Louie Henri (Lady Lytton), who died in 1947, their two sons, including Henry Lytton, Jr., whose high profile marriage to Jessie Matthews
in 1925 ended in divorce in 1930, and two daughters, including, Ena Elverston. Another son was killed in February 1918 while serving in the Royal Flying Corps
, and two others died in infancy.
, The Toreador
, The Earl and the Girl (his recording of "My Cosy Corner Girl" from this musical was a strong success) and many others. By the time HMV
began using D'Oyly Carte principals in its recordings of the Savoy Opera
s, however, Lytton’s voice was not thought suitable for the gramophone. Of the many HMV recordings issued in the inter-war years, he was included in only Princess Ida in 1924 (acoustic) and 1932 (electrical), The Mikado in 1926, The Gondoliers in 1927, and H.M.S. Pinafore in 1930. He also sang Ko-Ko in a 1926 BBC radio broadcast of The Mikado and appeared in the same role in a four-minute long silent promotional film made of the D'Oyly Carte organisation in 1926. On most of the other recordings of the period, George Baker
replaced him in the patter roles. Twenty-five of Lytton's recordings were collected on the LP The Art of Henry Lytton.
A photograph of Lytton and D'Oyly Carte colleagues with the huge recording horn used in the acoustic recording process can be seen here.
Patter song
The patter song is characterized by a moderately fast to very fast tempo with a rapid succession of rhythmic patterns in which each syllable of text corresponds to one note...
-baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
roles in Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
operas in the early part of the twentieth century. His career in these Savoy operas with the D'Oyly Carte Opera Company
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
spanned 50 years, and he is the only person ever knight
Knight
A knight was a member of a class of lower nobility in the High Middle Ages.By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior....
ed for achievements as a Gilbert and Sullivan performer.
Lytton began his career singing in operettas and plays, also doing odd jobs in the early 1880s. His wife, Louie Henri
Louie Henri
Louie Henri was an English singer and actress, best known for her many roles in the Savoy Operas with the D'Oyly Carte Opera Company. She married Henry Lytton, who eventually became the company's longstanding principal comedian.Henri's career got off to an early start when she joined Florence St...
, performed with him and helped him get started in theatre, also serving as his music and acting coach. Lytton joined the D'Oyly Carte Opera Company on tour in 1884 and, after various tours, performed with the company at the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
in London in 1886 and 1887. After this, he played almost continuously with D'Oyly Carte touring companies for a decade as principal comedian, performing roles like Sir Joseph Porter in H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
, Major-General Stanley in The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
and Ko-Ko in The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
. He returned to the Savoy Theatre from 1897 to 1903, where he created a number of roles and played a large variety of roles with D'Oyly Carte, although not the principal comedian roles.
When the D'Oyly Carte company left the Savoy Theatre in 1903, Lytton left the company. He then starred in a number of successful Edwardian musical comedies for the next four years, including The Earl and the Girl
The Earl and the Girl
The Earl and the Girl is a musical comedy in two acts by Seymour Hicks, with lyrics by Percy Greenbank and music by Ivan Caryll. It was produced by William Greet and opened at the Adelphi Theatre in London on 10 December 1903. It transferred to the Lyric Theatre on 12 September 1904, running for...
, The Spring Chicken
The Spring Chicken
The Spring Chicken is an English musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith, produced by George Edwardes at the Gaiety Theatre, opening on 30 May...
, The Little Michus
The Little Michus
Les p'tites Michu is an opérette in three acts, composed by André Messager. The libretto was by Albert Vanloo and Georges Duval.Dismayed by the Paris reception for his 1896 piece, Le Chevalier d’Harmental, Messager retreated to London vowing to write no more...
and Billee Taylor
Billee Taylor
Billee Taylor, or The Reward of Virtue is "a nautical comedy opera" by Edward Solomon, with a libretto by Henry Pottinger Stephens.The piece was first produced at the Imperial Theatre in London on 30 October 1880, starring Arthur Williams as Sir Mincing Lane and Frederick Rivers as Billee. It...
. He also performed in music hall
Music hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
. During the D'Oyly Carte repertory seasons at the Savoy between 1906 and 1909, Lytton rejoined the company, again playing a variety of roles, but mostly not the principal comedian roles. From 1909 to 1934, Lytton performed on tour and in London with the D'Oyly Carte Opera Company as its principal comedian.
Life and career
Lytton was born Henry Alfred Jones in KensingtonKensington
Kensington is a district of west and central London, England within the Royal Borough of Kensington and Chelsea. An affluent and densely-populated area, its commercial heart is Kensington High Street, and it contains the well-known museum district of South Kensington.To the north, Kensington is...
, London, England, the son of Henry Jones, a jeweller, and Martha Lavinia Harris. He was attended St Mark's School, Chelsea
Chelsea, London
Chelsea is an area of West London, England, bounded to the south by the River Thames, where its frontage runs from Chelsea Bridge along the Chelsea Embankment, Cheyne Walk, Lots Road and Chelsea Harbour. Its eastern boundary was once defined by the River Westbourne, which is now in a pipe above...
, where he took part in amateur theatricals and boxing. He wrote that he was also a boy soloist in the choir of St. Philip's Church, Kensington
Kensington
Kensington is a district of west and central London, England within the Royal Borough of Kensington and Chelsea. An affluent and densely-populated area, its commercial heart is Kensington High Street, and it contains the well-known museum district of South Kensington.To the north, Kensington is...
, London. Biographer Brian Jones concludes that Lytton tells a number of untruths about his teenage years and early career in his 1922 memoir, Secrets of a Savoyard. In fact, at the age of fourteen Lytton left school and was apprenticed to the young artist William Henry Hamilton Trood, to study painting and sculpture, around 1880. Lytton's father hoped that he would outgrow his interest in the theatre. Lytton probably met his future wife, Louisa Webber, later known on stage as Louie Henri
Louie Henri
Louie Henri was an English singer and actress, best known for her many roles in the Savoy Operas with the D'Oyly Carte Opera Company. She married Henry Lytton, who eventually became the company's longstanding principal comedian.Henri's career got off to an early start when she joined Florence St...
, at St. Philip's.
Early career
In 1879, Lytton's wife, Louie Henri, had been engaged by Florence St. JohnFlorence St. John
Florence St. John , was an English singer and actress of the late Victorian and Edwardian eras famous for her roles in operetta, musical burlesque, music hall, opera and, later, comic plays.-Life and career:...
's operetta
Operetta
Operetta is a genre of light opera, light in terms both of music and subject matter. It is also closely related, in English-language works, to forms of musical theatre.-Origins:...
company but left to help Lytton begin his acting career. In 1881, they joined the Philharmonic Theatre, Islington
Islington
Islington is a neighbourhood in Greater London, England and forms the central district of the London Borough of Islington. It is a district of Inner London, spanning from Islington High Street to Highbury Fields, encompassing the area around the busy Upper Street...
, appearing in several plays, including The Obstinate Bretons and The Shaughraun
The Shaughraun
The Shaughraun is a melodramatic play written by Irish playwright Dion Boucicault. It was first performed at Wallack's Theatre, New York, on 14 November 1874. Boucicault played Con in the original production...
by Dion Boucicault
Dion Boucicault
Dionysius Lardner Boursiquot , commonly known as Dion Boucicault, was an Irish actor and playwright famed for his melodramas. By the later part of the 19th century, Boucicault had become known on both sides of the Atlantic as one of the most successful actor-playwright-managers then in the...
, and then, with Kate Santley
Kate Santley
Kate Santley was an American-born English actress, singer, comedienne, and theatre manager. Her brother was the English baritone, Sir Charles Santley, famous in Wagner's Flying Dutchman among other roles.-Musical theatre career:...
, played at the Royalty Theatre
Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho and opened on 25 May 1840 as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. The architect was Samuel Beazley, a resident in Soho Square, who also designed St James's Theatre, among...
. There they appeared in Ixion, or the Man at the Wheel by F. C. Burnand, but the theatre closed soon afterwards. Henri rejoined St. John's company, where she played in several operettas and had a small role in Olivette at the Avenue Theatre. She then rejoined Santley's company in 1883, but Lytton was out of acting work all this time and was forced to take a variety of odd jobs. Henri then played in the lavish Christmas pantomime
Pantomime
Pantomime — not to be confused with a mime artist, a theatrical performer of mime—is a musical-comedy theatrical production traditionally found in the United Kingdom, Australia, New Zealand, Canada, Jamaica, South Africa, India, Ireland, Gibraltar and Malta, and is mostly performed during the...
of Cinderella
Cinderella
"Cinderella; or, The Little Glass Slipper" is a folk tale embodying a myth-element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world. The title character is a young woman living in unfortunate circumstances that are suddenly changed to remarkable fortune...
at the Theatre Royal, Drury Lane
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
. They married in early 1884, both aged 19, at St. Mary Abbot's Church, Kensington
Kensington
Kensington is a district of west and central London, England within the Royal Borough of Kensington and Chelsea. An affluent and densely-populated area, its commercial heart is Kensington High Street, and it contains the well-known museum district of South Kensington.To the north, Kensington is...
. Lytton was estranged from his father, who disapproved of Lytton's and Henri's profession, and neither family attended the ceremony.
Henri left the Drury Lane to join the D'Oyly Carte Opera Company
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
to play the small role of Ada in the first provincial tour of Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
's Princess Ida
Princess Ida
Princess Ida; or, Castle Adamant is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. Princess Ida opened at the Savoy Theatre on January 5, 1884, for a run of 246 performances...
, beginning in February 1884, in which Courtice Pounds
Courtice Pounds
Charles Courtice Pounds , better known by the stage name Courtice Pounds, was an English singer and actor known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company and his later roles in Shakespeare plays and Edwardian musical comedies.As a young member...
played Hilarion and Fred Billington
Fred Billington
Fred Billington was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company...
played Hildebrand. She obtained an audition for Lytton, claiming that he was her brother, and he was also engaged in the chorus and small parts, and immediately as the understudy for the principal comic role of King Gama in Princess Ida. The Ida tour continued for almost a year, and then the couple toured in additional D'Oyly Carte productions, interspersed with other engagements until May 1885. Also, in January 1885, Henri gave birth to the couple's first child, Ida Louise Jones, taking off only a few weeks before returning to the stage.
After this, they joined with other out-of-work actors and travelled from town to town in Surrey
Surrey
Surrey is a county in the South East of England and is one of the Home Counties. The county borders Greater London, Kent, East Sussex, West Sussex, Hampshire and Berkshire. The historic county town is Guildford. Surrey County Council sits at Kingston upon Thames, although this has been part of...
for three months, performing a drama called All of Her, a comedy entitled Masters and Servants, and an operetta, Tom Tug the Waterman. The plays were augmented by songs and dances. The income provided by this work was not adequate, and the struggling young actors experienced hunger. In the autumn of 1885, Lytton and Henri joined a D'Oyly Carte tour, playing in Trial by Jury
Trial by Jury
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its...
(with Henri as the Plaintiff), The Sorcerer
The Sorcerer
The Sorcerer is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of The Sorcerer is based on a Christmas story, An Elixir of Love, that Gilbert wrote for The Graphic magazine in 1876...
, Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
and The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
. The two then played in the Christmas pantomime of Cinderella at the Theatre Royal, Manchester. In the summer of 1886, Lytton and Henri joined the chorus of Erminie
Erminie
Erminie is a comic opera in two acts composed by Edward Jakobowski with a libretto by Claxson Bellamy and Harry Paulton, based loosely on Charles Selby's 1834 Robert Macaire...
and The Lily of Leoville by Ivan Caryll
Ivan Caryll
Félix Marie Henri Tilkin , better known by his pen name Ivan Caryll, was a Belgian composer of operettas and Edwardian musical comedies in the English language...
and Clement Scott
Clement Scott
Clement Scott was an influential English theatre critic for the Daily Telegraph, and a playwright and travel writer, in the final decades of the 19th century...
, at the Comedy Theatre, and then toured in Erminie into the latter months of that year. Whenever out of work, Lytton took more odd jobs, putting his artist training to use part of the time by painting decorative plaques. At the end of the year, Lytton was engaged in the chorus of The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
, which was nearing the end of its original run at the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
.
Not only did Henri help Lytton get started in the theatre world and nurture his career, but since Lytton was nearly musically illiterate, Henri played the piano for him to prepare him for his roles, as well as coaching him in acting.
Principal comedian on tour: 1887 to 1897
In early 1887, Eric LewisEric Lewis (actor)
Frederic Lewis Tuffley , better known by his stage name, Eric Lewis, was an English comedian, actor and singer...
, who had been understudying George Grossmith
George Grossmith
George Grossmith was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades...
in the comic "patter" roles, resigned from the company in frustration that Grossmith had rarely taken ill in four years. Lytton, luckily in the right place at the right time, was appointed understudy, and a week later Grossmith did fall ill, giving Lytton, at the age of 22, the chance to appear as Robin Oakapple for more than two weeks in the original run of Ruddigore
Ruddigore
Ruddigore; or, The Witch's Curse, originally called Ruddygore, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan...
. When Grossmith returned, Lytton returned to the chorus in Ruddigore. After his success at the Savoy, Lytton was sent on tour in April 1887 playing Robin and earning good notices. Early in his career, Lytton was credited on stage as "H. A. Henri" (to match Louie Henri's stage name), but on this 1887 tour, he changed his stage name to H. A. Lytton at the suggestion of W. S. Gilbert, in memory of Gilbert's old friend Marie Litton and the author-playwright-politician Edward Bulwer-Lytton
Edward Bulwer-Lytton, 1st Baron Lytton
Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton PC , was an English politician, poet, playwright, and novelist. He was immensely popular with the reading public and wrote a stream of bestselling dime-novels which earned him a considerable fortune...
.
Lytton continued to serve almost continuously in D'Oyly Carte touring companies as principal comedian until 1897. On tour, by the end of 1888, Lytton had played several more of the Gilbert and Sullivan principal comic roles. In addition to Robin, he began to play Ko-Ko in The Mikado, Major-General Stanley in The Pirates of Penzance, Sir Joseph Porter in H.M.S. Pinafore
H.M.S. Pinafore
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical...
, and Jack Point the jester in The Yeomen of the Guard
The Yeomen of the Guard
The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances...
, which became his favourite role. Unlike Grossmith, who gave the opera a comic ending, Lytton's Jack Point, following the example of George Thorne
George Thorne
George Thorne, was an English singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company, especially on tour and in the original New York City productions...
(another D'Oyly Carte touring artist), died of a broken heart at the end. Carte and Gilbert blessed the departure from Grossmith's interpretation. In subsequent years, he portrayed these and the other principal comic Gilbert and Sullivan roles played by the D'Oyly Carte touring companies in which he played.
In 1890, Lytton was called to New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
along with other D'Oyly Carte principals, to bolster the weak cast of the original New York production of The Gondoliers
The Gondoliers
The Gondoliers; or, The King of Barataria is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 7 December 1889 and ran for a very successful 554 performances , closing on 30 June 1891...
as the Duke of Plaza-Toro. Thereafter, he played the Rev. William Barlow in The Vicar of Bray
The Vicar of Bray (opera)
The Vicar of Bray is a comic opera by Edward Solomon with a libretto by Sydney Grundy which opened at the Globe Theatre, in London, on 22 July 1882, for a run of only 69 performances. The public was not amused at a clergyman's being made the subject of ridicule, and the opera was regarded by some...
, the McCrankie in Haddon Hall
Haddon Hall (opera)
Haddon Hall is an English light opera with music by Arthur Sullivan and a libretto by Sydney Grundy. It premiered at the Savoy Theatre on September 24, 1892 for a modestly successful run of 204 performances...
, and Captain Flapper in Billee Taylor
Billee Taylor
Billee Taylor, or The Reward of Virtue is "a nautical comedy opera" by Edward Solomon, with a libretto by Henry Pottinger Stephens.The piece was first produced at the Imperial Theatre in London on 30 October 1880, starring Arthur Williams as Sir Mincing Lane and Frederick Rivers as Billee. It...
, as well as the Gilbert and Sullivan roles. In late 1893, he added to his repertoire the role of King Paramount in the original touring company of Utopia, Limited
Utopia, Limited
Utopia, Limited; or, The Flowers of Progress, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances...
. In 1895, the tour included non-G&S pieces mounted by the company at the Savoy, and Lytton played Bobinet in Mirette
Mirette (opera)
Mirette is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894.Mirette exists in two distinct versions. The first version of the libretto was written in French by Michel Carré but this was never performed. English lyrics were...
and Peter Grigg in The Chieftain
The Chieftain
The Chieftain is a two-act comic opera by Arthur Sullivan and F. C. Burnand based on their 1867 opera, The Contrabandista. It consists of substantially the same first act as the 1867 work with a completely new second act...
. In 1896, he played Ludwig in the first provincial tour of The Grand Duke
The Grand Duke
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
.
Return to London: 1897 to 1908
Lytton was called to the Savoy Theatre in 1897 to play King Ferdinand in a new piece mounted by the D'Oyly Carte Opera Company, His Majesty, replacing George GrossmithGeorge Grossmith
George Grossmith was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades...
, who had returned to the stage after many years, only to fail in the role. Walter Passmore
Walter Passmore
Walter Henry Passmore was an English singer and actor best known as the first successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas with the D'Oyly Carte Opera Company....
had taken over the principal comedian parts in the Gilbert and Sullivan operas at the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
when Grossmith retired. Therefore, when Lytton returned to the Savoy, over the next half dozen years, he played other baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
roles in the Gilbert and Sullivan revivals (except that he did play the Major General in Pirates in 1890). These included Wilfred Shadbolt in Yeomen, Giuseppe in The Gondoliers, the Learned Judge in Trial, Dr. Daly in The Sorcerer, Captain Corcoran in Pinafore, Archibald Grosvenor in Patience, and Strephon in Iolanthe
Iolanthe
Iolanthe; or, The Peer and the Peri is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy operas and is the seventh collaboration of the fourteen between Gilbert and Sullivan....
. He also created roles in a number of additional non-Gilbert and Sullivan operas, including Prince Paul in The Grand Duchess of Gerolstein
La Grande-Duchesse de Gérolstein
La Grande-Duchesse de Gérolstein is an opéra bouffe , in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy...
(1897-98), Simon Limal in The Beauty Stone
The Beauty Stone
The Beauty Stone is an opera, billed as a "romantic musical drama" in three acts, composed by Arthur Sullivan to a libretto by Arthur Wing Pinero and J. Comyns Carr. The medieval Faustian story concerns an ugly, crippled girl, who dreams of being beautiful and meeting a handsome prince. The Devil...
(1898), Baron Tabasco in The Lucky Star
The Lucky Star
The Lucky Star is an English comic opera, in three acts, composed by Ivan Caryll, with dialogue by Charles H. Brookfield and lyrics by Adrian Ross and Aubrey Hopwood...
(1899), Sultan Mahmoud in The Rose of Persia
The Rose of Persia
The Rose of Persia; or, The Story-Teller and the Slave, is a two-act comic opera, with music by Arthur Sullivan and a libretto by Basil Hood. It premiered at the Savoy Theatre on 29 November 1899, closing on 28 June 1900 after a profitable run of 211 performances...
and Charlie Brown in the curtain raiser, Pretty Polly
Pretty Polly (play)
Pretty Polly is a one-act playlet by Basil Hood, with music composed by François Cellier. The ten-minute long piece concerns the difficulties of a shy fellow who tries to use a talking parrot as a matrimonial agent....
(1899-90), Ib's Father in Ib and Little Christina
Ib and Little Christina
Ib and Little Christina refers to two theatrical adaptations by Basil Hood of the 1855 fairy tale by Hans Andersen of the same name.The first was a play styled "A Picture in 3 Parts", with incidental music by Arthur Bruhns and was first produced at the Prince of Wales Theatre, opening on 15 May...
(1901), Pat Murphy in The Emerald Isle
The Emerald Isle
The Emerald Isle; or, The Caves of Carrig-Cleena, is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. It premiered at the Savoy Theatre on 27 April 1901, closing on 9 November 1901 after a run of 205 performances...
(1901), the Earl of Essex in Merrie England
Merrie England (opera)
Merrie England is an English comic opera in two acts by Edward German to a libretto by Basil Hood. The patriotic story concerns love and rivalries at the court of Queen Elizabeth I, who is portrayed as jealous of the affection of Sir Walter Raleigh for Bessie Throckmorton. Its sunny depiction of...
(1902), and William Jelf in A Princess of Kensington
A Princess of Kensington
A Princess of Kensington is an English comic opera in two acts by Edward German to a libretto by Basil Hood, produced by William Greet. The first performance was at the Savoy Theatre, London, on 22 January 1903 and ran for 115 performances....
(1903).
Lytton was stung financially by two attempts at theatrical management. He and some partners leased the Criterion Theatre
Criterion Theatre
The Criterion Theatre is a West End theatre situated on Piccadilly Circus in the City of Westminster, and is a Grade II* listed building. It has an official capacity of 588.-Building the theatre:...
in 1899 to produce The Wild Rabbit, a farce
Farce
In theatre, a farce is a comedy which aims at entertaining the audience by means of unlikely, extravagant, and improbable situations, disguise and mistaken identity, verbal humour of varying degrees of sophistication, which may include word play, and a fast-paced plot whose speed usually increases,...
by George Arliss
George Arliss
George Arliss was an English actor, author and filmmaker who found success in the United States. He was the first British actor to win an Academy Award.-Life and career:...
, who later became a famous actor in America. The production opened during a heat wave and played for only three weeks in London (after more successful tryouts out of town), sustaining over £1,000 in losses, a serious loss for Lytton this early in his career. Later, Lytton bailed out some friends who had run out of money while producing a tour of Melnotte, an operatic version of the comedy, The Lady of Lyons. This also lost money.
Beginning in 1903, Lytton took a four year break from D'Oyly Carte, starring in a number of successful West End
West End theatre
West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English speaking...
musicals, including in the title role in The Earl and the Girl
The Earl and the Girl
The Earl and the Girl is a musical comedy in two acts by Seymour Hicks, with lyrics by Percy Greenbank and music by Ivan Caryll. It was produced by William Greet and opened at the Adelphi Theatre in London on 10 December 1903. It transferred to the Lyric Theatre on 12 September 1904, running for...
(1903-04), as Lieut. Reggie Drummond in The Talk of the Town (1905, a Seymour Hicks
Seymour Hicks
Sir Arthur Seymour Hicks , better known as Seymour Hicks, was a British actor, music hall performer, playwright, screenwriter, theatre manager and producer. He married the actress Ellaline Terriss in 1893...
production), as Lieut. Reginald Armitage in The White Chrysanthemum
The White Chrysanthemum
The White Chrysanthemum is an English musical in three acts by Arthur Anderson and Leedham Bantock, with lyrics by Anderson and music by Howard Talbot). It opened at the Criterion Theatre, produced by Frank Curzon, on 31 August 1905 and ran for 179 performances, closing on 10 February 1906...
(1905), as Boniface in The Spring Chicken
The Spring Chicken
The Spring Chicken is an English musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith, produced by George Edwardes at the Gaiety Theatre, opening on 30 May...
(1905), as Aristide in The Little Michus
The Little Michus
Les p'tites Michu is an opérette in three acts, composed by André Messager. The libretto was by Albert Vanloo and Georges Duval.Dismayed by the Paris reception for his 1896 piece, Le Chevalier d’Harmental, Messager retreated to London vowing to write no more...
(1905), as Captain Flapper in Billee Taylor
Billee Taylor
Billee Taylor, or The Reward of Virtue is "a nautical comedy opera" by Edward Solomon, with a libretto by Henry Pottinger Stephens.The piece was first produced at the Imperial Theatre in London on 30 October 1880, starring Arthur Williams as Sir Mincing Lane and Frederick Rivers as Billee. It...
(revival, c. 1906), as the Hon. Jack Hylton in My Darling (1907, also a Hicks production), and in the title role in The Amateur Raffles (1907) Lytton performed in music hall
Music hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
between these engagements, performing in comic sketches with Connie Ediss for a time.
He also returned to the Savoy Theatre, during this period, for some guest appearances and appeared in the D'Oyly Carte repertory seasons in 1906–07 and 1908-09, where C. H. Workman had been engaged as the principal comedian. Lytton's roles during those seasons were the title role in The Mikado, Dick Deadeye in Pinafore, Strephon in Iolanthe, the Pirate King in Pirates, Giuseppe in The Gondoliers, and briefly, Ko-Ko in The Mikado and Sir Joseph in Pinafore. He also wrote lyrics for a number of operettas, including Knights of the Road, with a book by Richard Turpin and music by Alexander Mackenzie
Alexander Mackenzie
Alexander Mackenzie, PC , a building contractor and newspaper editor, was the second Prime Minister of Canada from November 7, 1873 to October 8, 1878.-Biography:...
, which played at the Palace Theatre
Palace Theatre, London
The Palace Theatre is a West End theatre in the City of Westminster in London. It is an imposing red-brick building that dominates the west side of Cambridge Circus and is located near the intersection of Shaftesbury Avenue and Charing Cross Road...
.
Years as principal comedian
After the end of the second repertory season, the D'Oyly Carte Opera Company left the Savoy Theatre. C. H. Workman took over the lease at the Savoy and played there in his own productions. Lytton remained with the D'Oyly Carte company on tour, now resuming the principal comedian roles. From 1909 until 1934, Lytton served the D'Oyly Carte organisation as principal comedian. Fortunately for Lytton, C. H. Workman became involved in a quarrel with Gilbert in 1909, who banned Workman from playing in any further Gilbert and Sullivan operas in Britain. It is likely that, otherwise, Workman would have been engaged as the principal comedian for the company's Principal Repertory Company instead of Lytton. Indeed, Rupert D'Oyly CarteRupert D'Oyly Carte
Rupert D'Oyly Carte was an English hotelier, theatre owner and impresario, best known as proprietor of the D'Oyly Carte Opera Company and Savoy Hotel from 1913 to 1948....
wrote to Workman in 1919, after Gilbert's death, asking Workman to return to the D'Oyly Carte company as principal comedian, instead of Lytton, but Workman declined.
During his five decade tenure with the company, Lytton played an unprecedented range of roles (exceeded only by Richard Walker
Richard Walker (singer)
Richard Walker, was an English opera singer and actor, best known for his performances in the baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Between 1932 and 1939 Walker was married to D'Oyly Carte chorister Ena Martin...
), including Counsel and the Learned Judge in Trial by Jury, Dr. Daly and John Wellington Wells in The Sorcerer, Captain Corcoran, Dick Deadeye and Sir Joseph Porter in H.M.S. Pinafore, the Pirate King and Major-General Stanley in Pirates, Bunthorne and Grosvenor in Patience, Strephon and the Lord Chancellor in Iolanthe
Iolanthe
Iolanthe; or, The Peer and the Peri is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy operas and is the seventh collaboration of the fourteen between Gilbert and Sullivan....
, King Gama in Princess Ida, Ko-Ko and The Mikado in The Mikado, Robin in Ruddigore, Jack Point and Wilfred Shadbolt in The Yeomen of the Guard
The Yeomen of the Guard
The Yeomen of the Guard; or, The Merryman and His Maid, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It premiered at the Savoy Theatre on 3 October 1888, and ran for 423 performances...
, Giuseppe and the Duke of Plaza-Toro in The Gondoliers, King Paramount in Utopia Limited, and Ludwig in The Grand Duke
The Grand Duke
The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on March 7, 1896, and ran for 123 performances...
, as well as roles in many non-Gilbert and Sullivan pieces.
Although Lytton had played lyric baritone roles in his earlier years, by the 1920s his voice had deteriorated to the point that he was not included in most of the D'Oyly Carte recordings of the period. As The Times noted in its 20 September 1926 review of the refurbished Mikado production, Lytton "shows more respect for Gilbert's words than for Sullivan's notes, though he still manages to give the gist even of the latter." Lytton was knight
Knight
A knight was a member of a class of lower nobility in the High Middle Ages.By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior....
ed in 1930, the only person to receive the accolade for achievements as a Gilbert and Sullivan performer.
In 1931, Lytton was injured in a car accident in which D'Oyly Carte principal contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
Bertha Lewis
Bertha Lewis
Bertha Lewis was an English opera singer and actress primarily known for her work as principal contralto in the Gilbert & Sullivan comic operas with the D'Oyly Carte Opera Company.-Early life and career:...
was killed; Lytton was the driver. Martyn Green
Martyn Green
William Martyn-Green , better known as Martyn Green, was an English actor and singer. He is best known for his work as principal comedian in the Gilbert & Sullivan comic operas, which he performed and recorded with the D'Oyly Carte Opera Company and other troupes.After army service in World War I,...
, his understudy and eventual successor, took over Lytton's roles until Lytton's return a few months later. Green took over two of the roles, Robin Oakapple and the Major General, in 1932. Lytton's final London appearance was as Ko-Ko in The Mikado at the Savoy Theatre in January 1933. He then toured with the D'Oyly Carte Opera Company until June 1934, when he played Jack Point in Yeomen at the Gaiety Theatre, Dublin. He made his last stage appearance as the Emperor of China in Aladdin in the Birmingham
Birmingham
Birmingham is a city and metropolitan borough in the West Midlands of England. It is the most populous British city outside the capital London, with a population of 1,036,900 , and lies at the heart of the West Midlands conurbation, the second most populous urban area in the United Kingdom with a...
Prince of Wales Theatre's Christmas season of pantomime in 1934–35.
Lytton died at his home in Earls Court
Earls Court
Earls Court is a district in the Royal Borough of Kensington and Chelsea in London, England. It is an inner-city district centred on Earl's Court Road and surrounding streets, located 3.1 miles west south-west of Charing Cross. It borders the sub-districts of South Kensington to the East, West...
, London, survived by Louie Henri (Lady Lytton), who died in 1947, their two sons, including Henry Lytton, Jr., whose high profile marriage to Jessie Matthews
Jessie Matthews
Jessie Matthews, OBE was an English actress, dancer and singer of the 1930s, whose career continued into the post-war period.-Early life:...
in 1925 ended in divorce in 1930, and two daughters, including, Ena Elverston. Another son was killed in February 1918 while serving in the Royal Flying Corps
Royal Flying Corps
The Royal Flying Corps was the over-land air arm of the British military during most of the First World War. During the early part of the war, the RFC's responsibilities were centred on support of the British Army, via artillery co-operation and photographic reconnaissance...
, and two others died in infancy.
Recordings
Lytton made many recordings between 1901 and 1905, including songs from The Sorcerer, Iolanthe, Merrie England, A Princess of Kensington, A Country GirlA Country Girl
A Country Girl, or, Town and Country is a musical play in two acts by James T. Tanner, with lyrics by Adrian Ross, additional lyrics by Percy Greenbank, music by Lionel Monckton and additional songs by Paul Rubens....
, The Toreador
The Toreador
The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an...
, The Earl and the Girl (his recording of "My Cosy Corner Girl" from this musical was a strong success) and many others. By the time HMV
HMV
His Master's Voice is a trademark in the music business, and for many years was the name of a large record label. The name was coined in 1899 as the title of a painting of the dog Nipper listening to a wind-up gramophone...
began using D'Oyly Carte principals in its recordings of the Savoy Opera
Savoy opera
The Savoy Operas denote a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house...
s, however, Lytton’s voice was not thought suitable for the gramophone. Of the many HMV recordings issued in the inter-war years, he was included in only Princess Ida in 1924 (acoustic) and 1932 (electrical), The Mikado in 1926, The Gondoliers in 1927, and H.M.S. Pinafore in 1930. He also sang Ko-Ko in a 1926 BBC radio broadcast of The Mikado and appeared in the same role in a four-minute long silent promotional film made of the D'Oyly Carte organisation in 1926. On most of the other recordings of the period, George Baker
George Baker (record singer)
George Baker was an English singer. He is remembered for singing on thousands of gramophone records in a career that spanned 53 years, beginning in 1909...
replaced him in the patter roles. Twenty-five of Lytton's recordings were collected on the LP The Art of Henry Lytton.
A photograph of Lytton and D'Oyly Carte colleagues with the huge recording horn used in the acoustic recording process can be seen here.