The Emerald Isle
Encyclopedia
The Emerald Isle; or, The Caves of Carrig-Cleena, is a two-act comic opera
, with music by Arthur Sullivan
and Edward German
, and a libretto by Basil Hood
. It premiered at the Savoy Theatre
on 27 April 1901, closing on 9 November 1901 after a run of 205 performances. There was also a brief run in New York at the Herald Square Theatre for just 50 performances, opening on 1 September 1902, and closing on 18 October 1902.
The opening night cast included Robert Evett
, Walter Passmore
, Henry Lytton
, Rosina Brandram
, Isabel Jay
, and Louie Pounds
. During the run of The Emerald Isle, William Greet
took over management of the Savoy Theatre.
Modern professional productions of the work have been rare. The Prince Consort recorded the piece in Britain live in performance at the fringe of the Edinburgh Festival
in 1982. The piece was also given in Edinburgh and then Torquay, England, in 1998. Amateur groups in Britain produced the piece regularly through the 1920s and occasionally thereafter. A concert of the opera was performed by Valley Light Opera in Amherst, Massachusetts
on March 8, 2008 with a narration written by Jonathan Strong. This was the first known U.S. performance of the opera with full orchestra since 1902.
struggled to find successful shows to fill the Savoy. He finally found one in Sullivan and Hood's The Rose of Persia
(1899), and the two men quickly agreed to collaborate again. However, Sullivan, who had increasingly struggled with ill health, died on 22 November 1900, leaving The Emerald Isle incomplete. Carte himself died on 27 April 1901, and the opera was produced by his widow, Helen Carte.
At his death, Sullivan had finished two numbers in their entirety, leaving behind sketches of at least the voice parts for about half of the others. Carte commissioned Edward German to complete the numbers Sullivan had sketched and to compose the rest of the opera himself. German, to this point, was known chiefly as a composer of orchestral and incidental music, but The Emerald Isle was sufficiently successful to launch him on an operatic career. German's most famous opera was Merrie England
, also written with Basil Hood.
Unlike Hood's first opera with Sullivan, The Rose of Persia, The Emerald Isle does not pay homage to the Gilbert and Sullivan
comic tradition in any obvious way (except, perhaps, for the mistaken identities). The plot is not reminiscent of Gilbert's topsy-turvy style, nor is there any obvious satiric point. With its Irish jigs and broad comedy, however, the work was at home in the musical comedy style that was then prevalent, and its 205-performance run was considered a modest success by the standards of the time.
In a picturesque Irish village, the chorus speculate that Terence O'Brian, a local hero who has long been absent abroad, will soon return. O'Brien indeed appears, but they mistake him for a Saxon (hated by the Irish) because of his English accent. He assures them that, although he was educated at Oxford, he is thoroughly Irish, and is in fact descended from one of the ancient Irish kings, Brian Boru
.
Pat Murphy, a blind fiddler, tells O'Brien that the Lord Lieutenant has compelled all of the villagers to adopt English customs and speak in English accents. O'Brien vows to restore Irish customs to the district; he requires only a suitable tutor to re-educate the local people, since they have all forgotten how to be Irish.
Professor Bunn enters. He has overheard the conversation. Although the Lord Lieutenant has hired him to be the Local Professor of English Elocution, he assures them that he can also train the local peasantry to be typically Irish. O'Brien is skeptical, but as Bunn has overheard them, they decide it would be better to forcibly initiate him into their secret society, the Clan-na-Gael. O'Brien tells Bunn that the ceremony will take place at midnight, at the Caves of Carrig-Cleena.
O'Brien is secretly engaged to the Lord Lieutenant's daughter, Lady Rosie Pippin. While he goes off for a secret rendezvous, he leaves Bunn in Murphy's custody. Once they are alone, Murphy admits that he isn't blind at all; he has only feigned blindness. But he is in love with Molly O'Grady, and he wants to tell her how beautiful she is, which he cannot do unless his "blindness" is cured. He suggests that Professor Bunn impersonate a doctor, who will restore his sight. Molly then enters, but she says that if Bunn could cure Murphy, she would marry Bunn. For now, Murphy decides to remain blind, after all.
Jealous of Bunn, Murphy tells O'Brien that Bunn can't be trusted. O'Brien threatens Bunn with death, but offers him a reprieve if he can manage to get a letter to Lady Rosie's maid, which O'Brien himself has been unable to do. Bunn mesmerises the guard at the gate of the Lieutenant's, and goes inside.
Molly warns O'Brien that the Caves of Carrig-Cleena are a dangerous hiding place for the rebels, because fairies reside there. She tells him that the Fairy Cleena, their Queen, has taken a fancy to Blind Murphy, and does his house chores. (It is, in fact, Molly who has been doing them.) Molly and Murphy tell O'Brien the legend of the Fairy Cleena.
Rosie, having received O'Brien's message, comes out to greet him. From Rosie and her maid, Susan, he learns that Bunn had delivered a letter to the Lord Lieutenant himself. O'Brien is now even more convinced that Bunn can't be trusted, but as he wants to be alone with Rosie, he directs Susan to keep an eye on the Professor. However, after Bunn tells Susan he's a detective from Scotland Yard, she allows him to leave, noting that she is much enchanted by detectives. He goes into Murphy's cottage to change into a disguise, which he has brought with him.
The Lord Lieutenant enters, with the Countess and Dr. Fiddle. The Lieutenant is expecting Professor Bunn, who cannot be found. However, he has received an anonymous note warning that the rebel leader Terence O'Brien is in the area, and his hiding place is Carrig-Cleena. The Lieutenant vows to send troops to exterminate the rebels.
Molly and Murphy have overheard this. Learning that Murphy is a musician, the Lieutenant hires him to play the bagpipes, anticipating a victory over the rebels. Molly is aghast when he accepts, as she believes his loyalties should be on the Irish side.
Rosie, too, is distraught, as she fears O'Brien will be in grave danger, but it turns out O'Brien has not yet left for the caves. Rosie warns him that soldiers are on the way, and O'Brien is sure that Bunn has betrayed them. Bunn comes out of Muphy's cottage dressed as an old man, but O'Brien quickly sees through the disguise. O'Brien threatens to kill him, but Molly comes forward with an idea for deterring the soldiers. She knows they are afraid of fairies. She plans to tell them that the Caves of Carrig-Cleena are haunted, and she will impersonate the Fairy Cleena herself. Thinking quickly, Professor Bunn offers to tell the soldiers that he has been imprisoned by the fairies for the last fifty years, and that the same fate awaits them should they go near the caves. Terrence concludes that Bunn will be useful, after all.
The soldiers enter with great pomp. Molly, Bunn, and the others play out their trick, and as expected the soldiers are greatly affected by it. Murphy suggests that the fairies can cure his blindness, but Molly (impersonating the Fairy Cleena) insists that they cannot. The Lord Lieutenant orders the soldiers to attack the rebels, but they have been taken in by the ruse. Panic-stricken, the soldiers disperse.
The peasant rebels nervously await the soldiers' arrival. At first, they are relieved when O'Brien tells them of Professor Bunn's successful ruse. But then Molly rushes in, and tells them the soldiers have changed their minds, and that Carrig-Cleena is now surrounded. Once again, O'Brien suspects that Professor Bunn has deceived them. Bagpipes are heard in the distance, which they all presume are played by Blind Murphy. They suspect that he, too, is a spy.
Rosie and Susan enter. The rebels are aghast to learn that O'Brien's lover is no other than the Lord Lieutenant's daughter. He explains that they had met in London, before they realized that they were on opposite sides of the conflict. He says that they are engaged, but Rosie warns that they cannot be married without her father's consent, which he would never give.
Professor Bunn arrives, and the rebels seize him. O'Brien tells Bunn that the only way he can avoid death is if he can frighten away the eight hundred English soldiers that are now surrounding the area. They develop a plan whereby Molly will once again appear as the Fairy Cleena, with her image projected on the rocks by an apparatus that Bunn provides. Bunn is to appear as a goblin. Rosie will hide behind the rocks and sing a love-song, purportedly the fairies' siren song.
Murphy arrives. He plans to pretend that he has spoken with the fairies, and is cured of his blindness. Professor Bunn decides to try the elaborate ruse. Rosie sings in the background, with Molly's image projected on the rocks. Murphy is overwhelmed, and falls senseless on the stage. O'Brien, however, is not impressed, as the idea was that Murphy would run off and tell the soldiers what had happened, frightening them away. Bunn persuades O'Brien to let him have one more try at it.
When Murphy revives, the rebels accuse him of being a spy, and they put him on trial. Molly stands up in his defence, pointing out that a blind man can't be a spy. Murphy finally admits that he has never been blind. Molly is ashamed by his deception. Terence tells Murphy that he is banished. He sings a sad farewell, and Molly is moved. She admits that she loves him.
The Sergeant enters in advance of the troops. O'Brien warns him of the dangerous Fairy Cleena. Professor Bunn bewitches the Sergeant, and when the Lord Lieutenant enters with the Countess, they find the Sergeant apparently insane. Professor Bunn tells the Lieutenant that he is a researcher looking for fairies and has found them. The Lieutenant doesn't believe him, and he asks Dr. Fiddle to confirm that fairies do not exist.
As there are no rebels around, the Lieutenant believes he has been tricked. He offers a reward of a thousand guineas to anyone who can identify the person responsible. Professor Bunn admits to writing the letter and asks for the reward. The Lieutenant says that he shall have it, but that he will also be shot for rebellion.
The rebels appear, and the Lieutenant orders their arrest. O'Brien steps forward and insists that if anyone is to be shot, he should be the first. Rosie takes her place at his side, and tells her father that they are in love. The Lieutenant insists that she may only marry a man of royal blood. O'Brien replies that he is descended from Brian Boru, an ancient King of Ireland, which removes the Lieutenant's objection, but the Lieutenant responds that O'Brien will nevertheless be shot for treason.
Professor Bunn, however, points out that all English noblemen nowadays are more than half American, and America is the friend of Ireland. Therefore, the Lieutenant is a friend of the rebels, and it would be absurd to have them shot. The Lieutenant agrees that this is conclusive, and all ends happily.
Act I
Act II
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
, with music by Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
and Edward German
Edward German
Sir Edward German was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera.As a youth, German played the violin and led the town orchestra, also...
, and a libretto by Basil Hood
Basil Hood
Basil Willett Charles Hood was a British librettist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including The Merry Widow. He embarked on a career in the British army, writing theatrical pieces in his spare...
. It premiered at the Savoy Theatre
Savoy Theatre
The Savoy Theatre is a West End theatre located in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan,...
on 27 April 1901, closing on 9 November 1901 after a run of 205 performances. There was also a brief run in New York at the Herald Square Theatre for just 50 performances, opening on 1 September 1902, and closing on 18 October 1902.
The opening night cast included Robert Evett
Robert Evett
Robert Evett was an English singer, actor, theatre manager and producer.-Acting career:In 1892 Evett joined the D'Oyly Carte Opera Company on tour in The Vicar of Bray, playing the Reverend Henry Sandford, the tenor lead. In 1893, Evett added the role of Oswald in Haddon Hall...
, Walter Passmore
Walter Passmore
Walter Henry Passmore was an English singer and actor best known as the first successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas with the D'Oyly Carte Opera Company....
, Henry Lytton
Henry Lytton
Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century...
, Rosina Brandram
Rosina Brandram
Rosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company....
, Isabel Jay
Isabel Jay
Isabel Jay was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company and in musical comedies...
, and Louie Pounds
Louie Pounds
Louisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company....
. During the run of The Emerald Isle, William Greet
William Greet
William Greet was a British theatre manager from the end of the 19th century and into the 20th century. Originally a business manager for other theatre licensees in the 1880s, he branched out as an independent manager in the 1890s and was associated with various London theatres, principally the...
took over management of the Savoy Theatre.
Modern professional productions of the work have been rare. The Prince Consort recorded the piece in Britain live in performance at the fringe of the Edinburgh Festival
Edinburgh Festival
The Edinburgh Festival is a collective term for many arts and cultural festivals that take place in Edinburgh, Scotland each summer, mostly in August...
in 1982. The piece was also given in Edinburgh and then Torquay, England, in 1998. Amateur groups in Britain produced the piece regularly through the 1920s and occasionally thereafter. A concert of the opera was performed by Valley Light Opera in Amherst, Massachusetts
Amherst, Massachusetts
Amherst is a town in Hampshire County, Massachusetts, United States in the Connecticut River valley. As of the 2010 census, the population was 37,819, making it the largest community in Hampshire County . The town is home to Amherst College, Hampshire College, and the University of Massachusetts...
on March 8, 2008 with a narration written by Jonathan Strong. This was the first known U.S. performance of the opera with full orchestra since 1902.
History
For much of the 1890s, impresario Richard D'Oyly CarteRichard D'Oyly Carte
Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer and hotelier during the latter half of the Victorian era...
struggled to find successful shows to fill the Savoy. He finally found one in Sullivan and Hood's The Rose of Persia
The Rose of Persia
The Rose of Persia; or, The Story-Teller and the Slave, is a two-act comic opera, with music by Arthur Sullivan and a libretto by Basil Hood. It premiered at the Savoy Theatre on 29 November 1899, closing on 28 June 1900 after a profitable run of 211 performances...
(1899), and the two men quickly agreed to collaborate again. However, Sullivan, who had increasingly struggled with ill health, died on 22 November 1900, leaving The Emerald Isle incomplete. Carte himself died on 27 April 1901, and the opera was produced by his widow, Helen Carte.
At his death, Sullivan had finished two numbers in their entirety, leaving behind sketches of at least the voice parts for about half of the others. Carte commissioned Edward German to complete the numbers Sullivan had sketched and to compose the rest of the opera himself. German, to this point, was known chiefly as a composer of orchestral and incidental music, but The Emerald Isle was sufficiently successful to launch him on an operatic career. German's most famous opera was Merrie England
Merrie England (opera)
Merrie England is an English comic opera in two acts by Edward German to a libretto by Basil Hood. The patriotic story concerns love and rivalries at the court of Queen Elizabeth I, who is portrayed as jealous of the affection of Sir Walter Raleigh for Bessie Throckmorton. Its sunny depiction of...
, also written with Basil Hood.
Unlike Hood's first opera with Sullivan, The Rose of Persia, The Emerald Isle does not pay homage to the Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
comic tradition in any obvious way (except, perhaps, for the mistaken identities). The plot is not reminiscent of Gilbert's topsy-turvy style, nor is there any obvious satiric point. With its Irish jigs and broad comedy, however, the work was at home in the musical comedy style that was then prevalent, and its 205-performance run was considered a modest success by the standards of the time.
Roles and original cast
- The Earl of Newtown, K.P. (Lord Lieutenant of Ireland) (bass-baritoneBass-baritoneA bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the Dutchman in Der fliegende...
) – Jones HewsonJones HewsonJohn Jones Hewson , credited as Jones Hewson, was a Welsh singer and actor known for his creation and portrayal of baritone roles with the D'Oyly Carte Opera Company from 1896 to 1901.... - Dr. Fiddle, D.D. (his Private Chaplain) (tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
) – R. Rous - Terence O'Brian (a Young Rebel) (tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
) – Robert EvettRobert EvettRobert Evett was an English singer, actor, theatre manager and producer.-Acting career:In 1892 Evett joined the D'Oyly Carte Opera Company on tour in The Vicar of Bray, playing the Reverend Henry Sandford, the tenor lead. In 1893, Evett added the role of Oswald in Haddon Hall... - Professor Bunn (Shakespearean Reciter, Character Impersonator, etc.) (comic baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
) – Walter PassmoreWalter PassmoreWalter Henry Passmore was an English singer and actor best known as the first successor to George Grossmith in the comic baritone roles in Gilbert and Sullivan operas with the D'Oyly Carte Opera Company....
- Pat Murphy (a Fiddler) (lyric baritone) – Henry A. Lytton
- Irish Peasants:
- Black Dan (baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
) – W. H. Leon - Mickie O'Hara (non-singing) – C. Earldon
- H.M. 11th Regiment of Foot:
- Sergeant Pincher (bass) – R. Crompton
- Private Perry (non-singing) – Powis Pinder
- Sentry (non-singing)
- The Countess of Newtown (contraltoContraltoContralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
) – Rosina BrandramRosina BrandramRosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.... - Lady Rosie Pippin (her Daughter) (sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
) – Isabel JayIsabel JayIsabel Jay was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company and in musical comedies... - Molly O'Grady (a Peasant Girl) (mezzo-sopranoMezzo-sopranoA mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
) – Louie PoundsLouie PoundsLouisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company.... - Susan (Lady Rosie's Maid) (mezzo-sopranoMezzo-sopranoA mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...
) – Blanche Gaston-Murray - Peasant Girls:
- Nora (non-singing) – Lulu Evans
- Kathleen (sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
) – Agnes Fraser
- Chorus of Irish Peasants and Soldiers of 11th Regiment of Foot
Act I
Scene: Outside the Lord Lieutenant's Country Residence.In a picturesque Irish village, the chorus speculate that Terence O'Brian, a local hero who has long been absent abroad, will soon return. O'Brien indeed appears, but they mistake him for a Saxon (hated by the Irish) because of his English accent. He assures them that, although he was educated at Oxford, he is thoroughly Irish, and is in fact descended from one of the ancient Irish kings, Brian Boru
Brian Boru
Brian Bóruma mac Cennétig, , , was an Irish king who ended the domination of the High Kingship of Ireland by the Uí Néill. Building on the achievements of his father, Cennétig mac Lorcain, and especially his elder brother, Mathgamain, Brian first made himself King of Munster, then subjugated...
.
Pat Murphy, a blind fiddler, tells O'Brien that the Lord Lieutenant has compelled all of the villagers to adopt English customs and speak in English accents. O'Brien vows to restore Irish customs to the district; he requires only a suitable tutor to re-educate the local people, since they have all forgotten how to be Irish.
Professor Bunn enters. He has overheard the conversation. Although the Lord Lieutenant has hired him to be the Local Professor of English Elocution, he assures them that he can also train the local peasantry to be typically Irish. O'Brien is skeptical, but as Bunn has overheard them, they decide it would be better to forcibly initiate him into their secret society, the Clan-na-Gael. O'Brien tells Bunn that the ceremony will take place at midnight, at the Caves of Carrig-Cleena.
O'Brien is secretly engaged to the Lord Lieutenant's daughter, Lady Rosie Pippin. While he goes off for a secret rendezvous, he leaves Bunn in Murphy's custody. Once they are alone, Murphy admits that he isn't blind at all; he has only feigned blindness. But he is in love with Molly O'Grady, and he wants to tell her how beautiful she is, which he cannot do unless his "blindness" is cured. He suggests that Professor Bunn impersonate a doctor, who will restore his sight. Molly then enters, but she says that if Bunn could cure Murphy, she would marry Bunn. For now, Murphy decides to remain blind, after all.
Jealous of Bunn, Murphy tells O'Brien that Bunn can't be trusted. O'Brien threatens Bunn with death, but offers him a reprieve if he can manage to get a letter to Lady Rosie's maid, which O'Brien himself has been unable to do. Bunn mesmerises the guard at the gate of the Lieutenant's, and goes inside.
Molly warns O'Brien that the Caves of Carrig-Cleena are a dangerous hiding place for the rebels, because fairies reside there. She tells him that the Fairy Cleena, their Queen, has taken a fancy to Blind Murphy, and does his house chores. (It is, in fact, Molly who has been doing them.) Molly and Murphy tell O'Brien the legend of the Fairy Cleena.
Rosie, having received O'Brien's message, comes out to greet him. From Rosie and her maid, Susan, he learns that Bunn had delivered a letter to the Lord Lieutenant himself. O'Brien is now even more convinced that Bunn can't be trusted, but as he wants to be alone with Rosie, he directs Susan to keep an eye on the Professor. However, after Bunn tells Susan he's a detective from Scotland Yard, she allows him to leave, noting that she is much enchanted by detectives. He goes into Murphy's cottage to change into a disguise, which he has brought with him.
The Lord Lieutenant enters, with the Countess and Dr. Fiddle. The Lieutenant is expecting Professor Bunn, who cannot be found. However, he has received an anonymous note warning that the rebel leader Terence O'Brien is in the area, and his hiding place is Carrig-Cleena. The Lieutenant vows to send troops to exterminate the rebels.
Molly and Murphy have overheard this. Learning that Murphy is a musician, the Lieutenant hires him to play the bagpipes, anticipating a victory over the rebels. Molly is aghast when he accepts, as she believes his loyalties should be on the Irish side.
The soldiers enter with great pomp. Molly, Bunn, and the others play out their trick, and as expected the soldiers are greatly affected by it. Murphy suggests that the fairies can cure his blindness, but Molly (impersonating the Fairy Cleena) insists that they cannot. The Lord Lieutenant orders the soldiers to attack the rebels, but they have been taken in by the ruse. Panic-stricken, the soldiers disperse.
Act II
Scene: The Caves of Carrig Cleena.The peasant rebels nervously await the soldiers' arrival. At first, they are relieved when O'Brien tells them of Professor Bunn's successful ruse. But then Molly rushes in, and tells them the soldiers have changed their minds, and that Carrig-Cleena is now surrounded. Once again, O'Brien suspects that Professor Bunn has deceived them. Bagpipes are heard in the distance, which they all presume are played by Blind Murphy. They suspect that he, too, is a spy.
Rosie and Susan enter. The rebels are aghast to learn that O'Brien's lover is no other than the Lord Lieutenant's daughter. He explains that they had met in London, before they realized that they were on opposite sides of the conflict. He says that they are engaged, but Rosie warns that they cannot be married without her father's consent, which he would never give.
Professor Bunn arrives, and the rebels seize him. O'Brien tells Bunn that the only way he can avoid death is if he can frighten away the eight hundred English soldiers that are now surrounding the area. They develop a plan whereby Molly will once again appear as the Fairy Cleena, with her image projected on the rocks by an apparatus that Bunn provides. Bunn is to appear as a goblin. Rosie will hide behind the rocks and sing a love-song, purportedly the fairies' siren song.
Murphy arrives. He plans to pretend that he has spoken with the fairies, and is cured of his blindness. Professor Bunn decides to try the elaborate ruse. Rosie sings in the background, with Molly's image projected on the rocks. Murphy is overwhelmed, and falls senseless on the stage. O'Brien, however, is not impressed, as the idea was that Murphy would run off and tell the soldiers what had happened, frightening them away. Bunn persuades O'Brien to let him have one more try at it.
When Murphy revives, the rebels accuse him of being a spy, and they put him on trial. Molly stands up in his defence, pointing out that a blind man can't be a spy. Murphy finally admits that he has never been blind. Molly is ashamed by his deception. Terence tells Murphy that he is banished. He sings a sad farewell, and Molly is moved. She admits that she loves him.
The Sergeant enters in advance of the troops. O'Brien warns him of the dangerous Fairy Cleena. Professor Bunn bewitches the Sergeant, and when the Lord Lieutenant enters with the Countess, they find the Sergeant apparently insane. Professor Bunn tells the Lieutenant that he is a researcher looking for fairies and has found them. The Lieutenant doesn't believe him, and he asks Dr. Fiddle to confirm that fairies do not exist.
As there are no rebels around, the Lieutenant believes he has been tricked. He offers a reward of a thousand guineas to anyone who can identify the person responsible. Professor Bunn admits to writing the letter and asks for the reward. The Lieutenant says that he shall have it, but that he will also be shot for rebellion.
The rebels appear, and the Lieutenant orders their arrest. O'Brien steps forward and insists that if anyone is to be shot, he should be the first. Rosie takes her place at his side, and tells her father that they are in love. The Lieutenant insists that she may only marry a man of royal blood. O'Brien replies that he is descended from Brian Boru, an ancient King of Ireland, which removes the Lieutenant's objection, but the Lieutenant responds that O'Brien will nevertheless be shot for treason.
Professor Bunn, however, points out that all English noblemen nowadays are more than half American, and America is the friend of Ireland. Therefore, the Lieutenant is a friend of the rebels, and it would be absurd to have them shot. The Lieutenant agrees that this is conclusive, and all ends happily.
Musical numbers
- Overture (includes "We don't intend to go to Carrig-Cleena", "Bedad it's for him" and the "Jig") †
Act I
- 1. "Have ye heard the brave news?" (Chorus of Peasants) ‡
- 2. "My Friends... I'm descended from Brian Boru" (Terence and Chorus)
- 3. "Of Viceroys though we've had" (Murphy and Chorus)
- 4. "If you wish to appear as an Irish type" (Bunn and Chorus)
- 5. "On the Heights of Glentaun" (Molly, Terence, and Murphy)
- 6. "Two is Company" (Rosie, Susan, Terence & Bunn)
- 7. ENTRANCE OF LORD LIEUTENANT, COUNTESS, AND CHAPLAIN "I am the Lord Lieutenant, and" (Lord Lieutenant, Countess, and Dr. Fiddle)
- 8. "At an early stage of life" (Lord Lieutenant with Rosie, Countess, and Dr. Fiddle)
- 9. "When Alfred's friends their king forsook" (Countess) †
- 10. "Oh, setting sun you bid the world good-bye" (Rosie) †
- 11. "Their courage high you may defy" (Rosie, Susan, Molly, Terence and Bunn)
- 12. ENTRANCE OF SOLDIERS "That we're soldiers no doubt you will guess" (Chorus of Soldiers and Girls)
- 13. "Now this is the song of the Devonshire Men" (Sergeant and Chorus) †
- 14. ENTRANCE OF BUNN "It is past my comprehension.. Many years ago I strode" (Bunn and Molly with Chorus)
- 15. "Their fathers fought at Ramillies" (Ensemble)
Act II
- 16. "Is there anyone approachin" (Chorus of Peasant Men with Dan)
- 17. "Bedad, it's for him that will always employ" (Chorus of Men) †
- 18. "Jig" (Peasants) †
- 18a. "Och, the spalpeen! Let him drown!" (Chorus) †
- 19. "Oh have you met a man in debt" (Terence and Chorus)
- 20. "Twas in Hyde Park, beside the row" (Rosie, Terence, and Chorus)
- 21. "I cannot play at love" (Molly, Kathleen, Bunn, Rosie, and Chorus) †
- 22. "Oh the age, in which we're living" (Bunn, with Susan) †
- 23. "Sing a rhyme" (Kathleen, Terence, Bunn, Susan, and Chorus)
- 24. "Listen, hearken my lover" (Rosie, Terence and Murphy) †
- 25 "Good-bye my native town" (Murphy) †
- 26. "I love you! I love you!" (Molly and Murphy) †
- 27. "There was once a little soldier" (Terence with Chorus)
- 28. "With a big shillelagh" (Ensemble)
- † – Number composed entirely by Edward German
- ‡ – Number composed entirely by Arthur Sullivan