Eric Lewis (actor)
Encyclopedia
Frederic Lewis Tuffley better known by his stage name, Eric Lewis, was an English comedian, actor and singer. In a career spanning five decades, he starred in numerous comedies and in a few musical comedy
hits, but he is probably best remembered today as the understudy to George Grossmith
in the Gilbert & Sullivan comic opera
s of the 1880s who left the D'Oyly Carte Opera Company
just in time to give Henry Lytton
his big break.
Lewis began performing in comic musical sketches in Brighton
in the 1870s. He made his London performing debut in 1880 and joined the D'Oyly Carte Opera Company in 1882, where he understudied Grossmith until 1887. Lewis then performed in a number of very successful musical comedies
and other comedies for the next decade but devoted himself to the non-musical comedy stage, performing mostly in contemporary comedies by Arthur Wing Pinero
, George Bernard Shaw
, J. M. Barrie
and R. C. Carton until 1925.
in the late 1870s. He appeared at St. James's Hall in Brighton in October 1879 with Arthur Law
and his wife Fanny Holland
. By 1880, Lewis had begun presenting comic musical sketches at the Royal Polytechnic Institution and St. George's Hall
, where he sometimes took the place of the comedian Corney Grain
. In 1881, he made his London stage debut in Herbert Beerbohm Tree
's company at the Haymarket Theatre
as Pilate Pump in Blue and Buff. In 1882, he joined the touring Alice Barth Opera Company, playing a number of roles with them.
Lewis joined the D'Oyly Carte Opera Company
in December 1882 as the understudy to George Grossmith
in the principal comedian roles of the Gilbert and Sullivan
operas. Grossmith was rarely ill or absent from the stage, however, and Lewis had very few chances to play the roles. His only substantial opportunity to play one of the principal comedian roles came when he played Ko-Ko in The Mikado
during August and September 1886.
Lewis was, however, given several roles in the short curtain raisers that often were performed together with the Gilbert and Sullivan operas. In these he played Mr. Wranglesbury in Mock Turtles
from December 1882 to March 1883, Napoleon Fitz-Stubbs in A Private Wire
from March 1883 to January 1884, receiving warm notices, the Counsel to the Plaintiff in Trial by Jury
from October 1884 to March 1885 and Piscator in The Carp
from February 1886 to January 1887. The Carp enjoyed an unusually long run for a curtain raiser. So long, according to Lewis's colleague Rutland Barrington
, that at the end of the piece one night, when Lewis, who played the angler, shouted out his joyful "I've caught it!" a voice from the gallery responded, "About time, too!" In June 1885, Lewis played together with Barrington in an afternoon "musical dialogue," Mad to Act, with words by Barrington and music by Wilfred Bendall, at the Japanese Village in Knightsbridge
.
Frustrated by his position as understudy to an actor who had "hardly ever" taken ill in four years, Lewis resigned from the D'Oyly Carte Opera Company in January 1887. Ironically, on January 29, 1887, one week after the opening of the new opera, Ruddigore
, Grossmith did fall ill, and Henry Lytton
, a young actor who was in the right place at the right time, took Grossmith's role of Robin Oakapple until 18 February. Lytton went on to perform with the D'Oyly Carte Opera Company until 1934, including 25 years as the company's principal comedian.
of London at the Royalty Theatre
in April 1887 in Ivy, and in May in a comedy entitled A Tragedy. In June 1887, Lewis performed in a comedietta by Andrew Longmuir called Cleverly Managed. In July 1888, he starred in another comedietta, entitled Caught Out, by Florence Bright at St George's Hall
In September of that year, he helped open the relocated New Court Theatre
with a play by Sydney Grundy
called Mamma, starring Mrs. John Wood
and also featuring Arthur Cecil
. In January 1889, he starred in The Belgium Diamonds by J. P. Hurst at the Avenue Theatre. In July of that year, he was back at the Court Theatre starring with Mrs. John Wood, Cecil and Weedon Grossmith
in Aunt Jack, a farce by Ralph Lumley. The next year, he had his first big musical comedy success as the foppish Duke of Fayensburg in the successful operetta La Cigale, by F. C. Burnand and Edmond Audran
at the Lyric Theatre, starring Geraldine Ulmar
. This ran from October 1890 to December 1891. The Duke was one of his finest roles, and the success of the piece owed much to his performance.
In 1892, he starred in A. G. Bagot's comedy The Widow at the Comedy Theatre. Later that year, he was well-received in the role of the Duke in the early George Edwardes
musical comedy In Town
. Beginning in the next year, he starred as the ridiculed judge in the hit musical A Gaiety Girl
. After the long run of that piece, in 1885 he was featured in another hit Edwardes musical, An Artist's Model
. In 1896, he was in F. C. Burnand's Mrs Ponderbury at the Court Theatre with Mrs. John Wood, Charles Hawtrey and Brandon Thomas
. Later in that year he appeared in A White Elephant, a farce by R. C. Carton (1853 – 1928) at the Comedy Theatre and another musical, Monte Carlo
, at the Avenue Theatre. In 1897, he received praise in another long-running musical role in A French Maid. The same year, during the run of A French Maid at Terry's Theatre
, he played in a series of matinees consisting of short musicals for children by Basil Hood
and Walter Slaughter
. After this, Lewis devoted himself to the legitimate stage for nearly the remainder of his long career.
In 1899, Lewis was back at the Court theatre in another Carton comedy, Wheels within Wheels. Later that year, still at the Court Theatre, he was praised for his performance in A Royal Family, written by Captain Marshall. In the new century, Lewis continued to be as busy as ever. The Times described him as "well-nigh indispensable to light comedy for the role of the elderly gentleman of breeding, with a streak of affable eccentricity in his nature." The paper remembered Lewis as follows:
Lewis was praised for his performances at the Criterion Theatre
in the revival of another Marshall play, His Excellency the Governor, and in Carton's Lady Huntsworth's Experiment. In 1905, at St. James's Theatre, Lewis received more good notices as a cynical old busybody in the title role of Mollentrave on Women by Alfred Sutro
. Looking back on this production almost 30 years later, The Times called Lewis's performance "perfect". The same year, he starred in George Bernard Shaw
's Passion, Poison and Petrifaction. Later that year at the Haymarket Theatre
, he starred in On the Love Path by C. M. S. McLellan. The next year saw him in at the Duke of York's Theatre
in All-Of-A-Sudden Peggy by Ernest Denny. and a revival of The Marriage of Kitty, both with Marie Tempest
, with whom he appeared in many plays throughout his post-D'Oyly Carte career. At the Criterion later in 1906, he took the title role in W. Kingsley Tarpey's The Amateur Socialist. The Times wrote that Lewis "has a recipe all his own for serving up folly with elegance; and he kept the audience in an almost continuous chuckle of delight." His last role that year was the fashionable Sir Ralph Bloomfield Bonington in The Doctor's Dilemma at the Royal Court Theatre
. The Times later called this one of his best roles.
. The same year, at the St. James's, he starred in The 18th Century and Richard Brinsley Sheridan
's The School for Scandal
. That year he was invited to play in a royal command performance. In 1908, he continued to receive praise, starring in The Admirable Crichton
at the Duke of York's Theatre and again as a judge in Lady Epping's Lawsuit at the Criterion. 1909 opened with Lewis and Tempest in Penelope by Somerset Maugham at the Comedy Theatre. The following year, he appeared in The Naked Truth by George Paston and W. B. Maxwell at Wyndham's Theatre. In 1911, he played in Lady Patricia by Rudolf Bessier at the Haymarket and Lady Windermere's Fan
(together with Marion Terry
) at the St. James's. The next year, Lewis appeared in Charles Brookfield
's Dear Old Charlie at the Prince of Wales's Theatre and Mrs. Dane's Defence, by Henry Arthur Jones
, at the New Theatre
, In 1913, Lewis starred in H. V. Esmond's Eliza comes to Stay at the Criterion. Also, at the Duke of York's he played in J. M. Barrie
's The Adored One and at the Royalty Theatre, C. B. Furnald's The Pursuit of Pamela. The following year, he starred in The Blue Mouse by Alexander Engel and Julian Horst at the Criterion. a revival of Eliza Comes to Stay at the Vaudeville Theatre
and Sir Richard's Biography by Wilfred T. Coleby at the Criterion. By this part of his career, reviewers were calling the parts that he played "Lewisian".
In 1915, Lewis briefly returned to song and dance, supporting Gaby Deslys
in a revue
written for her by J. M. Barrie, Rosy Rapture at the Duke of York's. 1916 saw Lewis in Please Help Emily by H. M. Harwood at the Playhouse Theatre
and The Hawk by Edward Knoblock
at the Royalty Theatre
. In 1917, he was featured in The Double Event by Sydney Blow and Douglas Hoare at The Queen's Theatre and H. V. Esmond's Salad Days at the London Pavilion. The next year, he played in Monica's Blue Boy by Arthur Wing Pinero
at the New Theatre and The Man from Toronto by Douglas Murray at the Royalty. Even so late in Lewis's career, The Times commented (in the midst of a very favourable review of the play), that Lewis "is always sure of himself, always sound, suave, brightly polished. [His episodes] are more entertaining than the main story." In 1919, he appeared in Kiddies by John L. Hobble at the Royalty.
In 1920, he was back in a musical comedy, The Little Whopper by George Grossmith, Jr.
at the Shaftesbury Theatre
. The Times wrote that "Lewis, sterling actor that he is, gave the impression last night that he had been playing in musical comedy all his life. He sang with the best, and he gave a perfect little study". Later that year, he played in Brown Sugar by Lady Lever at The Duke of York's. In 1921, he was seen in The Trump Card by Arthur Wimperis
at the Strand Theatre
. The following year, at the Aldwych Theatre
, he was seen in Money Doesn't Matter by Gertrude Jennings and the farce Double-Or Quit! by Theophilus Charlton. In 1923, he played in another farce, Three's a Crowd, by Earl Derr Biggers at the Court and Frederick Lonsdale
's Aren't We All? at the Globe Theatre
. In 1924 Lewis appeared in Kate at the Kingsway Theatre, together with Nellie Briercliffe
, and starred in The Other Mr. Gibbs, by Will Evans and Guy Reeves, at the Garrick.
Lewis continued to perform until 1925, appearing in the films Brown Sugar (1922) as the Earl of Knightsbridge, and as Sir Anthony Fenwick in The Happy Ending (1925), which starred Fay Compton
and Jack Buchanan
. He also wrote sketch comedies and short plays.
Lewis died in Margate
, Kent
, in 1935 at the age of 79.
Edwardian Musical Comedy
Edwardian musical comedies were British musical theatre shows from the period between the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following World War I.Between...
hits, but he is probably best remembered today as the understudy to George Grossmith
George Grossmith
George Grossmith was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades...
in the Gilbert & Sullivan comic opera
Comic opera
Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...
s of the 1880s who left the D'Oyly Carte Opera Company
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
just in time to give Henry Lytton
Henry Lytton
Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century...
his big break.
Lewis began performing in comic musical sketches in Brighton
Brighton
Brighton is the major part of the city of Brighton and Hove in East Sussex, England on the south coast of Great Britain...
in the 1870s. He made his London performing debut in 1880 and joined the D'Oyly Carte Opera Company in 1882, where he understudied Grossmith until 1887. Lewis then performed in a number of very successful musical comedies
Edwardian Musical Comedy
Edwardian musical comedies were British musical theatre shows from the period between the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following World War I.Between...
and other comedies for the next decade but devoted himself to the non-musical comedy stage, performing mostly in contemporary comedies by Arthur Wing Pinero
Arthur Wing Pinero
Sir Arthur Wing Pinero was an English actor and later an important dramatist and stage director.-Biography:...
, George Bernard Shaw
George Bernard Shaw
George Bernard Shaw was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60...
, J. M. Barrie
J. M. Barrie
Sir James Matthew Barrie, 1st Baronet, OM was a Scottish author and dramatist, best remembered today as the creator of Peter Pan. The child of a family of small-town weavers, he was educated in Scotland. He moved to London, where he developed a career as a novelist and playwright...
and R. C. Carton until 1925.
Early career and D'Oyly Carte years
Lewis made his first public appearance in comic musical sketches in local concert halls in BrightonBrighton
Brighton is the major part of the city of Brighton and Hove in East Sussex, England on the south coast of Great Britain...
in the late 1870s. He appeared at St. James's Hall in Brighton in October 1879 with Arthur Law
Arthur Law
William Arthur Law , better known as Arthur Law, was an English playwright, actor and scenic designer.-Life and career:...
and his wife Fanny Holland
Fanny Holland
Fanny Holland was an English singer and comic actress primarily known as the creator of principal soprano roles in numerous German Reed Entertainments.-Life and career:...
. By 1880, Lewis had begun presenting comic musical sketches at the Royal Polytechnic Institution and St. George's Hall
St. George's Hall (London)
St. George's Hall was a theatre located in Langham Place, Regent Street in London, built in 1867, which closed in 1966. The hall could accommodate between 800 and 900 persons, or up to 1,500 persons including the galleries...
, where he sometimes took the place of the comedian Corney Grain
Richard Corney Grain
Richard Corney Grain , known by his stage name Corney Grain, was an entertainer and songwriter of the late Victorian era.-Biography:...
. In 1881, he made his London stage debut in Herbert Beerbohm Tree
Herbert Beerbohm Tree
Sir Herbert Beerbohm Tree was an English actor and theatre manager.Tree began performing in the 1870s. By 1887, he was managing the Haymarket Theatre, winning praise for adventurous programming and lavish productions, and starring in many of its productions. In 1899, he helped fund the...
's company at the Haymarket Theatre
Haymarket Theatre
The Theatre Royal Haymarket is a West End theatre in the Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use...
as Pilate Pump in Blue and Buff. In 1882, he joined the touring Alice Barth Opera Company, playing a number of roles with them.
Lewis joined the D'Oyly Carte Opera Company
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company was a professional light opera company that staged Gilbert and Sullivan's Savoy operas. The company performed nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere, from the 1870s until it closed in 1982. It was revived in 1988 and...
in December 1882 as the understudy to George Grossmith
George Grossmith
George Grossmith was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades...
in the principal comedian roles of the Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
operas. Grossmith was rarely ill or absent from the stage, however, and Lewis had very few chances to play the roles. His only substantial opportunity to play one of the principal comedian roles came when he played Ko-Ko in The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...
during August and September 1886.
Lewis was, however, given several roles in the short curtain raisers that often were performed together with the Gilbert and Sullivan operas. In these he played Mr. Wranglesbury in Mock Turtles
Mock Turtles (opera)
Mock Turtles is a one-act comic opera with a libretto by Frank Desprez and music by Eaton Faning. It was first produced at the Savoy Theatre on 11 October 1881 as a curtain raiser to Patience, then from 26 November 1882 to 30 March 1883 with Iolanthe. The piece also toured from December 1881...
from December 1882 to March 1883, Napoleon Fitz-Stubbs in A Private Wire
A Private Wire
A Private Wire is a one-act musical "vaudeville" operetta with a libretto by Frank Desprez and Arnold Felix and music by Percy Reeve. It was first produced at the Savoy Theatre on 31 March 1883 to 1 January 1884 as a companion piece to Gilbert and Sullivan's Iolanthe...
from March 1883 to January 1884, receiving warm notices, the Counsel to the Plaintiff in Trial by Jury
Trial by Jury
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its...
from October 1884 to March 1885 and Piscator in The Carp
The Carp (opera)
The Carp is a one-act comic opera with a libretto by Frank Desprez and music by Alfred Cellier. It was first produced at the Savoy Theatre from 13 February 1886 to 19 January 1887, as a companion piece to The Mikado. It was then revived as companion to Ruddigore from 21 February 1887 to 5...
from February 1886 to January 1887. The Carp enjoyed an unusually long run for a curtain raiser. So long, according to Lewis's colleague Rutland Barrington
Rutland Barrington
Rutland Barrington was an English singer, actor, comedian, and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades...
, that at the end of the piece one night, when Lewis, who played the angler, shouted out his joyful "I've caught it!" a voice from the gallery responded, "About time, too!" In June 1885, Lewis played together with Barrington in an afternoon "musical dialogue," Mad to Act, with words by Barrington and music by Wilfred Bendall, at the Japanese Village in Knightsbridge
Knightsbridge
Knightsbridge is a road which gives its name to an exclusive district lying to the west of central London. The road runs along the south side of Hyde Park, west from Hyde Park Corner, spanning the City of Westminster and the Royal Borough of Kensington and Chelsea...
.
Frustrated by his position as understudy to an actor who had "hardly ever" taken ill in four years, Lewis resigned from the D'Oyly Carte Opera Company in January 1887. Ironically, on January 29, 1887, one week after the opening of the new opera, Ruddigore
Ruddigore
Ruddigore; or, The Witch's Curse, originally called Ruddygore, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan...
, Grossmith did fall ill, and Henry Lytton
Henry Lytton
Sir Henry Lytton was an English actor and singer who was the leading exponent of the comic patter-baritone roles in Gilbert and Sullivan operas in the early part of the twentieth century...
, a young actor who was in the right place at the right time, took Grossmith's role of Robin Oakapple until 18 February. Lytton went on to perform with the D'Oyly Carte Opera Company until 1934, including 25 years as the company's principal comedian.
Musicals and first comedies
Lewis was soon performing on the West EndWest End theatre
West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English speaking...
of London at the Royalty Theatre
Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho and opened on 25 May 1840 as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. The architect was Samuel Beazley, a resident in Soho Square, who also designed St James's Theatre, among...
in April 1887 in Ivy, and in May in a comedy entitled A Tragedy. In June 1887, Lewis performed in a comedietta by Andrew Longmuir called Cleverly Managed. In July 1888, he starred in another comedietta, entitled Caught Out, by Florence Bright at St George's Hall
St. George's Hall (London)
St. George's Hall was a theatre located in Langham Place, Regent Street in London, built in 1867, which closed in 1966. The hall could accommodate between 800 and 900 persons, or up to 1,500 persons including the galleries...
In September of that year, he helped open the relocated New Court Theatre
Royal Court Theatre
The Royal Court Theatre is a non-commercial theatre on Sloane Square, in the Royal Borough of Kensington and Chelsea. It is noted for its contributions to modern theatre...
with a play by Sydney Grundy
Sydney Grundy
Sydney Grundy was an English dramatist. Most of his works were adaptations of European plays, and many became successful enough to tour throughout the English-speaking world...
called Mamma, starring Mrs. John Wood
Mrs. John Wood
Mrs. John Wood , born Matilda Charlotte Vining, was an English actress and theatre manager.-Biography:...
and also featuring Arthur Cecil
Arthur Cecil
Arthur Cecil Blunt, better known as Arthur Cecil was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of Cox and Box, by Arthur Sullivan and F. C...
. In January 1889, he starred in The Belgium Diamonds by J. P. Hurst at the Avenue Theatre. In July of that year, he was back at the Court Theatre starring with Mrs. John Wood, Cecil and Weedon Grossmith
Weedon Grossmith
Walter Weedon Grossmith , better known as Weedon Grossmith, was an English writer, painter, actor and playwright, best known as co-author of The Diary of a Nobody with his famous brother, music hall comedian and Gilbert and Sullivan star, George Grossmith...
in Aunt Jack, a farce by Ralph Lumley. The next year, he had his first big musical comedy success as the foppish Duke of Fayensburg in the successful operetta La Cigale, by F. C. Burnand and Edmond Audran
Edmond Audran
Achille Edmond Audran was a French composer best known for several internationally successful operettas, including Les noces d'Olivette , La mascotte , Gillette de Narbonne , La cigale et la fourmi , Miss Helyett , and La poupée .After Audran's initial success in Paris, his works also became a...
at the Lyric Theatre, starring Geraldine Ulmar
Geraldine Ulmar
Geraldine Ulmar was an American singer and actress, best known for her performances in soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.-Life and career:...
. This ran from October 1890 to December 1891. The Duke was one of his finest roles, and the success of the piece owed much to his performance.
In 1892, he starred in A. G. Bagot's comedy The Widow at the Comedy Theatre. Later that year, he was well-received in the role of the Duke in the early George Edwardes
George Edwardes
George Joseph Edwardes was an English theatre manager of Irish ancestry who brought a new era in musical theatre to the British stage and beyond....
musical comedy In Town
In Town (musical)
In Town is a musical comedy written by Adrian Ross and James T. Tanner, with music by F. Osmond Carr and lyrics by Ross. It was produced by George Edwardes at the Prince of Wales Theatre, opening on 15 October 1892, and transferred to the Gaiety Theatre on 26 December 1892, running for a...
. Beginning in the next year, he starred as the ridiculed judge in the hit musical A Gaiety Girl
A Gaiety Girl
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall , Harry Greenbank and Sidney Jones . It opened at Prince of Wales Theatre in London, produced by George Edwardes, on 14 October 1893 and ran for 413 performances. The show starred C...
. After the long run of that piece, in 1885 he was featured in another hit Edwardes musical, An Artist's Model
An Artist's Model
An Artist's Model is a two-act musical by Owen Hall, with lyrics by Harry Greenbank and music by Sidney Jones, with additional songs by Joseph and Mary Watson, Paul Lincke, Frederick Ross, Henry Hamilton and Leopold Wenzel. It opened at Daly's Theatre in London, produced by George Edwardes and...
. In 1896, he was in F. C. Burnand's Mrs Ponderbury at the Court Theatre with Mrs. John Wood, Charles Hawtrey and Brandon Thomas
Brandon Thomas
Walter Brandon Thomas was an English actor, playwright and song writer, best known as the author of the farce Charley's Aunt....
. Later in that year he appeared in A White Elephant, a farce by R. C. Carton (1853 – 1928) at the Comedy Theatre and another musical, Monte Carlo
Monte Carlo (musical)
Monte Carlo is an Edwardian musical comedy in two acts with a book by Sidney Carlton, music by Howard Talbot with English lyrics by Harry Greenbank. The work was first performed at the Avenue Theatre in London, opening on 27 August 1896...
, at the Avenue Theatre. In 1897, he received praise in another long-running musical role in A French Maid. The same year, during the run of A French Maid at Terry's Theatre
Terry's Theatre
Terry's Theatre was a West End theatre on Strand, in the City of Westminster, London. Built in 1887, it became a cinema in 1910 before being demolished in 1923.-History:...
, he played in a series of matinees consisting of short musicals for children by Basil Hood
Basil Hood
Basil Willett Charles Hood was a British librettist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including The Merry Widow. He embarked on a career in the British army, writing theatrical pieces in his spare...
and Walter Slaughter
Walter Slaughter
Walter Alfred Slaughter was an English conductor and composer of musical comedy, comic opera and children's shows. He was engaged in the West End as a composer and musical director from 1883 to 1904.-Life and career:...
. After this, Lewis devoted himself to the legitimate stage for nearly the remainder of his long career.
In 1899, Lewis was back at the Court theatre in another Carton comedy, Wheels within Wheels. Later that year, still at the Court Theatre, he was praised for his performance in A Royal Family, written by Captain Marshall. In the new century, Lewis continued to be as busy as ever. The Times described him as "well-nigh indispensable to light comedy for the role of the elderly gentleman of breeding, with a streak of affable eccentricity in his nature." The paper remembered Lewis as follows:
- "Only to think of Eric Lewis in an Eric Lewis part is to chuckle. His comfortable physique, his lovable mannerisms, his worried look, his affectation of aggrieved pomposity, his ludicrous vocal shades ranging from mellow nonchalance to shrill querulousness, above all, his wonderful rolling eyes – all these characteristics exuded unctuousness, and even in the recesses of memory provoke the thoughts to laughter.... His quaint personality was as familiar as it was welcome".
Lewis was praised for his performances at the Criterion Theatre
Criterion Theatre
The Criterion Theatre is a West End theatre situated on Piccadilly Circus in the City of Westminster, and is a Grade II* listed building. It has an official capacity of 588.-Building the theatre:...
in the revival of another Marshall play, His Excellency the Governor, and in Carton's Lady Huntsworth's Experiment. In 1905, at St. James's Theatre, Lewis received more good notices as a cynical old busybody in the title role of Mollentrave on Women by Alfred Sutro
Alfred Sutro
Alfred Sutro OBE was a British author and dramatist.He was a translator and friend of Maeterlinck. Educated at the City of London School and in Brussels, he began his career with a series of translations of Maeterlinck's works, all of which except the dramas he translated from the French...
. Looking back on this production almost 30 years later, The Times called Lewis's performance "perfect". The same year, he starred in George Bernard Shaw
George Bernard Shaw
George Bernard Shaw was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60...
's Passion, Poison and Petrifaction. Later that year at the Haymarket Theatre
Haymarket Theatre
The Theatre Royal Haymarket is a West End theatre in the Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use...
, he starred in On the Love Path by C. M. S. McLellan. The next year saw him in at the Duke of York's Theatre
Duke of York's Theatre
The Duke of York's Theatre is a West End Theatre in St Martin's Lane, in the City of Westminster. It was built for Frank Wyatt and his wife, Violet Melnotte, who retained ownership of the theatre, until her death in 1935. It opened on 10 September 1892 as the Trafalgar Square Theatre, with Wedding...
in All-Of-A-Sudden Peggy by Ernest Denny. and a revival of The Marriage of Kitty, both with Marie Tempest
Marie Tempest
Dame Marie Tempest DBE was an English singer and actress known as the "queen of her profession".Tempest became the most famous soprano in late Victorian light opera and Edwardian musical comedies. Later, she became a leading comic actress and toured widely in North America and elsewhere...
, with whom he appeared in many plays throughout his post-D'Oyly Carte career. At the Criterion later in 1906, he took the title role in W. Kingsley Tarpey's The Amateur Socialist. The Times wrote that Lewis "has a recipe all his own for serving up folly with elegance; and he kept the audience in an almost continuous chuckle of delight." His last role that year was the fashionable Sir Ralph Bloomfield Bonington in The Doctor's Dilemma at the Royal Court Theatre
Royal Court Theatre
The Royal Court Theatre is a non-commercial theatre on Sloane Square, in the Royal Borough of Kensington and Chelsea. It is noted for its contributions to modern theatre...
. The Times later called this one of his best roles.
Later years
In 1907, he played in Shaw's The Philanderer at the Court Theatre and in Sutro's The Wails Of Jericho at the Garrick TheatreGarrick Theatre
The Garrick Theatre is a West End theatre, located on Charing Cross Road, in the City of Westminster. It opened on 24 April 1889 with The Profligate, a play by Arthur Wing Pinero. In its early years, it appears to have specialised in the performance of melodrama, and today the theatre is a...
. The same year, at the St. James's, he starred in The 18th Century and Richard Brinsley Sheridan
Richard Brinsley Sheridan
Richard Brinsley Butler Sheridan was an Irish-born playwright and poet and long-term owner of the London Theatre Royal, Drury Lane. For thirty-two years he was also a Whig Member of the British House of Commons for Stafford , Westminster and Ilchester...
's The School for Scandal
The School for Scandal
The School for Scandal is a play written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on May 8, 1777.The prologue, written by David Garrick, commends the play, its subject, and its author to the audience...
. That year he was invited to play in a royal command performance. In 1908, he continued to receive praise, starring in The Admirable Crichton
The Admirable Crichton
The Admirable Crichton is a comic stage play written in 1902 by J. M. Barrie. It was produced by Charles Frohman and opened at the Duke of York's Theatre in London on 4 November 1902, running for an extremely successful 828 performances. It starred H. B. Irving and Irene Vanbrugh...
at the Duke of York's Theatre and again as a judge in Lady Epping's Lawsuit at the Criterion. 1909 opened with Lewis and Tempest in Penelope by Somerset Maugham at the Comedy Theatre. The following year, he appeared in The Naked Truth by George Paston and W. B. Maxwell at Wyndham's Theatre. In 1911, he played in Lady Patricia by Rudolf Bessier at the Haymarket and Lady Windermere's Fan
Lady Windermere's Fan
Lady Windermere's Fan, A Play About a Good Woman is a four act comedy by Oscar Wilde, first produced 22 February 1892 at the St James's Theatre in London. The play was first published in 1893...
(together with Marion Terry
Marion Terry
Marion Bessie Terry was an English actress. In a career spanning half a century, she played leading roles in more than 125 plays. Always in the shadow of her more famous sister Ellen, Terry nevertheless achieved considerable success in the plays of W. S...
) at the St. James's. The next year, Lewis appeared in Charles Brookfield
Charles Brookfield
Charles Hallam Elton Brookfield was a British actor, author, playwright and journalist, including for The Saturday Review. His most famous work for the theatre was The Belle of Mayfair ....
's Dear Old Charlie at the Prince of Wales's Theatre and Mrs. Dane's Defence, by Henry Arthur Jones
Henry Arthur Jones
Henry Arthur Jones was an English dramatist.-Biography:Jones was born at Granborough, Buckinghamshire to Silvanus Jones, a farmer. He began to earn his living early, his spare time being given to literary pursuits...
, at the New Theatre
Noël Coward Theatre
The Noël Coward Theatre, formerly known as the Albery Theatre, is a West End theatre on St. Martin's Lane in the City of Westminster. It opened on 12 March 1903 as the New Theatre and was built by Sir Charles Wyndham behind Wyndham's Theatre which was completed in 1899. The building was designed by...
, In 1913, Lewis starred in H. V. Esmond's Eliza comes to Stay at the Criterion. Also, at the Duke of York's he played in J. M. Barrie
J. M. Barrie
Sir James Matthew Barrie, 1st Baronet, OM was a Scottish author and dramatist, best remembered today as the creator of Peter Pan. The child of a family of small-town weavers, he was educated in Scotland. He moved to London, where he developed a career as a novelist and playwright...
's The Adored One and at the Royalty Theatre, C. B. Furnald's The Pursuit of Pamela. The following year, he starred in The Blue Mouse by Alexander Engel and Julian Horst at the Criterion. a revival of Eliza Comes to Stay at the Vaudeville Theatre
Vaudeville Theatre
The Vaudeville Theatre is a West End theatre on The Strand in the City of Westminster. As the name suggests, the theatre held mostly vaudeville shows and musical revues in its early days. It opened in 1870 and was rebuilt twice, although each new building retained elements of the previous...
and Sir Richard's Biography by Wilfred T. Coleby at the Criterion. By this part of his career, reviewers were calling the parts that he played "Lewisian".
In 1915, Lewis briefly returned to song and dance, supporting Gaby Deslys
Gaby Deslys
Gaby Deslys was a dancer, singer, and actress of the early 20th century from Marseilles, France. She selected her name for her stage career. It is an abbreviation of Gabrielle of the Lillies. During the 1910s she was exceedingly popular worldwide, making $4,000 a week in the United States alone...
in a revue
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance and sketches. The revue has its roots in 19th century American popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932...
written for her by J. M. Barrie, Rosy Rapture at the Duke of York's. 1916 saw Lewis in Please Help Emily by H. M. Harwood at the Playhouse Theatre
Playhouse Theatre
The Playhouse Theatre is a West End theatre in the City of Westminster, located in Northumberland Avenue, near Trafalgar Square. The Theatre was built by F. H. Fowler and Hill with a seating capacity of 1,200. It was rebuilt in 1907 and still retains its original substage machinery...
and The Hawk by Edward Knoblock
Edward Knoblock
Edward Knoblock was an American-born British playwright and novelist most remembered for the often revived 1911 play, Kismet-Biography:...
at the Royalty Theatre
Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho and opened on 25 May 1840 as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. The architect was Samuel Beazley, a resident in Soho Square, who also designed St James's Theatre, among...
. In 1917, he was featured in The Double Event by Sydney Blow and Douglas Hoare at The Queen's Theatre and H. V. Esmond's Salad Days at the London Pavilion. The next year, he played in Monica's Blue Boy by Arthur Wing Pinero
Arthur Wing Pinero
Sir Arthur Wing Pinero was an English actor and later an important dramatist and stage director.-Biography:...
at the New Theatre and The Man from Toronto by Douglas Murray at the Royalty. Even so late in Lewis's career, The Times commented (in the midst of a very favourable review of the play), that Lewis "is always sure of himself, always sound, suave, brightly polished. [His episodes] are more entertaining than the main story." In 1919, he appeared in Kiddies by John L. Hobble at the Royalty.
In 1920, he was back in a musical comedy, The Little Whopper by George Grossmith, Jr.
George Grossmith, Jr.
George Grossmith, Jr. was a British actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies...
at the Shaftesbury Theatre
Shaftesbury Theatre
The Shaftesbury Theatre is a West End Theatre, located on Shaftesbury Avenue, in the London Borough of Camden.-History:The theatre was designed for the brothers Walter and Frederick Melville by Bertie Crewe and opened on 26 December 1911 with a production of The Three Musketeers, as the New...
. The Times wrote that "Lewis, sterling actor that he is, gave the impression last night that he had been playing in musical comedy all his life. He sang with the best, and he gave a perfect little study". Later that year, he played in Brown Sugar by Lady Lever at The Duke of York's. In 1921, he was seen in The Trump Card by Arthur Wimperis
Arthur Wimperis
Arthur Harold Wimperis was an English illustrator, playwright, lyricist and Academy Award-winning screenwriter....
at the Strand Theatre
Royal Strand Theatre
The Royal Strand Theatre was located in Strand in the City of Westminster. The theatre was built on the site of a panorama in 1832, and in 1882 was rebuilt by the prolific theatre architect Charles J. Phipps...
. The following year, at the Aldwych Theatre
Aldwych Theatre
The Aldwych Theatre is a West End theatre, located on Aldwych in the City of Westminster. The theatre was listed Grade II on 20 July 1971. Its seating capacity is 1,200.-Origins:...
, he was seen in Money Doesn't Matter by Gertrude Jennings and the farce Double-Or Quit! by Theophilus Charlton. In 1923, he played in another farce, Three's a Crowd, by Earl Derr Biggers at the Court and Frederick Lonsdale
Frederick Lonsdale
Frederick Lonsdale was an English dramatist.-Personal life:Lonsdale was born Lionel Frederick Leonard in St Helier, Jersey, the son of Susan and John Henry Leonard, a tobacconist. He began as a private soldier and worked for the London and South Western Railway...
's Aren't We All? at the Globe Theatre
Gielgud Theatre
The Gielgud Theatre is a West End theatre, located on Shaftesbury Avenue in the City of Westminster, London, at the corner of Rupert Street. The house currently has 889 seats on three levels.-History:...
. In 1924 Lewis appeared in Kate at the Kingsway Theatre, together with Nellie Briercliffe
Nellie Briercliffe
Nellie Briercliffe was an English singer and actress best known for her performances in the mezzo-soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company....
, and starred in The Other Mr. Gibbs, by Will Evans and Guy Reeves, at the Garrick.
Lewis continued to perform until 1925, appearing in the films Brown Sugar (1922) as the Earl of Knightsbridge, and as Sir Anthony Fenwick in The Happy Ending (1925), which starred Fay Compton
Fay Compton
Fay Compton was an English actress from a notable acting lineage; her father was actor/manager Edward Compton; her mother, Virginia Bateman, was a distinguished member of the profession, as were her sister, the actress Viola Compton, and her uncles and aunts. Her grandfather was the 19th-century...
and Jack Buchanan
Jack Buchanan
Walter John "Jack" Buchanan was a British theatre and film actor, singer, producer and director. He was known for three decades as the embodiment of the debonair man-about-town in the tradition of George Grossmith Jr., and was described by The Times as "the last of the knuts." He is best known in...
. He also wrote sketch comedies and short plays.
Lewis died in Margate
Margate
-Demography:As of the 2001 UK census, Margate had a population of 40,386.The ethnicity of the town was 97.1% white, 1.0% mixed race, 0.5% black, 0.8% Asian, 0.6% Chinese or other ethnicity....
, Kent
Kent
Kent is a county in southeast England, and is one of the home counties. It borders East Sussex, Surrey and Greater London and has a defined boundary with Essex in the middle of the Thames Estuary. The ceremonial county boundaries of Kent include the shire county of Kent and the unitary borough of...
, in 1935 at the age of 79.