Denise Duval
Encyclopedia
Denise Duval is a French
soprano
, best known for her performances in works by the composer Francis Poulenc
. Duval created the roles of Elle in La voix humaine
, Thérèse in Les mamelles de Tirésias
and later excelled in the role of Blanche de la Force in Dialogues of the Carmelites
, although she did not sing in the world premiere of the work at the Teatro alla Scala.
Duval made her debut as Lola in Cavalleria rusticana
in Bordeaux in 1941, and was a member of the companies of the Paris Opéra and Opéra-Comique
from 1947 to 1965, when she retired. She was noted for her portrayals of Debussy
's Mélisande and Massenet
's Thaïs
. She was also noted for her performances of works by Roussel
and Ravel.
She continued to be closely associated with Poulenc, who in a sense 'discovered' her, and undertook many tours with him towards the end of his life as a duo chansons partnership. Her voice was characterised by a general fragility in strength, an intonational precision marked by a lack of vibrato, and a manner of articulation wherein the delivery of notes lies slightly behind the beat. She was particularly effective in roles where emotion is ironic or neo-classical in nature, but not explicitly anti-romantic.
Among her appearances in America was her 1961 Thaïs at the Dallas Opera
, conducted by Nicola Rescigno
and directed by Franco Zeffirelli
.
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
, best known for her performances in works by the composer Francis Poulenc
Francis Poulenc
Francis Jean Marcel Poulenc was a French composer and a member of the French group Les six. He composed solo piano music, chamber music, oratorio, choral music, opera, ballet music, and orchestral music...
. Duval created the roles of Elle in La voix humaine
La voix humaine
La voix humaine is a one-act opera for one character, with music by Francis Poulenc to a libretto by Jean Cocteau, based on his 1930 play. La voix humaine was first performed at the Opéra-Comique, Salle Favart in Paris on 6 February 1959...
, Thérèse in Les mamelles de Tirésias
Les mamelles de Tirésias
Les mamelles de Tirésias is a surrealist two-act opéra bouffe by Francis Poulenc, based on the play of the same title by Guillaume Apollinaire, which was written in 1903 but first performed in 1917...
and later excelled in the role of Blanche de la Force in Dialogues of the Carmelites
Dialogues of the Carmelites
Dialogues of the Carmelites , is an opera in three acts by Francis Poulenc. In 1953, M. Valcarenghi approached Poulenc to commission a ballet for La Scala in Milan; when Poulenc found the proposed subject uninspiring, Valcarenghi suggested instead a screenplay by Georges Bernanos, based on the...
, although she did not sing in the world premiere of the work at the Teatro alla Scala.
Duval made her debut as Lola in Cavalleria rusticana
Cavalleria rusticana
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from a play written by Giovanni Verga based on his short story. Considered one of the classic verismo operas, it premiered on May 17, 1890 at the Teatro...
in Bordeaux in 1941, and was a member of the companies of the Paris Opéra and Opéra-Comique
Opéra-Comique
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the...
from 1947 to 1965, when she retired. She was noted for her portrayals of Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
's Mélisande and Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
's Thaïs
Thaïs (opera)
Thaïs is an opera in three acts by Jules Massenet to a French libretto by Louis Gallet based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title role...
. She was also noted for her performances of works by Roussel
Roussel
Roussel may refer to:* Roussel , French automobile manufactured from 1908 to 1914* Roussel Uclaf, a French company* Bois Roussel , French racehorse* Kirin-Amgen v Hoechst Marion Roussel, British court ruling concerning patents...
and Ravel.
She continued to be closely associated with Poulenc, who in a sense 'discovered' her, and undertook many tours with him towards the end of his life as a duo chansons partnership. Her voice was characterised by a general fragility in strength, an intonational precision marked by a lack of vibrato, and a manner of articulation wherein the delivery of notes lies slightly behind the beat. She was particularly effective in roles where emotion is ironic or neo-classical in nature, but not explicitly anti-romantic.
Among her appearances in America was her 1961 Thaïs at the Dallas Opera
Dallas Opera
The Dallas Opera is an opera company located in Dallas, Texas . The company was founded in 1957 as the Dallas Civic Opera by Laurence Kelly and Nicolà Rescigno, both of whom had been active with the Lyric Opera of Chicago, the first as administrator, the second as artistic director.-The company's...
, conducted by Nicola Rescigno
Nicola Rescigno
Nicola Rescigno was an Italian-American conductor, particularly associated with the Italian opera repertory. Opera News said that "Rescigno was a seminal figure in the history of opera in America, a maestro and mentor who shaped the destiny and reputation of two major U.S...
and directed by Franco Zeffirelli
Franco Zeffirelli
Franco Zeffirelli KBE is an Italian director and producer of films and television. He is also a director and designer of operas and a former senator for the Italian center-right Forza Italia party....
.
Roles created
- Therese in Poulenc's Les mamelles de TiresiasLes mamelles de TirésiasLes mamelles de Tirésias is a surrealist two-act opéra bouffe by Francis Poulenc, based on the play of the same title by Guillaume Apollinaire, which was written in 1903 but first performed in 1917...
(3 June 1947) - Elle in Poulenc's La voix humaineLa voix humaineLa voix humaine is a one-act opera for one character, with music by Francis Poulenc to a libretto by Jean Cocteau, based on his 1930 play. La voix humaine was first performed at the Opéra-Comique, Salle Favart in Paris on 6 February 1959...
(6 February 1959) - Blanche de la Force in Poulenc's Dialogues of the CarmelitesDialogues of the CarmelitesDialogues of the Carmelites , is an opera in three acts by Francis Poulenc. In 1953, M. Valcarenghi approached Poulenc to commission a ballet for La Scala in Milan; when Poulenc found the proposed subject uninspiring, Valcarenghi suggested instead a screenplay by Georges Bernanos, based on the...
(French version, 21 June 1957)