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Thaïs (opera)
Encyclopedia
Thaïs is an opera
in three acts by Jules Massenet
to a French libretto
by Louis Gallet
based on the novel Thaïs
by Anatole France
. It was first performed at the Opéra Garnier
in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title role. The work was first performed in Italy at the Teatro Lirico Internazionale
in Milan
on 17 October 1903 with Lina Cavalieri
in the title role and Francesco Maria Bonini
as Athanaël. In 1907, the role served as Mary Garden
's American debut in New York in the U.S. premiere performance.
Thaïs takes place in Egypt during Byzantine
rule, where a Cenobite monk, Athanaël, attempts to convert Thaïs
, an Alexandrian courtesan and devotee of Venus, to Christianity, but discovers too late that his obsession with her is rooted in lust; while the courtesan's true purity of heart is revealed, so is the religious man's baser nature. The work is often described as bearing a sort of religious eroticism, and has had many controversial productions. Its famous Méditation, the entr'acte
for violin and orchestra played between the scenes of Act II, is an oft-performed concert music piece; it has been arranged for many different instruments.
After Manon
and Werther
, Thaïs is one of Massenet's most performed operas, but it is not part of the standard operatic repertoire. The role of Thaïs, similar to another Massenet heroine also written for Sybil Sanderson, Esclarmonde
, is notoriously difficult to sing and is reserved for only the most gifted of performers. Modern interpreters have included Carol Neblett
, Anna Moffo
, Beverly Sills
, Leontyne Price
and, most recently, Renée Fleming
. Géori Boué
is particularly associated with the role.
A group of Cenobite monks go about their daily business. Athanaël, the most rigorous ascetic of them all, enters and confesses to the senior monk, Palémon, that he has lately been disturbed by visions of a courtesan
and priestess of Venus named Thaïs, whom he had seen many years ago in his native city of Alexandria
. Believing these visions to be a sign from God, he resolves, against Palémon's advice, to return to Alexandria, convert Thaïs to Christianity, and persuade her to enter a convent.
Scene 2
Athanaël arrives in Alexandria and visits his old friend Nicias, a wealthy voluptuary. Nicias welcomes him with open arms and reveals himself to be Thaïs's current lover. Upon hearing Athanaël's plan, he laughs and warns him that the revenge of Venus can be terrible. Nevertheless, he procures clothing for his friend in preparation for a feast that evening at which Thaïs will appear. His slaves, Crobyle and Myrtale, dress Athanaël and mock his prudery.
The feast begins. Thaïs arrives and sings a bittersweet love duet with Nicias: this is their last night together. She then asks him about Athanaël, who overhears her and tells her that he has come to teach her "contempt for the flesh and love of pain." Not tempted by this proposition, she offends his sense of propriety with a seductive song. He leaves, angrily promising to come back later. She taunts him with a parting shot: "Dare to come, you who defy Venus!"
Exhausted after the feast, Thaïs expresses dissatisfaction with her empty life and muses on the fact that one day, old age will destroy her beauty. Athanaël enters at this vulnerable moment, praying to God to conceal her beauty from him. He tells her that he loves her according to the spirit rather than the flesh, and that his love will last forever, instead of for a single night. Intrigued, she asks him to teach her the ways of this love. He nearly succumbs to her physical charm, but succeeds in explaining to her that if she converts, she will gain eternal life. She nearly succumbs to his eloquence, but then reasserts her nihilistic worldview and drives him away. However, after a long meditation she changes her mind.
Scene 2
Thaïs has joined Athanaël and resolved to follow him into the desert. He orders her to burn down her house and possessions in order to destroy all traces of her wicked past. She agrees, but asks if she can keep a statuette of Eros, the god of love, explaining to Athanaël that she sinned against love rather than through it. When he hears that Nicias gave it to her, however, Athanaël demands that she destroy it. Nicias appears with a group of revelers, who see Athanaël taking Thaïs away. Furious, they begin to stone him. Although Nicias is astonished at Thaïs' decision to leave, he respects it and throws handfuls of money to distract the crowd. Thaïs and Athanaël escape.
Thaïs and Athanaël travel on foot through the desert. Thaïs is exhausted, but Athanaël forces her to keep going and thus do penance for her sins. They reach a spring, where Athanaël begins to feel pity rather than disgust for her, and they share a few moments of idyllic, platonic companionship as they rest. Shortly afterwards, they reach the convent where Thaïs is to stay. Placing her in the care of Mother Superior Albine, Athanaël realizes that he has accomplished his mission—and that he will never see her again.
Scene 2
The Cenobite monks express anxiety over Athanaël's antisocial and morose behavior since his return from Alexandria. Athanaël enters and confesses to Palémon that he has begun to experience sexual longing for Thaïs. Palémon castigates him for having attempted to convert her in the first place. Athanaël falls into a depressed sleep and has an erotic vision of Thaïs. He tries to seize her, but she laughingly evades him. Then, a second vision tells him that Thaïs is dying.
Scene 3
Feeling that existence is worth nothing without her, he repudiates all his vows and rushes off to find her. He reaches the convent and finds her on her deathbed. He tells her that all he taught her was a lie, that "nothing is true but life and the love of human beings", and that he loves her. Blissfully unaware, she describes the heavens opening and the angels welcoming her into their midst. She dies, and Athanaël collapses in despair.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
in three acts by Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
to a French libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
by Louis Gallet
Louis Gallet
Louis Gallet was an inexhaustible French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction—and Scripture— to provide librettos of cantatas and opera, notably by composers Georges...
based on the novel Thaïs
Thaïs (novel)
Thaïs is a novel by Anatole France published in 1890. It is based on events in the life of Saint Thaïs of Egypt, a legendary convert to Christianity who is said to have lived in the 4th century...
by Anatole France
Anatole France
Anatole France , born François-Anatole Thibault, , was a French poet, journalist, and novelist. He was born in Paris, and died in Saint-Cyr-sur-Loire. He was a successful novelist, with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters...
. It was first performed at the Opéra Garnier
Palais Garnier
The Palais Garnier, , is an elegant 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier...
in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title role. The work was first performed in Italy at the Teatro Lirico Internazionale
Teatro Lirico (Milan)
The Teatro Lirico is a theatre in Milan, Italy. In the 19th and early 20th centuries it was particularly notable for opera performances, including the world premieres of Donizetti's L'elisir d'amore and Giordano's Fedora. The theatre, located on Via Rastrelli, closed in 1998...
in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
on 17 October 1903 with Lina Cavalieri
Lina Cavalieri
Lina Cavalieri was an Italian operatic soprano and diseuse known for her grace and beauty.-Biography:...
in the title role and Francesco Maria Bonini
Francesco Maria Bonini
Francesco Maria Bonini was an Italian baritone who had a major international opera career from 1896 through 1927. He was one of the first wave of musicians to be recorded, having made a number of recordings with Fonotipia Records in Milan in 1905-1906.Born in Naples, Bonini studied singing with...
as Athanaël. In 1907, the role served as Mary Garden
Mary Garden
Mary Garden , was a Scottish operatic soprano with a substantial career in France and America in the first third of the 20th century...
's American debut in New York in the U.S. premiere performance.
Thaïs takes place in Egypt during Byzantine
Byzantine
Byzantine usually refers to the Roman Empire during the Middle Ages.Byzantine may also refer to:* A citizen of the Byzantine Empire, or native Greek during the Middle Ages...
rule, where a Cenobite monk, Athanaël, attempts to convert Thaïs
Thaïs (saint)
St. Thaïs of Roman Alexandria and of the Egyptian desert was a repentant courtesan.-Accounts of her Life:St. Thaïs reportedly lived during the fourth century in Roman Egypt. She is included in literature on the lives of the saints in the Greek church...
, an Alexandrian courtesan and devotee of Venus, to Christianity, but discovers too late that his obsession with her is rooted in lust; while the courtesan's true purity of heart is revealed, so is the religious man's baser nature. The work is often described as bearing a sort of religious eroticism, and has had many controversial productions. Its famous Méditation, the entr'acte
Entr'acte
' is French for "between the acts" . It can mean a pause between two parts of a stage production, synonymous to an intermission, but it more often indicates a piece of music performed between acts of a theatrical production...
for violin and orchestra played between the scenes of Act II, is an oft-performed concert music piece; it has been arranged for many different instruments.
After Manon
Manon
Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost...
and Werther
Werther
Werther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe....
, Thaïs is one of Massenet's most performed operas, but it is not part of the standard operatic repertoire. The role of Thaïs, similar to another Massenet heroine also written for Sybil Sanderson, Esclarmonde
Esclarmonde
Esclarmonde is an opéra in four acts and eight tableaux, with prologue and epilogue, by Jules Massenet, to a French libretto by Alfred Blau and Louis Ferdinand de Gramont....
, is notoriously difficult to sing and is reserved for only the most gifted of performers. Modern interpreters have included Carol Neblett
Carol Neblett
Carol Neblett is an American operatic soprano.-Life and career:Neblett studied at the University of California, Los Angeles, and in 1969, made her operatic debut with the New York City Opera, playing the part of Musetta in Puccini's La bohème...
, Anna Moffo
Anna Moffo
Anna Moffo was an Italian-American opera singer and one of the leading lyric-coloratura sopranos of her generation...
, Beverly Sills
Beverly Sills
Beverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s. In her prime she was the only real rival to Joan Sutherland as the leading bel canto stylist...
, Leontyne Price
Leontyne Price
Mary Violet Leontyne Price is an American soprano. Born and raised in the Deep South, she rose to international acclaim in the 1950s and 1960s, and was one of the first African Americans to become a leading artist at the Metropolitan Opera.One critic characterized Price's voice as "vibrant",...
and, most recently, Renée Fleming
Renée Fleming
Renée Fleming is an American soprano specializing in opera and lieder. Fleming has a full lyric soprano voice.Fleming has performed coloratura, lyric, and lighter spinto soprano repertoires. She has sung roles in Italian, German, French, Czech, and Russian, aside from her native English. She also...
. Géori Boué
Géori Boué
Georgette "Géori" Boué is a French soprano, particularly associated with the French repertory, especially Thais. She was born in Toulouse.- Life and career :...
is particularly associated with the role.
Roles
| Role | Voice type | Premiere Cast, 16 March 1894 (Conductor: Claude-Paul Taffanel Claude-Paul Taffanel Claude-Paul Taffanel was a French flautist, conductor and instructor regarded as the founder of the French Flute School that dominated much of flute composition and performance during the mid-20th century.... ) |
|---|---|---|
| Thaïs, a courtesan | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Sybil Sanderson |
| Athanaël, a Cenobite monk | baritone Baritone Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or... |
Jean-François Delmas Jean-François Delmas (singer) Jean-François Delmas was a French bass-baritone who created roles in many French operas including Athanaël in Thaïs.... |
| Nicias, a nobleman | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
Albert Alvarez |
| Crobyle, servant of Nicias | soprano | Jeanne Marcy |
| Myrtale, servant of Nicias | mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
Meyrianne Heglon |
| Palémon, leader of the Cenobites | bass | François Delpouget |
| Albine, an abbess | mezzo-soprano | |
Synopsis
Act 1
Scene 1A group of Cenobite monks go about their daily business. Athanaël, the most rigorous ascetic of them all, enters and confesses to the senior monk, Palémon, that he has lately been disturbed by visions of a courtesan
Courtesan
A courtesan was originally a female courtier, which means a person who attends the court of a monarch or other powerful person.In feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together...
and priestess of Venus named Thaïs, whom he had seen many years ago in his native city of Alexandria
Alexandria
Alexandria is the second-largest city of Egypt, with a population of 4.1 million, extending about along the coast of the Mediterranean Sea in the north central part of the country; it is also the largest city lying directly on the Mediterranean coast. It is Egypt's largest seaport, serving...
. Believing these visions to be a sign from God, he resolves, against Palémon's advice, to return to Alexandria, convert Thaïs to Christianity, and persuade her to enter a convent.
Scene 2
Athanaël arrives in Alexandria and visits his old friend Nicias, a wealthy voluptuary. Nicias welcomes him with open arms and reveals himself to be Thaïs's current lover. Upon hearing Athanaël's plan, he laughs and warns him that the revenge of Venus can be terrible. Nevertheless, he procures clothing for his friend in preparation for a feast that evening at which Thaïs will appear. His slaves, Crobyle and Myrtale, dress Athanaël and mock his prudery.
The feast begins. Thaïs arrives and sings a bittersweet love duet with Nicias: this is their last night together. She then asks him about Athanaël, who overhears her and tells her that he has come to teach her "contempt for the flesh and love of pain." Not tempted by this proposition, she offends his sense of propriety with a seductive song. He leaves, angrily promising to come back later. She taunts him with a parting shot: "Dare to come, you who defy Venus!"
Act 2
Scene 1Exhausted after the feast, Thaïs expresses dissatisfaction with her empty life and muses on the fact that one day, old age will destroy her beauty. Athanaël enters at this vulnerable moment, praying to God to conceal her beauty from him. He tells her that he loves her according to the spirit rather than the flesh, and that his love will last forever, instead of for a single night. Intrigued, she asks him to teach her the ways of this love. He nearly succumbs to her physical charm, but succeeds in explaining to her that if she converts, she will gain eternal life. She nearly succumbs to his eloquence, but then reasserts her nihilistic worldview and drives him away. However, after a long meditation she changes her mind.
Scene 2
Thaïs has joined Athanaël and resolved to follow him into the desert. He orders her to burn down her house and possessions in order to destroy all traces of her wicked past. She agrees, but asks if she can keep a statuette of Eros, the god of love, explaining to Athanaël that she sinned against love rather than through it. When he hears that Nicias gave it to her, however, Athanaël demands that she destroy it. Nicias appears with a group of revelers, who see Athanaël taking Thaïs away. Furious, they begin to stone him. Although Nicias is astonished at Thaïs' decision to leave, he respects it and throws handfuls of money to distract the crowd. Thaïs and Athanaël escape.
Act 3
Scene 1Thaïs and Athanaël travel on foot through the desert. Thaïs is exhausted, but Athanaël forces her to keep going and thus do penance for her sins. They reach a spring, where Athanaël begins to feel pity rather than disgust for her, and they share a few moments of idyllic, platonic companionship as they rest. Shortly afterwards, they reach the convent where Thaïs is to stay. Placing her in the care of Mother Superior Albine, Athanaël realizes that he has accomplished his mission—and that he will never see her again.
Scene 2
The Cenobite monks express anxiety over Athanaël's antisocial and morose behavior since his return from Alexandria. Athanaël enters and confesses to Palémon that he has begun to experience sexual longing for Thaïs. Palémon castigates him for having attempted to convert her in the first place. Athanaël falls into a depressed sleep and has an erotic vision of Thaïs. He tries to seize her, but she laughingly evades him. Then, a second vision tells him that Thaïs is dying.
Scene 3
Feeling that existence is worth nothing without her, he repudiates all his vows and rushes off to find her. He reaches the convent and finds her on her deathbed. He tells her that all he taught her was a lie, that "nothing is true but life and the love of human beings", and that he loves her. Blissfully unaware, she describes the heavens opening and the angels welcoming her into their midst. She dies, and Athanaël collapses in despair.
Recordings
- 1952 - Géori BouéGéori BouéGeorgette "Géori" Boué is a French soprano, particularly associated with the French repertory, especially Thais. She was born in Toulouse.- Life and career :...
, Roger BourdinRoger BourdinRoger Bourdin was a French baritone, particularly associated with the French repertory. His career was largely based in France.- Life and career :...
, Jean GiraudeauJean GiraudeauJean Giraudeau, born Toulon, 1 July 1916, died 7 February 1995, was a French tenor, and later theatre director, particularly associated with the Opéra-Comique in Paris, and described as having a “lyrical voice” as well as being “a superb character actor”....
- Choeurs et Orchestre de l'Opéra de Paris, Georges SébastianGeorges SébastianGeorges Sébastian was a French conductor of Hungarian birth, particularly associated with Wagner and the post-romantic repertory .... - 1961 - Renée DoriaRenée DoriaRenée Doria is a French opera singer, one of the leading lyric coloratura soprano of her era in France.- Biography :...
, Robert MassardRobert MassardRobert Massard is a French baritone, primarily associated with the French repertory, one of the few outstanding French opera singers of the postwar era.- Career :Massard was born in Pau, France, and was mainly self-taught...
, Michel SénéchalMichel SénéchalMichel Sénéchal is a French tenor, particularly associated with French and Italian character roles in a repertory ranging from Baroque to contemporary works.- Life and career :...
- Choeurs et Orchestre de Radio France, Jésus EtcheverryJésus EtcheverryJésus Etcheverry was a French operatic conductor.He began studying the violin while still very young, and played with diverse small orchestras to pay for his tuitions. At age 20, he was engaged by the Symphonic Orchestra in Casablanca, as first violinist, and shortly after began teaching at the... - 1974 - Anna MoffoAnna MoffoAnna Moffo was an Italian-American opera singer and one of the leading lyric-coloratura sopranos of her generation...
, Gabriel BacquierGabriel BacquierGabriel Bacquier is a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertories, he is considered a fine singing-actor equally at home in dramatic or comic roles.-Life and career:Gabriel Bacquier was born in...
, José CarrerasJosé CarrerasJosep Maria Carreras i Coll , better known as José Carreras , is a Spanish Catalan tenor particularly known for his performances in the operas of Verdi and Puccini...
- Ambrosian Opera Chorus, New Philarmonia Orchestra, Julius RudelJulius RudelJulius Rudel is an American opera and orchestra conductor who emigrated to the United States from Austria at the age of 17 and studied conducting at the Mannes College of Music in New York City. He then forged a 35-year career with the New York City Opera, from 1944 to 1979, and was the Music...
(RCA) - 1976 - Beverly SillsBeverly SillsBeverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s. In her prime she was the only real rival to Joan Sutherland as the leading bel canto stylist...
, Sherrill MilnesSherrill MilnesSherrill Milnes is an American operatic baritone most famous for his Verdi roles. From 1965 until 1997 he was associated with the Metropolitan Opera....
, Nicolai GeddaNicolai GeddaNicolai Gedda is a Swedish operatic tenor. Having made some two hundred recordings, Gedda is said to be the most widely recorded tenor in history...
- John Alldis Choir, New Philarmonia Orchestra, Lorin MaazelLorin MaazelLorin Varencove Maazel is an American conductor, violinist and composer.- Early life :Maazel was born to Jewish-American parents in Neuilly-sur-Seine in France and brought up in the United States, primarily at his parents' home in Pittsburgh's Oakland neighborhood. His father, Lincoln Maazel , was...
(EMI) - 1997 - Renée FlemingRenée FlemingRenée Fleming is an American soprano specializing in opera and lieder. Fleming has a full lyric soprano voice.Fleming has performed coloratura, lyric, and lighter spinto soprano repertoires. She has sung roles in Italian, German, French, Czech, and Russian, aside from her native English. She also...
, Thomas Hampson, Giuseppe SabbatiniGiuseppe SabbatiniGiuseppe Sabbatini is a lyric tenor.His opera repertoire includes Idomeneo, Mitridate, re di Ponto, Don Giovanni, Linda di Chamounix, La favorita, L'elisir d'amore, Anna Bolena, Maria Stuarda, Roberto Devereux, Lucrezia Borgia, Dom Sébastien, I puritani, Rigoletto, La Traviata, Falstaff, La...
– Choeur et orchestre National Bordeaux Aquitaine, Yves Abel (Decca) - 2004 - Eva Mei (Thaïs, soprano), Michele Pertusi (Athanaël, bass-baritone), William Joyner (Nicias, tenor) – Orchestra e Coro del Teatro La Fenice di Venezia (Dynamic Srl Italy, 2004)
- 2009 - DVD Barbara FrittoliBarbara FrittoliBarbara Frittoli is an Italian operatic soprano who has sung leading roles in opera houses throughout Europe and in the United States. She was born in Milan and graduated from the Milan Conservatory...
, Lado Ataneli Gianandrea Noseda (conductor), Stefano Poda (stage Director), Orchestra and Courus of the Teatro Regio Torino (ArtHaus) - 2010 - DVD Renée FlemingRenée FlemingRenée Fleming is an American soprano specializing in opera and lieder. Fleming has a full lyric soprano voice.Fleming has performed coloratura, lyric, and lighter spinto soprano repertoires. She has sung roles in Italian, German, French, Czech, and Russian, aside from her native English. She also...
, Thomas Hampson (baritone) Jesus Lopez-Cobos, John Cox, Metropolitan Opera Orchestra, Chorus, and Ballet
External links
- Free sheet music of Méditation on Cantorion.org
- List of historical performances of Thaïs at G. Casaglia Almanac
- Recording of "Méditation" performed by Nicola BenedettiNicola Benedetti- Early life and the Yehudi Menuhin School :Benedetti was born in West Kilbride, North Ayrshire to an Italian father and a Scottish mother. She started to learn the violin at the age of four...
, violin and Julien Quentin, piano from the Isabella Stewart Gardner MuseumIsabella Stewart Gardner MuseumThe Isabella Stewart Gardner Museum or Fenway Court, as the museum was known during Isabella Stewart Gardner's lifetime, is a museum in the Fenway-Kenmore neighborhood of Boston, Massachusetts, located within walking distance of the Museum of Fine Arts and near the Back Bay Fens...
in MP3MP3MPEG-1 or MPEG-2 Audio Layer III, more commonly referred to as MP3, is a patented digital audio encoding format using a form of lossy data compression...
format Libretto - Thaïs at Bob's Universe
- Synopsis of Thaïs (Metropolitan Opera)
- MetOpera archives: Thaïs production 1939 with Review