Mary Garden
Encyclopedia
Mary Garden was a Scottish opera
tic soprano
with a substantial career in France and America in the first third of the 20th century. She spent the latter part of her childhood and youth in the United States and eventually became an American citizen, although she lived in France for many years and eventually retired to Scotland, where she died.
Described as "the Sarah Bernhardt
of opera", Garden was an exceptional actress as well as a talented singer. She was particularly admired for her nuanced performances which employed interesting uses of vocal color. Possessing a beautiful lyric voice that had a wide vocal range
and considerable amount of flexibility, Garden first arose to success in Paris
during the first decade of the 20th century. She became the leading soprano at the Opéra-Comique
; notably portraying roles in several world premieres, including Mélisande in Claude Debussy
's Pelléas et Mélisande
(1902). She worked closely with Jules Massenet
, in whose operas she excelled. Massenet notably wrote the title role in his opera Chérubin
(1905) for her.
In 1907, Oscar Hammerstein I
convinced Garden to join the Manhattan Opera House in New York where she became an immediate success. By 1910 she was a household name in America and Garden appeared in operas in several major American cities; including performing with the Boston Opera Company
and the Philadelphia Opera Company
. Between 1910-1932 Garden worked in several opera houses in Chicago
. She first worked with the Chicago Grand Opera Company
(1910–1913) and then joined the Chicago Opera Association
in 1915, ultimately becoming the company's director in 1921. Although director for only one year, Garden was notably responsible for staging the world premiere of Sergei Prokofiev
's The Love for Three Oranges before the company went bankrupt in 1922. Shortly thereafter she became the director of the Chicago Civic Opera
where she commissioned the opera Camille by 28-year old composer Hamilton Forrest. She sang roles at the Civic Opera until 1931, notably in several United States and world premieres.
Additionally, Garden appeared in two silent film
s made by Samuel Goldwyn
.
After retiring from the opera stage in 1934, Garden worked as a talent scout for MGM. She also gave lectures and recitals, mostly on the life and works of Claude Debussy, until 1949. She retired to Scotland and in 1951 published a successful autobiography
, Mary Garden's Story.
Her voice is preserved on a number of recordings made for the Gramophone Company (including some with Debussy at the piano), Edison Records
, Pathé
, Columbia Records
and the Victor Talking Machine Company
between 1903 and 1929.
, Scotland, while another was born in the United States.
Her parents, both from Aberdeen
in Scotland, were Robert Davidson Garden (b. 19 Jul 1855) and Mary Joss Garden (née Joss, b. 23 Feb 1860), The family moved to Chicopee, Massachusetts
, United States when she was nine years old. They then moved to Hartford, Connecticut
a few year later, followed by a relocation to Chicago, Illinois in 1888 when Mary was fourteen.
, still under the support of the Mayers. She also studied some under Jacques Bouhy
, Jules Chevalier
, and Mathilde Marchesi
. In 1899 Garden lost the backing of her benefactors, and she began to study singing with the American soprano Sybil Sanderson. Sanderson introduced her to Jules Massenet
and Albert Carré
, the director of the Opéra-Comique
.
's Louise
. Although Garden had been preparing the role, the debut was unscheduled as she was a last minute replacement for Marthe Rioton who had become ill. From 1901 for two years, she carried on an affair with André Messager
, who conducted her in Louise. She claimed that when the Opéra-Comique director Albert Carré asked her to marry him, she replied that she had someone else in her life – Messager. Her description is of a tempestuous relationship, but they remained friends until his death.
After her debut, Garden quickly became one of the leading sopranos at the Opéra-Comique. In 1901 she starred in two world premieres, Marie in Lucien Lambert's La Marseillaise and Diane in Gabriel Pierné
's La fille de Tabarin. That same year she sang the title role in Massenet's Thaïs
at Aix-les-Bains
, and sang both the title roles in Massenet's Manon
and Messager's Madame Chrysanthème
at the Opéra de Monte-Carlo
; all under the coaching of Sanderson. In 1902, Claude Debussy
selected her to play the female lead at the Opéra-Comique debut of his Pelléas et Mélisande
. Garden's performances met with considerable critical acclaim. She also created a sensation as Salomé
in the French version of Richard Strauss
's opera of that name.
Following the success of Pelléas et Mélisande, Garden periodically went to London to sing at the Royal Opera
, Covent Garden
while still appearing in performances in Paris
. At Covent Garden she sang Manon, Juliette in Charles Gounod
's Roméo et Juliette
, and Marguerite in Gounod's Faust
' during the 1902 and 1903 seasons. Garden, however, did not care for London and decided to not take any more engagements in that city. Her performances at the Opéra-Comique during this time included the title role in Massenet's Grisélidis
(1902), Violetta in Giuseppe Verdi
's La traviata
(1903), the title role in the world premiere of Xavier Leroux
's La reine Fiammette
(1903), and the title role in Saint-Saëns
's Hélène
(1905). In 1905 she sang at the Opéra de Monte-Carlo
in the world premiere of Massenet's Chérubin
, a role which the composer wrote specifically for her. The following year she returned to the Opéra-Comique to sing Chrysis in the world premiere of Camille Erlanger
's Aphrodite.
to join his competition against the Metropolitan Opera
, Garden quit her frequent Opéra-Comique engagements to join the Manhattan Opera House in New York City
. She made her American debut in the Manhattan Opera House on November 25, 1907 in the title role in Thaïs
, a role which fitted her personality and art like a glove. She further astounded American audiences with her uncanny portrayal of a young boy in Massenet's Le jongleur de Notre Dame
(1908) and in the United States premiere of Pelléas et Mélisande. In 1908 she returned to Paris to join the roster at the Opéra National de Paris. She sang there for one season, notably portraying Ophelia in Ambroise Thomas
's Hamlet
(1908) and the title part in Henry Février
's Monna Vanna
(1909) among other roles. She also sang the role of Marguerite in Gounod's Faust
(1909) in Brussels
. Afterwords, Garden returned again to New York in 1909 to perform the title role in Richard Strauss
's Salome
. During the performance she lasciviously kissed the severed head of John the Baptist which shocked the morals of a number of the audience members even more than her Dance of the Seven Veils (which she performed in a body-stocking).
By 1910, Garden had become a household name within America. She left the Manhattan Opera House to join the Chicago Grand Opera Company
where she sang from 1910 to 1913 in such roles as Mélisande, Fanny in Massenet's Sapho
, Dulcinée in Massenet's Don Quichotte
, the Prince in Massenet's Cendrillon
, the title role in Georges Bizet
's Carmen
, and the title role in Giacomo Puccini
's Tosca
. During this time she also sang in other American cities, notably appearing in the world premiere of Victor Herbert
's Natoma in Philadelphia on 25 February 1911 and in the title role Février's Monna Vanna
in its United States premiere in Boston
.
Garden next sang with the Chicago Opera Association
from 1915 until 1921 where she sang such roles as the title part in Massenet's Cléopâtre
and the title part in the world premiere of Henry Février
's Gismonda
(both 1919), and the role of Fiora in Montemezzi's L'amore dei tre re
(1920) among many others. She notably became the director of the Chicago Opera Association in a notorious coup for the organization's final 1921–2 season. Although serving as director for only one year, she is notably responsible for producing the world première of Prokofiev's The Love for Three Oranges. Also during this time she appeared in two silent film
s made by Samuel Goldwyn
, the title role in a film version of Thais
(1917) and the role of Dolores Fargis in The Splendid Sinner (1918). During World War I
she was decorated by the French and Serbian governments and made a Chevalier of the Légion d'Honneur in 1921.
In 1922 Garden became the director of the newly formed Chicago Civic Opera
where she also performed roles until 1931. Among the many roles she performed with the Chicago Civic Opera are Charlotte in Massenet's Werther
(1924), Katyusha in Franco Alfano
's Risurrezione
(1925, in French) and the heroine of Arthur Honegger
's Judith (1927), the last two both United States premières. In 1930 she sang in the world premiere of Hamilton Forrest's Camille. That same year she returned to the Opéra-Comique to appear in several operas. In 1931 Garden sang her last role with the Chicago Civic Opera, Carmen, after which the company went bankrupt.
Garden retired from the opera stage in 1934, after making her last appearance as Katyusha in Franco Alfano's Risurrezione at the Opéra-Comique. After retiring, Garden worked as a talent scout for MGM and gave lectures and recitals, mostly on the life and works of Claude Debussy up through 1949. For much of her life she had openly encouraged young singers and even secretly paid for them to receive training. She continued to support young artists after her retirement through master classes, often allowing aspiring artists to attend for free.
She was a National Patron of Delta Omicron
, an international professional music fraternity.
who knew exactly how to get her own way. She had a number of feuds with various musical colleagues from which she invariably emerged victorious, eventually ending up in control of the Chicago Opera. A relentless self-publicist, a woman however of genuine beauty, her flamboyant personal life was often the subject of more attention than her public performances, and her affairs with men, real or imagined, were liable to emerge as scandalous rumours in the newspapers.
Her autobiography
, Mary Garden's Story (1951), is marred by inaccuracies. Always prone to embellish and exaggerate, Garden was already succumbing to dementia
when the manuscript was being prepared.
It was in recognition of her personal history that Scottish Opera chose to present in their inaugural 1962 season Pelléas et Mélisande. That year marked the centenary of Debussy’s birth and the diamond jubilee of the opera. Sadly, by the time of the first performance Mary Garden was unable to accept her invitation to attend, being in hospital after a fall, and her health in decline .
Mary Garden died in Inverurie
, close to Aberdeen, where she spent the last 30 years of her life. An award for opera singing at the Aberdeen International Youth Festival is made in her name . There is a small memorial garden dedicated to her in the west-end of Aberdeen, with a small inscriptioned stone and a bench.
s between 1903 and 1929 for G & T, Columbia
and Victor
. They continue to be reissued and are of much interest to connoisseurs of historical recordings—although Garden herself was said to have been generally disappointed with the results. Of special interest are the four 1904 Black G&T recordings she made accompanied by Claude Debussy in Paris. There are also a small number of recordings made from radio broadcasts.
She made two silent films, Thais (1917) and a World War I romance entitled The Splendid Sinner (1918). Without her singing voice, her acting was criticized and neither film was a success. In the 1930s, Garden appeared on Cecil B. DeMille's Lux Radio programs. One such airing had Garden and Melvyn Douglas
reading the play Tonight or Never which had recently been made into a motion picture.
's poem A Drunk Man Looks at the Thistle
(ll.30-2):
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
with a substantial career in France and America in the first third of the 20th century. She spent the latter part of her childhood and youth in the United States and eventually became an American citizen, although she lived in France for many years and eventually retired to Scotland, where she died.
Described as "the Sarah Bernhardt
Sarah Bernhardt
Sarah Bernhardt was a French stage and early film actress, and has been referred to as "the most famous actress the world has ever known". Bernhardt made her fame on the stages of France in the 1870s, and was soon in demand in Europe and the Americas...
of opera", Garden was an exceptional actress as well as a talented singer. She was particularly admired for her nuanced performances which employed interesting uses of vocal color. Possessing a beautiful lyric voice that had a wide vocal range
Vocal range
Vocal range is the measure of the breadth of pitches that a human voice can phonate. Although the study of vocal range has little practical application in terms of speech, it is a topic of study within linguistics, phonetics, and speech and language pathology, particularly in relation to the study...
and considerable amount of flexibility, Garden first arose to success in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
during the first decade of the 20th century. She became the leading soprano at the Opéra-Comique
Opéra-Comique
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the...
; notably portraying roles in several world premieres, including Mélisande in Claude Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
's Pelléas et Mélisande
Pelléas et Mélisande (opera)
Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande...
(1902). She worked closely with Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
, in whose operas she excelled. Massenet notably wrote the title role in his opera Chérubin
Chérubin
Chérubin is an opera in three acts by Jules Massenet to a French libretto by Francis de Croisset and Henri Cain after de Croisset's play of the same name...
(1905) for her.
In 1907, Oscar Hammerstein I
Oscar Hammerstein I
Oscar Hammerstein I was a businessman, theater impresario and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America...
convinced Garden to join the Manhattan Opera House in New York where she became an immediate success. By 1910 she was a household name in America and Garden appeared in operas in several major American cities; including performing with the Boston Opera Company
Boston Opera Company
The Boston Opera Company was an American opera company located in Boston, Massachusetts that was active from 1909 to 1915.-History:The company was founded in 1908 by Bostonian millionaire Eben Dyer Jordan, Jr. and impresario Henry Russell...
and the Philadelphia Opera Company
Philadelphia Opera Company
The Philadelphia Opera Company was the name of two different American opera companies active during the twentieth century in Philadelphia, Pennsylvania. The first company was founded by impresario Oscar Hammerstein I in 1908. That company disbanded only two years later as a result of financial...
. Between 1910-1932 Garden worked in several opera houses in Chicago
Chicago
Chicago is the largest city in the US state of Illinois. With nearly 2.7 million residents, it is the most populous city in the Midwestern United States and the third most populous in the US, after New York City and Los Angeles...
. She first worked with the Chicago Grand Opera Company
Chicago Grand Opera Company
Two grand opera companies in Chicago have gone by the name Chicago Grand Opera CompanyThe first Chicago Grand Opera Company produced four seasons of opera in Chicago’s Auditorium Theater from the Fall of 1910 through November 1915. It was the first resident Chicago opera company...
(1910–1913) and then joined the Chicago Opera Association
Chicago Opera Association
The Chicago Opera Association was a company that produced seven seasons of grand opera in Chicago’s Auditorium Theater from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick...
in 1915, ultimately becoming the company's director in 1921. Although director for only one year, Garden was notably responsible for staging the world premiere of Sergei Prokofiev
Sergei Prokofiev
Sergei Sergeyevich Prokofiev was a Russian composer, pianist and conductor who mastered numerous musical genres and is regarded as one of the major composers of the 20th century...
's The Love for Three Oranges before the company went bankrupt in 1922. Shortly thereafter she became the director of the Chicago Civic Opera
Chicago Civic Opera
The Civic Opera Company was a Chicago company that produced seven seasons of grand opera in the Auditorium Theater from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression.-...
where she commissioned the opera Camille by 28-year old composer Hamilton Forrest. She sang roles at the Civic Opera until 1931, notably in several United States and world premieres.
Additionally, Garden appeared in two silent film
Silent film
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, pantomime and title cards...
s made by Samuel Goldwyn
Samuel Goldwyn
Samuel Goldwyn was an American film producer, and founding contributor executive of several motion picture studios.-Biography:...
.
After retiring from the opera stage in 1934, Garden worked as a talent scout for MGM. She also gave lectures and recitals, mostly on the life and works of Claude Debussy, until 1949. She retired to Scotland and in 1951 published a successful autobiography
Autobiography
An autobiography is a book about the life of a person, written by that person.-Origin of the term:...
, Mary Garden's Story.
Her voice is preserved on a number of recordings made for the Gramophone Company (including some with Debussy at the piano), Edison Records
Edison Records
Edison Records was one of the earliest record labels which pioneered recorded sound and was an important player in the early recording industry.- Early phonographs before commercial mass produced records :...
, Pathé
Pathé
Pathé or Pathé Frères is the name of various French businesses founded and originally run by the Pathé Brothers of France.-History:...
, Columbia Records
Columbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...
and the Victor Talking Machine Company
Victor Talking Machine Company
The Victor Talking Machine Company was an American corporation, the leading American producer of phonographs and phonograph records and one of the leading phonograph companies in the world at the time. It was headquartered in Camden, New Jersey....
between 1903 and 1929.
Early years
Mary Garden was one of four daughters; she and two others were born in AberdeenAberdeen
Aberdeen is Scotland's third most populous city, one of Scotland's 32 local government council areas and the United Kingdom's 25th most populous city, with an official population estimate of ....
, Scotland, while another was born in the United States.
Her parents, both from Aberdeen
Aberdeen
Aberdeen is Scotland's third most populous city, one of Scotland's 32 local government council areas and the United Kingdom's 25th most populous city, with an official population estimate of ....
in Scotland, were Robert Davidson Garden (b. 19 Jul 1855) and Mary Joss Garden (née Joss, b. 23 Feb 1860), The family moved to Chicopee, Massachusetts
Chicopee, Massachusetts
Chicopee is a city located on the Connecticut River in Hampden County, Massachusetts, United States of America. It is part of the Springfield, Massachusetts Metropolitan Statistical Area. As of the 2010 census, the city had a total population of 55,298, making it the second largest city in...
, United States when she was nine years old. They then moved to Hartford, Connecticut
Hartford, Connecticut
Hartford is the capital of the U.S. state of Connecticut. The seat of Hartford County until Connecticut disbanded county government in 1960, it is the second most populous city on New England's largest river, the Connecticut River. As of the 2010 Census, Hartford's population was 124,775, making...
a few year later, followed by a relocation to Chicago, Illinois in 1888 when Mary was fourteen.
Voice Student
She showed promise as a young singer, and studied with Sarah Robinson-Duff in Chicago under the financial support of wealthy patrons David and Florence Mayer. In 1896 she pursued further studies in Paris, chiefly with Trabadelo and Lucien FugèreLucien Fugère
Lucien Fugère was a French baritone, particularly associated with the French repertory and Mozart roles, he enjoyed an exceptionally long career, singing into his 80s.- Life and career :...
, still under the support of the Mayers. She also studied some under Jacques Bouhy
Jacques Bouhy
Jacques-Joseph-André Bouhy a Belgian baritone, most famous for being the first to sing the Toreador Song in the role of Escamillo in Carmen....
, Jules Chevalier
Jules Chevalier
Jules Chevalier , was a French Roman Catholic priest and founder of the Missionaries of the Sacred Heart and Daughters of Our Lady of the Sacred Heart Catholic orders, and the inspiration for the members of the Chevalier Family.Born in Richelieu, France, he was initially apprenticed as a shoemaker...
, and Mathilde Marchesi
Mathilde Marchesi
Mathilde Marchesi was a German mezzo-soprano, a renowned teacher of singing, and a proponent of the bel canto vocal method.-Biography:...
. In 1899 Garden lost the backing of her benefactors, and she began to study singing with the American soprano Sybil Sanderson. Sanderson introduced her to Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
and Albert Carré
Albert Carré
Albert Carré was a French theatre director, opera director, actor and librettist. He was the nephew of librettist Michel Carré and cousin of cinema director Michel Antoine Carré...
, the director of the Opéra-Comique
Opéra-Comique
The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the...
.
Operatic Debut
Impressed with her voice, Carré invited her to join the roster at the Opéra-Comique in 1900. Garden made her professional opera debut with the company on 10 April 1900 in the title role of Gustave CharpentierGustave Charpentier
Gustave Charpentier, , born in Dieuze, Moselle on 25 June 1860, died Paris, 18 February 1956) was a French composer, best known for his opera Louise.-Life and career:...
's Louise
Louise (opera)
Louise is an opera in four acts by Gustave Charpentier to an original French libretto by the composer, with some contributions by Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists....
. Although Garden had been preparing the role, the debut was unscheduled as she was a last minute replacement for Marthe Rioton who had become ill. From 1901 for two years, she carried on an affair with André Messager
André Messager
André Charles Prosper Messager , was a French composer, organist, pianist, conductor and administrator. His stage compositions included ballets and 30 opéra comiques and operettas, among which Véronique, had lasting success, with Les p'tites Michu and Monsieur Beaucaire also enjoying international...
, who conducted her in Louise. She claimed that when the Opéra-Comique director Albert Carré asked her to marry him, she replied that she had someone else in her life – Messager. Her description is of a tempestuous relationship, but they remained friends until his death.
After her debut, Garden quickly became one of the leading sopranos at the Opéra-Comique. In 1901 she starred in two world premieres, Marie in Lucien Lambert's La Marseillaise and Diane in Gabriel Pierné
Gabriel Pierné
Henri Constant Gabriel Pierné was a French composer, conductor, and organist.-Biography:Gabriel Pierné was born in Metz in 1863. His family moved to Paris to escape the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue...
's La fille de Tabarin. That same year she sang the title role in Massenet's Thaïs
Thaïs (opera)
Thaïs is an opera in three acts by Jules Massenet to a French libretto by Louis Gallet based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title role...
at Aix-les-Bains
Aix-les-Bains
Aix-les-Bains is a commune in the Savoie department in the Rhône-Alpes region in south-eastern France.It is situated on the shore of Lac du Bourget, by rail north of Chambéry.-Geography:...
, and sang both the title roles in Massenet's Manon
Manon
Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost...
and Messager's Madame Chrysanthème
Madame Chrysanthème
Madame Chrysanthème is an opera, described as a comédie lyrique, with music by André Messager to a libretto by Georges Hartmann and Alexandre André, after the semi-autobiographical Madame Chrysanthème by Pierre Loti...
at the Opéra de Monte-Carlo
Opéra de Monte-Carlo
The Opéra de Monte-Carlo is an opera house located in the principality of Monaco.With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des Bains de Mer, decided on the construction of an opera house. Initially, it was Charles III's...
; all under the coaching of Sanderson. In 1902, Claude Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
selected her to play the female lead at the Opéra-Comique debut of his Pelléas et Mélisande
Pelléas et Mélisande (opera)
Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande...
. Garden's performances met with considerable critical acclaim. She also created a sensation as Salomé
Salome (opera)
Salome is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann’s German translation of the French play Salomé by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer....
in the French version of Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
's opera of that name.
Following the success of Pelléas et Mélisande, Garden periodically went to London to sing at the Royal Opera
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
, Covent Garden
Covent Garden
Covent Garden is a district in London on the eastern fringes of the West End, between St. Martin's Lane and Drury Lane. It is associated with the former fruit and vegetable market in the central square, now a popular shopping and tourist site, and the Royal Opera House, which is also known as...
while still appearing in performances in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
. At Covent Garden she sang Manon, Juliette in Charles Gounod
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
's Roméo et Juliette
Roméo et Juliette
Roméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
, and Marguerite in Gounod's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
' during the 1902 and 1903 seasons. Garden, however, did not care for London and decided to not take any more engagements in that city. Her performances at the Opéra-Comique during this time included the title role in Massenet's Grisélidis
Grisélidis
Grisélidis is an opera in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'...
(1902), Violetta in Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
's La traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
(1903), the title role in the world premiere of Xavier Leroux
Xavier Leroux
Xavier Henry Napoleón Leroux was a French composer.Leroux was the son of a military bandleader. He studied at the Paris Conservatory under Jules Massenet and Théodore Dubois, and won the Prix de Rome in 1885 with the cantata Endymion...
's La reine Fiammette
La reine Fiammette
La reine Fiammette is an opera in 4 Acts by composer Xavier Leroux. The opera uses a French language libretto by Catulle Mendès which is based on Mendès's 1898 work of the same name, a conte dramatique in six acts set in Renaissance Italy. The opera's premiere was given by the Opéra-Comique at the...
(1903), and the title role in Saint-Saëns
Camille Saint-Saëns
Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
's Hélène
Hélène (opera)
Hélène is a poème lyrique or opera in one act by composer Camille Saint-Saëns. It is the first opera for which Saint-Saëns wrote his own French libretto which is based on the classic story of Helen of Troy and Paris from Greek mythology. The opera premiered at the Opéra de Monte-Carlo in Monaco on...
(1905). In 1905 she sang at the Opéra de Monte-Carlo
Opéra de Monte-Carlo
The Opéra de Monte-Carlo is an opera house located in the principality of Monaco.With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des Bains de Mer, decided on the construction of an opera house. Initially, it was Charles III's...
in the world premiere of Massenet's Chérubin
Chérubin
Chérubin is an opera in three acts by Jules Massenet to a French libretto by Francis de Croisset and Henri Cain after de Croisset's play of the same name...
, a role which the composer wrote specifically for her. The following year she returned to the Opéra-Comique to sing Chrysis in the world premiere of Camille Erlanger
Camille Erlanger
Camille Erlanger was a Parisian-born French opera composer. He studied at the Paris Conservatory under Léo Delibes and Émile Durand, and in 1888 won the Prix de Rome for his cantata Velléda...
's Aphrodite.
Departure from the Opéra-Comique and later career in the United States
Persuaded by Oscar Hammerstein IOscar Hammerstein I
Oscar Hammerstein I was a businessman, theater impresario and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America...
to join his competition against the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
, Garden quit her frequent Opéra-Comique engagements to join the Manhattan Opera House in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
. She made her American debut in the Manhattan Opera House on November 25, 1907 in the title role in Thaïs
Thaïs (opera)
Thaïs is an opera in three acts by Jules Massenet to a French libretto by Louis Gallet based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title role...
, a role which fitted her personality and art like a glove. She further astounded American audiences with her uncanny portrayal of a young boy in Massenet's Le jongleur de Notre Dame
Le jongleur de Notre Dame
Le Jongleur de Notre Dame is a religious miracle story by the French author Anatole France, published in 1892 and based on an old medieval legend. Similar to the later Christmas carol The Little Drummer Boy, it tells the story of a juggler turned monk who has no gift to offer a statue of the Virgin...
(1908) and in the United States premiere of Pelléas et Mélisande. In 1908 she returned to Paris to join the roster at the Opéra National de Paris. She sang there for one season, notably portraying Ophelia in Ambroise Thomas
Ambroise Thomas
Charles Louis Ambroise Thomas was a French composer, best known for his operas Mignon and Hamlet and as Director of the Conservatoire de Paris from 1871 till his death.-Biography:"There is good music, there is bad music, and then there is Ambroise Thomas."- Emmanuel Chabrier-Early life...
's Hamlet
Hamlet (opera)
Hamlet is an opéra in five acts by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père and Paul Meurice of Shakespeare's play Hamlet.- Ophelia mania in Paris:...
(1908) and the title part in Henry Février
Henry Février
Henry Février was a French composer.-Biography:Henry Février studied at the Paris Conservatoire where his teachers included Jules Massenet and Gabriel Fauré. He also took private lessons with André Messager...
's Monna Vanna
Monna Vanna (Février)
Monna Vanna is a drame lyrique or opera in four acts by composer Henry Février. The opera's French libretto is by playwright Maurice Maeterlinck and is based on his play of the same name. The opera premiered on 13 January 1909 at the Académie Nationale de Musique in Paris.- Roles :-External links:**...
(1909) among other roles. She also sang the role of Marguerite in Gounod's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
(1909) in Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...
. Afterwords, Garden returned again to New York in 1909 to perform the title role in Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
's Salome
Salome (opera)
Salome is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann’s German translation of the French play Salomé by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer....
. During the performance she lasciviously kissed the severed head of John the Baptist which shocked the morals of a number of the audience members even more than her Dance of the Seven Veils (which she performed in a body-stocking).
By 1910, Garden had become a household name within America. She left the Manhattan Opera House to join the Chicago Grand Opera Company
Chicago Grand Opera Company
Two grand opera companies in Chicago have gone by the name Chicago Grand Opera CompanyThe first Chicago Grand Opera Company produced four seasons of opera in Chicago’s Auditorium Theater from the Fall of 1910 through November 1915. It was the first resident Chicago opera company...
where she sang from 1910 to 1913 in such roles as Mélisande, Fanny in Massenet's Sapho
Sapho (opera)
Sapho is an opera in five acts by Jules Massenet to a French libretto by Henri Cain and Arthur Bernède, based on the novel of the same name by Alphonse Daudet. It was first performed at the Opéra Comique in Paris on November 27, 1897 with Emma Calvé as Fanny Legrand.It is a charming and effective...
, Dulcinée in Massenet's Don Quichotte
Don Quichotte
Don Quichotte is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn.Massenet's comédie-héroïque, like so many other dramatized versions of the story of Don Quixote, relates only indirectly to the great novel by Miguel de Cervantes...
, the Prince in Massenet's Cendrillon
Cendrillon
Cendrillon is an opera—described as a "fairy tale"—in four acts by Jules Massenet to a French libretto by Henri Cain based on Perrault's 1698 version of the Cinderella fairy tale. The scenario was conceived by Massenet and Cain at the Cavendish Hotel while they were in London for the...
, the title role in Georges Bizet
Georges Bizet
Georges Bizet formally Alexandre César Léopold Bizet, was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.During a...
's Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
, and the title role in Giacomo Puccini
Giacomo Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire...
's Tosca
Tosca
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900...
. During this time she also sang in other American cities, notably appearing in the world premiere of Victor Herbert
Victor Herbert
Victor August Herbert was an Irish-born, German-raised American composer, cellist and conductor. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I...
's Natoma in Philadelphia on 25 February 1911 and in the title role Février's Monna Vanna
Monna Vanna (Février)
Monna Vanna is a drame lyrique or opera in four acts by composer Henry Février. The opera's French libretto is by playwright Maurice Maeterlinck and is based on his play of the same name. The opera premiered on 13 January 1909 at the Académie Nationale de Musique in Paris.- Roles :-External links:**...
in its United States premiere in Boston
Boston
Boston is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had...
.
Garden next sang with the Chicago Opera Association
Chicago Opera Association
The Chicago Opera Association was a company that produced seven seasons of grand opera in Chicago’s Auditorium Theater from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick...
from 1915 until 1921 where she sang such roles as the title part in Massenet's Cléopâtre
Cléopâtre
Cléopâtre is an opera in four acts by Jules Massenet to a French libretto by Louis Payen. It was first performed in at the Opéra Monte-Carlo on February 23, 1914, nearly two years after Massenet's death....
and the title part in the world premiere of Henry Février
Henry Février
Henry Février was a French composer.-Biography:Henry Février studied at the Paris Conservatoire where his teachers included Jules Massenet and Gabriel Fauré. He also took private lessons with André Messager...
's Gismonda
Gismonda
Gismonda is Greek melodrama in four acts by Victorien Sardou that premiered in 1894 at Renaissance Theatre. Later it would be adapted into the opera Gismonda by Henry Février.-Plot:Act I starts in 1450 in Athens at the foot of the Acropolis....
(both 1919), and the role of Fiora in Montemezzi's L'amore dei tre re
L'amore dei tre re
L'amore dei tre re is an opera in three acts by Italo Montemezzi. Its Italian-language libretto was written by playwright Sem Benelli who based it on his own play of the same title.-Performance history:...
(1920) among many others. She notably became the director of the Chicago Opera Association in a notorious coup for the organization's final 1921–2 season. Although serving as director for only one year, she is notably responsible for producing the world première of Prokofiev's The Love for Three Oranges. Also during this time she appeared in two silent film
Silent film
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, pantomime and title cards...
s made by Samuel Goldwyn
Samuel Goldwyn
Samuel Goldwyn was an American film producer, and founding contributor executive of several motion picture studios.-Biography:...
, the title role in a film version of Thais
Thais (American film)
Thais was a 1917 silent film by the Goldwyn company. It was based on the 1890 novel Thaïs by Anatole France. This film featured prima donna Mary Garden, who was making her film debut at the then-lavish weekly salary of US$15,000. Other cast members include Lionel Adams, Crauford Kent, and Charles...
(1917) and the role of Dolores Fargis in The Splendid Sinner (1918). During World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
she was decorated by the French and Serbian governments and made a Chevalier of the Légion d'Honneur in 1921.
In 1922 Garden became the director of the newly formed Chicago Civic Opera
Chicago Civic Opera
The Civic Opera Company was a Chicago company that produced seven seasons of grand opera in the Auditorium Theater from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression.-...
where she also performed roles until 1931. Among the many roles she performed with the Chicago Civic Opera are Charlotte in Massenet's Werther
Werther
Werther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe....
(1924), Katyusha in Franco Alfano
Franco Alfano
Franco Alfano was an Italian composer and pianist. Best known today for his opera Risurrezione and above all for having completed Puccini's opera Turandot in 1926. He had considerable success with several of his own works during his lifetime.- Biography :He was born in Posillipo, Naples...
's Risurrezione
Risurrezione
Risurrezione , is an opera or dramma in four acts by Franco Alfano. The libretto was written by Cesare Hanau based on the novel "Resurrection" by Leo Tolstoy...
(1925, in French) and the heroine of Arthur Honegger
Arthur Honegger
Arthur Honegger was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les six. His most frequently performed work is probably the orchestral work Pacific 231, which is interpreted as imitating the sound of a steam locomotive.-Biography:Born...
's Judith (1927), the last two both United States premières. In 1930 she sang in the world premiere of Hamilton Forrest's Camille. That same year she returned to the Opéra-Comique to appear in several operas. In 1931 Garden sang her last role with the Chicago Civic Opera, Carmen, after which the company went bankrupt.
Garden retired from the opera stage in 1934, after making her last appearance as Katyusha in Franco Alfano's Risurrezione at the Opéra-Comique. After retiring, Garden worked as a talent scout for MGM and gave lectures and recitals, mostly on the life and works of Claude Debussy up through 1949. For much of her life she had openly encouraged young singers and even secretly paid for them to receive training. She continued to support young artists after her retirement through master classes, often allowing aspiring artists to attend for free.
She was a National Patron of Delta Omicron
Delta Omicron
Delta Omicron is a co-ed international professional music honors fraternity whose mission is to promote and support excellence in music and musicianship.-History:...
, an international professional music fraternity.
Personal life
As portrayed in both her autobiography and that of Michael Turnbull (see below), Garden was an archetypal divaDiva
A diva is a celebrated female singer. The term is used to describe a woman of outstanding talent in the world of opera, and, by extension, in theatre, cinema and popular music. The meaning of diva is closely related to that of "prima donna"....
who knew exactly how to get her own way. She had a number of feuds with various musical colleagues from which she invariably emerged victorious, eventually ending up in control of the Chicago Opera. A relentless self-publicist, a woman however of genuine beauty, her flamboyant personal life was often the subject of more attention than her public performances, and her affairs with men, real or imagined, were liable to emerge as scandalous rumours in the newspapers.
Her autobiography
Autobiography
An autobiography is a book about the life of a person, written by that person.-Origin of the term:...
, Mary Garden's Story (1951), is marred by inaccuracies. Always prone to embellish and exaggerate, Garden was already succumbing to dementia
Dementia
Dementia is a serious loss of cognitive ability in a previously unimpaired person, beyond what might be expected from normal aging...
when the manuscript was being prepared.
It was in recognition of her personal history that Scottish Opera chose to present in their inaugural 1962 season Pelléas et Mélisande. That year marked the centenary of Debussy’s birth and the diamond jubilee of the opera. Sadly, by the time of the first performance Mary Garden was unable to accept her invitation to attend, being in hospital after a fall, and her health in decline .
Mary Garden died in Inverurie
Inverurie
Inverurie is a Royal Burgh and town in Aberdeenshire, Scotland, approximately north west of Aberdeen on the A96 road and is served by Inverurie railway station on the Aberdeen to Inverness Line...
, close to Aberdeen, where she spent the last 30 years of her life. An award for opera singing at the Aberdeen International Youth Festival is made in her name . There is a small memorial garden dedicated to her in the west-end of Aberdeen, with a small inscriptioned stone and a bench.
Recordings and films
Mary Garden made about 40 gramophone recordGramophone record
A gramophone record, commonly known as a phonograph record , vinyl record , or colloquially, a record, is an analog sound storage medium consisting of a flat disc with an inscribed, modulated spiral groove...
s between 1903 and 1929 for G & T, Columbia
Columbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...
and Victor
Victor Talking Machine Company
The Victor Talking Machine Company was an American corporation, the leading American producer of phonographs and phonograph records and one of the leading phonograph companies in the world at the time. It was headquartered in Camden, New Jersey....
. They continue to be reissued and are of much interest to connoisseurs of historical recordings—although Garden herself was said to have been generally disappointed with the results. Of special interest are the four 1904 Black G&T recordings she made accompanied by Claude Debussy in Paris. There are also a small number of recordings made from radio broadcasts.
She made two silent films, Thais (1917) and a World War I romance entitled The Splendid Sinner (1918). Without her singing voice, her acting was criticized and neither film was a success. In the 1930s, Garden appeared on Cecil B. DeMille's Lux Radio programs. One such airing had Garden and Melvyn Douglas
Melvyn Douglas
Melvyn Edouard Hesselberg , better known as Melvyn Douglas, was an American actor.Coming to prominence in the 1930s as a suave leading man , Douglas later transitioned into more mature and fatherly roles as in his Academy Award-winning performances in Hud...
reading the play Tonight or Never which had recently been made into a motion picture.
Literary references
Garden is cited with other artistic figures of the period in Hugh MacDiarmidHugh MacDiarmid
Hugh MacDiarmid is the pen name of Christopher Murray Grieve , a significant Scottish poet of the 20th century. He was instrumental in creating a Scottish version of modernism and was a leading light in the Scottish Renaissance of the 20th century...
's poem A Drunk Man Looks at the Thistle
A Drunk Man Looks at the Thistle
A Drunk Man Looks at the Thistle is a long poem by Hugh MacDiarmid written in Scots and published in 1926. It is composed as a form of monologue with influences from stream of consciousness genres of writing...
(ll.30-2):
- Whaur's Isadora DuncanIsadora DuncanIsadora Duncan was a dancer, considered by many to be the creator of modern dance. Born in the United States, she lived in Western Europe and the Soviet Union from the age of 22 until her death at age 50. In the United States she was popular only in New York, and only later in her life...
dancin nou, - Is Mary Garden in Chicago still
- And Duncan GrantDuncan GrantDuncan James Corrowr Grant was a British painter and designer of textiles, potterty and theatre sets and costumes...
in Paris - and me fou?