Fatum (Tchaikovsky)
Encyclopedia
Fatum, Op. 77, is a symphonic poem
by Pyotr Ilyich Tchaikovsky
. It was written in 1868 and performed in 1869, but Tchaikovsky later destroyed the score, and it was published only three years after his death, with a posthumous opus number.
, with whom he had fallen in love (or so he thought). They discussed marriage, and planned to meet again in the summer of 1869 in Paris
to develop their plans. She then left for Warsaw
to continue her tour with her opera company.
Tchaikovsky completed the outline of the work by 21 October/2 November, and completed the scoring in December 1868. Its first performance took place on 15/27 February 1869 at the eighth concert by the Russian Musical Society
in Moscow
, conducted by Nikolai Rubinstein. Tchaikovsky had not written it with any known program, but for the premiere performance, the text of verses by Konstantin Batyushkov
about the futility of human life were added as an epigraph to the score, although it is not certain that this was Tchaikovsky's idea, or that he was even familiar with those verses. While the audience were baffled by the discrepancy between the melancholy theme of the Batyushkov verses and the brighter tenor of the music - its majestic introduction, lyrical and dance-like allegro, and cheerful finale - they nevertheless applauded the music warmly. On the evening of the debut, Tchaikovsky wrote to his brother Anatoly, "It seems to be the best thing I have written so far; at least, that is what people are saying (a considerable success)."
Tchaikovsky then sent the score to Mily Balakirev
, and asked him to accept the dedication of the work. Balakirev accepted, and said he would arrange another performance, no matter what he thought of the music. Fatum was performed again in Saint Petersburg
on 17/29 March at the ninth concert of the Russian Musical Society
, conducted by Balakirev. However, the second performance was not the popular success the first performance had been. Balakirev wrote to Tchaikovsky:
Other critics also referred to its artistic unevenness. By now, both Tchaikovsky and Désirée Artôt had had a change of heart about their intended marriage. Neither advised the other of this, but he was nevertheless shocked when he learned through a third party (Nikolai Rubinstein) that she had married another man, the Spanish baritone Mariano Padilla y Ramos
, in September 1869. Tchaikovsky's favourable view of Fatum had also changed - he had come to regard it as a failure. He destroyed the manuscript in the 1870s and it was not performed again or published in his lifetime. He did, however, re-use the lyrical theme from Fatum in the duet for Natalia and Andrei in Act IV of his opera The Oprichnik, but transposed from A-flat major to D-flat major.
In 1896, after Tchaikovsky's death, the score was reconstructed from the original orchestral parts and published by Mitrofan Belyayev
with the posthumous opus number 77.
The piece has a duration of around 14 minutes. It has received a number of recordings.
, 2 flute
s, 2 oboe
s, cor anglais
, 2 clarinet
s in B, 2 bassoon
s, 4 horns, 3 trumpet
s in F, 3 trombone
s, tuba
, timpani
, cymbal
s, triangle
, tam tam, harp
and string
s.
Symphonic poem
A symphonic poem or tone poem is a piece of orchestral music in a single continuous section in which the content of a poem, a story or novel, a painting, a landscape or another source is illustrated or evoked. The term was first applied by Hungarian composer Franz Liszt to his 13 works in this vein...
by Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
. It was written in 1868 and performed in 1869, but Tchaikovsky later destroyed the score, and it was published only three years after his death, with a posthumous opus number.
History
Tchaikovsky started the symphonic poem Fatum between late September and early October 1868. He put the work aside to devote his attention to the touring Belgian soprano Désirée ArtôtDésirée Artôt
Désirée Artôt was a Belgian soprano , who was famed in German and Italian opera and sang mainly in Germany...
, with whom he had fallen in love (or so he thought). They discussed marriage, and planned to meet again in the summer of 1869 in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
to develop their plans. She then left for Warsaw
Warsaw
Warsaw is the capital and largest city of Poland. It is located on the Vistula River, roughly from the Baltic Sea and from the Carpathian Mountains. Its population in 2010 was estimated at 1,716,855 residents with a greater metropolitan area of 2,631,902 residents, making Warsaw the 10th most...
to continue her tour with her opera company.
Tchaikovsky completed the outline of the work by 21 October/2 November, and completed the scoring in December 1868. Its first performance took place on 15/27 February 1869 at the eighth concert by the Russian Musical Society
Russian Musical Society
The Russian Musical Society was an organisation founded in 1859 by the Grand Duchess Elena Pavlovna and her protégé, pianist and composer Anton Rubinstein, with the intent of raising the standard of music in the country and disseminating musical education.Rubinstein and the Grand Duchess's...
in Moscow
Moscow
Moscow is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, scientific, religious, financial, educational, and transportation centre of Russia and the continent...
, conducted by Nikolai Rubinstein. Tchaikovsky had not written it with any known program, but for the premiere performance, the text of verses by Konstantin Batyushkov
Konstantin Batyushkov
Konstantin Nikolayevich Batyushkov was a Russian poet, essayist and translator of the Romantic era.-Biography:The early years of Konstantin Batyushkov's life are difficult to reconstruct...
about the futility of human life were added as an epigraph to the score, although it is not certain that this was Tchaikovsky's idea, or that he was even familiar with those verses. While the audience were baffled by the discrepancy between the melancholy theme of the Batyushkov verses and the brighter tenor of the music - its majestic introduction, lyrical and dance-like allegro, and cheerful finale - they nevertheless applauded the music warmly. On the evening of the debut, Tchaikovsky wrote to his brother Anatoly, "It seems to be the best thing I have written so far; at least, that is what people are saying (a considerable success)."
Tchaikovsky then sent the score to Mily Balakirev
Mily Balakirev
Mily Alexeyevich Balakirev ,Russia was still using old style dates in the 19th century, and information sources used in the article sometimes report dates as old style rather than new style. Dates in the article are taken verbatim from the source and therefore are in the same style as the source...
, and asked him to accept the dedication of the work. Balakirev accepted, and said he would arrange another performance, no matter what he thought of the music. Fatum was performed again in Saint Petersburg
Saint Petersburg
Saint Petersburg is a city and a federal subject of Russia located on the Neva River at the head of the Gulf of Finland on the Baltic Sea...
on 17/29 March at the ninth concert of the Russian Musical Society
Russian Musical Society
The Russian Musical Society was an organisation founded in 1859 by the Grand Duchess Elena Pavlovna and her protégé, pianist and composer Anton Rubinstein, with the intent of raising the standard of music in the country and disseminating musical education.Rubinstein and the Grand Duchess's...
, conducted by Balakirev. However, the second performance was not the popular success the first performance had been. Balakirev wrote to Tchaikovsky:
Your Fatum has been performed [in St. Petersburg] reasonably well ... There wasn't much applause, probably because of the appalling cacophony at the end of the piece, which I don't like at all. It is not properly gestated, and seems to have been written in a very slapdash manner. The seams show, as does all your clumsy stitching. Above all, the form itself just does not work. The whole thing is completely uncoordinated.... I am writing to you with complete frankness, being fully convinced that you won't go back on your intention of dedicating Fatum to me. Your dedication is precious to me as a sign of your sympathy towards me—and I feel a great weakness for you.
M. Balakirev—who sincerely loves you.
Other critics also referred to its artistic unevenness. By now, both Tchaikovsky and Désirée Artôt had had a change of heart about their intended marriage. Neither advised the other of this, but he was nevertheless shocked when he learned through a third party (Nikolai Rubinstein) that she had married another man, the Spanish baritone Mariano Padilla y Ramos
Mariano Padilla y Ramos
Mariano Padilla y Ramos was a Spanish operatic baritone who excelled in the title role of Mozart's Don Giovanni.- Life :...
, in September 1869. Tchaikovsky's favourable view of Fatum had also changed - he had come to regard it as a failure. He destroyed the manuscript in the 1870s and it was not performed again or published in his lifetime. He did, however, re-use the lyrical theme from Fatum in the duet for Natalia and Andrei in Act IV of his opera The Oprichnik, but transposed from A-flat major to D-flat major.
In 1896, after Tchaikovsky's death, the score was reconstructed from the original orchestral parts and published by Mitrofan Belyayev
Mitrofan Belyayev
Mitrofan Petrovich Belyayev was a Russian music publisher, outstanding philanthropist, and the owner of a large wood dealership enterprise in Russia. He was also the founder of the Belyayev circle, a society of musicians in Russia whose members included Nikolai Rimsky-Korsakov, Alexander Glazunov...
with the posthumous opus number 77.
The piece has a duration of around 14 minutes. It has received a number of recordings.
Instrumentation
The music is scored for piccoloPiccolo
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The piccolo has the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written...
, 2 flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...
s, 2 oboe
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
s, cor anglais
Cor anglais
The cor anglais , or English horn , is a double-reed woodwind instrument in the oboe family....
, 2 clarinet
Clarinet
The clarinet is a musical instrument of woodwind type. The name derives from adding the suffix -et to the Italian word clarino , as the first clarinets had a strident tone similar to that of a trumpet. The instrument has an approximately cylindrical bore, and uses a single reed...
s in B, 2 bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
s, 4 horns, 3 trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
s in F, 3 trombone
Trombone
The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the player’s vibrating lips cause the air column inside the instrument to vibrate...
s, tuba
Tuba
The tuba is the largest and lowest-pitched brass instrument. Sound is produced by vibrating or "buzzing" the lips into a large cupped mouthpiece. It is one of the most recent additions to the modern symphony orchestra, first appearing in the mid-19th century, when it largely replaced the...
, timpani
Timpani
Timpani, or kettledrums, are musical instruments in the percussion family. A type of drum, they consist of a skin called a head stretched over a large bowl traditionally made of copper. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet...
, cymbal
Cymbal
Cymbals are a common percussion instrument. Cymbals consist of thin, normally round plates of various alloys; see cymbal making for a discussion of their manufacture. The greater majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a...
s, triangle
Triangle (instrument)
The triangle is an idiophone type of musical instrument in the percussion family. It is a bar of metal, usually steel but sometimes other metals like beryllium copper, bent into a triangle shape. The instrument is usually held by a loop of some form of thread or wire at the top curve...
, tam tam, harp
Harp
The harp is a multi-stringed instrument which has the plane of its strings positioned perpendicularly to the soundboard. Organologically, it is in the general category of chordophones and has its own sub category . All harps have a neck, resonator and strings...
and string
String section
The string section is the largest body of the standard orchestra and consists of bowed string instruments of the violin family.It normally comprises five sections: the first violins, the second violins, the violas, the cellos, and the double basses...
s.