Filk music
Encyclopedia
Filk is a musical culture, genre, and community tied to science fiction/fantasy fandom
and a type of fan labor
. The genre has been active since the early 1950s, and played primarily since the mid-1970s. The term (originally a typographical error
) predates 1955.
, usually with a science fiction
or fantasy
theme, but this definition is not exact. Filkers have been known to write filk songs about a variety of topics, including but not limited to tangentially-related topics such as computers and cats. In addition, while the majority of filk songs are in the folk style, other styles such as blues
, calypso
, and even rock
periodically appear.
Dr. Sally Childs-Helton
.
Whichever definition one chooses, filk is a form of music
created from within science fiction and fantasy fandom
, often performed late at night at science fiction conventions, though there are now dedicated filk conventions in Canada, England, Germany, and the USA. Whichever definition one chooses, the boundaries of filking are muddy. For example, filking overlaps with the singing and music performed by participants in the Society for Creative Anachronism
or at LARPs.
vocal groups, or other styles. The hobbyist and itinerant nature of filk events (especially filk circles) gives some advantages to acoustic-vocal soloists and small groups, who need only carry a lightweight instrument or two and whose rehearsals do not need to balance scheduling logistics against regular work and other obligations. One of the few rock-style groups in filk has been Ookla the Mok
, whose studio recordings use techniques common in modern rock. Some styles of filk rely heavily on sampling the original source material and integrating it in to electronica and hip-hop music such as 76's "Objects in Space" which is an homage to the popular TV show Firefly
and DJ Qbert's Wave Twisters
.
The range of topics in filk songs stems from its cultural roots in fandom. Many songs honor specific works in science fiction, fantasy, or speculative fiction. Other songs are about science, fantasy, computers, technology in general, or values related to technological change. Yet others are about the culture of fandom, including filk itself (both as a phenomenon within fandom, and as a sub-culture). Many filk songs (such as Leslie Fish
's "Carmen Miranda
's Ghost Is Haunting Space Station 3") are humorous while others treat their subjects seriously (like Steve Macdonald's "Journey's Done").
However, some common themes do not fall neatly into filk's science fiction origins. Such topics include songs about cats, popular culture, and politics. These are perhaps best explained as an outgrowth of filk as a folk culture, open in some respects to expansion by individual artists.
A significant number of filk songs are parodies
. Some are parodies of songs from popular culture, others are parodies of existing filk songs. Although parody is not the primary focus of the filk music culture, the number of parody songs found in filk is higher than in other musical cultures. Another subtype of filk songs is the "ose" song, one on themes of death and gloom. The term derives from the word "morose", as in "ose, morose, even-more-ose.". A further variant is "cheeri-ose", ose songs to cheery tunes, or treating the same subject lightheartedly. Cf. Tom Lehrer
, "The Irish Ballad".
, there had been late-night singing sessions in hotel rooms. Part of this practice may have been rooted in an older folk culture of fans. Some of the oldest filks coming out of fandom were protest songs with original words and music written by a group of New York fans called The Futurians
, and were written by Fred Pohl and Cyril Kornbluth (see Damon Knight
's book of the same name, which contains the words and music to several of them). With the break up of the city clubs common during the depression, filking moved to science fiction conventions, often in the form of late-night singing sessions in hotel rooms, lobbies, service passages, or wherever else the filkers could find enough room to play/sing music uninterrupted.
In the early 1950s, the term filk music started as a misspelling of folk music in an essay by Lee Jacobs, "The Influence of Science Fiction on Modern American Filk Music". Wrai Ballard, then editor of the Spectator Amateur Press Society
refused to publish it for fear that the article's bawdy content could get them into trouble with the Post Office
under the Comstock Laws, but found the typo itself amusing, and mentioned it repeatedly; thus, Jacobs' typo became the self-identified term for the genre/subculture while it was still an informal, unrecognized activity at conventions. Its first documented deliberate use was by Karen Kruse Anderson
in Die Zeitschrift für vollständigen Unsinn (The Journal for Utter Nonsense) #774 (June 1953), for a song written by her husband Poul Anderson
.
The 1950s also saw the first formal publication of filksongs, generally as lyric sheets, but occasionally complete with (often original) music. While many of those original songs faded into obscurity, some continued to be popular for decades. By the late 1970s, periodicals such as Kantele and Philk Fee-Nom-Ee-Non offered a ready outlet for filk writers.
At the 1974 World Science Fiction Convention author Bob Asprin
announced publicly the creation of a group of volunteers he dubbed the Dorsai Irregulars, and a singing session ensued later that night. In the 1970s and 1980s, filking slowly became established as an acknowledged activity at science fiction conventions. Some convention organizers allotted hotel function space late at night for filkers, or filking occurred in hallways, bars or any other place that the filkers could find. Some convention organizers in the 1980s began inviting guests specifically for their filking. Some specialized conventions focused entirely on filk, beginning with FilkCon in Chicago
in 1979, organized by Margaret Middleton and Curt Clemmer, later joined by BayFilk in Northern California; the Ohio Valley Filk Fest
(OVFF) in Columbus, Ohio; ConChord in Los Angeles
, California; Musicon in Nashville, Tennessee
; FilKONtario
near Toronto
, Ontario
; a rotating British filkcon; the German FilkCONtinental; and others.
These efforts grew to raising funds for traveling filkers. The first was a British Filk Fund and then, in the early 1990s, several active organizers in North America created Interfilk, which is now the most active traveling filker fund. Beginning with British filker Mike Whitaker in 1992, 40 filkers were the beneficiaries of Interfilk subsidies in its first decade. OVFF began presenting the Pegasus Award annually for excellence in filk in 1984, and FilkOntario started the Filk Hall of Fame in 1995, honoring contributions to the community as well as to the music.
After years of amateur tape recordings made at filksings, a trickle of studio-produced albums and tapes began to arrive in the 1970s. These included Folk Songs for Folk Who Ain't Been Yet (featuring Leslie Fish and friends) and Children of the Future by Karen Willson.
Off Centaur Publications
was one of the first formal attempts to regularly produce and promote filk albums, followed by many others since. As the costs of amateur album production dropped in the 1990s, more filkers created albums and, more recently, audio files available for downloading online.
E-mail and the internet have also fostered the networking of self-identified filkers. In the late 1980s, California filker Kay Shapero created the filk group on the Fidonet
hobbyist network of electronic bulletin boards. The later creation of other electronic forums — the Usenet group rec.music.filk, a British Isles e-mail list and the German language list, an IRC channel devoted to filking, and a growing cluster of filkers blogging on LiveJournal
(including a LiveJournal community), to pick a few examples — have mirrored the growing connections among other self-identified social networks (or subcultures). The availability of several hundred albums labeled filk, the proliferation of specialty filk conventions, and the continued growth of electronic means for community connections have led to an intensification of community building. A few years into the 21st century, filking as an identifiable community exists on at least three continents.
On the album Precious Friend, Pete Seeger
and Arlo Guthrie
perform "Old Time Religion", in a filk version. Most of the verses of this version were by Gordon Dickson; when Seeger finally discovered this, after the album was issued, he sent royalties on to Dickson.
and Bardic Circles found at SCA
events and other fannish
events, filk circles can be formed in any location where filkers gather.
Filk circles are different from concert-style musical performances. Although filk music can also be performed in front of an audience, and there are concerts scheduled at filk conventions and science fiction conventions worldwide, filk circles are a more common occurrence. The purpose of a filk circle is for musicians to share songs with other musicians, so performing and listening are given equal emphasis. In a filk circle, there is no stage, there is no audience. Those who participate in a filk circle may choose to perform, to listen, or both, as the mood strikes them. Performers may know only one song, or they may have an extensive library of songs from which to choose. Participants are usually encouraged to join in and sing along or play along on their instruments.
Filk circles can be formalized parts of larger events, such as being assigned a specific time and location on the schedule of a science fiction convention, or they can be completely informal and spontaneous, forming organically in hotel hallways and lobbies. Filk-specific conventions will usually have multiple filk circles happening simultaneously in different rooms, with some circles focused on a single style or topic. Local parties called housefilks are day-long events organized around a single filk circle held in the host's home.
A formally organized filk circle can have the chairs set up ahead of time, with the organizers estimating the number of participants and adjusting the size of the circle as best they can. A circle that is too large for the number of participants tends to feel uncomfortably empty, but a circle that is too small will need to be enlarged as the number of participants grows. The disruption that results from attempting to enlarge a filk circle in progress can break up the flow of the songs and change the mood, so enlarging the circle is often avoided in favor of adding extra layers (concentric circles) outside the inner circle (space permitting).
A wide range of instruments can be found in a filk circle, although the most common is the acoustic guitar
. Acoustic instruments are more common than electric instruments, although portable keyboards
and even theremin
s are not unheard of. Small, easily portable instruments are more common than large ones, although larger items such as small drum kit
s and upright basses
can be found at some filk circles. A large filk circle might play host to an array of folk and Celtic instruments such as fiddle
s, mandolin
s, dulcimers
, banjo
s, flute
s, recorder
s, bodhráns
, bongos
and darbukas
.
. Songs can be original songs, covers
, parodies
, instrumental
s, or even spoken-word pieces such as poetry and stories.
An active and well-attended filk circle, at its peak, will usually be a somewhat continuous stream of songs, with only a small amount of conversation between songs. Filk circles that are just getting started or winding down may have more talking and socializing than music.
The advantage of the bardic circle is that it has a clear structure which enforces politeness. It ensures everyone in the circle gets their turn, so that even shy people can have a chance to request or perform. There are disadvantages, however. A bardic circle with large numbers of participants will take a long time to traverse the entire circle, making people wait too long for their turn. There is less spontaneity in a bardic circle than a chaos circle, and the chance of being able to play a good "follower" song is reduced.
The chaos circle's advantage is its spontaneity and energy. "Runs" of songs will frequently get started, with each new song intended to make some sort of connection to or commentary on the prior song's topic. The disadvantage is that it takes concentration and effort be polite and respectful in a chaos circle: It's easy to accidentally interrupt another performer who's trying to start up a song of their own, especially in a very large circle where one might not be able to easily hear the other performer on the opposite side of the room. Chaos circles thus have a reputation of favoring bold, loud performers who can command attention.
The advantage of a token bardic is that there's still a chance for spontaneity and followers, yet it's easy to be polite to other performers because you can easily see when another performer wants a turn. The disadvantage is that, like bardic, in a large circle it may take a long time for you to get another turn after you've used up your existing turns.
There are variations of these styles, some of the variants involving a person acting as a moderator. A given circle can change its style mid-stream, if the participants agree. It's common to see the participants of a bardic circle "go chaos" or vice versa, for example.
Although singing along and playing along with instruments (including improvisation) is usually encouraged, filk circles are not like jam session
s. Jam sessions are usually focused on extended instrumental improvisation with everyone performing simultaneously, whereas filk circles tend to be more focused on a single performer or group singing an individual song during their turn. Singing along and playing along are expected to be done politely, contributing to the song rather than overshadowing the song's performer. The exception to this rule is when a jam session is specifically scheduled at a filk convention.
Disruptions and distractions are discouraged during a song. This includes walking through the circle, general noise, and conversations. If between-song conversations and noise get out of hand, it's common to hear someone shout, "filker up!" as a signal to end the conversations so that the next person can have their turn.
At a deep level, the folk culture of filk validates creative arts in the midst of an explicitly technological culture. When accepting induction into the Filk Hall of Fame in 2003, ethnomusicologist Sally Childs-Helton said, We have taken our right to be creative and to literally "play" in the best sense of that word. Filk combines folk roots, live music circles, and dominant acoustical instrumentation, on the one hand, with high-tech cultural maintenance, on the other hand—a dense network of filkers' web pages, recordings, sound reinforcement at filk conventions, e-mail lists, and so on. The eclectic content of filk frequently contains that assertion of human creativity, especially in connection with technology. (See for example Leslie Fish's Hope Eyrie.) While there are significant numbers of memorial songs (e.g., Launius, 2004), pessimistic songs blame carelessness, incompetence, and corruption, only rarely considering the frailties of a society built on technology or hopes for the future. Because these themes cross international boundaries in filk, they are not explainable as a purely American optimism vis-a-vis technology (in contrast to Nye, 1996).
Within the community, the folk culture of filk acknowledges the legitimacy of music created by artists with a broad range of skills. Those who actively identify themselves as filkers include professional musicians, musical novices, and all ranges in between. The repeat appearances of professional musicians at filk-specific conventions suggests a certain amount of respect given high levels of musical skill within filking, even while the culture is open to less experienced musicians. Whether the occasion is a housefilk in someone's home or a convention (festival) over a weekend, filk culture encourages respectful listening regardless of the performers' skill level and manifest opportunities for participation from single songs in a musical circle to scheduled concerts.
That openness to participation is a marked norm in filking (e.g., Jenkins, 1992) and makes it relatively unique in a larger society that glorifies competition and super-stardom in performance arts. Mentorship within the filk community includes formal workshops at conventions as well as the informal swapping of advice in various forums.
Occasional discussions over the boundaries of filk indicates the extent to which participants in filking are both aware of and keenly interested in the definition of filk as a community. Newsgroup debates over such topics as whether 'Weird Al' Yankovic is a filker suggest the deep feelings involved. In practice, most formal recognition of filkers in various awards are to those who regularly attend self-identified filk events, not to professional artists whose work may be considered found filk.
The Pegasus Awards were founded to recognize and honor excellence in filking. These awards are given annually at the Ohio Valley Filk Fest (or OVFF). Anyone with an interest in filk can nominate songs or individuals for the awards, and anyone can vote. It is not necessary to be a member of the convention to be involved in the nomination and voting process.
Currently awards are given in six categories: Best Song, Best Performer, Best Writer/Composer, Best Classic Song and two topical categories that vary from year to year. Some examples of past categories include: Best Love Song, Best Literature Song, Best Techie Song, Best Sing Along, etc.
The OVFF convention committee solicits nominations for Finalists for the Pegasus Awards (the Nominating Ballot) during the late spring and summer. There is an opinion poll that runs during the year as well to help interested folk brainstorm ideas for the Nominating Ballot. The Finalist Ballot is distributed in the early fall, and must be returned by the opening night of OVFF. Voting can be done online—either to nominate Finalists, or to vote for the Finalists themselves. The final round of voting happens at OVFF itself, where handwritten ballots are collected after the annual Pegasus concert. The entire process is administered by the OVFF convention committee.
Science fiction fandom
Science fiction fandom or SF fandom is a community or "fandom" of people actively interested in science fiction and fantasy and in contact with one another based upon that interest...
and a type of fan labor
Fan labor
Fan labor is a term used to refer to the productive creative activities engaged in by fans, primarily those of various media properties or musical groups...
. The genre has been active since the early 1950s, and played primarily since the mid-1970s. The term (originally a typographical error
Typographical error
A typographical error is a mistake made in, originally, the manual type-setting of printed material, or more recently, the typing process. The term includes errors due to mechanical failure or slips of the hand or finger, but usually excludes errors of ignorance, such as spelling errors...
) predates 1955.
Definitions
As the Interfilk What Is Filk page demonstrates, there is no consensus definition of filk. Attempts have been made to define filk based on various criteria.Style and content
Filk has been defined as folk musicFolk music
Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers....
, usually with a science fiction
Science fiction
Science fiction is a genre of fiction dealing with imaginary but more or less plausible content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities...
or fantasy
Fantasy
Fantasy is a genre of fiction that commonly uses magic and other supernatural phenomena as a primary element of plot, theme, or setting. Many works within the genre take place in imaginary worlds where magic is common...
theme, but this definition is not exact. Filkers have been known to write filk songs about a variety of topics, including but not limited to tangentially-related topics such as computers and cats. In addition, while the majority of filk songs are in the folk style, other styles such as blues
Blues
Blues is the name given to both a musical form and a music genre that originated in African-American communities of primarily the "Deep South" of the United States at the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads...
, calypso
Calypso music
Calypso is a style of Afro-Caribbean music that originated in Trinidad and Tobago from African and European roots. The roots of the genre lay in the arrival of enslaved Africans, who, not being allowed to speak with each other, communicated through song...
, and even rock
Rock music
Rock music is a genre of popular music that developed during and after the 1960s, particularly in the United Kingdom and the United States. It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by rhythm and blues and country music...
periodically appear.
Performer
Filk has been defined as what is sung or performed by the network of people who originally gathered to sing at science fiction/fantasy conventions. This definition might be summarized as, "I can't define it, but I can point at it."Sociology
Yet another definition focuses on filking as a community of those interested in filk music and who form part of the social network self-identified with filking. As described later in this article, the origins of filk in science fiction conventions and its current organization emphasizes the social-network aspect of filking. The social aspect of filk as contrasted with the "performer vs. audience" dichotomy of much of modern music was described in a speech by ethnomusicologistEthnomusicology
Ethnomusicology is defined as "the study of social and cultural aspects of music and dance in local and global contexts."Coined by the musician Jaap Kunst from the Greek words ἔθνος ethnos and μουσική mousike , it is often considered the anthropology or ethnography of music...
Dr. Sally Childs-Helton
Barry and Sally Childs-Helton
Barry and Sally Childs-Helton are filk writers and singers. They are also highly educated though their song Alphabet Soup shows their feelings on the value of their doctorate and PhD degrees. They are based in Indiana...
.
Whichever definition one chooses, filk is a form of music
Music
Music is an art form whose medium is sound and silence. Its common elements are pitch , rhythm , dynamics, and the sonic qualities of timbre and texture...
created from within science fiction and fantasy fandom
Science fiction fandom
Science fiction fandom or SF fandom is a community or "fandom" of people actively interested in science fiction and fantasy and in contact with one another based upon that interest...
, often performed late at night at science fiction conventions, though there are now dedicated filk conventions in Canada, England, Germany, and the USA. Whichever definition one chooses, the boundaries of filking are muddy. For example, filking overlaps with the singing and music performed by participants in the Society for Creative Anachronism
Society for Creative Anachronism
The Society for Creative Anachronism is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century...
or at LARPs.
Verb
The word "filk" has also evolved as a verb, with two common meanings:- To participate in a filk song circle, as in, "we were filking last night until three in the morning."
- To write a filk music parodyParody musicParody music, or musical parody, involves changing or recycling existing musical ideas or lyrics — or copying the peculiar style of a composer or artist, or even a general style of music. Although the result is often funny, and this is the usual intent — the term "parody" in musical terms also...
of an existing song, as in, "I filked 'Hope Eyrie'." It's important to note that "filk", when used in this way, does not imply that all song parodies are considered filk music, nor does it imply that all filk songs are parodies. Besides, setting satirical or parody lyrics to established tunes is not exclusively the province of SF/fantasy fandom. Parody musicParody musicParody music, or musical parody, involves changing or recycling existing musical ideas or lyrics — or copying the peculiar style of a composer or artist, or even a general style of music. Although the result is often funny, and this is the usual intent — the term "parody" in musical terms also...
such as that found in MAD Magazine or performed by Weird Al Yankovic has its own long-established traditions and history.
Styles and subjects
In keeping with the folk-culture roots of filk, the musical styles and topics of filk music are eclectic. While a plurality of filk is rooted firmly in acoustic-instrument folk music, other pieces and artists draw inspiration from rock, a cappellaA cappella
A cappella music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It is the opposite of cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato...
vocal groups, or other styles. The hobbyist and itinerant nature of filk events (especially filk circles) gives some advantages to acoustic-vocal soloists and small groups, who need only carry a lightweight instrument or two and whose rehearsals do not need to balance scheduling logistics against regular work and other obligations. One of the few rock-style groups in filk has been Ookla the Mok
Ookla the Mok (band)
Ookla the Mok is the name of a filk band fronted by Rand Bellavia and Adam English. The band is named after a character from the Ruby-Spears Productions cartoon Thundarr the Barbarian, created by Steve Gerber. They utilise an irreverent mix of pop culture and rock music, notably in their album...
, whose studio recordings use techniques common in modern rock. Some styles of filk rely heavily on sampling the original source material and integrating it in to electronica and hip-hop music such as 76's "Objects in Space" which is an homage to the popular TV show Firefly
Firefly (TV series)
Firefly is an American space western television series created by writer and director Joss Whedon, under his Mutant Enemy Productions label. Whedon served as executive producer, along with Tim Minear....
and DJ Qbert's Wave Twisters
Wave Twisters
Wave Twisters is a completely animated film, also known as the first turntablism-based musical. It is based on DJ Q-Bert's album of the same name....
.
The range of topics in filk songs stems from its cultural roots in fandom. Many songs honor specific works in science fiction, fantasy, or speculative fiction. Other songs are about science, fantasy, computers, technology in general, or values related to technological change. Yet others are about the culture of fandom, including filk itself (both as a phenomenon within fandom, and as a sub-culture). Many filk songs (such as Leslie Fish
Leslie Fish
Leslie Fish is a filk musician, author, and anarchist political activist.-Music:Along with The DeHorn Crew, in 1976 she created the first commercial filk recording, Folk Songs for Folk Who Ain't Even Been Yet...
's "Carmen Miranda
Carmen Miranda
Carmen Miranda, GCIH was a Portuguese-born Brazilian samba singer, Broadway actress and Hollywood film star popular in the 1940s and 1950s. She was, by some accounts, the highest-earning woman in the United States and noted for her signature fruit hat outfit she wore in the 1943 movie The Gang's...
's Ghost Is Haunting Space Station 3") are humorous while others treat their subjects seriously (like Steve Macdonald's "Journey's Done").
However, some common themes do not fall neatly into filk's science fiction origins. Such topics include songs about cats, popular culture, and politics. These are perhaps best explained as an outgrowth of filk as a folk culture, open in some respects to expansion by individual artists.
A significant number of filk songs are parodies
Parody music
Parody music, or musical parody, involves changing or recycling existing musical ideas or lyrics — or copying the peculiar style of a composer or artist, or even a general style of music. Although the result is often funny, and this is the usual intent — the term "parody" in musical terms also...
. Some are parodies of songs from popular culture, others are parodies of existing filk songs. Although parody is not the primary focus of the filk music culture, the number of parody songs found in filk is higher than in other musical cultures. Another subtype of filk songs is the "ose" song, one on themes of death and gloom. The term derives from the word "morose", as in "ose, morose, even-more-ose.". A further variant is "cheeri-ose", ose songs to cheery tunes, or treating the same subject lightheartedly. Cf. Tom Lehrer
Tom Lehrer
Thomas Andrew "Tom" Lehrer is an American singer-songwriter, satirist, pianist, mathematician and polymath. He has lectured on mathematics and musical theater...
, "The Irish Ballad".
History
For the first few decades of the occasional science fiction conventionScience fiction convention
Science fiction conventions are gatherings of fans of various forms of speculative fiction including science fiction and fantasy. Historically, science fiction conventions had focused primarily on literature, but the purview of many extends to such other avenues of expression as movies and...
, there had been late-night singing sessions in hotel rooms. Part of this practice may have been rooted in an older folk culture of fans. Some of the oldest filks coming out of fandom were protest songs with original words and music written by a group of New York fans called The Futurians
Futurians
The Futurians were a group of science fiction fans, many of whom became editors and writers as well. The Futurians were based in New York City and were a major force in the development of science fiction writing and science fiction fandom in the years 1937-1945.-Origins of the group:As described...
, and were written by Fred Pohl and Cyril Kornbluth (see Damon Knight
Damon Knight
Damon Francis Knight was an American science fiction author, editor, critic and fan. His forte was short stories and he is widely acknowledged as having been a master of the genre.-Biography:...
's book of the same name, which contains the words and music to several of them). With the break up of the city clubs common during the depression, filking moved to science fiction conventions, often in the form of late-night singing sessions in hotel rooms, lobbies, service passages, or wherever else the filkers could find enough room to play/sing music uninterrupted.
In the early 1950s, the term filk music started as a misspelling of folk music in an essay by Lee Jacobs, "The Influence of Science Fiction on Modern American Filk Music". Wrai Ballard, then editor of the Spectator Amateur Press Society
Amateur press association
An amateur press association is a group of people who produce individual pages or magazines that are sent to a Central Mailer for collation and distribution to all members of the group.-Organisation:...
refused to publish it for fear that the article's bawdy content could get them into trouble with the Post Office
United States Postal Inspection Service
The United States Postal Inspection Service is the law enforcement arm of the United States Postal Service. Its jurisdiction is defined as "crimes that may adversely affect or fraudulently use the U.S...
under the Comstock Laws, but found the typo itself amusing, and mentioned it repeatedly; thus, Jacobs' typo became the self-identified term for the genre/subculture while it was still an informal, unrecognized activity at conventions. Its first documented deliberate use was by Karen Kruse Anderson
Karen Kruse Anderson
Karen Kruse Anderson is the widow and sometime co-author of Poul Anderson, and mother-in-law of writer Greg Bear.She is noted as the first person to use the term filk music in print. She also wrote the first published science fiction haiku , "Six Haiku"...
in Die Zeitschrift für vollständigen Unsinn (The Journal for Utter Nonsense) #774 (June 1953), for a song written by her husband Poul Anderson
Poul Anderson
Poul William Anderson was an American science fiction author who began his career during one of the Golden Ages of the genre and continued to write and remain popular into the 21st century. Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories...
.
The 1950s also saw the first formal publication of filksongs, generally as lyric sheets, but occasionally complete with (often original) music. While many of those original songs faded into obscurity, some continued to be popular for decades. By the late 1970s, periodicals such as Kantele and Philk Fee-Nom-Ee-Non offered a ready outlet for filk writers.
At the 1974 World Science Fiction Convention author Bob Asprin
Robert Asprin
Robert Lynn Asprin was an American science fiction and fantasy author and active fan, best known for his humorous MythAdventures and Phule's Company series.- Background :...
announced publicly the creation of a group of volunteers he dubbed the Dorsai Irregulars, and a singing session ensued later that night. In the 1970s and 1980s, filking slowly became established as an acknowledged activity at science fiction conventions. Some convention organizers allotted hotel function space late at night for filkers, or filking occurred in hallways, bars or any other place that the filkers could find. Some convention organizers in the 1980s began inviting guests specifically for their filking. Some specialized conventions focused entirely on filk, beginning with FilkCon in Chicago
Chicago
Chicago is the largest city in the US state of Illinois. With nearly 2.7 million residents, it is the most populous city in the Midwestern United States and the third most populous in the US, after New York City and Los Angeles...
in 1979, organized by Margaret Middleton and Curt Clemmer, later joined by BayFilk in Northern California; the Ohio Valley Filk Fest
Ohio Valley Filk Fest
The Ohio Valley Filk Fest, or O.V.F.F. is one of the largest filk music conventions . It is held annually in October in the Columbus, Ohio area...
(OVFF) in Columbus, Ohio; ConChord in Los Angeles
Los Ángeles
Los Ángeles is the capital of the province of Biobío, in the commune of the same name, in Region VIII , in the center-south of Chile. It is located between the Laja and Biobío rivers. The population is 123,445 inhabitants...
, California; Musicon in Nashville, Tennessee
Nashville, Tennessee
Nashville is the capital of the U.S. state of Tennessee and the county seat of Davidson County. It is located on the Cumberland River in Davidson County, in the north-central part of the state. The city is a center for the health care, publishing, banking and transportation industries, and is home...
; FilKONtario
FilKONtario
FilKONtario is a fan-run convention in the Mississauga, Ontario area dedicated to filk, the music of science fiction and fantasy fandom. Established in 1991, it is the only filk convention in Canada. In its fifth year , the convention initiated the , which continues to recognize those who have...
near Toronto
Toronto
Toronto is the provincial capital of Ontario and the largest city in Canada. It is located in Southern Ontario on the northwestern shore of Lake Ontario. A relatively modern city, Toronto's history dates back to the late-18th century, when its land was first purchased by the British monarchy from...
, Ontario
Ontario
Ontario is a province of Canada, located in east-central Canada. It is Canada's most populous province and second largest in total area. It is home to the nation's most populous city, Toronto, and the nation's capital, Ottawa....
; a rotating British filkcon; the German FilkCONtinental; and others.
These efforts grew to raising funds for traveling filkers. The first was a British Filk Fund and then, in the early 1990s, several active organizers in North America created Interfilk, which is now the most active traveling filker fund. Beginning with British filker Mike Whitaker in 1992, 40 filkers were the beneficiaries of Interfilk subsidies in its first decade. OVFF began presenting the Pegasus Award annually for excellence in filk in 1984, and FilkOntario started the Filk Hall of Fame in 1995, honoring contributions to the community as well as to the music.
After years of amateur tape recordings made at filksings, a trickle of studio-produced albums and tapes began to arrive in the 1970s. These included Folk Songs for Folk Who Ain't Been Yet (featuring Leslie Fish and friends) and Children of the Future by Karen Willson.
Off Centaur Publications
Off Centaur Publications
Off Centaur Publications was the first "commercial" filk label. It was founded in 1980 by Teri Lee, Jordin Kare, and Catherine Cook. For a short time, Off Centaur produced high quality recordings of some of filk's best performers, and changed the course of filk music.Like many other filk labels...
was one of the first formal attempts to regularly produce and promote filk albums, followed by many others since. As the costs of amateur album production dropped in the 1990s, more filkers created albums and, more recently, audio files available for downloading online.
E-mail and the internet have also fostered the networking of self-identified filkers. In the late 1980s, California filker Kay Shapero created the filk group on the Fidonet
FidoNet
FidoNet is a worldwide computer network that is used for communication between bulletin board systems. It was most popular in the early to mid 1990s, prior to the introduction of easy and affordable access to the Internet...
hobbyist network of electronic bulletin boards. The later creation of other electronic forums — the Usenet group rec.music.filk, a British Isles e-mail list and the German language list, an IRC channel devoted to filking, and a growing cluster of filkers blogging on LiveJournal
LiveJournal
LiveJournal is a virtual community where Internet users can keep a blog, journal or diary. LiveJournal is also the name of the free and open source server software that was designed to run the LiveJournal virtual community....
(including a LiveJournal community), to pick a few examples — have mirrored the growing connections among other self-identified social networks (or subcultures). The availability of several hundred albums labeled filk, the proliferation of specialty filk conventions, and the continued growth of electronic means for community connections have led to an intensification of community building. A few years into the 21st century, filking as an identifiable community exists on at least three continents.
On the album Precious Friend, Pete Seeger
Pete Seeger
Peter "Pete" Seeger is an American folk singer and was an iconic figure in the mid-twentieth century American folk music revival. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of The Weavers, most notably their recording of Lead...
and Arlo Guthrie
Arlo Guthrie
Arlo Davy Guthrie is an American folk singer. Like his father, Woody Guthrie, Arlo often sings songs of protest against social injustice...
perform "Old Time Religion", in a filk version. Most of the verses of this version were by Gordon Dickson; when Seeger finally discovered this, after the album was issued, he sent royalties on to Dickson.
Filk Circle
Filk music is most commonly performed in a gathering known as a Filk Circle. Similar to the Drum CirclesDrum circle
A drum circle is any group of people playing hand-drums and percussion in a circle. They are distinct from a drumming group or troupe in that the drum circle is an end in itself rather than preparation for a performance...
and Bardic Circles found at SCA
Society for Creative Anachronism
The Society for Creative Anachronism is an international living history group with the aim of studying and recreating mainly Medieval European cultures and their histories before the 17th century...
events and other fannish
Science fiction fandom
Science fiction fandom or SF fandom is a community or "fandom" of people actively interested in science fiction and fantasy and in contact with one another based upon that interest...
events, filk circles can be formed in any location where filkers gather.
Filk circles are different from concert-style musical performances. Although filk music can also be performed in front of an audience, and there are concerts scheduled at filk conventions and science fiction conventions worldwide, filk circles are a more common occurrence. The purpose of a filk circle is for musicians to share songs with other musicians, so performing and listening are given equal emphasis. In a filk circle, there is no stage, there is no audience. Those who participate in a filk circle may choose to perform, to listen, or both, as the mood strikes them. Performers may know only one song, or they may have an extensive library of songs from which to choose. Participants are usually encouraged to join in and sing along or play along on their instruments.
Filk circles can be formalized parts of larger events, such as being assigned a specific time and location on the schedule of a science fiction convention, or they can be completely informal and spontaneous, forming organically in hotel hallways and lobbies. Filk-specific conventions will usually have multiple filk circles happening simultaneously in different rooms, with some circles focused on a single style or topic. Local parties called housefilks are day-long events organized around a single filk circle held in the host's home.
Physical layout
As the name implies, a rough circle of chairs is usually formed. The details depend on the available space and furniture, and it may not even end up being circular, or even have chairs at all. The purpose of the circular formation is both symbolic and functional: By having everyone face each other, it honors all participants as equals, it emphasizes both listening and performing, and it makes each participant visible to every other participant.A formally organized filk circle can have the chairs set up ahead of time, with the organizers estimating the number of participants and adjusting the size of the circle as best they can. A circle that is too large for the number of participants tends to feel uncomfortably empty, but a circle that is too small will need to be enlarged as the number of participants grows. The disruption that results from attempting to enlarge a filk circle in progress can break up the flow of the songs and change the mood, so enlarging the circle is often avoided in favor of adding extra layers (concentric circles) outside the inner circle (space permitting).
Time of day
Traditionally, filk circles are started in the evening and tend to continue very late into the night. Of course, this depends upon the location, the participants, and the organizers. Filk circles have been known to continue all night, or at least into the early morning hours. Those organizing formal filk circles at conventions usually make arrangements with the hotel for the space to be available for the entire night. There are many exceptions to this; it's not uncommon to find a housefilk scheduled to start in the early afternoon and end in the early evening, for example.Musical instruments
At most filk circles, the participants are expected to bring their own musical instruments (if they play an instrument at all), although sometimes you will find organizers or performers bringing a collection of extra instruments so that others may borrow or experiment with them. Most performers who bring instruments such as guitars are usually happy to loan their instruments to someone who comes to the circle without one.A wide range of instruments can be found in a filk circle, although the most common is the acoustic guitar
Acoustic guitar
An acoustic guitar is a guitar that uses only an acoustic sound board. The air in this cavity resonates with the vibrational modes of the string and at low frequencies, which depend on the size of the box, the chamber acts like a Helmholtz resonator, increasing or decreasing the volume of the sound...
. Acoustic instruments are more common than electric instruments, although portable keyboards
Electronic keyboard
An electronic keyboard is an electronic or digital keyboard instrument.The major components of a typical modern electronic keyboard are:...
and even theremin
Theremin
The theremin , originally known as the aetherphone/etherophone, thereminophone or termenvox/thereminvox is an early electronic musical instrument controlled without discernible physical contact from the player. It is named after its Russian inventor, Professor Léon Theremin, who patented the device...
s are not unheard of. Small, easily portable instruments are more common than large ones, although larger items such as small drum kit
Drum kit
A drum kit is a collection of drums, cymbals and often other percussion instruments, such as cowbells, wood blocks, triangles, chimes, or tambourines, arranged for convenient playing by a single person ....
s and upright basses
Double bass
The double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...
can be found at some filk circles. A large filk circle might play host to an array of folk and Celtic instruments such as fiddle
Fiddle
The term fiddle may refer to any bowed string musical instrument, most often the violin. It is also a colloquial term for the instrument used by players in all genres, including classical music...
s, mandolin
Mandolin
A mandolin is a musical instrument in the lute family . It descends from the mandore, a soprano member of the lute family. The mandolin soundboard comes in many shapes—but generally round or teardrop-shaped, sometimes with scrolls or other projections. A mandolin may have f-holes, or a single...
s, dulcimers
Appalachian dulcimer
The Appalachian dulcimer is a fretted string instrument of the zither family, typically with three or four strings. It is native to the Appalachian region of the United States...
, banjo
Banjo
In the 1830s Sweeney became the first white man to play the banjo on stage. His version of the instrument replaced the gourd with a drum-like sound box and included four full-length strings alongside a short fifth-string. There is no proof, however, that Sweeney invented either innovation. This new...
s, flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...
s, recorder
Recorder
The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes—whistle-like instruments which include the tin whistle. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple...
s, bodhráns
Bodhrán
The bodhrán is an Irish frame drum ranging from 25 to 65 cm in diameter, with most drums measuring 35 to 45 cm . The sides of the drum are 9 to 20 cm deep. A goatskin head is tacked to one side...
, bongos
Bongo drum
Bongo or bongos are a Cuban percussion instrument consisting of a pair of single-headed, open-ended drums attached to each other. The drums are of different size: the larger drum is called in Spanish the hembra and the smaller the macho...
and darbukas
Goblet drum
The goblet drum is a hand drum with a goblet shape used mostly in the Middle East, North Africa, and Eastern Europe....
.
Song presentation
Songs are presented very informally. They can be given with spoken introductions and explanations, or they can be simply played and allowed to speak for themselves. Songs can be chosen to fit the current mood or theme, or they may be chosen to deliberately change the mood. Songs can be performed by individuals, duos, groups, or groups hastily assembled from other participants. Songs can be accompanied by instruments or be performed a cappellaA cappella
A cappella music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It is the opposite of cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato...
. Songs can be original songs, covers
Cover version
In popular music, a cover version or cover song, or simply cover, is a new performance or recording of a contemporary or previously recorded, commercially released song or popular song...
, parodies
Parody music
Parody music, or musical parody, involves changing or recycling existing musical ideas or lyrics — or copying the peculiar style of a composer or artist, or even a general style of music. Although the result is often funny, and this is the usual intent — the term "parody" in musical terms also...
, instrumental
Instrumental
An instrumental is a musical composition or recording without lyrics or singing, although it might include some non-articulate vocal input; the music is primarily or exclusively produced by musical instruments....
s, or even spoken-word pieces such as poetry and stories.
An active and well-attended filk circle, at its peak, will usually be a somewhat continuous stream of songs, with only a small amount of conversation between songs. Filk circles that are just getting started or winding down may have more talking and socializing than music.
Types
Filk circles are often given an organizational structure to make it easier for participants to know when it's time to perform or time to listen to other performers. There are many ways to accomplish this, but the most common types of filk circle are listed below.Bardic
In a bardic circle, each person in the circle (as well as those sitting in concentric circles around the inner circle, if any), go in turns, with each turn moving sequentially either clockwise or counterclockwise around the circle. Each participant is given the choice of pick, pass, or play. "Pick" means they can request a specific song, a specific performer, a general topic or style, or any other similar request from an individual or from the circle in general. "Pass" means they skip their turn and the choice passes on to the next person in sequence. "Play" means they can perform any song they choose, either specific to the current topic or mood, or deliberately different from the current topic or mood.The advantage of the bardic circle is that it has a clear structure which enforces politeness. It ensures everyone in the circle gets their turn, so that even shy people can have a chance to request or perform. There are disadvantages, however. A bardic circle with large numbers of participants will take a long time to traverse the entire circle, making people wait too long for their turn. There is less spontaneity in a bardic circle than a chaos circle, and the chance of being able to play a good "follower" song is reduced.
Chaos
In a chaos circle, there is no sequential organization. Any performer can simply begin playing a song after the prior song is finished, or any participant can shout out a request. Care must be taken to prevent two songs from starting at the same time. Frequently the word "follower!" is shouted in a chaos circle, meaning that a performer believes they have the perfect song to follow the prior song, and they want to play it now.The chaos circle's advantage is its spontaneity and energy. "Runs" of songs will frequently get started, with each new song intended to make some sort of connection to or commentary on the prior song's topic. The disadvantage is that it takes concentration and effort be polite and respectful in a chaos circle: It's easy to accidentally interrupt another performer who's trying to start up a song of their own, especially in a very large circle where one might not be able to easily hear the other performer on the opposite side of the room. Chaos circles thus have a reputation of favoring bold, loud performers who can command attention.
Token Bardic
A token bardic circle, also known as a "poker-chip" bardic circle, attempts to combine the enforced politeness of the bardic circle with the freeform nature of the chaos circle. A container full of some type of token such as poker chips is supplied for the circle. Each person participating in the circle is given a fixed number of tokens when they enter the room (frequently two tokens), and can throw a token into the center of the circle at any time to claim a pick or play turn (see Bardic, above). When all the active tokens in the circle are used up, they are scooped up and redistributed for the next round.The advantage of a token bardic is that there's still a chance for spontaneity and followers, yet it's easy to be polite to other performers because you can easily see when another performer wants a turn. The disadvantage is that, like bardic, in a large circle it may take a long time for you to get another turn after you've used up your existing turns.
There are variations of these styles, some of the variants involving a person acting as a moderator. A given circle can change its style mid-stream, if the participants agree. It's common to see the participants of a bardic circle "go chaos" or vice versa, for example.
Etiquette
The etiquette of the filk circle begins with a respect for all music, including (and perhaps especially) amateur music and amateur performers. Everyone is encouraged to perform, regardless of their skill level. No one is criticized except to occasionally give tips or suggestions.Although singing along and playing along with instruments (including improvisation) is usually encouraged, filk circles are not like jam session
Jam session
Jam sessions are often used by musicians to develop new material, find suitable arrangements, or simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one...
s. Jam sessions are usually focused on extended instrumental improvisation with everyone performing simultaneously, whereas filk circles tend to be more focused on a single performer or group singing an individual song during their turn. Singing along and playing along are expected to be done politely, contributing to the song rather than overshadowing the song's performer. The exception to this rule is when a jam session is specifically scheduled at a filk convention.
Disruptions and distractions are discouraged during a song. This includes walking through the circle, general noise, and conversations. If between-song conversations and noise get out of hand, it's common to hear someone shout, "filker up!" as a signal to end the conversations so that the next person can have their turn.
Cultural perspective
There are several shared values that come from the cultural creation of filk in a social network, even one that spans several continents.At a deep level, the folk culture of filk validates creative arts in the midst of an explicitly technological culture. When accepting induction into the Filk Hall of Fame in 2003, ethnomusicologist Sally Childs-Helton said, We have taken our right to be creative and to literally "play" in the best sense of that word. Filk combines folk roots, live music circles, and dominant acoustical instrumentation, on the one hand, with high-tech cultural maintenance, on the other hand—a dense network of filkers' web pages, recordings, sound reinforcement at filk conventions, e-mail lists, and so on. The eclectic content of filk frequently contains that assertion of human creativity, especially in connection with technology. (See for example Leslie Fish's Hope Eyrie.) While there are significant numbers of memorial songs (e.g., Launius, 2004), pessimistic songs blame carelessness, incompetence, and corruption, only rarely considering the frailties of a society built on technology or hopes for the future. Because these themes cross international boundaries in filk, they are not explainable as a purely American optimism vis-a-vis technology (in contrast to Nye, 1996).
Within the community, the folk culture of filk acknowledges the legitimacy of music created by artists with a broad range of skills. Those who actively identify themselves as filkers include professional musicians, musical novices, and all ranges in between. The repeat appearances of professional musicians at filk-specific conventions suggests a certain amount of respect given high levels of musical skill within filking, even while the culture is open to less experienced musicians. Whether the occasion is a housefilk in someone's home or a convention (festival) over a weekend, filk culture encourages respectful listening regardless of the performers' skill level and manifest opportunities for participation from single songs in a musical circle to scheduled concerts.
That openness to participation is a marked norm in filking (e.g., Jenkins, 1992) and makes it relatively unique in a larger society that glorifies competition and super-stardom in performance arts. Mentorship within the filk community includes formal workshops at conventions as well as the informal swapping of advice in various forums.
Occasional discussions over the boundaries of filk indicates the extent to which participants in filking are both aware of and keenly interested in the definition of filk as a community. Newsgroup debates over such topics as whether 'Weird Al' Yankovic is a filker suggest the deep feelings involved. In practice, most formal recognition of filkers in various awards are to those who regularly attend self-identified filk events, not to professional artists whose work may be considered found filk.
Pegasus Awards
The Pegasus Awards were founded to recognize and honor excellence in filking. These awards are given annually at the Ohio Valley Filk Fest (or OVFF). Anyone with an interest in filk can nominate songs or individuals for the awards, and anyone can vote. It is not necessary to be a member of the convention to be involved in the nomination and voting process.
Currently awards are given in six categories: Best Song, Best Performer, Best Writer/Composer, Best Classic Song and two topical categories that vary from year to year. Some examples of past categories include: Best Love Song, Best Literature Song, Best Techie Song, Best Sing Along, etc.
The OVFF convention committee solicits nominations for Finalists for the Pegasus Awards (the Nominating Ballot) during the late spring and summer. There is an opinion poll that runs during the year as well to help interested folk brainstorm ideas for the Nominating Ballot. The Finalist Ballot is distributed in the early fall, and must be returned by the opening night of OVFF. Voting can be done online—either to nominate Finalists, or to vote for the Finalists themselves. The final round of voting happens at OVFF itself, where handwritten ballots are collected after the annual Pegasus concert. The entire process is administered by the OVFF convention committee.
See also
- Science fiction conventions
- Barry and Sally Childs-HeltonBarry and Sally Childs-HeltonBarry and Sally Childs-Helton are filk writers and singers. They are also highly educated though their song Alphabet Soup shows their feelings on the value of their doctorate and PhD degrees. They are based in Indiana...
- Maya Kaathryn BohnhoffMaya Kaathryn BohnhoffMaya Kaathryn Bohnhoff is a versatile author and performer, best known for her science fiction and fantasy works...
- Frank Hayes (musician)
- Tom Smith (filker)Tom Smith (filker)Tom Smith is a singer-songwriter from , who got his start in the filk music community. He is a fourteen-time winner of the Pegasus Award for excellence in filking, including awards for his "A Boy and His Frog", "307 Ale", and "The Return of the King ", and was inducted into the Filk Hall of Fame in...
- Banned from ArgoBanned From Argo"Banned From Argo" is a filk song written and originally recorded by Leslie Fish, released in 1977 on the album Solar Sailors, and later as part of various compilations "Banned From Argo" is a filk song written and originally recorded by Leslie Fish, released in 1977 on the album Solar Sailors, and...