Marianne
Encyclopedia
Marianne is a national emblem
of France and an allegory of Liberty
and Reason
. She represents the state and values of France, differently from another French cultural symbol, the "Coq Gaulois" ("Gallic rooster
") which represents France as a nation and its history, land, culture, and variety of sport disciplines in their combative forms. Marianne is displayed in many places in France and holds a place of honour in town halls and law courts. She symbolises the "Triumph of the Republic", a bronze sculpture
overlooking the Place de la Nation
in Paris. Her profile stands out on the official seal of the country, is engraved on French euro coins
and appears on French postage stamps; it also was featured on the former franc currency
. Marianne is one of the most prominent symbol
s of the French Republic.
The origins of Marianne, depicted by artist Honoré Daumier
, in 1848, as a mother nursing two children, Romulus
and Remus
, or by sculptor François Rude
, during the July Monarchy
, as an angry warrior voicing the Marseillaise on the Arc de Triomphe
, are uncertain. In any case, she has become a symbol in France: considered as a personification of the Republic, she was often used on republican iconography — and heavily caricatured and reviled by those against the republic. Although both are common emblems of France, neither Marianne nor the rooster
enjoys official status: the flag of France
, as named and described in Article 2 of the French constitution, is the only official emblem.
personifications. Less common during the Middle Ages
, this practice resurfaced during the Renaissance
. During the French Revolution
of 1789, many allegorical personifications of 'Liberty
' and 'Reason
' appeared. These two figures finally merged into one: a female figure, shown either sitting or standing, and accompanied by various attributes, including the cockerel, the tricolor cockade, and the Phrygian cap
. This woman typically symbolised Liberty, Reason, the Nation, the Homeland, the civic virtues of the Republic. (Compare the Statue of Liberty
, created by a French artist, with a copy in both Paris and Saint-Étienne
.)
In September 1792, the National Convention
decided by decree that the new seal of the state would represent a standing woman holding a spear with a Phrygian cap held aloft on top of it.
Why is it a woman and not a man who represents the Republic? One could also find the answer to this question in the traditions and mentality of the French, suggests the historian Maurice Agulhon, who in several well-known works set out on a detailed investigation to discover the origins of Marianne. A feminine allegory was also a manner to symbolise the breaking with the Ancien Régime headed by men. Even before the French Revolution, the Kingdom of France
was embodied in masculine figures, as depicted in certain ceilings of Palace of Versailles
. Furthermore, the Republic itself is, in French, a feminine noun (la République), as are the French nouns for liberty (:fr:Liberté) and reason (:fr:Raison).
The use of this emblem was initially unofficial and very diverse. A female allegory of Liberty and of the Republic makes an appearance in Eugène Delacroix
's painting Liberty Leading the People
, painted in July 1830 in honour of the Three Glorious Days (or July Revolution of 1830).
the origins of this “goddess of Liberty” date back to 1775, when Jean-Michel Moreau painted
her as a young woman dressed in Roman style clothing with a Phrygian cap
atop a pike
held in one hand that years later would become a national symbol across France. Marianne made her first major appearance in the French spotlight on a medal in July 1789, celebrating the storming of the Bastille
and other early events of the
Revolution. From this time until September 1792, the image of Marianne was overshadowed by other female figures such as Mercury and Minerva. It was not until September 1792 when the new Republic
sought a new image to represent the State that her popularity began to expand. Marianne, the female allegory of Liberty was chosen to represent the new regime of the French Republic, while remaining to symbolize liberty at the same time.
The imagery of Marianne chosen as the seal of the First French Republic depicted her standing, young and determined. It was symbolic of the First Republic itself, a newly created state that had much to prove. Marianne is clad in a classical gown. In her right hand, she wields the pike of revolution with the Phrygian cap resting on it, which represents the liberation of France. Marianne is shown leaning on a fasces
, a symbol of authority. Although she is standing and holding a pike, this depiction of Marianne is “not exactly aggressive”, representing the ideology of the conservative Girondins in the National Convention
as they tried to move away from the “frantic violence of the revolutionary days”.
Although the initial figure of Marianne from 1792 stood in a relatively conservative pose, the revolutionaries were quick to abandon that figure when it no longer suited them. By 1793, the conservative figure of Marianne had been replaced by a more violent image; that of a woman, bare-breasted and fierce of visage, often leading men into battle. The reason behind this switch stems from the shifting priorities of the Republic. Although the Marianne symbol was initially neutral in tone, the shift to radical action was in response to the beginning of the Terror, which called for militant revolutionary action against foreigners and counter-revolutionaries. As part of the tactics the administration employed, the more radical Marianne was intended to rouse the French people to action. Even this change, however, was seen to be insufficiently radical by the republicans. After the arrest of the Girondin deputies in October 1793, the Convention sought to “recast the Republic in a more radical mold”, eventually using the symbol of Hercules to represent the Republic. The use of increasingly radical images to symbolize the Republic was in direct parallel to the beginning of the violence that came to be known as the Reign of Terror
.
After the Reign of Terror, there was a need for another change in the imagery, to showcase the more civil and non-violent nature of the Directory
. In the Official Vignette of the Executive Directory, 1798, Marianne made a striking return, still depicted wearing the Phrygian cap, but now surrounded by different symbols. In contrast to the Marianne of 1792, this Marianne “holds no pike or lance”, and leans “languorously” on the tablet of the Constitution of Year III. Instead of looking straight at the observer, she casts her gaze towards the side, thus appearing less confrontational. Similar imagery was used in the poster of the Republic’s new calendar.
The symbol of Marianne continued to evolve in response to the needs of the State long after the Directory was dissolved in 1799 following the coup spearheaded by Emmanuel-Joseph Sieyès and Napoleon Bonaparte
. Whereas Mercury and Minerva and other symbolic figures diminished in prominence over the course of French history, Marianne endured because of her abstraction and impersonality. The “malleability” of what she symbolized allowed French political figures to continually manipulate her image to their specific purposes at any given time.
Two "Mariannes" were authorised. One is fighting and victorious, recalling the Greek goddess Athena
: she has a bare breast, the Phrygian cap
and a red corsage
, and has an arm lifted in a gesture of rebellion. The other is more conservative: she is rather quiet, wearing clothes in a style of Antiquity, with sun rays around her head — a transfer of the royal symbol to the Republic — and is accompanied by many symbols (wheat, a plough
and the fasces
of the Roman lictor
s). These two, rival Mariannes represent two ideas of the Republic, a bourgeois representation and a democratic and social representation — the June Days Uprising
hadn't yet occurred.
Town halls voluntarily chose to have representations of Marianne, often turning her back to the church
. Marianne made her first appearance on a French postage stamp in 1849.
During the Second Empire
(1852–1870), this depiction became clandestine and served as a symbol of protest against the regime. The common use of the name "Marianne" for the depiction of "Liberty" started around 1848/1851, becoming generalised throughout France around 1875.
(1870–1940). The Hôtel de Ville
in Paris (city hall) displayed a statue of "Marianne" wearing a Phrygian cap in 1880, and was quickly followed by the other French cities. In Paris, where the Radicals had a strong presence, a contest was launched for the statue of Place de la République
. It was won by the Morice brothers (with Léopold Morice
producing the sculpture and the architect François-Charles Morice designing the pedestal), in 1879, with an academical Marianne, with an arm lifted towards the sky and a Phrygian cap, but with her breasts covered. Aimé-Jules Dalou lost the contest against the Morice brothers, but the City of Paris decided to build his monument on the Place de la Nation, inaugurated for the centenary of the French Revolution, in 1889, with a plaster version covered in bronze. Dalou's Marianne had the lictor's fasces, the Phrygian cap, a bare breast, and was accompanied by a Blacksmith representing Work, and allegories of Freedom, Justice, Education and Peace: all that the Republic was supposed to bring to its citizens. The final bronze monument was inaugurated in 1899, in the turmoil of the Dreyfus Affair
, with Waldeck-Rousseau, a Radical, in power. The ceremony was accompanied by a huge demonstration of workers, with red flag
s. The government's officials, wearing black redingote
s, quit the ceremony. Marianne had been reappropriated by the workers, but as the representative of the Social and Democratic
Republic (la République démocratique et sociale, or simply La Sociale).
Few Mariannes were depicted in the First World War memorials, but some living models of Marianne appeared in 1936, during the Popular Front
as they had during the Second Republic (then stigmatized by the right-wing press as "unashamed prostitutes"). During World War II, Marianne represented Liberty against the Nazi
invaders, and the Republic against the Vichy regime (see Paul Collin's representation). During Vichy, 120 of the 427 monuments of Marianne were melted, while the Milice
took out its statues in town halls in 1943.
made a large use of it, in particular on stamps or for the referendums. The most recent subversive and revolutionary appearance of Marianne was during May '68. The liberal and conservative president Valéry Giscard d'Estaing
replaced Marianne by La Poste
on stamps, changed the rhythm of the Marseillaise and suppressed the commemoration of 8 May 1945.
During the bicentenary of the Revolution, in 1989, Marianne hardly made any public appearance. The Socialist President François Mitterrand
aimed to make the celebrations a consensual event, gathering all citizens, recalling more the Republic than the Revolution. The American opera singer Jessye Norman
took Marianne's place, singing La Marseillaise as part of an elaborate pageant orchestrated by avant-garde designer Jean-Paul Goude
. The Republic, after harsh internal fighting throughout the 19th century and even the 20th century (February 6, 1934 riots, Vichy, etc.), had become consensual; the vast majority of French citizens were now republicans, leading to a lesser importance of a cult of Marianne.
, the 16th century Monarchomach
, a theoretician of tyrannicide
. Others think it was the image of the wife of the politician Jean Reubell: according to an old 1797 story, Barras
, one of the members of the Directoire, during an evening spent at Reubell's, asked his hostess for her name—"Marie
-Anne
," she replied—"Perfect," Barras exclaimed, "It is a short and simple name, which befits the Republic just as much as it does yourself, Madame."
A recent discovery establishes that the first written mention of the name of Marianne to designate the Republic appeared in October 1792 in Puylaurens
in the Tarn département near Toulouse
. At that time people used to sing a song in the Provençal dialect of Occitan by the poet Guillaume Lavabre: "La garisou de Marianno" (French: "La guérison de Marianne"; "Marianne's recovery (from illness)"). At the time Marie-Anne was a very popular first name; according to Agulhon, it "was chosen to designate a régime that also saw itself as popular."
The account made of their exploits by the Revolutionaries
often contained a reference to a certain Marianne (or Marie-Anne) wearing a Phrygian cap. This pretty girl of legend inspired the sans-culottes
, and looked after those wounded in the many battles across the country.
The name of Marianne also appears to be connected with several republican secret societies. During the Second Empire
, one of them, whose members had sworn to overthrow the régime, had taken her name.
Finally, at the time of the French Revolution, as the most common of people were fighting for their rights, it seemed fitting to name the Republic after the most common of French women's names.
. She was followed by Mireille Mathieu
(1978), Catherine Deneuve
(1985), Inès de la Fressange
(1989), Laetitia Casta
(2000) and Évelyne Thomas
(2003).
Laetitia Casta was named the symbolic representation of France's Republic in a vote, for the first time open to the country's more than 36,000 mayors, in October 1999. She won from a shortlist of five candidates, scoring 36% among the 15,000 voting mayors. The other candidates were Estelle Hallyday, Patricia Kaas
, Daniela Lumbroso, Lætitia Milot and Nathalie Simon. Shortly thereafter a mini-scandal shook France, after it was publicised that Casta — the new icon of the Republic — had relocated to London. Although she claimed that her move was motivated by practical professional reasons, the magazine Le Point
, among others, suggested that she was trying to escape taxes.
Blue-white-red, Marianne, Liberté-Égalité-Fraternité, the Republic: these powerful national symbols
represent France, as a State, and its values (as opposed to the "Gallic rooster" or "Light Comes from Me" representing France as a nation and its history, land and culture). Since September 1999, they have been combined in a new "identifier" created by the Plural Left government of Lionel Jospin
under the aegis of the French Government Information Service (SIG) and the public relations officials in the principal ministries. As a federating identifier of the government departments, it appears on a wide range of material—brochures, internal and external publications, publicity campaigns, letter headings, business cards, etc.—emanating from the government, starting with the various ministries (which are able to continue using their own logo in combination with this) and the préfectures and départements.
The first objective targeted by this design is to unify government public relations. But it is also designed to "give a more accessible image to a state currently seen as abstract, remote and archaic, all the more essential in that French citizens express high expectations of the state" .
This data was gathered from numerous interviews and consultations conducted by Sofrès (a French survey institute) in January 1999, with the general public and government workers. It emerged that the French are deeply committed to the fundamental values of the Republic, and they expect an impartial and efficient state to be the promoter and guarantor of the principles of liberty, equality and fraternity.
National emblem
A national emblem symbolically represents a nation. Most national emblems originate in the natural world, such as animals or birds, but another object may serve. National emblems may appear on many things such as the national flag, coat of arms, or other patriotic materials...
of France and an allegory of Liberty
Liberty
Liberty is a moral and political principle, or Right, that identifies the condition in which human beings are able to govern themselves, to behave according to their own free will, and take responsibility for their actions...
and Reason
Reason
Reason is a term that refers to the capacity human beings have to make sense of things, to establish and verify facts, and to change or justify practices, institutions, and beliefs. It is closely associated with such characteristically human activities as philosophy, science, language, ...
. She represents the state and values of France, differently from another French cultural symbol, the "Coq Gaulois" ("Gallic rooster
Gallic rooster
The Gallic rooster is an unofficial national symbol of France as a nation .-France:...
") which represents France as a nation and its history, land, culture, and variety of sport disciplines in their combative forms. Marianne is displayed in many places in France and holds a place of honour in town halls and law courts. She symbolises the "Triumph of the Republic", a bronze sculpture
Bronze sculpture
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze".Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold. Then, as the bronze cools, it...
overlooking the Place de la Nation
Place de la Nation
The place de la Nation is a square in Paris, on the border of the 11th and 12th arrondissements...
in Paris. Her profile stands out on the official seal of the country, is engraved on French euro coins
French euro coins
French euro coins feature three separate designs for the three series of coins. The minor series was designed by Fabienne Courtiade, the middle one by Laurent Jorio and the major two coins are by Joaquin Jimenez...
and appears on French postage stamps; it also was featured on the former franc currency
French franc
The franc was a currency of France. Along with the Spanish peseta, it was also a de facto currency used in Andorra . Between 1360 and 1641, it was the name of coins worth 1 livre tournois and it remained in common parlance as a term for this amount of money...
. Marianne is one of the most prominent symbol
Symbol
A symbol is something which represents an idea, a physical entity or a process but is distinct from it. The purpose of a symbol is to communicate meaning. For example, a red octagon may be a symbol for "STOP". On a map, a picture of a tent might represent a campsite. Numerals are symbols for...
s of the French Republic.
The origins of Marianne, depicted by artist Honoré Daumier
Honoré Daumier
Honoré Daumier was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century....
, in 1848, as a mother nursing two children, Romulus
Romulus
- People:* Romulus and Remus, the mythical founders of Rome* Romulus Augustulus, the last Western Roman Emperor* Valerius Romulus , deified son of the Roman emperor Maxentius* Romulus , son of the Western Roman emperor Anthemius...
and Remus
Remus
Remus is the twin brother of the mythical founder of Rome.Remus may also refer to:* Remus , a fictional planet in Star Trek* Remus , a moon of the asteroid 87 Sylvia...
, or by sculptor François Rude
François Rude
François Rude was a French sculptor. He was the stepfather of Paul Cabet, a sculptor.Born in Dijon, he worked at his father's trade as a stovemaker till the age of sixteen, but received training in drawing from François Devosges, where he learned that a strong, simple contour was an invaluable...
, during the July Monarchy
July Monarchy
The July Monarchy , officially the Kingdom of France , was a period of liberal constitutional monarchy in France under King Louis-Philippe starting with the July Revolution of 1830 and ending with the Revolution of 1848...
, as an angry warrior voicing the Marseillaise on the Arc de Triomphe
Arc de Triomphe
-The design:The astylar design is by Jean Chalgrin , in the Neoclassical version of ancient Roman architecture . Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe: Jean-Pierre Cortot; François Rude; Antoine Étex; James Pradier and Philippe Joseph Henri Lemaire...
, are uncertain. In any case, she has become a symbol in France: considered as a personification of the Republic, she was often used on republican iconography — and heavily caricatured and reviled by those against the republic. Although both are common emblems of France, neither Marianne nor the rooster
Gallic rooster
The Gallic rooster is an unofficial national symbol of France as a nation .-France:...
enjoys official status: the flag of France
Flag of France
The national flag of France is a tricolour featuring three vertical bands coloured royal blue , white, and red...
, as named and described in Article 2 of the French constitution, is the only official emblem.
History
In classical times it was common to represent ideas and abstract entities by gods, goddesses and allegoricalAllegory
Allegory is a demonstrative form of representation explaining meaning other than the words that are spoken. Allegory communicates its message by means of symbolic figures, actions or symbolic representation...
personifications. Less common during the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
, this practice resurfaced during the Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
. During the French Revolution
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
of 1789, many allegorical personifications of 'Liberty
Liberty
Liberty is a moral and political principle, or Right, that identifies the condition in which human beings are able to govern themselves, to behave according to their own free will, and take responsibility for their actions...
' and 'Reason
Reason
Reason is a term that refers to the capacity human beings have to make sense of things, to establish and verify facts, and to change or justify practices, institutions, and beliefs. It is closely associated with such characteristically human activities as philosophy, science, language, ...
' appeared. These two figures finally merged into one: a female figure, shown either sitting or standing, and accompanied by various attributes, including the cockerel, the tricolor cockade, and the Phrygian cap
Phrygian cap
The Phrygian cap is a soft conical cap with the top pulled forward, associated in antiquity with the inhabitants of Phrygia, a region of central Anatolia. In the western provinces of the Roman Empire it came to signify freedom and the pursuit of liberty, perhaps through a confusion with the pileus,...
. This woman typically symbolised Liberty, Reason, the Nation, the Homeland, the civic virtues of the Republic. (Compare the Statue of Liberty
Statue of Liberty
The Statue of Liberty is a colossal neoclassical sculpture on Liberty Island in New York Harbor, designed by Frédéric Bartholdi and dedicated on October 28, 1886...
, created by a French artist, with a copy in both Paris and Saint-Étienne
Saint-Étienne
Saint-Étienne is a city in eastern central France. It is located in the Massif Central, southwest of Lyon in the Rhône-Alpes region, along the trunk road that connects Toulouse with Lyon...
.)
In September 1792, the National Convention
National Convention
During the French Revolution, the National Convention or Convention, in France, comprised the constitutional and legislative assembly which sat from 20 September 1792 to 26 October 1795 . It held executive power in France during the first years of the French First Republic...
decided by decree that the new seal of the state would represent a standing woman holding a spear with a Phrygian cap held aloft on top of it.
Why is it a woman and not a man who represents the Republic? One could also find the answer to this question in the traditions and mentality of the French, suggests the historian Maurice Agulhon, who in several well-known works set out on a detailed investigation to discover the origins of Marianne. A feminine allegory was also a manner to symbolise the breaking with the Ancien Régime headed by men. Even before the French Revolution, the Kingdom of France
Kingdom of France
The Kingdom of France was one of the most powerful states to exist in Europe during the second millennium.It originated from the Western portion of the Frankish empire, and consolidated significant power and influence over the next thousand years. Louis XIV, also known as the Sun King, developed a...
was embodied in masculine figures, as depicted in certain ceilings of Palace of Versailles
Palace of Versailles
The Palace of Versailles , or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. In French it is the Château de Versailles....
. Furthermore, the Republic itself is, in French, a feminine noun (la République), as are the French nouns for liberty (:fr:Liberté) and reason (:fr:Raison).
The use of this emblem was initially unofficial and very diverse. A female allegory of Liberty and of the Republic makes an appearance in Eugène Delacroix
Eugène Delacroix
Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school...
's painting Liberty Leading the People
Liberty Leading the People
Liberty Leading the People is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled Charles X of France. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the tricouleur flag of the French Revolution in one hand and...
, painted in July 1830 in honour of the Three Glorious Days (or July Revolution of 1830).
The First Republic
Although the image of Marianne did not garner significant attention until 1792,the origins of this “goddess of Liberty” date back to 1775, when Jean-Michel Moreau painted
her as a young woman dressed in Roman style clothing with a Phrygian cap
Phrygian cap
The Phrygian cap is a soft conical cap with the top pulled forward, associated in antiquity with the inhabitants of Phrygia, a region of central Anatolia. In the western provinces of the Roman Empire it came to signify freedom and the pursuit of liberty, perhaps through a confusion with the pileus,...
atop a pike
held in one hand that years later would become a national symbol across France. Marianne made her first major appearance in the French spotlight on a medal in July 1789, celebrating the storming of the Bastille
Storming of the Bastille
The storming of the Bastille occurred in Paris on the morning of 14 July 1789. The medieval fortress and prison in Paris known as the Bastille represented royal authority in the centre of Paris. While the prison only contained seven inmates at the time of its storming, its fall was the flashpoint...
and other early events of the
Revolution. From this time until September 1792, the image of Marianne was overshadowed by other female figures such as Mercury and Minerva. It was not until September 1792 when the new Republic
French First Republic
The French First Republic was founded on 22 September 1792, by the newly established National Convention. The First Republic lasted until the declaration of the First French Empire in 1804 under Napoleon I...
sought a new image to represent the State that her popularity began to expand. Marianne, the female allegory of Liberty was chosen to represent the new regime of the French Republic, while remaining to symbolize liberty at the same time.
The imagery of Marianne chosen as the seal of the First French Republic depicted her standing, young and determined. It was symbolic of the First Republic itself, a newly created state that had much to prove. Marianne is clad in a classical gown. In her right hand, she wields the pike of revolution with the Phrygian cap resting on it, which represents the liberation of France. Marianne is shown leaning on a fasces
Fasces
Fasces are a bundle of wooden sticks with an axe blade emerging from the center, which is an image that traditionally symbolizes summary power and jurisdiction, and/or "strength through unity"...
, a symbol of authority. Although she is standing and holding a pike, this depiction of Marianne is “not exactly aggressive”, representing the ideology of the conservative Girondins in the National Convention
National Convention
During the French Revolution, the National Convention or Convention, in France, comprised the constitutional and legislative assembly which sat from 20 September 1792 to 26 October 1795 . It held executive power in France during the first years of the French First Republic...
as they tried to move away from the “frantic violence of the revolutionary days”.
Although the initial figure of Marianne from 1792 stood in a relatively conservative pose, the revolutionaries were quick to abandon that figure when it no longer suited them. By 1793, the conservative figure of Marianne had been replaced by a more violent image; that of a woman, bare-breasted and fierce of visage, often leading men into battle. The reason behind this switch stems from the shifting priorities of the Republic. Although the Marianne symbol was initially neutral in tone, the shift to radical action was in response to the beginning of the Terror, which called for militant revolutionary action against foreigners and counter-revolutionaries. As part of the tactics the administration employed, the more radical Marianne was intended to rouse the French people to action. Even this change, however, was seen to be insufficiently radical by the republicans. After the arrest of the Girondin deputies in October 1793, the Convention sought to “recast the Republic in a more radical mold”, eventually using the symbol of Hercules to represent the Republic. The use of increasingly radical images to symbolize the Republic was in direct parallel to the beginning of the violence that came to be known as the Reign of Terror
Reign of Terror
The Reign of Terror , also known simply as The Terror , was a period of violence that occurred after the onset of the French Revolution, incited by conflict between rival political factions, the Girondins and the Jacobins, and marked by mass executions of "enemies of...
.
After the Reign of Terror, there was a need for another change in the imagery, to showcase the more civil and non-violent nature of the Directory
French Directory
The Directory was a body of five Directors that held executive power in France following the Convention and preceding the Consulate...
. In the Official Vignette of the Executive Directory, 1798, Marianne made a striking return, still depicted wearing the Phrygian cap, but now surrounded by different symbols. In contrast to the Marianne of 1792, this Marianne “holds no pike or lance”, and leans “languorously” on the tablet of the Constitution of Year III. Instead of looking straight at the observer, she casts her gaze towards the side, thus appearing less confrontational. Similar imagery was used in the poster of the Republic’s new calendar.
The symbol of Marianne continued to evolve in response to the needs of the State long after the Directory was dissolved in 1799 following the coup spearheaded by Emmanuel-Joseph Sieyès and Napoleon Bonaparte
Napoleon I
Napoleon Bonaparte was a French military and political leader during the latter stages of the French Revolution.As Napoleon I, he was Emperor of the French from 1804 to 1815...
. Whereas Mercury and Minerva and other symbolic figures diminished in prominence over the course of French history, Marianne endured because of her abstraction and impersonality. The “malleability” of what she symbolized allowed French political figures to continually manipulate her image to their specific purposes at any given time.
The Second Republic
On 17 March 1848, the Ministry of the Interior of the newly founded Second Republic launched a contest to symbolise the Republic on paintings, sculptures, medals, money and seals, as no official representations of it existed. After the fall of the monarchy, the Provisional Government had declared: "The image of liberty should replace everywhere the images of corruption and shame, which have been broken in three days by the magnanimous French people." For the first time, the allegory of Marianne condensed into itself Liberty, the Republic and the Revolution.Two "Mariannes" were authorised. One is fighting and victorious, recalling the Greek goddess Athena
Athena
In Greek mythology, Athena, Athenê, or Athene , also referred to as Pallas Athena/Athene , is the goddess of wisdom, courage, inspiration, civilization, warfare, strength, strategy, the arts, crafts, justice, and skill. Minerva, Athena's Roman incarnation, embodies similar attributes. Athena is...
: she has a bare breast, the Phrygian cap
Phrygian cap
The Phrygian cap is a soft conical cap with the top pulled forward, associated in antiquity with the inhabitants of Phrygia, a region of central Anatolia. In the western provinces of the Roman Empire it came to signify freedom and the pursuit of liberty, perhaps through a confusion with the pileus,...
and a red corsage
Corsage (bodice)
Corsage refers to the bodice of a dress. In the 19th century, corsage was a common term for a woman's bodice or jacket.In modern usage, corsage is often confused with a corset, but a corset is tighter...
, and has an arm lifted in a gesture of rebellion. The other is more conservative: she is rather quiet, wearing clothes in a style of Antiquity, with sun rays around her head — a transfer of the royal symbol to the Republic — and is accompanied by many symbols (wheat, a plough
Plough
The plough or plow is a tool used in farming for initial cultivation of soil in preparation for sowing seed or planting. It has been a basic instrument for most of recorded history, and represents one of the major advances in agriculture...
and the fasces
Fasces
Fasces are a bundle of wooden sticks with an axe blade emerging from the center, which is an image that traditionally symbolizes summary power and jurisdiction, and/or "strength through unity"...
of the Roman lictor
Lictor
The lictor was a member of a special class of Roman civil servant, with special tasks of attending and guarding magistrates of the Roman Republic and Empire who held imperium, the right and power to command; essentially, a bodyguard...
s). These two, rival Mariannes represent two ideas of the Republic, a bourgeois representation and a democratic and social representation — the June Days Uprising
June Days Uprising
The June Days Uprising was a revolution staged by the citizens of France, whose only source of income was the National Workshops, from 23 June to 26 June 1848. The Workshops were created by the Second Republic in order to provide work and a source of income for the unemployed, however only...
hadn't yet occurred.
Town halls voluntarily chose to have representations of Marianne, often turning her back to the church
Roman Catholicism in France
The Roman Catholic Church of France, sometimes called the "eldest daughter of the Church" owing to its early and unbroken communion with the bishop of Rome, is part of the worldwide Catholic Church...
. Marianne made her first appearance on a French postage stamp in 1849.
The Second Empire
During the Second Empire
Second French Empire
The Second French Empire or French Empire was the Imperial Bonapartist regime of Napoleon III from 1852 to 1870, between the Second Republic and the Third Republic, in France.-Rule of Napoleon III:...
(1852–1870), this depiction became clandestine and served as a symbol of protest against the regime. The common use of the name "Marianne" for the depiction of "Liberty" started around 1848/1851, becoming generalised throughout France around 1875.
The Third Republic
The usage began to be more official during the Third RepublicFrench Third Republic
The French Third Republic was the republican government of France from 1870, when the Second French Empire collapsed due to the French defeat in the Franco-Prussian War, to 1940, when France was overrun by Nazi Germany during World War II, resulting in the German and Italian occupations of France...
(1870–1940). The Hôtel de Ville
Hôtel de Ville, Paris
The Hôtel de Ville |City Hall]]) in :Paris, France, is the building housing the City of Paris's administration. Standing on the place de l'Hôtel de Ville in the city's IVe arrondissement, it has been the location of the municipality of Paris since 1357...
in Paris (city hall) displayed a statue of "Marianne" wearing a Phrygian cap in 1880, and was quickly followed by the other French cities. In Paris, where the Radicals had a strong presence, a contest was launched for the statue of Place de la République
Place de la République
The Place de la République is a square in Paris, located on the border between the 3rd, 10th and 11th arrondissements. It is named after the French Republic. The Métro station of République lies beneath the square.-History:...
. It was won by the Morice brothers (with Léopold Morice
Léopold Morice
Léopold Morice was a French sculptor-Life:An apprentice in Bosc's studio then in Jouffroy's studio, he was later admitted to the École nationale des Beaux-Arts aged 19 - his talent gained him several medals during his training there. He won several contracts in 1875 in Paris, Dunkerque, Nîmes,...
producing the sculpture and the architect François-Charles Morice designing the pedestal), in 1879, with an academical Marianne, with an arm lifted towards the sky and a Phrygian cap, but with her breasts covered. Aimé-Jules Dalou lost the contest against the Morice brothers, but the City of Paris decided to build his monument on the Place de la Nation, inaugurated for the centenary of the French Revolution, in 1889, with a plaster version covered in bronze. Dalou's Marianne had the lictor's fasces, the Phrygian cap, a bare breast, and was accompanied by a Blacksmith representing Work, and allegories of Freedom, Justice, Education and Peace: all that the Republic was supposed to bring to its citizens. The final bronze monument was inaugurated in 1899, in the turmoil of the Dreyfus Affair
Dreyfus Affair
The Dreyfus affair was a political scandal that divided France in the 1890s and the early 1900s. It involved the conviction for treason in November 1894 of Captain Alfred Dreyfus, a young French artillery officer of Alsatian Jewish descent...
, with Waldeck-Rousseau, a Radical, in power. The ceremony was accompanied by a huge demonstration of workers, with red flag
Red flag
In politics, a red flag is a symbol of Socialism, or Communism, or sometimes left-wing politics in general. It has been associated with left-wing politics since the French Revolution. Socialists adopted the symbol during the Revolutions of 1848 and it became a symbol of communism as a result of its...
s. The government's officials, wearing black redingote
Redingote
The redingote is a type of coat that has had several forms over time. The name is derived from a French alteration of the English "riding coat", an example of reborrowing.-Women's redingote:...
s, quit the ceremony. Marianne had been reappropriated by the workers, but as the representative of the Social and Democratic
Democracy
Democracy is generally defined as a form of government in which all adult citizens have an equal say in the decisions that affect their lives. Ideally, this includes equal participation in the proposal, development and passage of legislation into law...
Republic (la République démocratique et sociale, or simply La Sociale).
Few Mariannes were depicted in the First World War memorials, but some living models of Marianne appeared in 1936, during the Popular Front
Popular Front (France)
The Popular Front was an alliance of left-wing movements, including the French Communist Party , the French Section of the Workers' International and the Radical and Socialist Party, during the interwar period...
as they had during the Second Republic (then stigmatized by the right-wing press as "unashamed prostitutes"). During World War II, Marianne represented Liberty against the Nazi
Nazi Germany
Nazi Germany , also known as the Third Reich , but officially called German Reich from 1933 to 1943 and Greater German Reich from 26 June 1943 onward, is the name commonly used to refer to the state of Germany from 1933 to 1945, when it was a totalitarian dictatorship ruled by...
invaders, and the Republic against the Vichy regime (see Paul Collin's representation). During Vichy, 120 of the 427 monuments of Marianne were melted, while the Milice
Milice
The Milice française , generally called simply Milice, was a paramilitary force created on January 30, 1943 by the Vichy Regime, with German aid, to help fight the French Resistance. The Milice's formal leader was Prime Minister Pierre Laval, though its chief of operations, and actual leader, was...
took out its statues in town halls in 1943.
Fifth Republic
Marianne's presence became less important after World War II, although General Charles de GaulleCharles de Gaulle
Charles André Joseph Marie de Gaulle was a French general and statesman who led the Free French Forces during World War II. He later founded the French Fifth Republic in 1958 and served as its first President from 1959 to 1969....
made a large use of it, in particular on stamps or for the referendums. The most recent subversive and revolutionary appearance of Marianne was during May '68. The liberal and conservative president Valéry Giscard d'Estaing
Valéry Giscard d'Estaing
Valéry Marie René Georges Giscard d'Estaing is a French centre-right politician who was President of the French Republic from 1974 until 1981...
replaced Marianne by La Poste
La Poste (France)
La Poste is the mail service of France, which also operates postal services in the French Overseas Departments of Réunion, Guadeloupe, Martinique and French Guiana, and the territorial collectivities of Saint Pierre and Miquelon and Mayotte...
on stamps, changed the rhythm of the Marseillaise and suppressed the commemoration of 8 May 1945.
During the bicentenary of the Revolution, in 1989, Marianne hardly made any public appearance. The Socialist President François Mitterrand
François Mitterrand
François Maurice Adrien Marie Mitterrand was the 21st President of the French Republic and ex officio Co-Prince of Andorra, serving from 1981 until 1995. He is the longest-serving President of France and, as leader of the Socialist Party, the only figure from the left so far elected President...
aimed to make the celebrations a consensual event, gathering all citizens, recalling more the Republic than the Revolution. The American opera singer Jessye Norman
Jessye Norman
Jessye Norman is an American opera singer. Norman is a well-known contemporary opera singer and recitalist, and is one of the highest paid performers in classical music...
took Marianne's place, singing La Marseillaise as part of an elaborate pageant orchestrated by avant-garde designer Jean-Paul Goude
Jean-Paul Goude
Jean-Paul Goude is a French graphic designer, illustrator, photographer and advertising film director. He created several well-known campaigns for brands such as Perrier, Citroën and Chanel....
. The Republic, after harsh internal fighting throughout the 19th century and even the 20th century (February 6, 1934 riots, Vichy, etc.), had become consensual; the vast majority of French citizens were now republicans, leading to a lesser importance of a cult of Marianne.
Origin of the name
Some believe that the name came from the name of the Jesuit Juan de MarianaJuan de Mariana
Juan de Mariana, also known as Father Mariana , was a Spanish Jesuit priest, Scholastic, historian, and member of the Monarchomachs....
, the 16th century Monarchomach
Monarchomachs
The Monarchomachs were originally French Huguenot theorists who opposed absolute monarchy at the end of the 16th century, known in particular for having theoretically justified tyrannicide...
, a theoretician of tyrannicide
Tyrannicide
Tyrannicide literally means the killing of a tyrant, or one who has committed the act. Typically, the term is taken to mean the killing or assassination of tyrants for the common good. The term "tyrannicide" does not apply to tyrants killed in battle or killed by an enemy in an armed conflict...
. Others think it was the image of the wife of the politician Jean Reubell: according to an old 1797 story, Barras
Paul François Jean Nicolas, vicomte de Barras
Paul François Jean Nicolas, vicomte de Barras was a French politician of the French Revolution, and the main executive leader of the Directory regime of 1795–1799.-Early life:...
, one of the members of the Directoire, during an evening spent at Reubell's, asked his hostess for her name—"Marie
Marie
-Music:* "Marie", a song written by Irving Berlin, that was a hit for Tommy Dorsey , Rudy Vallée , Nat Shilkret , Franklyn Bauer , The Four Tunes and The Bachelors*"Marie" , a hit for Johnny Hallyday*Marie, song by Solveig Sandnes...
-Anne
Anne
Anne, alternatively spelled Ane or Ann is a form of the Latin female given name Anna. This in turn is a representation of the Hebrew Hannah or Hanani, meaning 'He [= God] has favoured me', the name of the mother of the prophet Samuel. Anne is a common name in France.It is sometimes used as a male...
," she replied—"Perfect," Barras exclaimed, "It is a short and simple name, which befits the Republic just as much as it does yourself, Madame."
A recent discovery establishes that the first written mention of the name of Marianne to designate the Republic appeared in October 1792 in Puylaurens
Puylaurens
Puylaurens is a commune in the Tarn department in southern France.-References:*...
in the Tarn département near Toulouse
Toulouse
Toulouse is a city in the Haute-Garonne department in southwestern FranceIt lies on the banks of the River Garonne, 590 km away from Paris and half-way between the Atlantic Ocean and the Mediterranean Sea...
. At that time people used to sing a song in the Provençal dialect of Occitan by the poet Guillaume Lavabre: "La garisou de Marianno" (French: "La guérison de Marianne"; "Marianne's recovery (from illness)"). At the time Marie-Anne was a very popular first name; according to Agulhon, it "was chosen to designate a régime that also saw itself as popular."
The account made of their exploits by the Revolutionaries
French Revolution
The French Revolution , sometimes distinguished as the 'Great French Revolution' , was a period of radical social and political upheaval in France and Europe. The absolute monarchy that had ruled France for centuries collapsed in three years...
often contained a reference to a certain Marianne (or Marie-Anne) wearing a Phrygian cap. This pretty girl of legend inspired the sans-culottes
Sans-culottes
In the French Revolution, the sans-culottes were the radical militants of the lower classes, typically urban laborers. Though ill-clad and ill-equipped, they made up the bulk of the Revolutionary army during the early years of the French Revolutionary Wars...
, and looked after those wounded in the many battles across the country.
The name of Marianne also appears to be connected with several republican secret societies. During the Second Empire
Second French Empire
The Second French Empire or French Empire was the Imperial Bonapartist regime of Napoleon III from 1852 to 1870, between the Second Republic and the Third Republic, in France.-Rule of Napoleon III:...
, one of them, whose members had sworn to overthrow the régime, had taken her name.
Finally, at the time of the French Revolution, as the most common of people were fighting for their rights, it seemed fitting to name the Republic after the most common of French women's names.
Models
The official busts of Marianne initially had anonymous features, appearing as women of the people. From 1969, however, they began to take on the features of famous women, starting with the actress Brigitte BardotBrigitte Bardot
Brigitte Anne-Marie Bardot is a French former fashion model, actress, singer and animal rights activist. She was one of the best-known sex-symbols of the 1960s.In her early life, Bardot was an aspiring ballet dancer...
. She was followed by Mireille Mathieu
Mireille Mathieu
Mireille Mathieu is a French chanteuse, and pop singer. Hailed in the French press as the successor to Édith Piaf, she has achieved great commercial success, recording over 1200 songs in nine different languages, with more than 120 million records sold worldwide.-Childhood to early...
(1978), Catherine Deneuve
Catherine Deneuve
Catherine Deneuve is a French actress. She gained recognition for her portrayal of aloof and mysterious beauties in films such as Repulsion and Belle de jour . Deneuve was nominated for an Academy Award for Best Actress in 1993 for her performance in Indochine; she also won César Awards for that...
(1985), Inès de la Fressange
Inès de la Fressange
Inès Marie Lætitia Églantine Isabelle de Seignard de La Fressange , is a French model, aristocrat and designer of fashion and perfumes. She was named to the International Best Dressed List Hall of Fame in 1998.- Biography :...
(1989), Laetitia Casta
Laetitia Casta
Laetitia Marie Laure Casta is a French model and actress.-Early life:Laetitia Casta was born in Pont-Audemer, Normandy, France. Her mother, Line Blin, is from Normandy. Her father, Dominique Casta, is from Corsica. She has an older brother, Jean-Baptiste, and a younger sister, Marie-Ange...
(2000) and Évelyne Thomas
Évelyne Thomas
Évelyne Thomas is the hostess of the French talk show C'est mon choix .In 2003 she was controversially chosen as the new Marianne. The town mayors who elect her went for a populist choice, which was at odds with the views of the Parisian intelligentsia...
(2003).
Laetitia Casta was named the symbolic representation of France's Republic in a vote, for the first time open to the country's more than 36,000 mayors, in October 1999. She won from a shortlist of five candidates, scoring 36% among the 15,000 voting mayors. The other candidates were Estelle Hallyday, Patricia Kaas
Patricia Kaas
Patricia Kaas is a French singer and actress.Kaas is a very successful French-speaking singer, with an International following...
, Daniela Lumbroso, Lætitia Milot and Nathalie Simon. Shortly thereafter a mini-scandal shook France, after it was publicised that Casta — the new icon of the Republic — had relocated to London. Although she claimed that her move was motivated by practical professional reasons, the magazine Le Point
Le Point
Le Point is a French weekly news magazine. It was founded in 1972 by a group of journalists who had, one year earlier, left the editorial team of L'Express, which was then owned by Jean-Jacques Servan-Schreiber, a député of the Parti Radical...
, among others, suggested that she was trying to escape taxes.
New government logo
Blue-white-red, Marianne, Liberté-Égalité-Fraternité, the Republic: these powerful national symbols
National symbols
A national symbol is a symbol of any entity considering itself and manifesting itself to the world as a national community – namely sovereign states, but also nations and countries in a state of colonial or other dependence, federal integration, or even an ethnocultural community considered a...
represent France, as a State, and its values (as opposed to the "Gallic rooster" or "Light Comes from Me" representing France as a nation and its history, land and culture). Since September 1999, they have been combined in a new "identifier" created by the Plural Left government of Lionel Jospin
Lionel Jospin
Lionel Jospin is a French politician, who served as Prime Minister of France from 1997 to 2002.Jospin was the Socialist Party candidate for President of France in the elections of 1995 and 2002. He was narrowly defeated in the final runoff election by Jacques Chirac in 1995...
under the aegis of the French Government Information Service (SIG) and the public relations officials in the principal ministries. As a federating identifier of the government departments, it appears on a wide range of material—brochures, internal and external publications, publicity campaigns, letter headings, business cards, etc.—emanating from the government, starting with the various ministries (which are able to continue using their own logo in combination with this) and the préfectures and départements.
The first objective targeted by this design is to unify government public relations. But it is also designed to "give a more accessible image to a state currently seen as abstract, remote and archaic, all the more essential in that French citizens express high expectations of the state" .
This data was gathered from numerous interviews and consultations conducted by Sofrès (a French survey institute) in January 1999, with the general public and government workers. It emerged that the French are deeply committed to the fundamental values of the Republic, and they expect an impartial and efficient state to be the promoter and guarantor of the principles of liberty, equality and fraternity.
See also
- National personificationNational personificationA national personification is an anthropomorphization of a nation or its people; it can appear in both editorial cartoons and propaganda.Some early personifications in the Western world tended to be national manifestations of the majestic wisdom and war goddess Minerva/Athena, and often took the...
, contains the list of personifications for various nations and territories - Goddess of DemocracyGoddess of DemocracyThe Goddess of Democracy , and the Goddess of Liberty , was a 10-meter-tall statue created during the Tiananmen Square protests of 1989.The statue was constructed in only four days out of foam and papier-mâché over a metal armature...
- Liberty (goddess)Liberty (goddess)Goddesses named for and representing the concept Liberty have existed in many cultures, including classical examples dating from the Roman Empire and some national symbols such as the British "Britannia" or the Irish "Kathleen Ni Houlihan"....
- Statue of LibertyStatue of LibertyThe Statue of Liberty is a colossal neoclassical sculpture on Liberty Island in New York Harbor, designed by Frédéric Bartholdi and dedicated on October 28, 1886...
Works Cited
- Sohn, Anne-Marie (teacher at the ENS-Lyon), Marianne ou l'histoire de l'idée républicaine aux XIXè et XXè siècles à la lumière de ses représentations (resume of Maurice Agulhon's three books, Marianne au combat, Marianne au pouvoir and Les métamorphoses de Marianne)